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Topic ClosedSo why do so many of you hate ELP?

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richardh View Drop Down
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Direct Link To This Post Topic: So why do so many of you hate ELP?
    Posted: March 01 2005 at 03:04
Right I want to know exactly why you hate this band? This is gloves off and no holds barred stuff.Let me have it.I'm big and mean and can take it! I will not attack anyone back for not liking ELP.That is your opinion and you are intitled to it quite rightly of course.But I want to know exactly why you regard this band as worthy of being top of your worst prog band list.This thread is for my benefit. Again this is not about trying to attack anyone,I just want to know.This thread should and will not descend into personal attacks and abuse.I will not let this happen.So fire away,give it to me all barrells blazing!
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Direct Link To This Post Posted: March 01 2005 at 03:35

Simple - I don't like their music. 

One of the biggest problems I have is this "Virtuosic keyboards" thing - Keith may play as if he's a virtuoso, but I've heard real virtuosi - and Keith is not one. He's about Grade 6-7 - and I state that as someone who has done all the keyboard grade exams and the teaching diploma, then studied music with piano as my main instrument, but also played church and concert hall organs - so I'm familiar with technique.

It's kinda like the whole Satriani/Malmsteen thing - yes, they play fast and loud, but it's pure technique.

The biggest difference between Emerson and the latter is that Emerson at least puts passion into his playing, and is full of original thought and approaches to composition.

The second biggest difference is in the precision in execution. I wish Emerson would take off the boxing gloves every now and then!

Emerson improvises, but it's not good improvisation, and he tends to re-use material far more often than not (and I suspect that much of this is not conscious), bringing a predictable, cloying feel to just about everything, as well as a very amateurish style - which is a pity. With real hard work on the dots instead of the flash, he could have written more great stuff - because there are great moments in between the layers of murk coming out of those boxing gloves.

Keith is NOT the virtuoso that ELP fans would have us believe - it's nearly ALL mouth and no trousers. And I'm not inviting comments from TF here, really I'm not...  That intro on the Royal Festival Hall organ is just despicable - total bluster and no structure, all party-piece and no real music. It's as bad as rap, from that point of view.

When Greg and Carl get it together in a bass/drum groove, there is something seriously good going on - but invariably it ends up in a messy heap with Emerson on top.

I find it hard to ciriticise Palmer, not because I'm not a drummer, but because I feel some pity that he has to work with such a cacophony, and admiration that he still manages to pull off some great grooves and licks despite it!

Finally (for now...), Greg's singing.

Oh dear.

The voice is not my cuppa tea because it's just too "precious". He can put a good edge to it - "ITCOTCK" and other places, but generally, Yuck!

And he sings flat - particularly in that gruesome rendition of "Jerusalem", which ELP fans seem to love - but I hate with a very similar passion. I much prefer the version by Mark Stewart and the Maffia (try tracking that one down ).

Just my opinion



Edited by Certif1ed
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Direct Link To This Post Posted: March 01 2005 at 03:38

Oh No! Not you too RichardH.....

I don't think anybody dislikes ELP on this site (I certainly don't) and much less HATES them on this site. It is just that some people are so violently pro-ELP (I am not aiming at you , see my top comment) and can speak also of nothing else than them, that other people get annoyed at this championning of them that they get grumpy and first avoid the subject and than get tired from it and then finally fed up. Then they come out of their reserves and start the debate the ELP integrists want them to have and things do slip onto dangerous ground because the integrists do not accept the opinions  from those joining up.

So I will avoid this thread (and other related ELP Thread) from now on , as to not get into trouble/arguing with you or anybody else.

 

I wish this ELP thing would become extinct

Peace

Hugues

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Direct Link To This Post Posted: March 01 2005 at 03:42
OOooooooooh - I can hear 3F taking a very deep breath, indeed!

Incoming............!

Jon Lord 1941 - 2012
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Direct Link To This Post Posted: March 01 2005 at 03:50

Originally posted by Jim Garten Jim Garten wrote:

OOooooooooh - I can hear 3F taking a very deep breath, indeed!

Incoming............!

Sigh . ..... Inévitable et immanquablement , mon cher ami!!

