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Topic ClosedRe-assessing Asia

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Ivan_Melgar_M View Drop Down
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Direct Link To This Post Posted: May 05 2008 at 21:17

Dr. Prog wrote:

Quote I like Drama a lot, but its not nearly in the same class as GFTO of course. However, a track like GFTO surely was a preview of what Howe would be doing on Drama. In your face, almost punkish guitar playing.

 

I see Howe’s guitar more Neo Prog oriented in Going for the One, much more aggressive and harder, but still much more than a couple of chords played over and over. I see no or very little Punk connection, just listen most Marillion and similar bands albums and you will listen that same aggressive guitar.

 
And again, the song Nothing to Lose by UK, a Wetton composition, is almost IDENTICAL to the songs on the first Asia album, and would have fit very well on that Asia album. I don't care what category you and other people on PA label those groups----I trust my ears.

The song Nothing to Loose is only one among many others that UK released, I won’t judge a band by one song being other great ones and totally different, why can’t we create the parallel with others like:

  1. Danger Money
  2. Rendesvouz 6:02
  3. Caesar's Palace Blues
  4. The Only Thing She Needs
  5. Carrying no Cross (12.20 minutes short epic)
  6. Alaska
  7. Time To Kill
  8. Presto Vivace

All credited to Wetton BTW. Nothing to loose is only simpler song in a list of 14, being 13 much more complex.

Do better how? That first album is full of great melodic power prog/pop songs very well played. There is not a bad tune on the album. So it does not matter what you label it, it was good. It doesn't matter what you thought they could do, they did what they thought was best at the time.

We have a different perspective, as in GTR or other supergroups, I believe the members of ASIA gave the people what they believed was commercial,  

Of course better is subjective, but I refer to a more elaborate, complex and trascendental album.

 

like I said, there was your mistake. If you had followed the logical progression of GFTO, UK, Wetton solo, Asia was the logical result in the context of the times. Elaborate was OUT in 1982-3.

I don’t see a progression between GFTO and UK, I believe that in the early 80's there were great Prog, Punk or AOR bands making gopod music, I made a short list (that could be increased with many more albums and bands) that were doing great  Prog.

 

As far as I can tell, you get too hung up on labeling and black and white comparisons, instead of simply enjoying what is good well played music, regardless of the label. That's the crucial difference between me and you.

There’s another possibility, I know what I like and I search for it, not just accept whatever the bands that I love gave me. There’s a lot of great music outside the pioneers of Prog, 

 

I don’t enjoy the music of Asia, why should I stay with it, there are many more musicians  I can search for with a bit of effort that will make my musical listening a more pleasure experience. I like Prog, Pop, AOR, Jazz, etc, but ASIA is one of those bands I didn't liked.

 

I loved Genesis, but I stoped listening when I found I didn’t liked the music they were doing. The same happened with Yes during the Rabin years or with ELP during Works II and Love Beach, if they don’t play the music I like, I simply search for the music I like, in other pastures.

 

If I had stayed with this bands, listening whatever they released even if I didn’t liked it, during the 80’s and 90’s, I wouldn’t had discovered Marillion, Pendragon, IQ, Anglagard,. Par Lindh Project, etc, which I like so much.

 

Again I leave this dialogue before it turns into a discussion.

 

Iván



Edited by Ivan_Melgar_M - May 06 2008 at 00:07
            
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Direct Link To This Post Posted: May 05 2008 at 21:56

Didn't know that I was starting discontent with this post.  Just a couple of points:

I had high expectations for Asia simply because I did not know what the individual members had been doing.  (I had given up on prog at that time and was listening almost exclusively to jazz and/or fusion and/or The Clash and/or Zappa in the early-80's.)  But I ran into the album at my local Tower Records (now sadly demised) and saw Howe, Wetton, and Palmer in the band and thought I'd give it a try.  I still maintain it's pretty good/enjoyable music for what it is. 
 
 
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Direct Link To This Post Posted: May 05 2008 at 22:42
I'm in reverse of jammun I think.  I actually liked it when the first Asia album came out.  I knew it was going to be pop or progressive pop (or prop as  I liked to call it) but back then it seemed like prog had been murdered by the music industry.  I thought of the album as carrying the flame disguised as pop and it even had a Roger Dean cover, which we hadn't seen in some time.

But Asia s/t was one of the last vinyl purchases I made and so eventually I stopped listening to it when the turntable stopped working correctly and we were well into CD's by then.

Now when I go back and hear it with 21st century ears, it sounds horribly dated.  I'm embarrassed and turn the volume down (even though I live alone).   It's the production or something that dates it. 

