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Topic ClosedClean Vocals or Death Growl? (Modern Prog)

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King Crimson776 View Drop Down
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Direct Link To This Post Posted: January 14 2012 at 19:05
Anyway, growls just limit the harmonic possibilities. They have a specific timbre but I can't imagine that being worth eliminating the voice as a distinctly pitched instrument for any period during a song.
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Direct Link To This Post Posted: January 14 2012 at 18:55
Originally posted by King Crimson776 King Crimson776 wrote:

Originally posted by Bonnek Bonnek wrote:


At least growls ain't cheesy.

You're kidding, right
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Direct Link To This Post Posted: January 14 2012 at 18:54
Originally posted by Bonnek Bonnek wrote:


At least growls ain't cheesy.

You're kidding, right
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Direct Link To This Post Posted: January 13 2012 at 13:49
Originally posted by bucka001 bucka001 wrote:

Originally posted by Dean Dean wrote:

 
Not all growls are the same, they are not all used to portray anger or demonic possesion, they carry emotion as well as any other form of singing, and more importantly, they fit the music, just as Jon Anderson could never sing "A Plague of Lighthouse Keepers" and Ian Anderson could never sing You and I - there are plenty of Prog singers who are unable to sing of lambs frolicking in the hills, rainbows or the beautiful side of life... Peter Hammill for a start, nor would we ever want him to. 
 
I get where you're coming form and agree with what you say, but just to nitpick for a sec...
 
Hammill wouldn't sing of lambs frollicking or unicorns, etc, but he has (successfully) sang some very positive and beautiful lyrics that rejoice in just being alive. "A Better Time," for example. He's one of those singers who sound like two completely different people depending on what song you're listening to (he can offer up harsh, grating vocals for darker subject matter, and sweet "clean" vocals when that suits the subject matter -- and he's one of the few vocalists who has the chops to do it). Rarely have I heard a man overdub to be his own convincing chorus, ala A Better Time
 
Fair point well made. Clap Hammill's softer vocals have always been a favourite of mine - there are quite a few prog vocalists whose harsh and grating vocals have a softer side - Michael Chapman, Ian Anderson and Peter Gabriel could also switch vocal styles effectively.
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Direct Link To This Post Posted: January 13 2012 at 13:29
Originally posted by Dean Dean wrote:

 
Not all growls are the same, they are not all used to portray anger or demonic possesion, they carry emotion as well as any other form of singing, and more importantly, they fit the music, just as Jon Anderson could never sing "A Plague of Lighthouse Keepers" and Ian Anderson could never sing You and I - there are plenty of Prog singers who are unable to sing of lambs frolicking in the hills, rainbows or the beautiful side of life... Peter Hammill for a start, nor would we ever want him to. 
 
I get where you're coming form and agree with what you say, but just to nitpick for a sec...
 
Hammill wouldn't sing of lambs frollicking or unicorns, etc, but he has (successfully) sang some very positive and beautiful lyrics that rejoice in just being alive. "A Better Time," for example. He's one of those singers who sound like two completely different people depending on what song you're listening to (he can offer up harsh, grating vocals for darker subject matter, and sweet "clean" vocals when that suits the subject matter -- and he's one of the few vocalists who has the chops to do it). Rarely have I heard a man overdub to be his own convincing chorus, ala A Better Time
 
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Direct Link To This Post Posted: January 13 2012 at 13:15
Originally posted by DavetheSlave DavetheSlave wrote:

Imagine going back in time and a mistrel deciding that to use death growls in his material was the way to go - I kind of think that the witch hunters would have been quite excited and that the stake would have had an immediate new victim. That kinda says it all for me.
You can't sing about lambs frolicking in the hills, rainbows or the beautiful side of life using death growls and I tend to vector onto the positive energy side as well as the beautiful side. I also enjoy the opposite side being sadness in music. I've never heard of sadness being portrayed properly by growling.
Extreme Anger - now there's an emotion where I can imagine Death Growls could have a place - why on earth would I want to hear some guy vent an albums worth of anger?
The Demonic?  - ya of course - Death Growls would apply - then again I aint to enamored with the idea of listening to some guy imparting his demonic wetdream to me in music.
 
To me I can handle growls provided they are used in an operatic or a dramatic sense where it is demanded in the story that the music is trying to portray and thus growls have a place - albeit small - in music as far as I'm concerned.
Hell when I was younger I was the vice leader of a renowned bike group here in SA for a time and even in that environment if some guy approached us in a bar death growling a greeting I think he would have been smacked upside of the head.
So - in essense I do not enjoy certain extreme metal bands at all - and that coming from a guy raised on Black Sabbath, Budgie, Judas Priest may sound a bit off but it is the way it is. Huge difference between Halford, Gillian, Byron, Osborne etc and some guy who invariably can't sing to save his life and thus prefers to growl all the time.
Love Opeths new album - why?  - any guesses?
 
