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Topic ClosedTom Waits for RIO

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Padraic View Drop Down
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Direct Link To This Post Posted: October 15 2011 at 16:13
Originally posted by Logan Logan wrote:

Originally posted by Padraic Padraic wrote:

Originally posted by beaverteeth92 beaverteeth92 wrote:

If that's the case, would you recommend removing non-prog artists like Blue Öyster Cult and Led Zeppelin?


Those artists are in a special non-prog category that, much to my personal dismay, exists here.


Why does the category bother you?


Worded too strongly perhaps - if it were up to me, I wouldn't have the category.  I don't think it adds much value to the site.
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Direct Link To This Post Posted: October 15 2011 at 16:39
^^ Thanks Chris!

^ Pat, I like having the category.  I think it has value in that it brings more people to PA (which can bring more revenue to the site as well as get more people into music from the Prog categories), and I also think that it can be useful as a resource for finding bands/ artists with a perceived relation to Prog (the amount of relation ican be subjective, of course and some in PR I think might be better in a prog category).  For me it would be more valuabe if it were organised better and the parameters were expanded.  I'd like to see significant representation of music related to all of the different so-called prog categories at PA and be able to easily search, for instance, for progressive folk rock related music, but i digress too much.  Some of the PR additions have ranked amongst the most exciting for me -- for instance, Terry Riley (though i thought he had a case for progressive Electronic, I'm glad that having PR facilitatied including such an artist in PA). I really think it has the potential to be a very exciting archive for progressive composer/ musicians -- though I would like another related category set up for non-rock ones with a relation, within parameters, to music in the PA so-called prog categories.

There are albums in Prog related that fit my prog category definitions (in some cases I would rather an album based category for those, but that's another topic which few seem to support -- and who doesn't want album tagging?).  I think the category could be more useful for documenting more acts that have a relation to, or touch on, the various progressive rock, and progressive rock-related, movements.  It is a bit nebulous though. Much like with Prog and non-prog, one person's prog-related can be another person's prog.

If this were my site,  I'd change a hell of a lot.  Keep on wanting to make my own progressive music site, but it's a lot of work.

EDIT: I'm so prone to typos.  Should use a spell check.


Edited by Logan - October 15 2011 at 16:59
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Direct Link To This Post Posted: October 15 2011 at 17:10
Okay so here are reasons Waits would be ideal for RIO:

1.  Unique, highly unconventional instrumentation and vocals (Stroh violin, waterphone, broken pump organ, bass marimba, wagon wheel)
2.  Mix of styles (cabaret, jazz, blues, experimental, industrial, etc.)
3.  Occasional concept albums (Rain Dogs, Alice, The Black Rider)
4.  Lyrics on supernatural or unusual subjects (Everything in his discography)

Now please give me reasons as to why he shouldn't be in it.


Edited by beaverteeth92 - October 15 2011 at 17:10
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Direct Link To This Post Posted: October 15 2011 at 18:25
Originally posted by Logan Logan wrote:


^ Pat, I like having the category.  I think it has value in that it brings more people to PA (which can bring more revenue to the site as well as get more people into music from the Prog categories), and I also think that it can be useful as a resource for finding bands/ artists with a perceived relation to Prog (the amount of relation ican be subjective, of course and some in PR I think might be better in a prog category).

I'd like to see some good evidence that having a database entry for Led Zeppelin, The Beatles, and the host of other "big names" in the both categories brings more people to the site - you could be right, I'd just like some confirmation that this is actually happening.  I think most people that find their way here do so through an existing prog viaduct (for example, Dream Theater).  I can appreciate doing things to increase revenue, but that doesn't necessarily mean it's appropriate for the site's misson - I'm sure if we decided to feature FHM-style pics of hot women it would do wonders for our ad revenue.  Wink   Regarding your second point - I'm sure that the existence of the categories isn't devoid of utility, but I would still assume it's rather limited, and it's probably something that could be accomplished through word of mouth on the forum (which is how I discover pretty much all interesting music these days).

For me it would be more valuabe if it were organised better and the parameters were expanded.  I'd like to see significant representation of music related to all of the different so-called prog categories at PA and be able to easily search, for instance, for progressive folk rock related music, but i digress too much.  Some of the PR additions have ranked amongst the most exciting for me -- for instance, Terry Riley (though i thought he had a case for progressive Electronic, I'm glad that having PR facilitatied including such an artist in PA). I really think it has the potential to be a very exciting archive for progressive composer/ musicians -- though I would like another related category set up for non-rock ones with a relation, within parameters, to music in the PA so-called prog categories.

Sounds great on paper, but the work involved considering an already overtaxed volunteer staff...don't see it happening.  To me the discovery of all the artists you'd want to put in this expanded PR I believe already happens very organically through forum discussions.  Other than that, I guess one might want certain artists here so they could review them...but to me we run the risk of turning into RYM or something of that kind, and there's enough of those sites that do all that very well.  There's no other site that does what we're trying to do as well (in my not so humble opinion).