Still, I like the harmonies.  I heard Wetton do one of these songs unplugged -- somewhere, maybe a Steve Hackett DVD -- and it sounded great.  So I can't fault the songwriting.
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Direct Link To This Post Posted: May 05 2008 at 22:50
Originally posted by Weston Weston wrote:



Still, I like the harmonies.  I heard Wetton do one of these songs unplugged -- somewhere, maybe a Steve Hackett DVD -- and it sounded great.  So I can't fault the songwriting.

 
Yes, I like the "Tokyo Tapes" version of Heat of the Moment.(That was the unplugged version)
 
The composition is not  bad, I hated the arrangements, plus Steve's guitar backuping Wetton's sound very nice.
 
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Direct Link To This Post Posted: May 05 2008 at 22:51
Originally posted by Weston Weston wrote:


Now when I go back and hear it with 21st century ears, it sounds horribly dated.
 
My 21st century ears are much more forgiving than they were back in the day.  Yep, it's dated, but I'm not suggesting a steady diet of Asia, and again, I can barely get through that second disc of Anthologia.  But these days I'm way more tolerant than I was then.
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Direct Link To This Post Posted: May 06 2008 at 11:51
Just picked up Phoenix a couple days ago and I must say I've been pleasantly surprised.  Its certainly not a 5 star release, but it has something I like going for it.  I had a similar reaction to Asia back when the first Asia album came out.  I had really high hopes for it and I felt pretty let down.  Maybe I was hoping against hope that the changing music scene at the time would not have affected 4 guys such as them.  Sole Survivor is a great tune, but the rest of the LP seemed flat to me.  But I'm stubborn and I'm a completionist and I kept up with most of the Asia releases.  To enjoy Asia I just have to divorce myself from the set of expectations that those 4 names can conjour up.  Its a bit like Calling All Stations; if you don't try to see it as Genesis its really a pretty good listen.  Phoenix seems to me to be the best they've done since the debut. 3.5 stars in Prog-Related so to speak.
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Direct Link To This Post Posted: May 06 2008 at 12:27
Originally posted by Weston Weston wrote:

I'm in reverse of jammun I think.  I actually liked it when the first Asia album came out.  I knew it was going to be pop or progressive pop (or prop as  I liked to call it) but back then it seemed like prog had been murdered by the music industry.  I thought of the album as carrying the flame disguised as pop and it even had a Roger Dean cover, which we hadn't seen in some time.

But Asia s/t was one of the last vinyl purchases I made and so eventually I stopped listening to it when the turntable stopped working correctly and we were well into CD's by then.

Now when I go back and hear it with 21st century ears, it sounds horribly dated.  I'm embarrassed and turn the volume down (even though I live alone).   It's the production or something that dates it. 

Still, I like the harmonies.  I heard Wetton do one of these songs unplugged -- somewhere, maybe a Steve Hackett DVD -- and it sounded great.  So I can't fault the songwriting.
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If you like Wetton's voice and more stripped down arrangements, Wetton has a few live solo albums that are absolutely outstanding, where he does a few Asia tunes acoustically or with a more stripped down arrangement. One is called Akustica or something like that, and one is called   Chasing the Dragon. The sound on both is impeccable, and with the more bare arrangements, its left to Wetton to carry the song with his voice, and he shows what great pipes he truly has---one of the best prog voices ever imo. I would definitely recommend to any fan of the first 2 Asia album to check out those Wetton solo albums. Also, his recent collaboration with Downes where they do Asia tunes together, Icons live (which led to the reunion) is also very good.


Edited by Dr. Prog - May 06 2008 at 12:29
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Direct Link To This Post Posted: May 06 2008 at 14:31
^^ Seconded.  Chasing the Dragon and Wetton/Downes are both worth checking out.
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Direct Link To This Post Posted: May 06 2008 at 15:55
Originally posted by Dr. Prog Dr. Prog wrote:

Originally posted by The Wizard The Wizard wrote:

Asia proved that punk needed to happen.
 
 
punk was going on around 1973 or so in New York.
 
Even earlier... it was already going on around 1969 or so in Michigan. Wink
 
As for Asia, I've only heard a couple of songs from them. Okay for what it is, but eighties arena rock with lots of keyboards is not a style of music that interests me much. Most of their albums have great cover art, though.
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Direct Link To This Post Posted: February 13 2009 at 07:31
Joining this discussion a little late, but I also loved Asia when they first came out, and bought their albums almost religiously during the eighties. After a while, I kind of went off them, as I wasn't as keen on John Payne's vocals as I was Wetton's, so Phoenix was a welcome addition to my collection. Not aware of the Icon material, I was pleasantly surprised at the more prog-sounding tracks, like Parallel Worlds / