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Direct Link To This Post Posted: June 07 2008 at 04:04
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

My point Ten Years After is that in Prog Archives seems we need to link a band with Prog in order to consider them good, The Who are one of the best bands ever without the need of being Prog.
 
Quadrophenia is the closer they get to Prog, but remember it's a MOD anthem, and MODS are the predecessors of Punk.
 
I aleways believed that while Beatles and even Rolling Stones (with Satanic Majesties Request) were exploring oriental influences, The Who were one of the most conservative Blues  Rock Based band reluctant to fully embrace Psychedelia..
 
Yes, they used keyboards and violin, but the instrument doesn't make Prog, the music itselff does, and I agree, Amazing Jourmney,. Overture and Underture are Proggy, but the rest of Tommy don't.
 
Cheers.
 
Iván
 
Cheers Ivan.  I suppose this illustrates the point i'm making. 
 
Although you obviously fully appreciate the contribution Townshend made to music, i believe you under-appreciate his contribution to Progressive Rock.  Many people do the same which is why i nominated him in this thread.
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Direct Link To This Post Posted: June 07 2008 at 02:11
My point Ten Years After is that in Prog Archives seems we need to link a band with Prog in order to consider them good, The Who are one of the best bands ever without the need of being Prog.
 
Quadrophenia is the closer they get to Prog, but remember it's a MOD anthem, and MODS are the predecessors of Punk.
 
I aleways believed that while Beatles and even Rolling Stones (with Satanic Majesties Request) were exploring oriental influences, The Who were one of the most conservative Blues  Rock Based band reluctant to fully embrace Psychedelia..
 
Yes, they used keyboards and violin, but the instrument doesn't make Prog, the music itselff does, and I agree, Amazing Jourmney,. Overture and Underture are Proggy, but the rest of Tommy don't.
 
Cheers.
 
Iván
            
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Direct Link To This Post Posted: June 07 2008 at 02:01
There's no point going into a prolonged debate as to what constitutes progressive rock but it would have to be a very narrow definition that excluded Tommy, Quadrophenia and the cornerstone tracks of Who's Next.
 
Tommy is definitely rather different to "pure rock". Overture, Underture, Amazing Journey/Sparks, We're Not Gonna Take It and the string of tracks that make up side 3 are hardly typical Rock.  Pinball Wizard was far from typial of what Pop songs at the time (or since).  Personally i don't rate Tommy as "the start of prog" or anything like it but it was a huge landmark in it's early development.  Groups like The Pretty Things,  Nirvana and The Small Faces had all produced concept albums but were hardly what you might call influential.  The idea of a Rock Opera from a major band suddenly meant that anything was possible and marketable.
 
The original My Generation was in no way prog and certainly influenced punk but that's not relevant to what i'm saying. The version on Live at Leeds is 14 minutes of highly structured and explorative music that links the original theme of My Generation with a series of musical themes from Tommy. 
 
The use of organ, synthesiser and violin on Who's Next was highly experimental in the best prog tradition and if Quadrophenia is not progressive rock i don't know what is.
 
Above all Townshend's approach in the late 60s and early 70s was a constant search for new ways of developing rock music way beyond the confines of the Blues which dominated Heavy Rock.  This puts him firmly into the Progressive Rock world IMO. 
 
 
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Direct Link To This Post Posted: June 07 2008 at 01:19
Originally posted by ten years after ten years after wrote:

Under-appreciated is not entirely an appropriate expression but i think Peter Townshend's contribution to progressive rock does not always get the recognition it deserves.  Some on this forum have even suggested that The Who were not a progreswsive rock band..

I don't suggest it, I say it loud and clear, The Who were never a Progressive Rock band, they are here because they were influential to Rock but not to Prog.
 
Townshend's early experiments with conceptual pieces such as Rael and "A Quick One..." helped develop the foundations for prog and it would not be unreasonable to nominate the release of Tommy as the event that kick-started the genre. 
 
Don't agree either, Tommy was released in 1969. Long before that,  Zappa, The Beatles, The Nice, Arthur Brown, etc were doing real close to Prog albums. A Rock Opera as Tommy was oustanding, but most of it is pure Rock, Pop (Pimball Wizard) and a couple proggy tracks. 
 
