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dr wu23 View Drop Down
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Direct Link To This Post Posted: February 18 2014 at 15:19
Someone mentioned above if prog was popular these days and CStack said , a few posts down, that.....
"Prog was extremely popular in Chicago, and still is. " 
 
I think some prog  (the more mainstream bands) was certainly popular back then in many areas of the US ....but extremely?.. I'm not so sure about that. The masses at large listened to radio pop/rock more than prog imo.
Other than myself and one or two other old guys I don't know anyone who listens to or buys prog these days except for the people here at PA.
(I'm not referring here btw to crossover modern progsters like Muse and Radiohead ).
My son in law  (and daughter), age 31, is a music fan but the only prog he knows is what I have turned him onto. His crowd listen to mostly alternative and indie rock and some 'classic rock' they hear on various stations.
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Direct Link To This Post Posted: February 18 2014 at 16:46
Originally posted by dr wu23 dr wu23 wrote:

Someone mentioned above if prog was popular these days and CStack said , a few posts down, that.....
"Prog was extremely popular in Chicago, and still is. " 
 
I think some prog  (the more mainstream bands) was certainly popular back then in many areas of the US ....but extremely?.. I'm not so sure about that. The masses at large listened to radio pop/rock more than prog imo.
Other than myself and one or two other old guys I don't know anyone who listens to or buys prog these days except for the people here at PA.
(I'm not referring here btw to crossover modern progsters like Muse and Radiohead ).
My son in law  (and daughter), age 31, is a music fan but the only prog he knows is what I have turned him onto. His crowd listen to mostly alternative and indie rock and some 'classic rock' they hear on various stations.

Very True, I have to turn people on to it most of the time.

One thing that needs to be remembered is in the 70's all rock was lumped together for the most part. Yes, ELP and Jethro Tull were just popular rock bands. Most people didn't pay attention to breaking it into sub-genres. The station I listened to would play Bowie, Allman Brothers, Genesis, Steely Dan, Eric Clapton and Tom Petty all in a row.
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Direct Link To This Post Posted: February 18 2014 at 17:09
Originally posted by dr wu23 dr wu23 wrote:

Someone mentioned above if prog was popular these days and CStack said , a few posts down, that.....
"Prog was extremely popular in Chicago, and still is. " 
 
I think some prog  (the more mainstream bands) was certainly popular back then in many areas of the US ....but extremely?.. I'm not so sure about that. The masses at large listened to radio pop/rock more than prog imo.

Well....what this forum calls "prog" WAS radio pop/rock in the1970's!   Notable examples included Yes' "Roundabout," Flash's "Small Beginnings," and Focus's "Hocus Pocus."   All those songs, and more, were in constant rotation on AM radio.  

I guess you actually had to live through those times to appreciate it.  I'm really glad that I did.
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Direct Link To This Post Posted: February 18 2014 at 18:26
Originally posted by cstack3 cstack3 wrote:

Originally posted by dr wu23 dr wu23 wrote:

Someone mentioned above if prog was popular these days and CStack said , a few posts down, that.....
"Prog was extremely popular in Chicago, and still is. " 
 
I think some prog  (the more mainstream bands) was certainly popular back then in many areas of the US ....but extremely?.. I'm not so sure about that. The masses at large listened to radio pop/rock more than prog imo.

Well....what this forum calls "prog" WAS radio pop/rock in the1970's!   Notable examples included Yes' "Roundabout," Flash's "Small Beginnings," and Focus's "Hocus Pocus."   All those songs, and more, were in constant rotation on AM radio.  

I guess you actually had to live through those times to appreciate it.  I'm really glad that I did.

I agree with cstack. In Detroit in the early and mid-70s Jethro Tull, ELP, Yes and bands that walked along the prog path like Floyd, Traffic, ELO and early Queen rubbed elbows regularly on FM radio with Alice Cooper, Zeppelin, The Who, Deep Purple, Bowie and Sabbath. I remember hearing King Crimson's "Court of the Crimson King" and "21st Century Schizoid Man" for the first time, and then later on such songs as "A Light in the Black" and great concerts on the "King Biscuit Flower Hour" (again, I remember King Crimson, with John Wetton singing). 

