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Topic ClosedWhy Waters Left the Floyd's !!

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moshkito View Drop Down
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Direct Link To This Post Posted: July 12 2010 at 18:06
Hi,
 
I find it incredibly sad to read some of the comments made here ... it's sort of like saying that Stravinsky is better than Tchaikovsky or vice versa.
 
That is just such a crock of garbage guys ... and all members were important to the band in their own way, even if Roger spent more time creating new stuff that the others might not have.
 
In general, my view is this ... to just play rock'n'roll and 4/4 stuff that has the feel of a lamp post, is not worth it! And Roger certainly knows that and has shown that. For the others, it might be thought of as a reaction to the more difficult stuff they were doing, but if it wasn't the difficult stuff the staging for all of this stuff was insane and required attention that ... probably burned everyone out! So much of the stuff in DSOTM was computerized and along a film, and that means ... you can't make a mistake!  And the emotional take in all that stuff makes it much tougher to appreciate, so hearing anyone of them say it was Roger's baby ... well, I can tell you that if would not have been Pink Floyd without all this stuff in it.
 
There are other things ... I am not sure about this one, but here is my thinking ... Eric Clapton played on The Pros and Cons of Hitchhiking ... and it was my understanding that Roger was going to do a few dates and that Eric was going to play them ... and in the end that crashed. You know why? ... it's not blues and it was not "easy stuff" that Eric could do all day long and challenge himself to do more! ... and to me, that was the whole thing. Each Roger album got better and better and Amused to Death is fabulous, but not appreciated sometimes. But it also tells you that Roger has a knack for music, and allow each person some freedom ... you can't say that Jeff Beck is not tremendous in that album, or you are not listening. Eric Clapton before that. David Gilmour before that.
 
So, if David was tired and wanted to do something simpler for a change, that's understand'able, and probably appreciated ... you forget that he had to be "on" every night and not fail ... and he didn't ... you won't find a lot of "mistakes" in the bootlegs, and you have to have a very good musician and person behind that, to do so! Roger would probably be the first one to tell you ... yeah, we disagreed, but he is, and was, pretty good. I'm not sure Pink Floyd could have succeeded as much if it had not happened so strongly and they stuck together.
 
Lastly, Richard Wright appears to have been the one that first said no, to all the stuff, and I think that Roger was simply asking too much from the equipment to the point of alienating some folks. And it is well known that Richard just about was not in The Final Cut", and to be honest with you ... that is exactly what that album is missing ... the softness that Richard always added to the whole thing that smoothed out the harshness and the roughness.
 
Roger never left.
 
They just took a break from each other.
 
Ohhh ... maybe you should check out the article today in the news ... David has been showing up in many Wall concerts, and I'm sure that Roger is the one that said ... get your butt here ... your guitar is wanted!
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Ronnie Pilgrim View Drop Down
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Direct Link To This Post Posted: July 12 2010 at 22:09
Originally posted by moshkito moshkito wrote:


Ohhh ... maybe you should check out the article today in the news ... David has been showing up in many Wall concerts, and I'm sure that Roger is the one that said ... get your butt here ... your guitar is wanted!

Really? I guess you just read the headlines and the stories write themselvesLOL
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Direct Link To This Post Posted: July 12 2010 at 23:11
This is for me another stick a fork in them, they're done groups.  That doesn't mean that the guys don't have some more good shows or music left in them.

I saw them without Waters on The Division Bell Tour when they came by Atlanta to the Georgia Tech outdoor football stadium for a concert.  Just looked it up and there were two shows.  I don't have the ticket stub handy but it may be in storage.  Anyway, it was a rainy day, brought down a good umbrella.  They made everyone entering the stadium with an umbrella leave it near the entrance.  I did wear a raincoat but the weather was awful and severely distracted from the show.  All the umbrellas had been carried off by the time the show was over.  That was just wrong.  Well, at least we had seats.

I think it was a Friday May 3, 1994.  Uh no, it was one of those horrid middle of the week concerts.  Anyway, on top of being on either a Tuesday or a Wednesday when I was there, the weather sucked!!!LOL


Edited by Slartibartfast - July 12 2010 at 23:18
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: July 13 2010 at 02:37
As an instrumentalist he was the worst of the four.

One of the best lyricist of all time - Yes
One of the good songwriter too

But not a so good Bass player and good vocals in the 70's,

And dunno why but I prefer Gilmour solo stuff but its fun to see that they played together 3 days ago.


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Direct Link To This Post Posted: July 13 2010 at 08:06
He did'nt leave.......he just evaporated !  LOL
"...the thing IS, to put a motor in yourself..."
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Direct Link To This Post Posted: July 13 2010 at 15:25
It was interesting to see that Waters and Gilmour played together for a charity gig last weekend. They only played a handful of songs, but speculation is no doubt rife over Waters' upcoming Wall tour. I'd love Gilmour to make a guest appearance.
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Direct Link To This Post Posted: July 13 2010 at 22:38
Originally posted by RoyFairbank RoyFairbank wrote:

I totally oppose any insult to Roger. He is Pink Floyd. Pink Floyd was nothing before Syd Left. Psychadelic bullsh*t, decent for that, but punchless. When the band was democratic they sucked even worst. Only when Roger took charge and began writing material "selfishly" did the greatest rock works come to life. Roger had a vision, a conscience and an intelligent plan. Gilmour, the only other serious writer in the Floyd, was completely groundless and incapable when it came to writing ART and not just music. Roger made his guitar work meaningful. When Roger left David HIRED a bunch of great writers and they put together a MUSICAL copycat of Pink Floyd that is quite good, but misses the intellectual points of Floyd as seen in Rog's works Pros and Cons and Amused to Death. Rog's show is brilliant by the way.


Ofcourse I totally oppose any insult to Roger too, but so do I oppose any inslut to the rest of the band. I wouldn't say the band got better when Roger began writing material "selfishly" (and I even must say that there were great thing in the albums before DSotM), but rather when they learned what each was best at, and Waters is best at creating concepts and writing lyrics, and ofcourse he is a very good songwriter - but he needed the input of the others to make those Pink Floyd classics. Roger couldn't have created DSotM, Wish you Were here, nor even Animals all by himself. Nor the song Echoes. And even The Wall may have suffered if he hadn't had the feedback of the band (and Comfortably Numb wouldn't have been the song so many love). And Gilmour wasn't the only other serious writer in Floyd, Wright also did his share of writing, and in DSotM I think he was a more important writer than Gilmour, and about as important as Waters (Great Gig in the Sky and Us & Them were his babies, and he co-wrote Time and Any color you like with the rest of the band); and he was co-writer of Shine on you Crazy Diamond. And perhaps Gilmour's Floyd misses the points of the classic Pink Floyd, but Waters solo output misses the music.
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Direct Link To This Post Posted: July 13 2010 at 22:53
Originally posted by lazland lazland wrote:

To compare just how much Floyd were not without Waters, you only have to listen to Amused To Death and compare it to MLOR & The Division Bell. The latter two are ordinary, whilst the former is utter genius.They were a great collective, but most certainly missed Waters lyrical and creative input after the collective egos basically tore the band apart.I would imagine that all would now admit to having played a part in that.


Well, it all depends on taste, ofcourse. Even though I completley agree that Amused to Death is by far superior to MLOR & TDB as far as concept and lyrics is concerned, for me at least The Division Bell is far superior than Amused to Death as far as music is concerned. I find The Division Bell among my very favourite Pink Floyd albums, even above The Wall, I love all of the songs, while AtD has some very boring songs (Too Much Rope, Watching TV, and a few others I don't even remember).
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Direct Link To This Post Posted: July 14 2010 at 00:57

Originally posted by Dellinger Dellinger wrote:

Originally posted by RoyFairbank RoyFairbank wrote:

I totally oppose any insult to Roger. He is Pink Floyd. Pink Floyd was nothing before Syd Left. Psychadelic bullsh*t, decent for that, but punchless. When the band was democratic they sucked even worst. Only when Roger took charge and began writing material "selfishly" did the greatest rock works come to life. Roger had a vision, a conscience and an intelligent plan. Gilmour, the only other serious writer in the Floyd, was completely groundless and incapable when it came to writing ART and not just music. Roger made his guitar work meaningful. When Roger left David HIRED a bunch of great writers and they put together a MUSICAL copycat of Pink Floyd that is quite good, but misses the intellectual points of Floyd as seen in Rog's works Pros and Cons and Amused to Death. Rog's show is brilliant by the way.


Ofcourse I totally oppose any insult to Roger too, but so do I oppose any inslut to the rest of the band. I wouldn't say the band got better when Roger began writing material "selfishly" (and I even must say that there were great thing in the albums before DSotM), but rather when they learned what each was best at, and Waters is best at creating concepts and writing lyrics, and ofcourse he is a very good songwriter - but he needed the input of the others to make those Pink Floyd classics. Roger couldn't have created DSotM, Wish you Were here, nor even Animals all by himself. Nor the song Echoes. And even The Wall may have suffered if he hadn't had the feedback of the band (and Comfortably Numb wouldn't have been the song so many love). And Gilmour wasn't the only other serious writer in Floyd, Wright also did his share of writing, and in DSotM I think he was a more important writer than Gilmour, and about as important as Waters (Great Gig in the Sky and Us & Them were his babies, and he co-wrote Time and Any color you like with the rest of the band); and he was co-writer of Shine on you Crazy Diamond. And perhaps Gilmour's Floyd misses the points of the classic Pink Floyd, but Waters solo output misses the music.

Of course as many have stressed Floyd were a band and as such they all contributed vital things to make it what it was. I wanted to use the Beatles as an example. In some respects Waters = Lennon and Gilmour = Mc Cartney. The Beatles were great because of (obviously) sheer talent but also the right mix of people. Floyd were very much the same imo.

 

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