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Abstrakt View Drop Down
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Direct Link To This Post Posted: August 12 2009 at 08:03
Originally posted by HolyMoly HolyMoly wrote:

Originally posted by Abstrakt Abstrakt wrote:

What the hell is an add2 chord by the way? Wink
 
That's just when you take the third in a triad down to a second.  It's a neat sound, Zappa used it constantly.


Isn't that a Sus2? Suspended second? Confused
For example Csus2 = C, D, G
Or do you mean like C, D, E, which is Cadd9?
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Hyardacil View Drop Down
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Direct Link To This Post Posted: August 12 2009 at 09:09
Yes, what HolyMoly described is I think a suspended or sus chord.

Add2 is that you simply take the chord and count up to the second step and then you ADD it. (add - get it? :P) Emadd2 for example is the E minor chord with the note F# added there. F# being the second step from the root of the chord - E. (I am in the key of E minor, so F is an F#)

So yes... it can also be written as an add9. E, F#, G, B.
add2 and add9 are the same thing technically. Though Em9 would be another thing entirely.
My music teacher said to me that add2 is the correct form of writing the chord down...
I wouldn't know though, I've come across add9 constantly too.

Btw, you said earlier that you don't know how to put GP5 files to MP3's. Well if you look, then you'll find that GP "file" has an export file option. You can export your GP5 music as a WAVE file. Then all you need to do is a find a program to remake Wave files to MP3's. And there are free to DL programs available for that. I suggest just typing "WAVE to MP3" to google and I think you'll find one.
Only thing is that, while playing the GP while recording it to WAVE you have to adjust your sound from the control bar so that it wouldn't record anything but what you hear from the speakers.


Edited by Hyardacil - August 12 2009 at 09:19
"I am sitting in your eyes..."
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Direct Link To This Post Posted: August 12 2009 at 15:21
Originally posted by Hyardacil Hyardacil wrote:

Yes, what HolyMoly described is I think a suspended or sus chord.

Add2 is that you simply take the chord and count up to the second step and then you ADD it. (add - get it? :P) Emadd2 for example is the E minor chord with the note F# added there. F# being the second step from the root of the chord - E. (I am in the key of E minor, so F is an F#)

So yes... it can also be written as an add9. E, F#, G, B.
add2 and add9 are the same thing technically. Though Em9 would be another thing entirely.
My music teacher said to me that add2 is the correct form of writing the chord down...
I wouldn't know though, I've come across add9 constantly too.



That's what i thought. Emadd9 is how i would write it, though.
And yeah, it sounds lovely! Big smile So does Bm/E, which equals a Em9, right?
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Hyardacil View Drop Down
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Direct Link To This Post Posted: August 13 2009 at 07:03
Em9 would consist of the notes E, F#, G, B and D. So basically the Em7+add9 is written out as simply Em9.

"I am sitting in your eyes..."
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Direct Link To This Post Posted: August 14 2009 at 08:22
Or you could play it in it's "full" form, which is E, G, B, D, F#. F# being an octave above the starting E
Or make it sound even cooler by holding down E and B in the left hand, and G, D and F# in the right hand.
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Direct Link To This Post Posted: August 16 2009 at 07:59
< name="Title" =""> < name="Keywords" =""> < ="-" ="text/; =utf-8"> < name="ProgId" ="Word."> < name="Generator" ="Microsoft Word 11"> < name="Originator" ="Microsoft Word 11">

Abstrakt, my Mac wouldn’t play your music.

 

Anyway, you can listen to some of my music here:

 

http://www.musicwebtown.com/jellyfishinice/275259

 

I’ve written a little bit about the songs in the Get the word out-section (Recording Ashflame). Any comment would be welcome, and feel free to ask questions.

He say nothing is quite what it seems;
I say nothing is nothing
(Peter Hammill)
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Direct Link To This Post Posted: August 16 2009 at 08:00
Sorry, some strange things happened with the size and the colours …
He say nothing is quite what it seems;
I say nothing is nothing
(Peter Hammill)
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Abstrakt View Drop Down
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Direct Link To This Post Posted: August 18 2009 at 12:15
I have a few bass lines/riffs in A minor that might end up being some song. But i don't feel like working on that now Tongue
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Direct Link To This Post Posted: August 28 2009 at 14:06
So.

I'll add to your thread Abstrakt. As I've enjoyed our exchanges so far.

Here are some lyrics I have worked on.

* * *

The title -
"An Excerpt from a Conversation Between Two People"

I am sitting in your eyes now
and I don't know where I am
anymore...
I see your little stars glow
on the sky of some far away land
and I reach for them...

Perhaps forty thousand years now
waiting on a sea of sand...
Or perhaps
drowning within some hollow
dreamlike substance that I have now found
in your silent worlds.
In your silent words.