And of course there was "The Midnight Special" on TV (all sorts of great bands and genres: Weather Report, Focus, Peter Gabriel and Genesis, Weather Report, Roxy Music, Albert King, The Incredible String Band, Johnny Winter, T. Rex, Wishbone Ash, ELO, Kraftwerk, Little Feat, Dixie Dregs and on and on ) and the California Jam was televised (look up the band lists).

And like cstack mentioned, there wasn't any mention of the word "prog". There were great rock bands and not so good bands. And everyone knew which was which.
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Direct Link To This Post Posted: February 18 2014 at 23:13
Originally posted by The Dark Elf The Dark Elf wrote:

Originally posted by cstack3 cstack3 wrote:

Originally posted by dr wu23 dr wu23 wrote:

Someone mentioned above if prog was popular these days and CStack said , a few posts down, that.....
"Prog was extremely popular in Chicago, and still is. " 
 
I think some prog  (the more mainstream bands) was certainly popular back then in many areas of the US ....but extremely?.. I'm not so sure about that. The masses at large listened to radio pop/rock more than prog imo.

Well....what this forum calls "prog" WAS radio pop/rock in the1970's!   Notable examples included Yes' "Roundabout," Flash's "Small Beginnings," and Focus's "Hocus Pocus."   All those songs, and more, were in constant rotation on AM radio.  

I guess you actually had to live through those times to appreciate it.  I'm really glad that I did.

I agree with cstack. In Detroit in the early and mid-70s Jethro Tull, ELP, Yes and bands that walked along the prog path like Floyd, Traffic, ELO and early Queen rubbed elbows regularly on FM radio with Alice Cooper, Zeppelin, The Who, Deep Purple, Bowie and Sabbath. I remember hearing King Crimson's "Court of the Crimson King" and "21st Century Schizoid Man" for the first time, and then later on such songs as "A Light in the Black" and great concerts on the "King Biscuit Flower Hour" (again, I remember King Crimson, with John Wetton singing). 

And of course there was "The Midnight Special" on TV (all sorts of great bands and genres: Weather Report, Focus, Peter Gabriel and Genesis, Weather Report, Roxy Music, Albert King, The Incredible String Band, Johnny Winter, T. Rex, Wishbone Ash, ELO, Kraftwerk, Little Feat, Dixie Dregs and on and on ) and the California Jam was televised (look up the band lists).

And like cstack mentioned, there wasn't any mention of the word "prog". There were great rock bands and not so good bands. And everyone knew which was which.

Thanks, Dark Elf!  It sounds like Detroit and Chicago tracked pretty well back then.  We also had some real underground FM (Triad Radio), who used to play Magma, Amon Duul 2, Can etc. long before anyone heard of it!  Modern radio ain't s**t!  

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Direct Link To This Post Posted: February 19 2014 at 00:38
Just joined the forum and already learned allot through this article O.O 
Love it!
This isn't real life.... This is fantasy....
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Direct Link To This Post Posted: February 19 2014 at 01:04
Originally posted by Leroy2112 Leroy2112 wrote:

Just joined the forum and already learned allot through this article O.O 
Love it!

Welcome aboard!  It can get a bit rough in here sometimes (aka. "Tales from Topographic Oceans")!  
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Direct Link To This Post Posted: February 19 2014 at 09:52
Originally posted by cstack3 cstack3 wrote:

  Modern radio ain't s**t!  

Does anyone with any musical sense actually listen to radio anymore? I mean, the run-of-the-mill stations and not specialty station available on Sirius/XM (which I really don't bother with either)? In the Detroit area, there are deplorable "classic rock" stations that play the same 2-3 songs from the same bands ad nauseam, and then there are "modern rock" stations that play a certain set of current music that is rather lifeless and derivative. 

Oh, but there are plenty of "hit" stations that replay the same goddamn drek over and over -- enough to drive you to madness. I had a several hour meeting in a partner's office whose overhead sound system was tuned to some friggin' IHeart (or iHeart, whatever) radio station. I was appalled. They played some ludicrous rap square dance song named "Timber" and an Eminem song with a female singer repeating she was crazy over and over again, and I swear to god I heard each at least 3 times while I was there. And the songs they repeated had choruses that repeated ad infinitum. It was like waterboarding with music.