She should wake up soon , than check up the forum , click on this thread first, get angry and on we go!! And then she'll probably have a bad day! Wish this thread was not started.

 

Jim, let's stay out of this sandbox to avoid lost bullets.



Edited by Sean Trane
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Direct Link To This Post Posted: March 01 2005 at 04:04

I doubt 3f8s will be able to answer the question that this thread poses

And I'm not expecting to read anything defending ELP in this thread either - there are DOZENS of threads that praise ELP to the skies which I'm sure everyone must have encountered... you an hardly miss them

I think this thread redresses the balance nicely.

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Direct Link To This Post Posted: March 01 2005 at 04:27

ELP are the "Big Mac and Fries" of the Prog World.

And we all know who Ronald Macdonald isLOL

Sorry RichardWink



Edited by Reed Lover



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Direct Link To This Post Posted: March 01 2005 at 04:30

Have to go to work.Working until 8 o'clock this evening.Perhaps this will allow me to speak to William Gilmour ex Enid and Dusk and Robert McGregor both superb pianists/keyboards players in their own right and both classically qualified via the Glasgow Academy of Music about this highly technical point from Certified; for once, you have my interest with your comments.

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Direct Link To This Post Posted: March 01 2005 at 04:49
I don't mind ELP at all and I think that Greg Lake is a bit of a star actually guys and girls. Granted that there may be some smoke from the technique over content fire but like many of the icons here, you can see the pioneers by how many arrows there are in their backs.





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Direct Link To This Post Posted: March 01 2005 at 05:32

I dont hate ELP, I can take or leave them.

I've only recently started to listen to them again, after giving up on them years ago. I'm playing Tarkus to death at the moment, its a very good prog rock album.

My problem with ELP is their potential vs their actual output. Certif1ed makes the point that Keith Emerson is not the virtuoso that ELP fanatics make out. Maybe so, but he clearly does have the skill to write and perform good music if he wants. He seems to choose bombastic classical rip offs over good original progressive material. I have a problem with rock bands re-arranging classical music. In reality it is never going to sound as good as an orchestral arrangement. Its always going to sound like a rock band trying to show off and prove that they can play classical music for the sake of it. The first ELP I ever heard was 'Pictures at an exhibition' I thought it just sounded weak and silly. I couldn't work out why they had gone to the bother. Why didn't they just...well..do something else? Something of their own? I remember playing it my friends father, an ex concert pianist, and he just shrugged and said 'God, thats crap. Why did they bother? Are they just showing off?'

Lets face it what would you rather listen too? Holsts 'Mars the bringer of war' performed by full orchestra, or performed by Emerson, Lake and Cozy Powell??? With tea chest tribal drumming, snyths and Hammond organs..? I rest my case..

My opinions are based on what I have heard by ELP which I admit is not everything they've done.

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Direct Link To This Post Posted: March 01 2005 at 05:35
I love snyths!
Odi profanum vulgus et arceo.
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Direct Link To This Post Posted: March 01 2005 at 05:40

Originally posted by Pixel Pirate Pixel Pirate wrote:

I love snyths!

Me too

But not playing Holst. Thats just taking the p!ss. Whats the point in recording an arrangement like that? You could record a version of Stairway to Heaven on Penny Whistle if you liked, but there wouldn't be any point, because it will always be an inferior way to present the song, under any circumstances.

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Direct Link To This Post Posted: March 01 2005 at 05:50
Originally posted by Blacksword Blacksword wrote:

Originally posted by Pixel Pirate Pixel Pirate wrote:

I love snyths!

Me too

But not playing Holst. Thats just taking the p!ss. Whats the point in recording an arrangement like that? You could record a version of Stairway to Heaven on Penny Whistle if you liked, but there wouldn't be any point, because it will always be an inferior way to present the song, under any circumstances.



Pixel has spoken.

I'd like to hear Stairway to Heaven, played on the penny whistle Blacksword. Better Still; Moby Dick.
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Direct Link To This Post Posted: March 01 2005 at 06:01
Originally posted by Fragile Fragile wrote:

Have to go to work.Working until 8 o'clock this evening.Perhaps this will allow me to speak to William Gilmour ex Enid and Dusk and Robert McGregor both superb pianists/keyboards players in their own right and both classically qualified via the Glasgow Academy of Music about this highly technical point from Certified; for once, you have my interest with your comments.