This is why I dislike this particular discussion - apparently reasoned arguments for why someone doesn't like growls when all they needed to say was "I don't like them" and leave it at that - there is no need to justify why you don't like something - I don't like the sound of brass ensembles and brass bands - no reason, no excuses and I don't need to justify it with silly generalisations, ill-considered examples, inaccurate stereotypes and by the use of derogatory and demeaning words and phrases.
 
Not all growls are the same, they are not all used to portray anger or demonic possesion, they carry emotion as well as any other form of singing, and more importantly, they fit the music, just as Jon Anderson could never sing "A Plague of Lighthouse Keepers" and Ian Anderson could never sing You and I - there are plenty of Prog singers who are unable to sing of lambs frolicking in the hills, rainbows or the beautiful side of life... Peter Hammill for a start, nor would we ever want him to.
 
Jonas Renkse of Katatonia had to sing "clean" because he couldn't growl properly - your "invariably can't sing to save his life" assumption becomes "can't growl to save his life" and Mikael Akerfeldt steps in to provide the necessary growls on two of their albums.
 
I wasn't in a bicycle club but if I had been I'm sure we'd have smacked someone upside the head if they came up to us with a Jon Anderson helium greeting or a Rob Halford/Russell Allen/Ian Gillian caterwaul... sounds like a good argument, but it's not, it's just plain daft
 
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Direct Link To This Post Posted: January 13 2012 at 12:38
What are clean vocals?
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Direct Link To This Post Posted: January 13 2012 at 10:44
Originally posted by CPicard CPicard wrote:

What about death vocals and clean growls?


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Direct Link To This Post Posted: January 13 2012 at 10:41
What about death vocals and clean growls?
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Direct Link To This Post Posted: January 13 2012 at 10:35
Both.
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Direct Link To This Post Posted: January 13 2012 at 10:27
The weird part is he loves James LaBrie, from what I know.  I mean, I agree that Akerfeldt's clean singing is not exceptional - though can't sing to save his life is very harsh - but it is at least generally pleasant and bearable.
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Direct Link To This Post Posted: January 13 2012 at 09:07
Really just depends on the music and more importantly the vocalist. I'm 100% fine with either, and both can sound like crap.
Growls for the sake of it (something which plagues many many metal bands) are no good. It needs to fit the music, when you get used to it...if done well growls are great. While it may sound silly to some, it is a lot like clean singing in that there are different styles and some are better than others at it.

I love Opeth, one of my favorite bands and part of the reason is Mikael. If you don't like growls that's fine and I totally get it...but you mentioned Opeth and isn't that one example of how someone who CAN actually sing does growls?LOL  There are others, and not even "big" names but local bands I heard where kids can do both well.

As it was said above that was a very lazy stereotype. If you don't like it fine but please realize it's an acceptable form of vocals that if done right and fits, can be great and does NOT mean the person can't sing clean for crap.

Besides, I love Opeth's new album because musically it is also very good. I liked it more than Damnation because that album was not quite as good, and both feature clean vocals. Likewise his growly albums hold different places in my heart. People that say "ugh this band is good minus the growls" or "I like this Opeth because its growl free" make no sense to me and I question how intently they really listen or care to try it.
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Direct Link To This Post Posted: January 13 2012 at 08:59
Originally posted by DavetheSlave DavetheSlave wrote:

Huge difference between Halford, Gillian, Byron, Osborne etc and some guy who invariably can't sing to save his life and thus prefers to growl all the time.
Love Opeths new album - why?  - any guesses?


I understand your arguments, but I have to draw attention to your generalisation, which is in turn undermined somewhat by a band you cite as enjoying: Opeth.

It seems a little silly to suggest (which is where you generalise) that growls are used because such vocalists 'can't sing to save [their] lives etc' when it is clearly a stylistic choice for many vocalists - who can indeed also sing, such as Mikael from Opeth.

I do see that you're only mentioning them in particular due to their last album not having any harsh vocals, but I didn't feel like your generalisation added much to an (admittedly) old discussion, and one that has been thrashed out by better minds than me. But I couldn't resist after seeing what seems to be quite lazy stereotyping - stereotyping which I don't feel you are the only one to do, but yours was the only post I happened to read.

 
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Direct Link To This Post Posted: January 13 2012 at 08:14
Originally posted by DavetheSlave DavetheSlave wrote:

 why on earth would I want to hear some guy vent an albums worth of anger?