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Direct Link To This Post Posted: February 19 2014 at 10:17
The Dark Elf and cstack3 are 100 hundred percent accurate in their statements. This is definitely a walk down memory lane.
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Direct Link To This Post Posted: February 19 2014 at 11:05
Originally posted by cstack3 cstack3 wrote:

Originally posted by dr wu23 dr wu23 wrote:

Someone mentioned above if prog was popular these days and CStack said , a few posts down, that.....
"Prog was extremely popular in Chicago, and still is. " 
 
I think some prog  (the more mainstream bands) was certainly popular back then in many areas of the US ....but extremely?.. I'm not so sure about that. The masses at large listened to radio pop/rock more than prog imo.

Well....what this forum calls "prog" WAS radio pop/rock in the1970's!   Notable examples included Yes' "Roundabout," Flash's "Small Beginnings," and Focus's "Hocus Pocus."   All those songs, and more, were in constant rotation on AM radio.  

I guess you actually had to live through those times to appreciate it.  I'm really glad that I did.
And I agree that some prog that crossed over into the mainstream was popular (usually singles culled from the LP's) but for the most part prog was not what most people listened to.
And I did live through those times.
Cool
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Direct Link To This Post Posted: February 19 2014 at 11:53
Originally posted by dr wu23 dr wu23 wrote:

Originally posted by cstack3 cstack3 wrote:

Originally posted by dr wu23 dr wu23 wrote:

Someone mentioned above if prog was popular these days and CStack said , a few posts down, that.....
"Prog was extremely popular in Chicago, and still is. " 
 
I think some prog  (the more mainstream bands) was certainly popular back then in many areas of the US ....but extremely?.. I'm not so sure about that. The masses at large listened to radio pop/rock more than prog imo.

Well....what this forum calls "prog" WAS radio pop/rock in the1970's!   Notable examples included Yes' "Roundabout," Flash's "Small Beginnings," and Focus's "Hocus Pocus."   All those songs, and more, were in constant rotation on AM radio.  

I guess you actually had to live through those times to appreciate it.  I'm really glad that I did.
And I agree that some prog that crossed over into the mainstream was popular (usually singles culled from the LP's) but for the most part prog was not what most people listened to.
And I did live through those times.
Cool
Then you didn't live in the Chicago or Detroit areas. Were you living in Indiana at the time? Were you listening to John Cougar Mellencamp or something?

I saw Tull, Yes, Genesis and Floyd while still in high school in the mid-70s. My friends went to see them. Their friends went to see them. The shows were sold out. They were events, not just concerts. People talked about the shows for months.

When you say "prog was not what most people listened to", I believe that is a very subjective statement. I also saw Deep Purple, Sabbath, Robin Trower, David Bowie and Alice Cooper, and "most people" didn't listen to them either in the strictest sense of Fleetwood Mac or The Carpenters or Elton John or KISS or whatever pop band sold the most albums. Yet each of the bands I referred to had gold or platinum albums in that period and each received extensive airplay. 

And you'd get your ass kicked playing a Carpenter's Album where I lived.Wink



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Direct Link To This Post Posted: February 19 2014 at 13:59
Originally posted by The Dark Elf The Dark Elf wrote:

Originally posted by cstack3 cstack3 wrote:

  Modern radio ain't s**t!  

Does anyone with any musical sense actually listen to radio anymore? I mean, the run-of-the-mill stations and not specialty station available on Sirius/XM (which I really don't bother with either)? In the Detroit area, there are deplorable "classic rock" stations that play the same 2-3 songs from the same bands ad nauseam, and then there are "modern rock" stations that play a certain set of current music that is rather lifeless and derivative. 

Oh, but there are plenty of "hit" stations that replay the same goddamn drek over and over -- enough to drive you to madness. I had a several hour meeting in a partner's office whose overhead sound system was tuned to some friggin' IHeart (or iHeart, whatever) radio station. I was appalled. They played some ludicrous rap square dance song named "Timber" and an Eminem song with a female singer repeating she was crazy over and over again, and I swear to god I heard each at least 3 times while I was there. And the songs they repeated had choruses that repeated ad infinitum. It was like waterboarding with music.

I know the stations you speak of. 107.1 in Ann Arbor isn't too bad but still not good enough for me to listen with any regularity.

As to was it ever popular... Our friend Ian posted this on Facebook.




Edited by bhikkhu - February 19 2014 at 14:00
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Direct Link To This Post Posted: February 19 2014 at 18:01
We only listen to WDR 3. They play very little prog though occasionally happens, but mostly they play classical music and then some jazz. We do not listen to it because of the music alone; we are also after the cultural features and political and social comments, whch are all excellent.