There are albums in Prog related that fit my prog category definitions (in some cases I would rather an album based category for those, but that's another topic which few seem to support -- and who doesn't want album tagging?).  I think the category could be more useful for documenting more acts that have a relation to, or touch on, the various progressive rock, and progressive rock-related, movements.  It is a bit nebulous though. Much like with Prog and non-prog, one person's prog-related can be another person's prog.

If this were my site,  I'd change a hell of a lot.  Keep on wanting to make my own progressive music site, but it's a lot of work.

Indeed.
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Direct Link To This Post Posted: October 15 2011 at 18:33
Originally posted by beaverteeth92 beaverteeth92 wrote:

Okay so here are reasons Waits would be ideal for RIO:

1.  Unique, highly unconventional instrumentation and vocals (Stroh violin, waterphone, broken pump organ, bass marimba, wagon wheel)
2.  Mix of styles (cabaret, jazz, blues, experimental, industrial, etc.)
3.  Occasional concept albums (Rain Dogs, Alice, The Black Rider)
4.  Lyrics on supernatural or unusual subjects (Everything in his discography)

Now please give me reasons as to why he shouldn't be in it.


1 - So do the loveable Thai Elephant Orchestra (if only they could sing alas)
2 - The Sensational Alex Harvey Band tick all these boxes
3 - The Osmonds and Harry Nilsson have recorded concept albums
4 - The Fall have written songs about exorcism, citizens band radio and the first chairman of the English Football Association
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Direct Link To This Post Posted: October 15 2011 at 18:43
I've been wanting him here for ages - never going to happen. I also want Stevie Wonder here (on the grounds that, even if Songs in the Key of Life isn't that progressive, it's absolutely the most morally perfect album ever created. I don't even agree with most of the morals it contains and I admit they're better than mine. Stevie Wonder is simply a better person than me.) 

I don't see why he isn't on here, though. To my ears, most of Swordfishtrombones is entry-material. I think it's because he never wrote a twenty minute long song about a galactic-imperial space battle that contained an eight minute mellotron solo in 17/4 time signature. If only he'd do that!
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Direct Link To This Post Posted: October 15 2011 at 20:02
Originally posted by ExittheLemming ExittheLemming wrote:

Originally posted by beaverteeth92 beaverteeth92 wrote:

Okay so here are reasons Waits would be ideal for RIO:

1.  Unique, highly unconventional instrumentation and vocals (Stroh violin, waterphone, broken pump organ, bass marimba, wagon wheel)
2.  Mix of styles (cabaret, jazz, blues, experimental, industrial, etc.)
3.  Occasional concept albums (Rain Dogs, Alice, The Black Rider)
4.  Lyrics on supernatural or unusual subjects (Everything in his discography)

Now please give me reasons as to why he shouldn't be in it.


1 - So do the loveable Thai Elephant Orchestra (if only they could sing alas)
2 - The Sensational Alex Harvey Band tick all these boxes
3 - The Osmonds and Harry Nilsson have recorded concept albums
4 - The Fall have written songs about exorcism, citizens band radio and the first chairman of the English Football Association
 
Every band you mentioned does not contain all those four points though. I also think The Sensational Alex Harvey band should be under Prog Related, but........
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Direct Link To This Post Posted: October 15 2011 at 20:20
Jon Anderson is under prog relatedWacko Go figure the method in the madness......ultimately I am just glad he is here, Tom Waits generally is not getting much support. Alex Harvey Band , I stand corrected, were rejected for PR and prior to that crossover
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Direct Link To This Post Posted: October 15 2011 at 23:57
Originally posted by ExittheLemming ExittheLemming wrote:

Originally posted by beaverteeth92 beaverteeth92 wrote:

Okay so here are reasons Waits would be ideal for RIO:

1.  Unique, highly unconventional instrumentation and vocals (Stroh violin, waterphone, broken pump organ, bass marimba, wagon wheel)
2.  Mix of styles (cabaret, jazz, blues, experimental, industrial, etc.)
3.  Occasional concept albums (Rain Dogs, Alice, The Black Rider)
4.  Lyrics on supernatural or unusual subjects (Everything in his discography)

Now please give me reasons as to why he shouldn't be in it.


1 - So do the loveable Thai Elephant Orchestra (if only they could sing alas)
2 - The Sensational Alex Harvey Band tick all these boxes
3 - The Osmonds and Harry Nilsson have recorded concept albums
4 - The Fall have written songs about exorcism, citizens band radio and the first chairman of the English Football Association

1.  Don't know them, but meeting one point means nothing.
2.  Can't find much information on them, but I'm listening now.  They sound kind of like glam rock with a tinge of Man Man, but not very proggy or experimental.
3.  Apparently concept albums are important to be considered "progressive."  It's not my rule, and again, neither of the artists you mentioned fit all the boxes.
4.  I probably could make an argument for The Fall for prog related after listening to their 80s stuff (Hex Enduction Hour), but again, weird subjects alone isn't enough to just be prog.  And for the third time, they don't meet all of these criteria.


