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Leningrad View Drop Down
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Direct Link To This Post Posted: June 20 2008 at 21:43

I'm poor.
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Petrovsk Mizinski View Drop Down
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Direct Link To This Post Posted: June 20 2008 at 21:50
Yeah, no offense dude, but I really hate Marshall MG series amps.
But take into account I usually play with extreme gain settings, and no way is the thin buzzy distortion tone of an MG30DFX gonna cut it for me.
The good Marshall amps unfortunately, cost a crap load of money, and don't sound good until you turn them up about halfway.
You could literally sell it (the MG30), and with a little more money, get something like a PODXT Live, which sound really good direct line in recorded.

Do you mic up your Marshall or something or do you already have a direct recording/amp modelling device?

EDIT: That pedal near the bottom of the pic, a Boss Digital Delay If I'm not mistaken?


Edited by HughesJB4 - June 20 2008 at 21:52
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Leningrad View Drop Down
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Direct Link To This Post Posted: June 20 2008 at 21:58
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Leningrad View Drop Down
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Direct Link To This Post Posted: June 20 2008 at 21:58
Originally posted by HughesJB4 HughesJB4 wrote:


EDIT: That pedal near the bottom of the pic, a Boss Digital Delay If I'm not mistaken?
 
Nope, it's an NS-2 Noise Suppressor. I wish I had a good delay pedal.
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Petrovsk Mizinski View Drop Down
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Direct Link To This Post Posted: June 20 2008 at 22:05
Ah okay.
I much prefer going direct recorded. With that terrible metal band project thing I was doing, that I linked you too a while back, that was all direct line in, and it didn't sound too shabby either.

Yeah, my bad, the digital delay actually has blue and black knobs.
I've never really liked the Boss NS-2, but the problem for many guitarists is getting a good noise suppressor/noise reducer is not cheap, so we end up resorting to a cheapie like the NS-2, which hurts your sustain and I've noticed it also chops off some high end, but unfortunately in a way that makes your tone less present and attacking.
The top line noise reducer rack mount products would cost more than your amp, Boss pedal and USB mic combined:P

But hey, I've got the Behringer noise reducer. Same thing as the NS-2, but the outer casing is plastic, and the price is about 1/3 of of the Boss. I just have to remember not to stomp on it too hard or it will just break open.
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Leningrad View Drop Down
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Direct Link To This Post Posted: June 20 2008 at 22:09
The only problem with direct line-in is that I enjoy using my amp so that I may hear myself play. Clown
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Direct Link To This Post Posted: June 20 2008 at 22:20
You can still hear yourself play, provided your set up is right when going direct.
My friend's Roland Cube 30 amp, you would plug into the line in, and as you played the sound came out of the computer speakers, so you didn't have to record silently.
What I do have my amp modelling unit plugged into my computer, but since my modeller has two outputs, I can have my modelling still connected to my stereo system (which is my power amp, since modelling units actually sound better through PA systems/mixing boards/stereo systems than actual guitar amps),and I get to hear myself play and be able to record too..

AS YOU CAN TELL I DON'T READ MUCH ABOUT GUITAR GEAR.
NO, IT'S DEFINITELY NOT THE CASE THAT BETWEEN POSTING ON PROGARCHIVES, I'M PROBABLY ON A GUITAR FORUM OR A GUITAR GEAR MANUFACTURERS WEBSITE READING ABOUT GUITAR STUFF.
DEFINITELY NOT.Clown


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Leningrad View Drop Down
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Direct Link To This Post Posted: June 20 2008 at 22:23
I only have one method of amplification and that is my amp. Clown
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Direct Link To This Post Posted: June 20 2008 at 22:28
My gear:
Fender Jazz Bass V (Deluxe I think?)
Line 6 Lowdown 150 watt

Delay pedal
Gallien Krueger bass distortion pedal (the same distortion circuit that produced Jannick Top's tone)
Volume/Wah pedal
Loop station thingy

How I record: Bass-->(pedalboard)---->splitter----->Amp so I can hear myself
                                                                                   ----->Computer to direct-record

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Direct Link To This Post Posted: June 20 2008 at 22:32
I need a new amp, and soon. I was actually considering getting a bass one, because I have no low end whatsoever on my current amp.
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Direct Link To This Post Posted: June 20 2008 at 22:32
Originally posted by Chameleon Chameleon wrote:



This setup leads to criminally low signal-to-noise ratios.  Remember when Ian recorded some stuff that came out in unlistenably low quality?  That was because he was setting up this way. 

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Direct Link To This Post Posted: June 20 2008 at 22:33
Originally posted by Chameleon Chameleon wrote:

I need a new amp, and soon. I was actually considering getting a bass one, because I have no low end whatsoever on my current amp.


I have a slight suspicion that Harry might be able to help you out when it comes to amplifiers. 