We hardly watch any TV at all, by the way, only the occasional concert, cultural feature or nature documentary. And sometimes a movie, but there are hardly any good movies on TV these days. It was very different some 30 years ago, and my brother who is ten years older than I am says that in the 60s and 70s there were lots of interesting TV-series and movies on TV. He says the quality drastically dwindled when private TV channels came up.

These days you have more than 20 channels to choose from,  and unless you go for pay-TV and create your own program it is nothing but crap. Of course there is the odd exception, like the Ijon Tychy series that ran about two years ago, but those are rare birds.

Oh, and my brother says prog was quite popular in the 70s. But you have to take that with a grain of salt. The rock music scene was much smaller back then; you could go to Saturn (a record shop in Cologne who in the 70s had ANY rock recording in store (with the exception of limited editions, that is), and if an album happened to be out of stock because someone bought their last copy of it they would quickly fill the gap. The enormous collection of rock records my brother had (which he passed on to me after he decided to listen to classical music and jazz only) stems from that time. My brother had the habit of browsing through all the albums and buying everything that had an interesting cover or an interesting line-up. He discovered many artists that were unknown in his circle of friends that way. And since there were not that  many bands in the first place (compared to today) the percentage of prog was much higher than today.


Edited by BaldFriede - February 19 2014 at 18:15


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Direct Link To This Post Posted: February 19 2014 at 18:42
Originally posted by The Dark Elf The Dark Elf wrote:

Originally posted by dr wu23 dr wu23 wrote:

Originally posted by cstack3 cstack3 wrote:

Originally posted by dr wu23 dr wu23 wrote:

Someone mentioned above if prog was popular these days and CStack said , a few posts down, that.....
"Prog was extremely popular in Chicago, and still is. " 
 
I think some prog  (the more mainstream bands) was certainly popular back then in many areas of the US ....but extremely?.. I'm not so sure about that. The masses at large listened to radio pop/rock more than prog imo.

Well....what this forum calls "prog" WAS radio pop/rock in the1970's!   Notable examples included Yes' "Roundabout," Flash's "Small Beginnings," and Focus's "Hocus Pocus."   All those songs, and more, were in constant rotation on AM radio.  

I guess you actually had to live through those times to appreciate it.  I'm really glad that I did.
And I agree that some prog that crossed over into the mainstream was popular (usually singles culled from the LP's) but for the most part prog was not what most people listened to.
And I did live through those times.
Cool
Then you didn't live in the Chicago or Detroit areas. Were you living in Indiana at the time? Were you listening to John Cougar Mellencamp or something?

I saw Tull, Yes, Genesis and Floyd while still in high school in the mid-70s. My friends went to see them. Their friends went to see them. The shows were sold out. They were events, not just concerts. People talked about the shows for months.

When you say "prog was not what most people listened to", I believe that is a very subjective statement. I also saw Deep Purple, Sabbath, Robin Trower, David Bowie and Alice Cooper, and "most people" didn't listen to them either in the strictest sense of Fleetwood Mac or The Carpenters or Elton John or KISS or whatever pop band sold the most albums. Yet each of the bands I referred to had gold or platinum albums in that period and each received extensive airplay. 

And you'd get your ass kicked playing a Carpenter's Album where I lived.Wink



Lived just south of Chicago and still live in the same general area in northwest Indiana  Saw Mellencamp at IU for a $2.00 cover charge  when he was still Cougar and was just a local bar act. Never was a big fan  when he became somebody.
Saw the same bands you did and a few more...and they were generally sold out but that leaves a lot of people who didn't attend those shows.
A lot of 'stoners' and long hairs (myself included) listened to prog in the old days but the straights usually did not and many of the people I knew did not listen to what we consider prog today but preferred classic rock and pop rock, etc.
Never said some 'prog bands' weren't popular with a certain crowd but they weren't as popular as the mainstream bands.
 
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Direct Link To This Post Posted: February 19 2014 at 20:27
Originally posted by dr wu23 dr wu23 wrote:

Originally posted by The Dark Elf The Dark Elf wrote:

Then you didn't live in the Chicago or Detroit areas. Were you living in Indiana at the time? Were you listening to John Cougar Mellencamp or something?

