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Topic ClosedThe 432 hz effect.. please help!

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friso View Drop Down
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Direct Link To This Post Posted: June 30 2010 at 15:11
Originally posted by TheGazzardian TheGazzardian wrote:



Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:


Originally posted by Atomicunderware Atomicunderware wrote:

Unfortunately I think for this to really have any impact the instruments would need to be tuned using 432Hz prior to them being tracked. Interesting concept though, I had never heard of this before, I just took 440Hz for granted...
Not quite sure what modern mastering techniques have to do with the discussion, but there you go...
If you bothered to read my post, I was talking about how gullible some of the members of PA are, and how it kinda throws out the window the idea that all "proggers" are intellectuals.My idea of an intellectual is not that of someone who just reads any random article written with a bunch of unfounded garbage and just believes it because they're told it's true.

I would say that Friso has proven that he is not gullible in this sense - he is actually performing a test on these forums to find out if what he has read is true or false, instead of taking it on faith. That seems like the definition of science / verifying what he's heard to me.
I tried listening to both and didn't notice any huge difference between the two at all to be honest - I noticed a feel of slight more calm listening to the 432 one but I'm not sure if that's because my brain expected me to or not. I recommend finding a way to test this effect without letting people know what it is your testing, so you that this effect is avoided. Also, testing it in different orders (432 first/440 after) etc. with different people.



I totally agree! There are way better listening-test available. The fact you hear the difference in pitch makes it however hard to hide which sample is heard.

Why 432 Hz? Because it has been used for more then two thousand years all over the world. Furthermore I find it interesting that people think ancient civilizations would go threw so much as building complete concrete temples out of amazingly heavy rock to build a sound-resonating system that has no use at all. Why always see ancient people ;ole Egyptians as imbeciles? Let's try to find out if they were perhaps right! That's what this experiment is about.

Furthermore I don't thing it has anything to do with figures. The Hz is based on the second and the second is a human invention that has no logical or important length in physics.

And finally... there's a small range in the electro magnetic radiation we call 'light', to witch we respond best. There are a certain amounts of smell's we can decipher best. Why not a certain frequency for sound?

Edited by friso - June 30 2010 at 15:14
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Direct Link To This Post Posted: June 30 2010 at 14:38
Originally posted by Padraic Padraic wrote:

Originally posted by Slartibartfast Slartibartfast wrote:

What about the brown note? Tongue

LOL

To be honest that's what I thought of when I first saw this thread title, except the "brown note"* is much lower in frequency.

* and is a myth.

That has been busted.
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Direct Link To This Post Posted: June 30 2010 at 14:37
Originally posted by Slartibartfast Slartibartfast wrote:

What about the brown note? Tongue

LOL

To be honest that's what I thought of when I first saw this thread title, except the "brown note"* is much lower in frequency.

* and is a myth.
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Direct Link To This Post Posted: June 30 2010 at 14:25
Did not notice any difference between them. Nice mellow Floyd track, that's all.
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Direct Link To This Post Posted: June 30 2010 at 14:09
The frequencies in Jimi Hendrix's Valleys Of Neptune are awful, I've been struggling all day with an incredible headache after listening to that AngryDead
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Direct Link To This Post Posted: June 30 2010 at 14:02
Originally posted by clarke2001 clarke2001 wrote:

....

1. A certain frequency (yes, even the frequency of the sound) can have effect on objects and living creatures, including humans, furthermore including human thoughts, state of mind and indirectly, health.

2. A frequency of 432 Hz is absolutely irrelevant on that matter.



This is correct. Every material object and being has resonant frequencies, whether it is a crystal glass, or the skull of an animal. Our sinuses, inner ears, etc., all vibrate to different frequencies, and is a major reason why some music can be wonderful to some and annoying to others.

As for Petrovks comments, all are invalidated by his denial that compression can have a distinct effect on the listening experience. When poorly done, compression can fatigue the listener's hearing, and when done properly, can enhance the listening experience. Anyone with any modicum of training in audio engineering knows this.
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Direct Link To This Post Posted: June 30 2010 at 13:17
What about the brown note? Tongue
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: June 30 2010 at 13:11

Okay, a thing or two for all of you who either believe or not in this theory. Read it, damn.