 On the "Live at Leeds" album the extended version of "My Generation" is a tour de force that incorporates some of the best progressive guitar work ever produced (and quickly abandons any resemblance to the song it is named after) as Townshend explores every 'corner' of the instrument.
 
In my opinion My Generation is the earliest predecessor of Punk Rock, the structure is nothing related with Prog, even the concept full of rage and anger is clearly Proto Punk, yes, the version of Live at Leeds is excellent, but agsin, no Prog connection, being talented doesn't necesarilly being a Prog musician.
 
The concept of Lifehouse would have been among the highlights of the 70s had it come to fruition.  As it was Who's Next was a magnificent progressive album with Baba O'Reilly and Won't Get fooled again in particular deserving the highest praise.  And then there was Quadrophenia....
 
Quadrophenia is probably the closer The Who gets to Prog, and it's an outstanding work, this doesn't means I don't respect The Who or Townshend, as a fact I'm a fan of both, but I believe they have no relation with Prog.
 
Iván
 
 
            
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Direct Link To This Post Posted: June 07 2008 at 00:44

Under-appreciated is not entirely an appropriate expression but i think Peter Townshend's contribution to progressive rock does not always get the recognition it deserves.  Some on this forum have even suggested that The Who were not a progreswsive rock band..

Townshend's early experiments with conceptual pieces such as Rael and "A Quick One..." helped develop the foundations for prog and it would not be unreasonable to nominate the release of Tommy as the event that kick-started the genre.  On the "Live at Leeds" album the extended version of "My Generation" is a tour de force that incorporates some of the best progressive guitar work ever produced (and quickly abandons any resemblance to the song it is named after) as Townshend explores every 'corner' of the instrument.

The concept of Lifehouse would have been among the highlights of the 70s had it come to fruition.  As it was Who's Next was a magnificent progressive album with Baba O'Reilly and Won't Get fooled again in particular deserving the highest praise.  And then there was Quadrophenia....
 
 
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Direct Link To This Post Posted: June 07 2008 at 00:12
-Non Prog Comment- (but a musician is a musician so...)

I know he's a big named drummer but I think Ginger Baker of cream is very underrated, mainly due to everyones high opinions of Clapton, but still very talented and very little talked about.

and in my opinion Cream should be considered prog, but ehh.. plus I bet that some people would disagree.


Edited by zachfive - June 07 2008 at 00:14
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Direct Link To This Post Posted: June 06 2008 at 09:50
Chris Karrer is certainly underappreciated. I do feel that Greg Lake is a little under-estimated sometimes, and his contributions are too often overlooked (any fan of Crimson absolutely MUST heard the In Concert versions of Schizoid Man and Court with Gary Moore).

Now, thinking about it:

Lost Crimson Musicians (ha):
David Cross (...ish) (certainly too easily ignored for his work on Larks', Red and SABB. He basically makes Larks' for me.)
Gordon Haskell (superb bass-work on Lizard, even if his very theatrical vocals aren't to everyone's taste)
Ian Wallace, as mentioned above, does some wonderful work on Islands. Andy McCulloch's contributions on Lizard aren't bad at all either.

Now:
Jon Camp (bassist for Renaissance). I've only got Scheherazade, so I can't fully comment yet, but I have to say that his bass style made that for me.
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Direct Link To This Post Posted: June 06 2008 at 09:45
Originally posted by Josh_M Josh_M wrote:

Kristopher Rygg from Borknagar, Arcturus, and Ulver. He's a VERY good vocalist..hitting falsettos, screams, and grunts. Not to mention, he's a music producer, audio engineer, and a composer. One of my favorite vocalists and one of the most under appreciated vocalists in all of metal.
 