Edited by beaverteeth92 - October 15 2011 at 23:58
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Direct Link To This Post Posted: October 16 2011 at 00:15
Wow. No.
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Direct Link To This Post Posted: October 16 2011 at 02:04

Even by the loosest of definitions I can't see how Waits is related to Prog Rock.
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Direct Link To This Post Posted: October 16 2011 at 02:29
Hi, beaver.
I'm not familiar with Tom really, and simultaneously very curious how his album "that you consider his most progressive one" sounds to me.

Can I evaluate his "Swordfishtrombones"? Any other album do you think progressive?


Edited by DamoXt7942 - October 16 2011 at 02:39
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Direct Link To This Post Posted: October 16 2011 at 04:02
And checked Tom's "Swordfishtrombones".
A good album indeed, but cannot be fit for RIO / Avant-Prog subgenre nor progressive rock (can be called as avantgarde blues methinks).

Any other candidate?
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Direct Link To This Post Posted: October 16 2011 at 10:11
Originally posted by DamoXt7942 DamoXt7942 wrote:

And checked Tom's "Swordfishtrombones".
A good album indeed, but cannot be fit for RIO / Avant-Prog subgenre nor progressive rock (can be called as avantgarde blues methinks).

Any other candidate?

Why?  So far, I hear a lot of people saying "Well he's just not prog."  I gave a list of reasons as to why he should be in RIO and I've had one person barely address it.  If he's "avantgarde blues" then so is Beefheart, as the songs on "Swordfishtrombones" could easily be mistaken for him at times.


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Direct Link To This Post Posted: October 16 2011 at 10:29
Ok, first of all I don't want to repeat myself so please check out what I said the other recent Tom Waits thread (linked right near the top of the first page of this thread) before responding to what I'm going to say here.

A few things to consider before you continue to make your case.

1. Try to understand the difference between RIO and avant-prog. It's laid out pretty clearly on the genre definition page on PA and it would really help your case if you showed that you really understood what both of those terms mean and how Tom Waits may or may not relate to them. (Short version is, Tom Waits has got bugger all to do with RIO).

2. Don't just pull out random songs - give us an album which you think fully makes the case for his inclusion as an avant-prog artist. In other words, an album which is not only avant-garde in nature but could uncontroversially be described as progressive rock. Not experimental blues, not avant-garde jazz or wonky carnival cabaret music but progressive rock. Swordfishtrombones has already been rejected on this basis so please point us in the direction of something which makes the case better than that album.

3. Enough of the Beefheart comparisons already. THIS is why Beefheart is included under avant-prog:

http://www.youtube.com/watch?v=fkzC8RYT1vY
http://www.youtube.com/watch?v=kme3Y1RpmUg
http://www.youtube.com/watch?v=Kd6iTrXRDTU
http://www.youtube.com/watch?v=iqRHr5pEIFU

Like I say, show me an album where Waits was consistently as complex, avant-garde and just plain rocking as Beefheart and maybe he's in with a chance.


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Direct Link To This Post Posted: October 16 2011 at 14:10
1.  Even if there is a difference, it's irrelevant for purposes of this discussion because both are included on the same page.  But for avant prog, Waits clearly meets almost all of the criteria.

  • Regular use of dissonance and atonality - virtually everything he's released after Swordfishtrombones
  • Extremely complex and unpredictable song arrangements - not as often, but present quite often on everything up to around 2002
  • Free or experimental improvisation - See #1
  • Fusion of disparate musical genres - practically every single album or song he's ever recorded
  • Polyrhythms and highly complex time signatures - admittedly very rare, but as far as I know, missing one part of the criteria is not enough to exclude an entire artist.

2.  I'm flat-out asking why Swordfishtrombones was rejected on that basis, since I gave four specific reasons as to why that album and Tom Waits are good enough for inclusion.  So far, the only reasoning I have is that someone listened to it and arbitrarily decided that it wasn't progressive.  I also added more reasons above, as you can see.

3.  Swordfishtrombones, Rain Dogs, Frank's Wild Years, Blood Money
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Direct Link To This Post Posted: October 16 2011 at 14:13
Oh my gosh let it die, please...
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Direct Link To This Post Posted: October 16 2011 at 14:17
Originally posted by Andyman1125 Andyman1125 wrote:

Oh my gosh let it die, please...
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Direct Link To This Post Posted: October 16 2011 at 14:19
Originally posted by Andyman1125 Andyman1125 wrote:

Oh my gosh let it die, please...

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Direct Link To This Post Posted: October 16 2011 at 14:36
Sorry.  Has my reasoning interrupted the arbitrary Tom Waits hatred going on in this thread?
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