I saw Tull, Yes, Genesis and Floyd while still in high school in the mid-70s. My friends went to see them. Their friends went to see them. The shows were sold out. They were events, not just concerts. People talked about the shows for months.

When you say "prog was not what most people listened to", I believe that is a very subjective statement. I also saw Deep Purple, Sabbath, Robin Trower, David Bowie and Alice Cooper, and "most people" didn't listen to them either in the strictest sense of Fleetwood Mac or The Carpenters or Elton John or KISS or whatever pop band sold the most albums. Yet each of the bands I referred to had gold or platinum albums in that period and each received extensive airplay. 

And you'd get your ass kicked playing a Carpenter's Album where I lived.Wink
Lived just south of Chicago and still live in the same general area in northwest Indiana  Saw Mellencamp at IU for a $2.00 cover charge  when he was still Cougar and was just a local bar act. Never was a big fan  when he became somebody.
Saw the same bands you did and a few more...and they were generally sold out but that leaves a lot of people who didn't attend those shows.
A lot of 'stoners' and long hairs (myself included) listened to prog in the old days but the straights usually did not and many of the people I knew did not listen to what we consider prog today but preferred classic rock and pop rock, etc.
Never said some 'prog bands' weren't popular with a certain crowd but they weren't as popular as the mainstream bands. 
Well, I won't argue with your perception of your area at the time. I'll just say my perception was very different. But Detroit was the place for a rock concert in the 70s.


Edited by The Dark Elf - February 19 2014 at 20:29
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Direct Link To This Post Posted: February 20 2014 at 09:26
In various huge ..popular cities across the U.S, ..Prog was as huge as sliced bread. Think about all the promotion, as said before...but I remember loads of kids in high school buying ELP albums. It was so obvious that the popularity of Prog was vast. You just don't place ELP to headline California Jam over Deep Purple who sold more than most bands for no reason. Obviously it wasn't a stupied move on the industry's behalf. They realized Prog was a huge seller which was exactly why the American record companies went the distance to sign European Progressive Rock bands like Curved Air and distribute their albums domestically. Why would Warner Brothers sign a band like Curved Air? Why would a label that monumental and egotisical sign unknown bands and take the risk of losing money? Many Krautrock bands were signed to the Billingsgate label, Rare Bird were signed to ABC/Dunhill, Omega were on Passport Records and the list goes on. The goal to sign underground European Prog bands of the early 70's to American labels that were subdivisions of Larger labels like Atlantic, Columbia, and Warner Brothers was a business plan put into motion revolving around the evidence of great profit made from the more popular groundbreaking Prog bands of that era.
 
The plan failed because most of the bands were placed on small tours of theatres and as opening acts...such as Jade Warrior who were signed to the Vertigo label. The percentage of profit was calculated by the record companies from those tours and album sales to arrive to a conclusion if the band was worthy of extended promotion. If the labels had promoted them more...in the first place...maybe Gong's "You" would have went down in history with Dark Side of the Moon.


Edited by TODDLER - February 20 2014 at 09:34
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Direct Link To This Post Posted: February 20 2014 at 09:56
In 67'..Brian Wilson had to deal with the record company's on going complaints that Smile was taking too long to produce, that he shouldn't be writing this kind of music, that he was a Beach Boy and could endanger the high society cash level of Beach Boys audiences and I can imagine the rest. This was in 1967, prior to the term Progressive Rock existing and he must have had his plate full with negative reactions from the people around him. Wilson was one of the first musicians/writers to take it upon himself to change his music and change the way people wrote music (during that time), and although Smile was never properly released in the 60's, Pet Sounds contributed to that role instead. This would influence The Beatles as well. On the original recording of Smile by The Beach Boys...there are traces of J.S.Bach, Avant-Garde, Folk, and Jazz. The elements combined create a film sequence or theatrical presentation. The phased vocal harmonies are in India's traditional style of hypnotic trance tone. Everything about this album represents what eventually developed within Prog as tools. The idea/concept to apply these elements as tools and form concept albums and all styles aforesaid was possibly and originally focused upon by Brian Wilson.

