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Direct Link To This Post Posted: July 02 2005 at 01:36
I Love The Mars Volta, but something about them just wears me out after 30 minutes. I end up knowing the first half of their CDs really well !
If it's worth playing, it's worth playing loud!
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Direct Link To This Post Posted: July 02 2005 at 01:36
Some Can stuff are pretty hard to listen to.
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Direct Link To This Post Posted: July 02 2005 at 01:42
Radiohead! Of course, I cannot stand Radiohead! You think I am just a very irritable person ... but I am usually very quiet and tolerating ... But Radiohead is killing me with its whining. I find it impossible to listen to for more than 5 minutes.

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Direct Link To This Post Posted: July 02 2005 at 01:50
Comus
You can't possibly hear the last movement of Beethoven's Seventh and go slow. ~Oscar Levant, explaining his way out of a speeding ticket
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Direct Link To This Post Posted: July 02 2005 at 02:02

Limbus 4 - Mandalas.

Not that I consider it to be a masterpiece; my personal opinion is it is rather amateurish; there is one moment where suddenly a whining flute begins which always makes me fall off the chair laughing.

Side 3 and 4 of "Concerts" by Henry Cow.

Nothing else comes to my mind, though I have a lot of VERY bizarre stuff, but somehow I can listen to it without any problems. The records of Anima or "Beziehungen" by Annexus Quam are definitely extremely bizarre, but I can listen to them quite easily.



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Direct Link To This Post Posted: July 02 2005 at 02:03
Originally posted by Man With Hat Man With Hat wrote:

Captian Beefheart- Trout Mask Repilca

O boy 

not a very accesible album, but i personaly thought it was brillant.

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Direct Link To This Post Posted: July 02 2005 at 02:09

Originally posted by Arteum Arteum wrote:

"The Final Cut" is one of the most enjoyable PINK FLOYD albums for me.

i didnt like it, but i guess one persons trash is another persons treasure...to each his own.

Originally posted by Artuem Artuem wrote:

Radiohead! Of course, I cannot stand Radiohead! You think I am just a very irritable person ... but I am usually very quiet and tolerating ... But Radiohead is killing me with its whining. I find it impossible to listen to for more than 5 minutes.

i love radiohead...but its all opinion, to each his own.

 

 



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Direct Link To This Post Posted: July 02 2005 at 02:11
Meshuggah minus "future breed machine" and a few other tracks from DEI are pretty hard to listen to.  At least for me.  Whie they have alot of time changes, I think they could be a sh*tload more creative with their writing and their riffs.  Everyone in that band pretty much is the drummer's bitch.  They need some serious diversity and variation, not some some serious repetition in the songwriting and riffs.
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Direct Link To This Post Posted: July 02 2005 at 03:26

Originally posted by GoldenSpiral GoldenSpiral wrote:

Most anything with Mike Patton.  Particularly Mr. Bungle.  Even Fantomas is even easier to listen to than Mr. Bungle.  crazy.  just nuts.

Total agreement on Mr  Bungle there.

As far as lps that are hard to sit through in their entirety, I would say Tales of Topographic Oceans. That one is just too long and the music isn't interesting enough to keep the listener's attention.

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Direct Link To This Post Posted: July 02 2005 at 03:44
Incoherence: Peter Hammill

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Direct Link To This Post Posted: July 02 2005 at 04:18
Here is my review of one of my hardest listening experiences.


FAUST The Faust Tapes
Review (Permanent link) by Sead S. Fetahagic @ 10:25:37 AM EST, 6/28/2005
PROG REVIEWER
2 stars — "The Faust Tapes" is even more difficult to rate because it was and still is for me one of the hardest listening experiences. Probably THE hardest. The original vinyl record sleeve was a ordinary plastic bag depicting a saturated green photo of a ugly idiot-looking male face shouting (or yawning) with red eyes, perfectly matching the craziness of the sound contained therein. This is basically a pastiche of sounds and electronic noise, with one exceptional moment - "Flashback Caruso", which is quite listenable. The rest is a pure headache. As mad as it may sound, this album of nonsense has a sort of appeal and attraction, but you must be a bit deranged (like myself, ha, ha) to like it. Minimum 10 years of prog listening experience is prerequisite! Approach with extreme caution! Although I give only 2 stars, it is basically a category of its own and very much - unrateable (if this is a correct English).
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Direct Link To This Post Posted: July 02 2005 at 04:20

There are several aspects to this topic (as to anything in this world, by the way).

If talking about complexity, I find Art Zoyd and many other RIO bands to be very complex and difficult listening. However Art Zoyd are one of my favorite bands (except for their latest works, especially "Metropolis", which is just noise lasting 2 and a half hours). Same goes to Russian composer Alfred Schnitke - brilliant, but so so difficult. 