1. A certain frequency (yes, even the frequency of the sound) can have effect on objects and living creatures, including humans, furthermore including human thoughts, state of mind and indirectly, health.

2. A frequency of 432 Hz is absolutely irrelevant on that matter.



A 'frequency healing' is often lumped together with other modern movements and philosophic schools such are New Age, alternative therapies, neuro-linguistic programming, transcendental meditations, various methods of self-help and so on. Add into that crystallotherpay, aromatherapy, homeopathy, pyramidal forces and other things.

99% of all that is rubbish.

The problem is to determine which one percent is right.

Some things are undeniably utter bullsh*t, such is astrology.

Some things might have some scientific plausibility. Ideas about UFOs, flying saucers, is overblown and naive, but the idea of a extraterrestrial life form is worthy of debating, even from the purely scientific point of view.

The idea of 'life energy flow' which is elan vital in Europe, chi in China and prana in India is something I don't believe in, but I'm ready to remain open upon that issue.

I won't touch the issue of spirituality, afterlife and religion here.



I am a humanist and scientific skeptic that ask for scientific proof and verification. However, it seems that some non-scientific methods do work for people; perhaps it's all delusion, hoax and placebo, perhaps not. I do not know, and I do not pretend to understand.

Romantic mysticism could be charming, but false theories need to be busted; the others which are valid will be proven one day. That's about it. There's no magic, just nature.

Now onto the frequency thing.

There's a plethora of methods, tapes, software and what not; binaural beats, brainwave synchronizers etc.

They do work. But do they work properly? What they do exactly?

Exhibit A.

It's possible to listen to a certain pulsating frequency that will effect the listener: our brain is working in various frequencies: some ranges of those are labeled Alpha waves, Beta, Theta and so on. They change with emotions and other things human brain can evoke.

Indeed listening to that can evoke hypnosis and trance in a person, perhaps help one to focus on studying, or becoming more self-confident. Indirectly, it will affect one's digestion, blood pressure and overall health.

But it's not that easy. or simple. and not entirely true.

It follows the assumption the human brain is in A mode (frequency)  when it's sleepy, in B mode when it's focused, C mode when it's angry. Which is true to a degree (even high degree, some 80 to 90%), but not entirely. In fact sometimes it manifests itself in opposite, worse yet, unpredictable parameters than set as a hazy standards in neurology.

The pattern is just too complicated and seemingly random to be encapsulated.

We can imagine a brain as a set of 1000000000 switches, but there's no way brain will be happy/melancholic/euphoric  by simply turning a certain set of switches on or off.


I won't instantly reject the idea of frequency healing as wrong, but rather insuficcient enough to be effective.

One day in the future, it might became possible: with a brain scan of an individual you'll be able to determine which frequency can help in which way. The itself is not nonsense. But the idea it can effectively be benefitial today, while it's still psychobabble rather than science, is to be approached with extreme caution.

What about dirrect effect of music on body's health?

Exhibit B.

Even less plausible. Human individuals are different. If you hit a wine glass (or spin your wet finger on the edge of the glass), it will produce a sound (everything has a resonance frequency). If you hit a bigger wine glass, it will produce different sound. Hit my rib cage, it will produce different frequency than yours. Air in my lungs, plasma in my body, nerves transmitting electricity - they're all ever-changing, individual, different.


Exhibit C.

Even if it's all true - even if it can affect human health precisely - even if the frequency of 432 Hz is ideal for (all) humans (lower frequency makes more sense, our bodies are bags filled with water), for whatever reason, (and please don't slap me with quantum mysticism here):

i. The music is not repetition of a single tone. There are chords (producing aliquote tones and overtones), there are scales (chromatic frequency is rising exponentially by a 12th root of two), there are song in different keys, there are bursts of hiss (wind instruments and cymbals) which have a frequency spectrum of the entire scale.

ii. Why exactly 432 Hz? Someone mentioned relation with a golden ratio. How is that relevant?

ii.a 432 either divided or multiplied with 1,61803399 give an nearly-integer, which is an interesting property, but a property of phi (golden ratio), not 432. You can try any sequence of numbers to multiply or divide with phi, and see how the sequence convergence it's near-integerity. Surely the value of 432 gives some (arbitary) rounded numbers, but that's only because of our convention, base 10.
ii.b Hertz itself is defined as a cycle per second and second is arbitrary and self-referential unit with no foundation in physical constants.