Edited by TODDLER - February 20 2014 at 11:30
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Direct Link To This Post Posted: February 20 2014 at 20:57
Originally posted by TODDLER TODDLER wrote:

In various huge ..popular cities across the U.S, ..Prog was as huge as sliced bread. Think about all the promotion, as said before...but I remember loads of kids in high school buying ELP albums. It was so obvious that the popularity of Prog was vast. You just don't place ELP to headline California Jam over Deep Purple who sold more than most bands for no reason. Obviously it wasn't a stupied move on the industry's behalf. They realized Prog was a huge seller which was exactly why the American record companies went the distance to sign European Progressive Rock bands like Curved Air and distribute their albums domestically. Why would Warner Brothers sign a band like Curved Air? Why would a label that monumental and egotisical sign unknown bands and take the risk of losing money? Many Krautrock bands were signed to the Billingsgate label, Rare Bird were signed to ABC/Dunhill, Omega were on Passport Records and the list goes on. The goal to sign underground European Prog bands of the early 70's to American labels that were subdivisions of Larger labels like Atlantic, Columbia, and Warner Brothers was a business plan put into motion revolving around the evidence of great profit made from the more popular groundbreaking Prog bands of that era.
 
The plan failed because most of the bands were placed on small tours of theatres and as opening acts...such as Jade Warrior who were signed to the Vertigo label. The percentage of profit was calculated by the record companies from those tours and album sales to arrive to a conclusion if the band was worthy of extended promotion. If the labels had promoted them more...in the first place...maybe Gong's "You" would have went down in history with Dark Side of the Moon.

Well, I wouldn't go so far as putting "You" alongside "DSotM" on the ethereal plane, but I get your point. 

But it is clear that as the 70s waned, prog rock was not the only casualty. Blues rock, which had been a staple of the 60s and early 70s also declined in radioplay and became virtually nonexistent by the 80s. Led Zeppelin died with John Bonham, half of Lynryd Skynrd died in a plane crash, and the other major proponent of the genre, The Stones, went disco, and it would take a decade or two for Eric Clapton to return to the blues on the level of Derek and the Dominos. 

Also, the Singer/Songwriter movement so prominent in the 70s literally disappeared by the 80s (Cat Stevens turned Muslim, Harry Chapin died, Joni Mitchell was into jazz, James Taylor started some odd crooning phase,  Billy Joel and Elton John got weirder and weirder with every album, etc.). Solo artists like Neil Young, Peter Gabriel and Paul Simon had to alter their sound to remain relevant (Gabriel and Simon both opting more and more for "World Music").

There was an aridity and rigidity to the 80s that precluded the wide array of genres popular and accepted earlier, because mass-marketers abhorred originality (but they seemed to love bad hair amplified with gel), particularly the overriding force of MTV (and if you remember MTV in the 80s, the musical selection was damn atrocious). Given the marketing environment, albums like Thick as a Brick or Close to the Edge would never reach an audience, because the chance of their release would be very limited.

Only the advent of the Internet allowed for creativity and the dissemination of albums that would have otherwise been ignored by record labels. Really, this site is testament to that.


Edited by The Dark Elf - February 20 2014 at 20:59
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Direct Link To This Post Posted: February 21 2014 at 14:05
I lived through that 70's era and a lot of the more proggy bands were extremely popular.
Even bands you may not say pure prog but we're progressive in many ways such as Santana,Deep Purple,The Who at times also.There were a lot of bands that we're never that popular also like Gental Giant,Captain Beyond,Hawkwind to name a few.But overall I think progressive music existed and was selling records up till the late 70s an then it crumbled pretty fast.Even Jazz rock fusion had its hay day in he same time period.There was a lot of music all over the fm radio.So it was never hard to find.
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Direct Link To This Post Posted: February 21 2014 at 15:11
Originally posted by Jzrk Jzrk wrote:

I lived through that 70's era and a lot of the more proggy bands were extremely popular.
Even bands you may not say pure prog but we're progressive in many ways such as Santana,Deep Purple,The Who at times also.There were a lot of bands that we're never that popular also like Gental Giant,Captain Beyond,Hawkwind to name a few.But overall I think progressive music existed and was selling records up till the late 70s an then it crumbled pretty fast.Even Jazz rock fusion had its hay day in he same time period.There was a lot of music all over the fm radio.So it was never hard to find.

That is a good point about bands that weren't pure prog. A lot of straight forward rock and roll bands often incorporated prog elements during that time. Think about Steve Miller's synth intros and Boston's excesses. Even Aerosmith flirted with it a little bit. And for you cult band followers, Big Star used a Mellotron!
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