If talking about bizzare music - I find some of Zappa's works very difficult, also many of Kraut rock bands etc

If talking about other difficulties - I can mention highly estimable and loveable double albums by Flower Kings. Same goes to Neal Morse's "Testimony", which I consider one of the best albums of last year, however I find it difficult to listen from start to end in one go.

And on the last degree of difficulty to listen is music which I just do not like - hunreds of bands and albums, and I would not waste your time to name any of them here.

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Direct Link To This Post Posted: July 02 2005 at 04:30

Lou Reed - Metal Machine Music.

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Direct Link To This Post Posted: July 02 2005 at 05:29

OOF. Yah, many of mine have been mentioned.

  • Any electronic music where the music just doesn't go anywhere or takes 20 minutes to change patterns...
  • Kroutrock like Can - Not totally bad (and they have a few good songs) but I usually can't listen to it for more than 5 or 10 minutes before I need something with a normal melody to it.
  • Radiohead - Bleh. Just noise to me from OK Computer on...
  • Mr. Bungle - YIKES!!
Best of 2006 that I've heard:
PFM-Stati Di Immaginazione
Zenit-Surrender (Best "unknown" album)
Oaksenham - Conquest of Pacific
2007:
Phideaux - Doomsday Afternoon
La Torre Del Alchimista - Neo
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Direct Link To This Post Posted: July 02 2005 at 05:33
Dark Side Of The Moon,I generally fall asleep half way through.
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Direct Link To This Post Posted: July 02 2005 at 05:37

Originally posted by richardh richardh wrote:

Dark Side Of The Moon,I generally fall asleep half way through.

i seriously hope you are kidding.

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Direct Link To This Post Posted: July 02 2005 at 05:42
Originally posted by boo boo boo boo wrote:

Originally posted by richardh richardh wrote:

Dark Side Of The Moon,I generally fall asleep half way through.

i seriously hope you are kidding.

Nope,although I like some of the songs, 'Time' in particular ,the overall effect of the album is soporific to me.

BTW Love the avatar..The Office is one of my all time favourite programmes

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Direct Link To This Post Posted: July 02 2005 at 05:52
Originally posted by richardh richardh wrote:

Originally posted by boo boo boo boo wrote:

Originally posted by richardh richardh wrote:

Dark Side Of The Moon,I generally fall asleep half way through.

i seriously hope you are kidding.

Nope,although I like some of the songs, 'Time' in particular ,the overall effect of the album is soporific to me.

BTW Love the avatar..The Office is one of my all time favourite programmes

thanks, well to each his own.

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Direct Link To This Post Posted: July 02 2005 at 06:12
As someone who has no trouble at all listening to extreme Krautrock, RIO, Mr Bungle etc it may be surprising to find that I just can't stomach Captain Beefheart's "Trout Mask Replica". I've tried and tried to enjoy that album (I love several of his others, including parts of "Lick My Decals..." but for some reason TMR just sounds awful to me. Also, I find absolutely nothing to enjoy in most of Soft Machine's "Third" other than the wonderful Robert Wyatt's "Moon In June".

Generally dissonance, complexity and the downright bizarre don't fase me, but there are exceptions to every rule, of course
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Direct Link To This Post Posted: July 02 2005 at 06:47
If you have the fortune to visit the Freeman brothers Ultima Thule specialist record shop in Leicester (literally next to the railway station in Conduit Street), you'll discover all the CDs in stock are represented in the display rack as their insert Scotch-taped in a clear plastic envelope. Alan Freeman, almosts always includes a terse one or two liner on a card about what the band sounds like  (but you have to know the sound of most leading bands in most of progs sub-categories, to make sense of make a more obscure band sounds like, and what the album is about - and then many of these descriptions have lead to vigourous debate.

The Repertoise issue of Spooky Tooth/Pierre Henry's Ceremony  was tagged with "probably the most difficult prog album to listen to". However, it is clear from the range of music heard loudly from the shop excellent hifi system, that 'difficult music' is a matter of taste/opinion. 'Challenging' is a slightly better term - one I would use most recently with God Speed You Black Emperor and amongst my earliest  albums, Tony Williams' Lifetime's Turn It Over. (BTW the use of the word 'hate' in context of bands or their albums, has me turning off and ignoring  those threads).

I can understand Machine's Third  being a challenge, but I supposed I had the advantage of hearing Machine on Peel's radio show in the 60's , discovering the Probe Records imports, and getting into Machine with their first and Volume 2 albums. So I was fairly well prepared for the step change from Volume 2 to Third - a couple of listens had me bedded in and then hooked.

TP I suggest you take a decco at  Machine's Backwards
http://www.amazon.co.uk/exec/obidos/ASIN/B000065UKG/qid=11 20300794/sr=1-11/ref=sr_1_2_11/026-0346423-6095648
which finishes with the demo Robert Wyatt put together in NYC of Moon In June - it is beautiful piece of remastering and disc clean up from an acetate "found in a cupboard". Wyatt for at least the first 9 minutes plays everything, and Hopper and Ratledge are only found at the end.
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