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Topic ClosedAsia....rising from the rubble of prog rock??

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Slartibartfast View Drop Down
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Direct Link To This Post Posted: January 25 2012 at 17:36
Geoff Downes was ok on keys and the songs were ok for commercial.

By the way I was exaggerating the awesomeness of King Crimson in relation to Yes and Genesis.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: February 01 2012 at 06:25
I know they're an OK band but I just don't feel that excited when I listen to it. Although some parts are really epic, I don't really like the band's drum style and I just don't feel any kind of creativity in it... 
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Direct Link To This Post Posted: February 16 2012 at 05:46
Actually long ago before I kew about the existance of prog rock I heard a few Asia tracks. I was very impressed with their bombastic sound. Tracks like Donīt Cry, Heat of the Moment, Midnight Sun, etc. spoke to me. Years later, when I had turned from a metal head into a prog head I started buying some Asia CDs and attend two concerts, and yes, to make a long story short, there is something to them, I donīt like all their stuff, but I still put them regularly in my CD player ... maybe this has also to do with the fact that my wife tolerates them being played loud in her presence, something which canīt be said about a lot of other stuff I listen to ....
Don't Bore Us, Get To The Chorus
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Direct Link To This Post Posted: February 17 2012 at 00:34
Originally posted by igySK igySK wrote:

I know they're an OK band but I just don't feel that excited when I listen to it. Although some parts are really epic, I don't really like the band's drum style and I just don't feel any kind of creativity in it... 

I tend to agree!  Looking at all of the personnel changes they had, I'm not sure that they stayed in the category of "Supergroup" once founding members started to check out.  More like a "franchise."  From the Wikipedia page:

Personnel

Through the years, Geoff Downes and John Payne were the two most consistent members of the band, which experienced a revolving roster of noted musicians, particularly in the 1990s. The lineup has been as follows:

Current members of Asia are the following founding members:

Former band members of Asia are:

Certain musicians have joined and left after a short time without recording any studio material with the group. The most notable collaboration of this kind was the participation of Greg Lake in the "Asia in Asia" concert on bass guitar and lead vocals. Yet more musicians have played as session musicians or have guested with the band without formally joining. Some of these artists include: Robert FleischmanVinnie ColaiutaFrancis Dunnery, Ant Glynne, Scott GorhamTomoyasu HoteiLuis Jardim, Ron Komie, Tony LevinSteve Lukather,Thomas LangKim Nielsen-ParsonsSimon Phillips, and Alex Thomas.

[edit]



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Direct Link To This Post Posted: February 17 2012 at 01:45
^ the only lineup worth talking about is the orginal one. I have heard some of the other albums and they are okay. Asia were always meant to be a superior pop band or 'pop prog' band. In some respects they paved the way for It Bites which was a nice radio friendly version of prog.
 
as a side note there was a short lived project between Geoff Downes and Greg Lake called 'Ride The Tiger'. Two tracks can be found on Greg Lake's compilation album ' From The Beginning'. That was quite interesting but never got off the ground sadly.
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Direct Link To This Post Posted: February 17 2012 at 16:58
Originally posted by richardh richardh wrote:

Asia were always meant to be a superior pop band or 'pop prog' band.


I recall reading this sort of comment about Asia in other threads but I don't really agree.

Firstly, Asia were still working in a rock idiom.  The music was guitar based, had rock-style vocals and their image was rock.  The fact that it was polished and commercial does not make it good pop.  It was just crap rock.  In fact it was AOR.

Secondly, there is real pop music out there that has progressive elements (in the broadest sense) and which is far superior to anything that Asia ever did.  You could go back to the Beatles for this, or contemporaries of Asia such as Kate Bush, Peter Gabriel, or XTC, or more recent bands such as Everything, Everything or Field Music.  That to me is good progressive pop music; quite unlike the commercial second rate rock churned out by Asia.

Forgive me if I sound overly critical, but I still remember the disappointment I felt when that album came out. I am the right age to have got heavily into Yes as a teenager in the early 80's just after they split following Drama.  It was in many ways a depressing time to discover Yes and other prog as it was all so out of favour and there was no new music nor bands I could go to see.  I remember being very excited when I first heard of Asia forming, only to have my hopes dashed when I first heard the album.
Bob
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Direct Link To This Post Posted: February 17 2012 at 17:03
I don't like the debut,
but after Howe/Palmer/Wetton ( which are all great musicians, of course ) had left
I think they produced some good albums -
I've been to a concert of the John Payne-Era once and afterwards I talked to Geoff Downes saying
"You're better than ever - please go on this way !"
He thanked me kindly but did not take my advice Ouch !


...I'm a musician/singer/songwriter, visit me on www.reverbnation.com/rupertlenz and there you can choose from 125 recordings you can listen to ( for free ) if you're not limited to prog-rock !
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Direct Link To This Post Posted: February 18 2012 at 02:56
Originally posted by ProgBob ProgBob wrote:

Originally posted by richardh richardh wrote:

Asia were always meant to be a superior pop band or 'pop prog' band.