He is a great musician, he can deliver many vocal styles... and some pen names.(Garm, Trickster G. Rex.etc)
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Direct Link To This Post Posted: June 06 2008 at 08:26
I don't know about 'most' (superlatives always leave me somewhat doubtful), but I do agree with those who mentioned Martin Barre (one of my favourite guitarists of all - not being a musician, I appreciate feeling over technique). Another sadly underappreciated musician (and vocalist), in my view, is Richard Sinclair, who very rarely gets a mention either in 'best singer' or 'best bassist' polls.
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Direct Link To This Post Posted: June 06 2008 at 07:16
Kerry Minnear and Gary Green of Gentle Giant are never really mentioned, which is a shame because they can do just about anything they like on their instruments. Another one i find, a drummer this time, is Jon Theodore of The Mars Volta. A superb drummer, with very precise technique and very creative, his name hasn't been mentioned once Cry 
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Direct Link To This Post Posted: June 05 2008 at 23:09
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Direct Link To This Post Posted: June 05 2008 at 20:42
Kristopher Rygg from Borknagar, Arcturus, and Ulver. He's a VERY good vocalist..hitting falsettos, screams, and grunts. Not to mention, he's a music producer, audio engineer, and a composer. One of my favorite vocalists and one of the most under appreciated vocalists in all of metal.

Edited by Josh_M - June 05 2008 at 20:43
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Direct Link To This Post Posted: June 05 2008 at 17:49
good stuff Friede...listening to him and completely enjoying it...  if I ever make it out your way... I'd love to have a glance at your album collection..  I do love eclectic tastes in music.
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Direct Link To This Post Posted: June 05 2008 at 17:34
thanks Friede...  checking it out. To be honest.. didn't know of him.
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Direct Link To This Post Posted: June 05 2008 at 17:30
Originally posted by micky micky wrote:

Originally posted by BaldFriede BaldFriede wrote:

Originally posted by micky micky wrote:

Originally posted by Hawkwise Hawkwise wrote:

Chris Karrer 
Guitar
Violin
Sax
Vocals
All round Krautrock Genius  


nice...  that answer deserves some clappies

ClapClap

I have to add that he also plays oud!


Angry  I missed that on your  quiz too damnit hahhaha

I thought you  meant loud.. and just left the L off  LOL  And chose the Rahib guy or something like that hahhaWink

Rabih Abou-Khalil plays flute and oud (though lately he has completely stopped on the flute and concentrated on the oud, although he studied flute for several years). He is not in the archives yet, but we suggested him some time ago. We have been to two of his concerts, and they were excellent. His announcements (which he made in perfect German, without any accent even, although he did not come to Germany before he was 21; he was born and grew up in Lebanon) were really funny.
Read this wikipedia entry about him:
http://en.wikipedia.org/wiki/Rabih_Abou-Khalil
I personally think he should be added without delay; that wikipedia article gives enough information about him.


Edited by BaldFriede - June 05 2008 at 17:34


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Direct Link To This Post Posted: June 05 2008 at 17:06
I would say Martin Barre on guitars, duh!
John Evans on keys.
Richard Wright, though the majority know he's splendid, he's obscured in PA by keymasters like Wakey and Keithy.
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Direct Link To This Post Posted: June 05 2008 at 17:01
Originally posted by BaldFriede BaldFriede wrote:

Originally posted by micky micky wrote:

Originally posted by Hawkwise Hawkwise wrote:

Chris Karrer 
Guitar
Violin
Sax
Vocals
All round Krautrock Genius  


nice...  that answer deserves some clappies

ClapClap

I have to add that he also plays oud!


Angry  I missed that on your  quiz too damnit hahhaha

I thought you  meant loud.. and just left the L off  LOL  And chose the Rahib guy or something like that hahhaWink
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Direct Link To This Post Posted: June 05 2008 at 16:49
Originally posted by micky micky wrote:

Originally posted by Hawkwise Hawkwise wrote:

Chris Karrer 
Guitar
Violin
Sax
Vocals
All round Krautrock Genius  


nice...  that answer deserves some clappies

ClapClap

I have to add that he also plays oud!


BaldJean and I; I am the one in blue.
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Direct Link To This Post Posted: June 05 2008 at 16:30
Originally posted by Hawkwise Hawkwise wrote:

Chris Karrer 
Guitar
Violin
Sax
Vocals
All round Krautrock Genius  


nice...  that answer deserves some clappies

ClapClap
The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Direct Link To This Post Posted: June 05 2008 at 16:25
Chris Karrer 
Guitar
Violin
Sax
Vocals
All round Krautrock Genius  
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