I guess the Glasgow Academy outranks Nene College/University, but one man's opinion is still one man's opinion.

I'm glad to have your interest for once

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Direct Link To This Post Posted: March 01 2005 at 06:13
Originally posted by Blacksword Blacksword wrote:

Originally posted by Pixel Pirate Pixel Pirate wrote:

I love snyths!

Me too

But not playing Holst. Thats just taking the p!ss. Whats the point in recording an arrangement like that? You could record a version of Stairway to Heaven on Penny Whistle if you liked, but there wouldn't be any point, because it will always be an inferior way to present the song, under any circumstances.

William Orbit did an album 5 years ago called "Pieces In A Modern Style" where he gives the electronic treatment to classical (and neo-classical) pieces and I think he improved on the originals (well,most of them at least),so there are exceptions but in principle I completely agree. ELP ruined "Romeo And Juliet" (by Prokofiev isn't it?) on the "Black Moon" album,sucking all the beauty and emotion of the piece out of it so resoundingly as if they did it on purpose. The "rock" treatment to classical pieces can only end in a terrible shambles.

Odi profanum vulgus et arceo.
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Direct Link To This Post Posted: March 01 2005 at 07:04

I loved hearing Cozy Powell doing his drum solo to the 1812 Overture, when I was 13, but when I last heard it it sounded like something Spinal Tap may have rejected for being ridiculous.

Infact, when I think of Keith Emerson I'm reminded of another rock musician with classical ambitions/delusions..

Nigel Tufnel/Christopher Guest

'I'm a big fan of Mozart and Bach, and this piece is somewhere in the middle, a kind of Mach piece'

'This is called 'Lick my love pump''

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Direct Link To This Post Posted: March 01 2005 at 07:05

I like ELP a lot ... so much so that I couldn't really argue with their "Ultra" fans who seemed to believe the band could do no wrong ... because I don't feel like tearing into the band ...

Re: Certified's comments ... I agree that Emerson doesn't (nor at least 90% of the proggers I listen to) match up to the standards of the very best classical musicians but I still find prog-rock far more exciting than most straight classical, simply because it is a fusion of elements ... most keyboardists especially (anyone from Lord to Manzarek to Mercury to Banks) have some sort of classical background and adapt that to create brilliant creative rock music ... which to me makes them far more creative than somebody who can stunningly replicate Rachmaninoff (correct spelling?) or Liszt.

I will admit though Blacksword that I personally prefer to hear ol' Keith work on original compositions rather than attempt to re-arrange the classics (as he did in both the Nice and ELP) ... although that Tocatta thing on BSS was nice, as were parts of Pictures ...

Finally, I think Greg Lake has one of the nicest voices in all of prog. It may not be technically flawless, but is full of character ... gives albums like ITCOTCK and ELP a unique flavour ...



Edited by Trotsky
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Direct Link To This Post Posted: March 01 2005 at 07:05
Originally posted by Certif1ed Certif1ed wrote:

lot of talk...

[ELP is trying to sound like good music, but failing to be; they're cheaters]

more talk....



Amen.
Epic.
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Direct Link To This Post Posted: March 01 2005 at 07:06
Originally posted by sigod sigod wrote:

Originally posted by Blacksword Blacksword wrote:

Originally posted by Pixel Pirate Pixel Pirate wrote:

I love snyths!

Me too

But not playing Holst. Thats just taking the p!ss. Whats the point in recording an arrangement like that? You could record a version of Stairway to Heaven on Penny Whistle if you liked, but there wouldn't be any point, because it will always be an inferior way to present the song, under any circumstances.



Pixel has spoken.

I'd like to hear Stairway to Heaven, played on the penny whistle Blacksword. Better Still; Moby Dick.

Moby Dick, Penny Whistle style would be a challenge at least. It may sound crap, but if Keith Emerson can pull that one off I'll eat my hat!

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Direct Link To This Post Posted: March 01 2005 at 07:20

Originally posted by Pixel Pirate Pixel Pirate wrote:

I love snyths!

 

The band with Norrysey in???

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