I am glowing in your sky now.
For I burn to be known
and touched.
Perhaps as some kind of frail
and pretentious hint of a frown
or a smile in the wind.
A smile in the wind.

I am sitting on a cloud now
I don't know which way is up or down
please tell me
do I still have to sit here -
or perhaps I can at last come down
A laugh at my silent worlds.
And laugh my silent words.

* * *

Pretty abstract lyrics in their own right. Tongue
I tried to capture a state of thought I was in at one moment.


Edited by Hyardacil - August 28 2009 at 14:14
"I am sitting in your eyes..."
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Direct Link To This Post Posted: August 28 2009 at 15:55
Seems to go well together with "Frågetecken"! Clap
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Direct Link To This Post Posted: August 28 2009 at 16:08
Not music, but a poem i wrote based on the meter of "Black Hole Sun" by Soundgarden:

Vad jag ser
I profil
Är en rastlös krokodil
Som är trött
Som aldrig förr
Allt i vattnet är ju dött

Vad jag vet
Irrelevant
Som en ensam elefant
Inte ler
Länge till
Det är bara han som ser

Vad jag hör
Det förstör
Vad jag är och vad jag bör
Hörs ett tjut
Hörs ett rop
Inte kan det vara slut

I en grop
I en hög
Allt som dammsugaren sög
Sopar in
Under mattan
Och nu har den blivit min

Upp på land
I min hand
Syns en mäktig blodröd rand
Ända hit
Varför då
Jag har ingen dynamit

TRANSLATION (sort of):
What i see in profile is a restless crocodile who is tired like never before, everything in the water is dead now.
What i know. Irrelevant(?) like a lonely elephant who rarely smiles anymore. He's the only one who sees.
What i hear, it destroys. What i am and what i better do. A ??? is heard, a shout is heard. This can't be the end?
In a hole, in a pile, everything the vaccum cleaner cleaned up. Sweep it in under the carpet and now it's all mine.
Up on land, in my hand, a mighty blood-red stripe is showing. All the way here, why? I don't have any dynamite.

I'm not sure it made much sense to start with, and it makes even less sense when translated.
Feel free to Intepret it any way you want! I hope you enjoyed it Tongue

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Direct Link To This Post Posted: August 28 2009 at 16:30
im currently working on what i thought was going to be a 3 part suite, but is now going to be either 4 or 5 parts (working on part 4). It's still unnamed. I used riffs, melodies, and other ideas and interchange them within each song. Kind of inspired by Dream Theater's 12 Step suite, and Frank Zappa's conceptual continuity.

for example there is one riff played once in part 1, and i expanded on it in part 3, which made the bulk of the song. Part 2 plays the main theme from part 1 to connect the theme from part 2 to this jazz-fusion-like section. there is also a sad sounding 2 chord sequence for solos that runs though the suite, part 1 contains a fast 6/8 version of it with trombone soloing. Part 2 features the same 2 chords, but in 4 and a little funkier (at least in the groove) with a hammond organ solo. i currently working in another version of the sequence with extra harmonies for part 4, but i dont know which instrument is going to take the solo.

part 1 is very dark, and extremely jazzy. there's a bunch of King Crimson influence, but thats only because i enjoy working with tri-tones. A little Planet X sounding in certain parts. lots of electric and rhodes piano. part 1 is about 3 and 1/2 minutes

Part 2 is (so far) the most prog rock of the suite, it goes through different themes, and a couple of melodies (one being the main theme) and is played over the original chords to accompany it. however, as i was writing part 2, the sad sounding chords sounded awesome under the main theme. so you hear both at some point in the song. it goes into the jazzy part, with the sax ripping it down over an interesting melody. it goes to a happy, triumphant section, which you hear throughout the song, but here it is expanded on and played in full, sounding more upbeat. the end sounds like it would be the end of the suite, but the final chord is a very dissonant chord giving you the feeling that it's not over. part 2 is a little more than 8 minutes.

part 3 is mostly an expansion of one riff from part 1, and so far is the shortest one, with lots of odd meters, poly rythyms and such. there is another hammond solo over a walking bassline with the guitar playing the chord sequence under the theme from part 1. there is one riff from part 2 that is brought back, and played in cut time. this one's really technical, and really hard to play. part 3 is not even 2 minutes long.

part 4 is so far the most jazz fusion of the suite, but not finished.

so far, there are no guitar solos in the suite. there probably wont be either. (im a guitarist)

as one whole suite this will be my 39th completed composition. they easily can stand by themselves as individual songs as well, so if you count it like that, and if the suite becomes 5 parts, they will be my 39th, 40th, 41st, 42nd, and 43rd completed song. i kind of prefer to cound all of them as my 39th because, unlike the 12 step suite, im writing them all in one shot, plus i want my 40th work to be spectacular, though i dont think about the numbers too much anyway.

i would like to show it to you guys when im finished, but i dont know how to do that. they're MIDI files, and i have a weird sound recorder on my computer.