Because it's just as valid of an emotion as sadness or happiness, and there's literally hundreds of great albums that channel it.

Also, on the "harsh vocals channeling sadness" bit, black metal.


Edited by Redug - January 13 2012 at 08:15
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Direct Link To This Post Posted: January 13 2012 at 02:05
Imagine going back in time and a mistrel deciding that to use death growls in his material was the way to go - I kind of think that the witch hunters would have been quite excited and that the stake would have had an immediate new victim. That kinda says it all for me.
You can't sing about lambs frolicking in the hills, rainbows or the beautiful side of life using death growls and I tend to vector onto the positive energy side as well as the beautiful side. I also enjoy the opposite side being sadness in music. I've never heard of sadness being portrayed properly by growling.
Extreme Anger - now there's an emotion where I can imagine Death Growls could have a place - why on earth would I want to hear some guy vent an albums worth of anger?
The Demonic?  - ya of course - Death Growls would apply - then again I aint to enamored with the idea of listening to some guy imparting his demonic wetdream to me in music.
 
To me I can handle growls provided they are used in an operatic or a dramatic sense where it is demanded in the story that the music is trying to portray and thus growls have a place - albeit small - in music as far as I'm concerned.
Hell when I was younger I was the vice leader of a renowned bike group here in SA for a time and even in that environment if some guy approached us in a bar death growling a greeting I think he would have been smacked upside of the head.
So - in essense I do not enjoy certain extreme metal bands at all - and that coming from a guy raised on Black Sabbath, Budgie, Judas Priest may sound a bit off but it is the way it is. Huge difference between Halford, Gillian, Byron, Osborne etc and some guy who invariably can't sing to save his life and thus prefers to growl all the time.
Love Opeths new album - why?  - any guesses?
 
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Direct Link To This Post Posted: January 08 2012 at 06:44
Bit late to the party, but I'll throw my ten pence in, for a giggle...
Smile

I think, like most people I've briefly read on here, come from different musical backgrounds and interests.
 
If you like the more aggressive end of 'metal', then the likelihood of you enjoying the more 'gruff' vocals within the realm of 'prog-orientated' is more likely, no?
If not, then...well...it's a given that you won't, I suspect...
It's all opinion and down to whether to actually enjoy that style of music.
I know people who literally 'shut off' the vocals and simply stick to the music...it's a neat trick to be able to do and I have to admit, I grew to do it when I was listening to early 90's death metal, as it started to grate when the vocals didn't vary at all.

Now, I enjoy the more extreme end of music...thus I guess I don't mind the more screamy/growl/snarl vocals.

Some bands, it just suits their style or maybe counteracts the OTT 'sucrose' of their music, perhaps?

In summation, it really is down to choice and what you like.

I use them in my own band because it's what i like to do...clean...extreme vocals...it displays a different form of emotion.
I guess I just have a problem with someone singing " I want to gut you..." in a nice operatic voice...although Diamanda Galas gets away with it becuase she's scary...
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Direct Link To This Post Posted: January 08 2012 at 05:09
It's a trick question anyway.  Metal isn't prog. Wink

Geeze no wonder people are losing interest.


Edited by Slartibartfast - January 08 2012 at 05:10
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: January 07 2012 at 20:35
I'm a pretty well versed metalhead so I don't mind them at all, I'd imagine my ears pick up on the subtleties in the different vocalists styles a lot more than a prog fan who's only experience with this style is Opeth and BTBAM (and they use a form of hardcore vocals, not death growls, for the record). I'm somebody who can pretty clearly understand Cannibal Corpse's lyrics, to give you an idea (even though Cannibal Corpse sucks). I'm also somebody who usually doesn't care about lyrics.

Typically, I don't really like it in my prog, but honestly bad clean vocals bother me a whole lot more than bad growls, some symphonic bands vocalists trying to (and failing to) display virtuosity in their vocal abilities (usually newer ones, not going after Anderson or Gabriel here) literally can make me uncomfortable. Not even most prog rock vocalists are actually all that well trained as singers, know your range and stick to it.
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Direct Link To This Post Posted: January 07 2012 at 15:45
Definitively hate clean vocals in death/black metal... For me, extreme metal needs growl and the rest clean voice.
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Direct Link To This Post Posted: January 05 2012 at 05:17
This discussion has sadly been completely flawed by the silly thread title - of course nobody will want growls in "prog". The OP specifies that the question is in fact about tech/extreme metal not any "prog", but unfortunately too many posters only look up the thread title and go directly to "Post Reply" (I know I do it too sometimes Embarrassed).

Yeah, I do like and want some proper growling in my extreme progressive metal. The only problem I have with growls is that I can't take my girl to such a concert. Tongue
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