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presdoug View Drop Down
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Direct Link To This Post Posted: December 20 2012 at 20:20
Celebrated conductor Leopold Stokowski said he recognised Anton Bruckner as a great composer, but that he could not appreciate his music. Nonetheless, he tried, having conducted the Fourth Symphony of his twice in 1914, and the Seventh Symphony once in 1924. After that, though, that was the end of Bruckner and Stokowski.

Conductor Pierre Monteux conducted the Mahler symphonies 2,4 and 5 during his long career, but admitted with painful honesty that he found Mahler's music "too contrived".

Adolf Hitler wanted to build a shrine to composer Anton Bruckner in his plans for new construction in Linz, Austria. Conductor Herbert von Karajan said that "Hitler loved Bruckner's music", but Albert Speer, in his memoirs Inside The Third Reich, said that Hitler was not really all that interested in Bruckner.
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Direct Link To This Post Posted: December 21 2012 at 11:49
Proto-Prog:
Originally posted by Guldbamsen Guldbamsen wrote:

The Doors - Love her madly.
Speaking of which ... I've read Densmore's Riders on the Storm. In it John mentioned the making of the song. The guys said to Robbie "Hey, look Robbie, there goes another single of yours." Krieger did not seem very thrilled about it at the time when they were done with the song. He kind of liked it at first, but after that he was just dissatisfied with it.

Edited by Dayvenkirq - December 21 2012 at 11:50
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Direct Link To This Post Posted: December 21 2012 at 14:59
After a rehearsal of Schoenberg's second quartet, Mahler walked up on stage, asked the quartet to play a C-major chord. After they played it, he said "thank you" and left the building.
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Direct Link To This Post Posted: December 22 2012 at 17:51
Originally posted by presdoug presdoug wrote:

classical music
...
When preparing his 6th Symphony for first performance, composer Gustav Mahler wept constantly.
...
 
Ken Russell did a marvelous film on Mahler ... and I have to look it up, but there is one composition he created, that was for his wife ... as she's walking out the door ... (Doors lyric since it fits!) ... and she had no idea, or understood that he did the whole thing for her.
 
Not sure this is the same symphony or not.
 
Should we start on these facts, that movies create and might not have happened?
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Direct Link To This Post Posted: December 22 2012 at 21:21
Originally posted by moshkito moshkito wrote:

Originally posted by presdoug presdoug wrote:

classical music
...
When preparing his 6th Symphony for first performance, composer Gustav Mahler wept constantly.
...
 
Ken Russell did a marvelous film on Mahler ... and I have to look it up, but there is one composition he created, that was for his wife ... as she's walking out the door ... (Doors lyric since it fits!) ... and she had no idea, or understood that he did the whole thing for her.
 
Not sure this is the same symphony or not.
 
Should we start on these facts, that movies create and might not have happened?
I've seen the Russell film and liked it, but it was a long time since i saw it. What i think you are referring to is the fourth movement, the Adagietto, of his Fifth Symphony, written for his wife, and quite a lyrical and beautiful piece of music it is!
                  Interesting that after the first performance of the 5th Symphony, conducted by the composer, he re-orchestrated the whole thing to what we now know as that symphony.


Edited by presdoug - December 22 2012 at 21:24
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Direct Link To This Post Posted: December 24 2012 at 22:18
20th Century Atonal composer Anton Webern was also a conductor, and conducted a performance of Bruckner's 7th Symphony in 1935, which was broadcast by the BBC in England.

Austrian conductor Felix Prohaska, known for his work and recordings of Bach, was also an important Bruckner conductor, having during one year recieved the Bruckner medal from the Bruckner Society of America

When Gustav Mahler first saw Niagara Falls, he was heard to exclaim, "Now there's a real Forte!"

Composer Hector Berlioz, who was an admitted agnostic, when asked, though, what would qualify him for entry into heaven, he replied, "Well, i would offer up my Requiem to God, and that should be reason enough."

English composer Sir Edward Elgar considered composer Richard Strauss to be "the musical genius of the day"


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Direct Link To This Post Posted: January 01 2013 at 15:09
The premiere of Hector Berlioz's Funeral and Triumphal Symphony was a fiasco. It was an open air performance, and the bandsmen had to play the music during a long march, under the blistering sun of a very hot July day. During the final movement of the symphony, the music was pretty much drowned out by the loud cannons being fired. (It was part of a ceremony re-interring the remains of some people that died in one of the previous French revolutions)

During one of the first indoor concerts featuring the Funeral and Triumphal Symphony, composer Richard Wagner was present, and was heard to remark, "This Symphony will exalt the hearts and minds of men, as long as there is a nation called France!"

When composer Richard Strauss was on his deathbed, he listened to a recording of his Death and Transfiguration tone poem, was heard to remark, "Near the end, i have really captured what it means, it is all there."


Edited by presdoug - January 01 2013 at 15:11
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Direct Link To This Post Posted: February 04 2013 at 20:38
Celebrated conductor Artur Rodzinski, who was helped to prominence in part by by Arturo Toscanini, and helped prepare the NBC Orchestra for AT's  use, was a Bruckner conductor.
            Just recently, a recording has surfaced of Bruckner's 7th Symphony recorded live off of a New York radio station from 1938 with the Cleveland Orchestra, and has been just released on CD. It is one of only 4 Bruckner recordings from America during the 1930s in existence, and the only Rodzinski Bruckner document to ever exist.


Edited by presdoug - February 05 2013 at 17:31
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Direct Link To This Post Posted: February 05 2013 at 00:18
Dubstep musician Burial, electronic musician Four Tet (Kieran Hebden), post-rock band Fridge (who Hebden happened to be a member of) synthpop band Hot Chip, and indie pop/dream pop band The xx all attended the same school at the same time.
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Direct Link To This Post Posted: February 11 2013 at 10:44
Composer Frederick Delius worked on a Florida orange plantation as a young man, thus in part, the inspiration for his composition "Florida Suite"

At one concert in Italy conducted by Dutchman Willem Mengelberg, he played Richard Strauss's great work Ein Heldenleben. Gustav Mahler was in the audience, and remarked later to Mengelberg, "You have converted me to Ein Heldenleben".

When conductor Pierre Monteux was on his deathbed, he made reference to Mengelberg's conducting, something to the effect,"Mengelberg does it the right way".

Mengelberg would often encourage Monteux to program works by Richard Strauss in his concert seasons. Strauss was a Mengelberg specialty.

German conductor Carl Schuricht was an early Delius champion, being the first to introduce some of Delius's works to German audiences.

In a recording of Mahler's Das Lied von der Erde, done in '39 with Schuricht, in between movements, you can hear a woman saying "Deutschland uber alles, Her Schuricht!"
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Direct Link To This Post Posted: February 13 2013 at 15:17
After WW2, when the Munich Philharmonic got back on it's feet and in operation and with conductor Hans Knappertsbusch directing things again, during the opening concert, Knappertsbusch said-"The "Thousand Year Reich" is over, and now we can hear Beethoven as he was meant to be heard."

Knappertsbusch was an outspoken opponent of the Nazis, one time it is recorded that he hurled an ashtray at a speaker during a Nazi speech.

Knappertsbusch was difficult for Hitler to deal with, as he was physically speaking an "Aryan German", and also a very endearing personality in the German's music world of the day, so the Nazis could not do away with him. They did push him around a bit, though, having prevented him from going to Britain in '36 to conduct.

Knappertsbusch's final concert with the Vienna Philharmonic in April of 1964, was done when the old man was quite ill with emphysema, having been a smoker, but the result was a fantastic recording of Anton Bruckner's Fourth Symphony. Sadly, the following October of '65 Knappertsbusch was dead.


Edited by presdoug - February 13 2013 at 15:31
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Direct Link To This Post Posted: March 03 2013 at 11:03
Composer Frederick Delius contracted Syphilis, and this led to later complications of paralysis and blindness.

Conductor Sir Thomas Beecham gave the oration at Delius's funeral.

German conductor Hans Richter, who conducted the world premiere of Sir Edward Elgar's First Symphony called it "the greatest symphony of modern times"

When the Nazis came to power in Germany, England's composer Sir Edward Elgar remarked that he was "very interested in what is going on over in Germany".

Elgar said of British conductor Sir Adrian Boult, "With you, i am assured that my music will be in capable hands"
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Direct Link To This Post Posted: March 04 2013 at 19:10
Gustav Mahler's symphonies were performed with great frequency in Germany in the 1920s, to the point where some critics complained about what they called the "Mahler fever".

German pianist Elly Ney, who was a specialist in Beethoven, toured all over America in the 1920s, giving speeches at her concerts saying how great National Socialism was. At one point later in her career, she claimed troubles due to interference by Jewish people. Obviously, she was wrong on both accounts.

German conductor Hermann Abendroth was referred to in some circles as "the other Furtwangler". Furtwangler and Abendroth admired each other as conductors, and when Furtwangler died in 1954, Abendroth stated "It's as if my world has stopped turning."
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Direct Link To This Post Posted: March 17 2013 at 09:18
File:Hullywod-Sign.jpg
 
In 1978 Alice Cooper organised a campaign to restore the Hollywood sign, which by then was in such a poor state it read "HuLLYWO D". He donated £27,700 to restore the second letter "O".
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Direct Link To This Post Posted: March 17 2013 at 09:32
^Must have succeeded in getting the ball rolling.  I believe the sign looks tip top now. 


The cover of Heart's Little Queen was not taken in some picturesque rural village in Wales or Canada, but rather in the city park right next to Dodger Stadium in LA.   Ann said there were 1000 other better shots taken of her that day where she was smiling, but they chose the one pic she didn't like, where she was "pouting". 
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Direct Link To This Post Posted: March 17 2013 at 09:38
^ I love that cover
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Direct Link To This Post Posted: March 17 2013 at 09:44
The riff sampled on Eminem's "My Name Is" was taken from a Labi Siffre song on which Chas & Dave played. 
Before they formed their famous duo, Chas had worked with Joe Meek, and Dave had been in a band called The Rolling Stones.
 
 
 
rotten hound of the burnie crew
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Direct Link To This Post Posted: March 17 2013 at 09:44
Yeah me too, I have a remaster of the CD coming which I'm really looking forward to. 

Another tidbit (as I'm reading the Heart bio at the moment)......on the Queen cover, all of the band are in rented clothes except Ann.  She couldn't find anything she liked in the rental clothes rack, so her clothes on that cover are her own.  Apparently in one of the other sleeve shots in the album, you can spot a zipper on her boot, the only spot where they failed to make certain everything was "period". 


Edited by Finnforest - March 17 2013 at 09:46
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Direct Link To This Post Posted: March 17 2013 at 12:01
The original cover for Heart's Magazine album was different than the one that became known

One of my cousins went to a school and had as a teacher, a brother of the Wilson sisters, years ago.
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Direct Link To This Post Posted: March 17 2013 at 17:00
Originally posted by presdoug presdoug wrote:

The original cover for Heart's Magazine album was different than the one that became known
Interesting. I did not know that, I knew the 1977 release was made up of partially finished studio tracks, b-sides and some live tracks compared to the 1978 release that was fully finished studio tracks, but didn't realise the artwork was different.
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