here's an article I wrote on the matter -

When Prog Ruled the World

It did, y'know, for a brief and shining moment. When released in the U.S. in early 1971, Emerson, Lake and Palmer's first record peaked at number 18 on the Billboard charts. Yes's Close to the Edge (1972) reached #3. Jethro Tull's monster child Thick as a Brick -- one continuous cut that spanned both sides of an LP, something almost unheard of even then –- made it to #1 during 1972. As did A Passion Play in '73. That's right, numero uno for an album many consider to be the most overblown and pretentious piece of music ever put to record. Pink Floyd's Wish You Were Here, too, in '75.

It barely seems possible. Was this the same planet we currently reside on? A place where today such albums would be considered by the general public more as theater than modern rock music, seen as a novelty, or worse, a gimmick. A selfish overindulgence by groups who thought rock had become high art, and with the temerity to actually sell it to people. What was occurring in the post-psychedelic landscape of the early 1970s, and what had happened to individual perception that caused such ambitious breakthroughs to become marketable?

In many ways, it isn't terribly surprising when one considers the sheer quality of the music; Thick as a Brick with its catchy melodies, storybook lyrics, clever cover, and very digestible mix of acoustic folk with hard rock and classical. A winner before it was it was ever heard. The newness and palatable art-pop on ELP's first, sophistry and challenging structures in Close to the Edge, and the elegance and crystal waters of Wish You Were Here. All pinnacles of where rock had been and how far it had come, and each one further inspired and improved upon. A true progression of both form and of quality. As well, other smaller prog artists were able to follow on the coattails of these successes, eking out a living if only in their own countries. That's not to say The Stones, McCartney, Simon & Garfunkel, Chicago and Elton John weren't the undisputed kings of sales, but the British Invasion hadn't ceased with The Beatles' break-up. No, it had expanded, morphed seemingly overnight into something altogether new and extraordinary that took not only from rock's past, but from the best the western world's entire musical history had to offer. The rules had exploded, the sky was limitless and people seemed ready for an era both marvelous and maddening in its creative spirit. It was clear: Progressive Rock was a movement, and by the time it was over would produce some of the most startling, meticulous and difficult popular music the world has even known. And all during the course of about ten years.

And people were buying it, listening to it. A few even seemed to be enjoying this masturbatory nonsense, apparently lauded only by beard-stroking academics with no girlfriends and a little too much time on their hands. Even more unexpected was that this new 'art rock' was an extension of what had come just before, a much further push into territory The Beatles, Jefferson Airplane, Moody Blues, Doors, The Who and others had only hinted at. It was unusual because most new musical forms are a reaction against their siblings of the old guard, a turning away of the past fueled by a desperate need to be expressively different. But a few mavericks in Britain, Europe and North America, some of whom had formal musical backgrounds and larger visions of what was possible within a rock format, decided to raise those stakes, not change them. It was a time when the bigger the concept, higher the ambition and finer the skills - the more a musician was willing do and farther able to go - the more people seemed interested. The audience had grown-up and instead of rejecting its history, wanted more. The timing was right and the artists were ready-- a fleeting convergence when everything that had been accomplished in the previous decade, the inventive and free spirit of those times, had set the stage for something far greater.

The record-buying public weren't the only ones charmed. Commercial music, that pool of anonymously recorded and publicly owned stuff you hear slapped on a cheap TV show, pasted to endless radio spots or piped-in at the local mall had suddenly adopted a space age & synthesizer motif, sounding remarkably like a watered down ELP. Pretty soon everything from the local news to the new season of In Search Of sported music undeniably influenced not by Pop, Rock 'n Roll, Folk or the other popular genres, but by what the Prog musicians had been offering for years.

Then things changed. Some say Disco killed Prog with its polyester, new haircuts, and hijacking of symphonic arrangements. Others think it was Punk, its 'rebellion' against the rock establishment and bloated acts that system supported. In fact the truth isn't so simple and frankly neither Disco nor Punk had much hand in progressive rock's recession. Time moves on, generations grow out of their past and new replaces old. And though music journalism's passionate love affair with Punk rock and tenuous relationship with Prog probably hastened its demise, the press wasn't the culprit. All three musical styles developed around the same period, paralleling one another much of the time. Each provided a unique voice in modern music and an alternative to the massive Pop market, and each eventually succumbed to its own weight.

Thankfully progressive rock survived. Just barely. A handful of bands scattered around the world didn't give-in to the pressure and kept making rock for the thinking person, playing to an oblivious world caught up in the Reagan era. A few veterans like Yes and Pink Floyd re-emerged in the 80s and offered some quality music to a thankful if tiny audience. Still others such as Rush just kept going, some feel at the price of their artistry, making many more albums and even getting a few radio hits along the way. Luckily in our time, the internet has saved Prog from going under and offers not only an easy way to find the music of these new and old bands, but a worldwide community filled with likeminded lovers of the rock progressive. So enjoy, and Prog on!