In conclusion, I won't dismiss the idea of frequency affecting humans, but the knowledge about that is too vague and minimal, and a frequency of 432 Hz seems even less relevant.


I'm more than willing to see your feedback and perhaps learn something if I'm wrong in my observation.






Edited by clarke2001 - June 30 2010 at 13:13
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Direct Link To This Post Posted: June 30 2010 at 11:24
Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Originally posted by Atomicunderware Atomicunderware wrote:

Unfortunately I think for this to really have any impact the instruments would need to be tuned using 432Hz prior to them being tracked. Interesting concept though, I had never heard of this before, I just took 440Hz for granted...

Not quite sure what modern mastering techniques have to do with the discussion, but there you go...


If you bothered to read my post, I was talking about how gullible some of the members of PA are, and how it kinda throws out the window the idea that all "proggers" are intellectuals.
My idea of an intellectual is not that of someone who just reads any random article written with a bunch of unfounded garbage and just believes it because they're told it's true.

I would say that Friso has proven that he is not gullible in this sense - he is actually performing a test on these forums to find out if what he has read is true or false, instead of taking it on faith. That seems like the definition of science / verifying what he's heard to me.

I tried listening to both and didn't notice any huge difference between the two at all to be honest - I noticed a feel of slight more calm listening to the 432 one but I'm not sure if that's because my brain expected me to or not. I recommend finding a way to test this effect without letting people know what it is your testing, so you that this effect is avoided. Also, testing it in different orders (432 first/440 after) etc. with different people.


Edited by TheGazzardian - June 30 2010 at 11:31
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Direct Link To This Post Posted: June 30 2010 at 10:25
As a non-musician this makes no sense. The original was a better version of Marooned but mainly because it was higher-quality.Tongue

I'm quite happy however they've been tuning it after the 40s, I don't have a single thing before 1950 on my player.
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Direct Link To This Post Posted: June 30 2010 at 10:22
Originally posted by Atomicunderware Atomicunderware wrote:

Unfortunately I think for this to really have any impact the instruments would need to be tuned using 432Hz prior to them being tracked. Interesting concept though, I had never heard of this before, I just took 440Hz for granted...

Not quite sure what modern mastering techniques have to do with the discussion, but there you go...


If you bothered to read my post, I was talking about how gullible some of the members of PA are, and how it kinda throws out the window the idea that all "proggers" are intellectuals.
My idea of an intellectual is not that of someone who just reads any random article written with a bunch of unfounded garbage and just believes it because they're told it's true.
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Direct Link To This Post Posted: June 30 2010 at 10:00
Originally posted by Kojak Kojak wrote:

Does this touch upon the binaural, monaural and isochronic beats effect..?? I mean, like a similar effect?


Question not understood here...
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Direct Link To This Post Posted: June 30 2010 at 09:59
Does this touch upon the binaural, monaural and isochronic beats effect..?? I mean, like a similar effect?
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Direct Link To This Post Posted: June 30 2010 at 09:48
Unfortunately I think for this to really have any impact the instruments would need to be tuned using 432Hz prior to them being tracked. Interesting concept though, I had never heard of this before, I just took 440Hz for granted...

Not quite sure what modern mastering techniques have to do with the discussion, but there you go...
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Direct Link To This Post Posted: June 30 2010 at 09:40
Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:



I don't understand this forum sometimes.For example, I'll see threads where people are talking about the loudness wars, and how "compression is killing music and making it too loud".Why do people say this?Because it's what they read in a bloody article that told them so.Don't worry about critical thinking and you know, actually researching the topic at hand, just believe what some stupid journalist tells you.Any audio engineer worth his salt will tell you that very heavy compression on single tracks has been something going on for decades, well before today's current trend of quite loud records.This tells me compression itself isn't really at fault.If I tell people the actual reasons why records have got so loud, and discuss the techniques used to get there, like limiting, clipping, getting the frequency balance right in the mix as to be able to get a louder mix without the bass farting out too much in mastering, and the fact that loud sounding records actually starts all the way from the way the musicians play and the tracking process, I'll just get blank stares, because that's not what it said in the brain dead article that told you "It's all the fault of compressors/compression!".But having made my own recordings and getting them to sound fairly loud (not as smashed as the most smashed of today's stuff, but still pretty loud), I understand it's a process that starts from playing tightly, tracking at appropriate levels, getting the frequency balance in the mix right, using clipping to tame transients on drum tracks, and further using clipping to tame transients to keep stuff out of the red zone, and that compression is only really used for shaping the attack, release, sustain or general tonality of an element in the mix and not as some kind of loudness booster.This is the result of actually trying something first hand, using critical thinking and just thinking for myself, rather than just being spoon fed what someone who has no idea what they're talking about wants me to believe.Now, more back to the topic at hand, read this article:http://www.omega432.com/music.htmlThe opening paragraphs for example"