Edited by darkshade - August 28 2009 at 16:43
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Direct Link To This Post Posted: August 28 2009 at 16:35
You sound really talented! Clap
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Direct Link To This Post Posted: August 28 2009 at 18:24
Originally posted by Abstrakt Abstrakt wrote:

You sound really talented! Clap


thank you Smile
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PROGMONSTER2008 View Drop Down
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Direct Link To This Post Posted: August 28 2009 at 21:30
Originally posted by refugee refugee wrote:

< name="Title" =""> < name="Keywords" =""> < ="-" ="text/; =utf-8"> < name="ProgId" ="Word."> < name="Generator" ="Microsoft Word 11"> < name="Originator" ="Microsoft Word 11">

Abstrakt, my Mac wouldn’t play your music.

 

Anyway, you can listen to some of my music here:

 

http://www.musicwebtown.com/jellyfishinice/275259

 

I’ve written a little bit about the songs in the Get the word out-section (Recording Ashflame). Any comment would be welcome, and feel free to ask questions.

 
some cool relaxed genesis/van der graaf styled prog there Smile
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Direct Link To This Post Posted: August 29 2009 at 04:25
So, I figured out how to upload MP3's to this site.

And here's a little prog instrumental by me, which I have been working on for some time. It's called "Composition a'la Genesis."

http://www.soundclick.com/bands/page_songInfo.cfm?bandID=923489&songID=8030723

It began with me coming up with a random guitar riff to go with a rhythm for 7/8 time signature, as I'd never really used it fully before. The riff was strong enough so I started to go from there. Composed in true canonical prog rock standards. A lot of modulations and time signature changes between 7/8, 6/8, 3/4, 4/4 etc.
Has some 2-3 main themes in it, mostly built upon riffs. Largely inspired by the music of early Genesis. Hence the title. Too bad the sound quality was reduced a bit by me transporting it from Guitar Pro 5 to MP3. For example - no stereo effect. I guess it'll have to do.
Oh, and also has an atonal polyphonic part. That's my own personal favorite - everyone else hates it though. LOL

Oh and my "band" hyardacil in that site thus far has 2 other compositions uploaded there. 1 is a very short thingy (under a minute) for organ and the other a decent length solo piece for the acoustic guitar.
The only thing so far I'm not happy about this piece is that it sounds too damn happy. The best bit is - in my opinion - because of that the atonal part and the middle part keyboard solo that goes to minor keys at times.

Anyways - always looking for constructive criticism. Anyone who feels like it's not too much trouble... As I can see there are a lot of realy musicians hanging around here. Care to give me some words?

"I am sitting in your eyes..."
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Direct Link To This Post Posted: August 29 2009 at 04:31
Originally posted by Abstrakt Abstrakt wrote:

Seems to go well together with "Frågetecken"! Clap


What does Frågetecken mean ayways?
"I am sitting in your eyes..."
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Direct Link To This Post Posted: August 29 2009 at 07:59
Originally posted by Hyardacil Hyardacil wrote:

Originally posted by Abstrakt Abstrakt wrote:

Seems to go well together with "Frågetecken"! Clap


What does Frågetecken mean ayways?


Question Mark Tongue
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refugee View Drop Down
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Direct Link To This Post Posted: September 03 2009 at 09:58
Originally posted by PROGMONSTER2008 PROGMONSTER2008 wrote:

Originally posted by refugee refugee wrote:

< name="Title" =""> < name="Keywords" =""> < ="-" ="text/; =utf-8"> < name="ProgId" ="Word."> < name="Generator" ="Microsoft Word 11"> < name="Originator" ="Microsoft Word 11">

Abstrakt, my Mac wouldn’t play your music.

 

Anyway, you can listen to some of my music here:

 

http://www.musicwebtown.com/jellyfishinice/275259

 

I’ve written a little bit about the songs in the Get the word out-section (Recording Ashflame). Any comment would be welcome, and feel free to ask questions.

 
some cool relaxed genesis/van der graaf styled prog there Smile


Thanks, they are two of my favourite bands!

I see you also post chord progressions here. Here is another one (a quasi waltz in 5/4, three beats on the first and two beats on the second):

Db – Adim7/C
Bbm7 – C#7/G#
Am7 – Ab7#5
Gmaj7 – D/F#
Fm6 – Em7
B/D# – E/D
A/C# – Cdim7

 … and finally back to

Db

If you play through these chords, remember to avoid parallell 5ths and octaves Wink!
He say nothing is quite what it seems;
I say nothing is nothing
(Peter Hammill)
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Direct Link To This Post Posted: October 24 2009 at 08:27
Bump because I'm interested.
Trendsetter win!

The search for nonexistent perfection.
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