I recall reading this sort of comment about Asia in other threads but I don't really agree.

Firstly, Asia were still working in a rock idiom.  The music was guitar based, had rock-style vocals and their image was rock.  The fact that it was polished and commercial does not make it good pop.  It was just crap rock.  In fact it was AOR.

Secondly, there is real pop music out there that has progressive elements (in the broadest sense) and which is far superior to anything that Asia ever did.  You could go back to the Beatles for this, or contemporaries of Asia such as Kate Bush, Peter Gabriel, or XTC, or more recent bands such as Everything, Everything or Field Music.  That to me is good progressive pop music; quite unlike the commercial second rate rock churned out by Asia.

Forgive me if I sound overly critical, but I still remember the disappointment I felt when that album came out. I am the right age to have got heavily into Yes as a teenager in the early 80's just after they split following Drama.  It was in many ways a depressing time to discover Yes and other prog as it was all so out of favour and there was no new music nor bands I could go to see.  I remember being very excited when I first heard of Asia forming, only to have my hopes dashed when I first heard the album.
 
Pop music and rock music can be the same thing its never been a case of 'never the twain shall meet'. Genesis and Yes often strayed into poppier areas and were not always grounded in epic symphonic prog even in the seventies.
 
Wetton made it clear that he had got fed up working with Eddie Jobson (although its good that UK have reformed ,well the 3 peice version anyway) and wanted to do shorter songs. Of course with Howe and Palmer in the band it was always going to have some rock edge to it.
 
I liked the Asia debut because it had some strong prog elements but after that they went for a radio friendly approach pretty much with every song. There is some comparision with the last two albums where Phoenix has some nice prog related stuff but Omega is just good solid songs but nothing 'prog' based.
 
AOR is a very broad vague term and failry meangless imo.
 
BTW I agree about Kate Bush and Peter Gabriel. Funny thing I was thinking about this yesterday. Gabriel's early solo albums are not really 'pop' in any sense. I remember he was genuinely surprised when Games WIthout Frontiers became a hit. It was a very cold political song but just happened to have a bit of a hook. I suppose what is 'pop' music is what people like but then to some extent music is forced on us by what the the record companies and radio stations decide should go. But that's a whole other discussion!
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Direct Link To This Post Posted: February 18 2012 at 03:24
Quite inclined to agree with ProgBob.  Let alone Kate Bush, the Asia debut is not imo as sophisticated as even Purple Rain or Synchronicity.  It was decent AOR but then again Yes bettered them at that with 90125.  Those vocal harmonies in Leave It showed Yes channeling their prog background in a pop/rock format whereas in Asia, all these prog musicians seemed to want to conform as far as possible to pop/rock.
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Direct Link To This Post Posted: February 18 2012 at 03:33
Originally posted by rogerthat rogerthat wrote:

Quite inclined to agree with ProgBob.  Let alone Kate Bush, the Asia debut is not imo as sophisticated as even Purple Rain or Synchronicity.  It was decent AOR but then again Yes bettered them at that with 90125.  Those vocal harmonies in Leave It showed Yes channeling their prog background in a pop/rock format whereas in Asia, all these prog musicians seemed to want to conform as far as possible to pop/rock.
could never warm to 90125 although I do like Cinema. Would have liked more of that.Smile
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Direct Link To This Post Posted: February 19 2012 at 18:25
Given that the founding members of this band all checked out, who was making the musical & personnel decisions???

The whole Asia thing reeked of "AOR formula" music, which was quite successful (in financial terms) for a while.  

I dunno, looks like this band was more of a corporate construct than true rock band driven by creative impulses of its members!   
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Direct Link To This Post Posted: February 19 2012 at 22:31
Originally posted by cstack3 cstack3 wrote:

Given that the founding members of this band all checked out, who was making the musical & personnel decisions???

The whole Asia thing reeked of "AOR formula" music, which was quite successful (in financial terms) for a while.  

I dunno, looks like this band was more of a corporate construct than true rock band driven by creative impulses of its members!   


John Wetton especially was very clear that he saw Asia as the vehicle to achieve the commercial success he could not get with King Crimson.  I remember he said UK was a little better but it was the first Asia album that fulfilled his commercial aspirations. 
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Direct Link To This Post Posted: February 20 2012 at 06:39
I basically took the position that if a prog artist had paid their dues so to speak I wasn't going to begrudge them when they attempted to achieve commercial success, but I didn't need to be along for the ride.  And it's always a pleasure when these guys realize that there is still a decent prog fan base still out there and a newer generation worth making prog for.


Edited by Slartibartfast - February 20 2012 at 06:46
Released date are often when it it impacted you but recorded dates are when it really happened...

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