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Direct Link To This Post Posted: June 20 2008 at 22:33
Yeah, Jake has some respectable gear there actually.
He knows the value of Line 6, which have some of the best direct recording capabilities out there.
Gallien Krueger makes some good stuff, nice dist pedal you got dudeThumbs%20Up

Yeah, It depends on the pickups you have in your bass as to whether it makes it the deluxe model or not.
I'm pretty sure the Deluxe model has 18 volt active circuitry, 3 band active EQ and Samarian Cobalt Noiseles pickups (designed in collaboration with Bill Lawrence Pickups if i remember correctly).


Edited by HughesJB4 - June 20 2008 at 22:35
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Leningrad View Drop Down
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Direct Link To This Post Posted: June 20 2008 at 22:34
Yo, Harry. Amps, amirite?
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Direct Link To This Post Posted: June 20 2008 at 22:35
The one I have has a nine-volt in it and thought it's supposed to be three-band one of the knobs does absolutely nothing.  I'm not sure if it's just my bass or if it's just a two-band that they're trying to pass off as a three-band.  

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Direct Link To This Post Posted: June 20 2008 at 22:39
I dunno why Jake, but something about that made me lol.

But anyway, budget dependent, Dylan. Tell me about your moneys amount.
Valve/tube amps amps, solid state, hybrid, Modelling amps, modelling units.
Talk to me, and I shall enlighten you on the more complex matters.
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Leningrad View Drop Down
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Direct Link To This Post Posted: June 20 2008 at 22:46

Well, let's see... anything around about 500-600 should be affordable.

Besides that, I have no prejudices about any particular type of amp.

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Direct Link To This Post Posted: June 20 2008 at 23:05
Well first off, obviously money is an object.
You can achieve earth rumbling bass without using a bass amp with a guitar. HEAPS of people have bone crunching low end, with just a guitar amp. Unless you want to play in a Kyuss cover band, I suggest ditching the bass amp idea.
You can basically forget about most valve/tube amps with your budget, but in order for a good valve/tube to sound good you need the power amp tubes to be cooking i.e 50 per cent volume or more. And at that stage you will going deaf anyway.
Pure solid state stuff like your Marshall, bleh. That is enough, so let's leave the solid state stuff out of it.
For your situation and from my own personal experiences, I highly recommend either a Modelling amp, or amp modelling/multi effect pedal.
Vox ADVT 15/30/50, but probably not the 100 watt model, since that might be out of your budget range. I believe you can direct record with these amps, and they will sound a world away better than the Marshall MG. They also have a higher gain brother, the ADVT-XL series, but I'm not sure if they will be too high gain and heavy metal oriented for your taste. The clean channel DOES NOT distort all, one of the cleanest clean channels you can get.
The Roland Cube series, for which I recommend the Cube 20X or 30X, both of which have a "power squeeze" button that allows you to reduce the wattage to enable you to play more quietly at night for example without disturbing the peace.
They do cleans very well, and do high gain as well too, but in my experiences I had to boost the high gain channels with an overdrive pedal to give them more kick for solos (but I play a lot of legato, so I need the uber high gain and compression anyway) for many people the amount of gain on tap is good enough.
They have a built in noise gate, so noise shouldn't be much of a hassle, but if you combine the built in gate with your Boss Pedal, you effectively have double gating and that will make it extremely quiet.
If it happens you have a keyboard amp, or stereo system in which you can plug a guitar into, I would look into the Line 6 PODXT or POD X3/X3 Live.
You will need considerable patience with them to dial in a good tone. You will probably need several weeks, quite literally to completely grasp them and get a good sound.
But once you do get a good sound, you can record direct and away you go.
Advantage of the X3 Series over the XT, is the X3 has USB 2.0 capability.
Last recommendation, if you need a keyboard amp, buy one and get say, a Behringer V-Amp 2, and the keyboard amp/V-amp 2 should easily be within your price range (provided the keyboard amp is not expensive).
No USB capability here, but it does do direct line-in recording.
If you've got more questions, feel free to ask.




Edited by HughesJB4 - June 21 2008 at 14:34
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Leningrad View Drop Down
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Direct Link To This Post Posted: June 20 2008 at 23:11
I'm thinking a Vox AD50VT might be nice. How much are they?
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Direct Link To This Post Posted: June 20 2008 at 23:19
Between 380 to 540 US. I have no real idea of the prices of stuff in Canadian bucks, I just know what stuff costs in USD and AUD.
The ADVT has a 12 inch speaker, so expect it's gonna be at least several kilograms more heavy than your Marshall.
You should have enough for the Vox.
If in absolute doubt, go for the Roland Cube 30X, which I've had more first hand experience with anyway.

The Vox ADVT is among the best sounding amp in it's price range, I've heard amps costing twice as much that sounded less than half is good : cough *Marshall AVT Series* cough.

BUT, BUT BUT BUT BUT, keep in mind the much added  tonal and effects flexibility a Line 6 X3 POD has over any of the suggested amps.
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