432hz vibrates on the principals of the golden mean PHI and unifies
the properties of light, time, space, matter, gravity and magnetism with
biology, the DNA code and consciousness.


432hz Natural Tuning has profound effects on consciousness and also
on the cellular level of our bodies.
By retuning musical instruments and using concert pitch at 432 hertz
instead of 440 hertz, your atoms and DNA starts to resonate in harmony
with the PHI spiral of nature."Does anyone here that possesses a brain, actually believe/buy into that?Tell me, someone, honestly tell me you think that isn't one of the most absurd and ridiculous things you've read in your life.I'm no genius by any stretch of the imagination, but via critical thinking, I am able to see that the guy who wrote this article is probably a complete whacko.Metallica's Ride the Lightning album is in fact, ABOVE the 440Hz A center, but did it stop millions of people from buying and enjoying the hell out of it?However the music was written, in whatever tuning, was how the artist intended for you to enjoy it.If it didn't sound good at 440Hz, it will not sound better at 432Hz.In fact, by the poor logic of some of the pro-432Hz articles, why stop at tuning down 8Hz? Surely it would sound better at 431Hz then? 429Hz? 420Hz?See what I mean, it just gets more and more ridiculous and absurd.Read this thread toohttp://www.sevenstring.org/forum/general-music-discussion/57796-432-hz.html You'll notice a member called "GandalfDaBlack" who joined the forum just to push the 432Hz  theory(as well as that idiot Brian T Collins, who made an account called "432Hz" just to plug his article)None of his arguments make any sense and you know what?At the end of the day, everyone just kept enjoying music, regardless of whether the guitars/bass guitars were tuned to C standard 430Hz, Bb standard 442Hz or drop A 437Hz.



I must admit I'm starting to get a bit angry here. You discard information because of the fact it doesn't make sense.

You remind me of something (Holland, 19th century, a man speaks: 'hey a train, it must be from hell, we'll die going faster then 25 km/h, blablabla'). Don't understanding something doesn't give you any right to judge.

And besides this, you happen to get the wrong men in front of you. If you had known anything about quantum mechanics and related objects, anything about wave interference or anything about the difference between the sensory and the scientific 'wave/energy/matter' world you might have had the right to speak. But I guess you don't have that. Because if you would have, you would have known that all major sensory and processing activity of the brain and sensors of the human body work with (electronic) waves. They also have proven to be adjusted by forces from outside. Healing with sound has occurred in almost every great civilization. The Egyptians build complete temples with rooms that were designed to vibrate in in certain pitches.

It is very likely that by making music that interferes with certain parts of our brain gives a an effect. No non-sense, just science.

And besides that, this forum was intended to be an experiment and your mockery might have ruined it. You speak about people 'with their brain-dead articles', but you use articles your-self too that might be as 'brain-dead'as the others. Can you smell the difference?

Conclusion. Let me please continue my experiment and let's discuss this (if you feel the need) with private messages or in an own topic.
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Direct Link To This Post Posted: June 30 2010 at 09:16
Petrovsk, you still haven't explained why you think this is such nonsense other than that "it's obvious." That is not very scientific. I'm not saying it's true, but there are such things as resonance frequencies and it is not completely insane to suggest that alternate tunings may better tap into them and that this might somehow be nice.

As far as the tracks go, I found the 432hz ones somewhat more powerful than the originals on a visceral level, although it may just be my ears. Since I have so much experience with 440hz, I vould instantly tell that the tuning was "off" and it may be the experience of being "out of tune" that I'm responding to rather than the specific frequency.


Edited by thellama73 - June 30 2010 at 09:18
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Direct Link To This Post Posted: June 30 2010 at 09:04
Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Originally posted by The Runaway The Runaway wrote:

Petrovsk, do you have a SINGLE post where you're not angry at the OP?


Quite a few in fact.

I have read some. :D

Blackened didn't change very dramatically either, btw.
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Direct Link To This Post Posted: June 30 2010 at 08:59
Originally posted by The Runaway The Runaway wrote:

Petrovsk, do you have a SINGLE post where you're not angry at the OP?


Quite a few in fact.
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Direct Link To This Post Posted: June 30 2010 at 08:47
I don't understand this forum sometimes.
For example, I'll see threads where people are talking about the loudness wars, and how "compression is killing music and making it too loud".
Why do people say this?
Because it's what they read in a bloody article that told them so.
Don't worry about critical thinking and you know, actually researching the topic at hand, just believe what some stupid journalist tells you.

Any audio engineer worth his salt will tell you that very heavy compression on single tracks has been something going on for decades, well before today's current trend of quite loud records.
This tells me compression itself isn't really at fault.
If I tell people the actual reasons why records have got so loud, and discuss the techniques used to get there, like limiting, clipping, getting the frequency balance right in the mix as to be able to get a louder mix without the bass farting out too much in mastering, and the fact that loud sounding records actually starts all the way from the way the musicians play and the tracking process, I'll just get blank stares, because
that's not what it said in the brain dead article that told you "It's all the fault of compressors/compression!".

But having made my own recordings and getting them to sound fairly loud (not as smashed as the most smashed of today's stuff, but still pretty loud), I understand it's a process that starts from playing tightly, tracking at appropriate levels, getting the frequency balance in the mix right, using clipping to tame transients on drum tracks, and further using clipping to tame transients to keep stuff out of the red zone, and that compression is only really used for shaping the attack, release, sustain or general tonality of an element in the mix and not as some kind of loudness booster.

This is the result of actually trying something first hand, using critical thinking and just thinking for myself, rather than just being spoon fed what someone who has no idea what they're talking about wants me to believe.

Now, more back to the topic at hand, read this article:

http://www.omega432.com/music.html

The opening paragraphs for example

"

432hz vibrates on the principals of the golden mean PHI and unifies the properties of light, time, space, matter, gravity and magnetism with biology, the DNA code and consciousness.

432hz Natural Tuning has profound effects on consciousness and also on the cellular level of our bodies.
By retuning musical instruments and using concert pitch at 432 hertz instead of 440 hertz, your atoms and DNA starts to resonate in harmony with the PHI spiral of nature."

Does anyone here that possesses a brain, actually believe/buy into that?
Tell me, someone, honestly tell me you think that isn't one of the most absurd and ridiculous things you've read in your life.
I'm no genius by any stretch of the imagination, but via critical thinking, I am able to see that the guy who wrote this article is probably a complete whacko.

Metallica's Ride the Lightning album is in fact, ABOVE the 440Hz A center, but did it stop millions of people from buying and enjoying the hell out of it?
However the music was written, in whatever tuning, was how the artist intended for you to enjoy it.
If it didn't sound good at 440Hz, it will not sound better at 432Hz.
In fact, by the poor logic of some of the pro-432Hz articles, why stop at tuning down 8Hz? Surely it would sound better at 431Hz then? 429Hz? 420Hz?
See what I mean, it just gets more and more ridiculous and absurd.

Read this thread too

http://www.sevenstring.org/forum/general-music-discussion/57796-432-hz.html

You'll notice a member called "GandalfDaBlack" who joined the forum just to push the 432Hz  theory(as well as that idiot Brian T Collins, who made an account called "432Hz" just to plug his article)
None of his arguments make any sense and you know what?
At the end of the day, everyone just kept enjoying music, regardless of whether the guitars/bass guitars were tuned to C standard 430Hz, Bb standard 442Hz or drop A 437Hz.



Edited by Petrovsk Mizinski - June 30 2010 at 08:50
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Direct Link To This Post Posted: June 30 2010 at 07:55
Originally posted by harmonium.ro harmonium.ro wrote:

I can't say what the difference is, but the original version sounded much better to my ears.

Same here, although maybe if I didn't listen to them side-by-side it might be different.

FWIW, I still love the end of that song. LOL
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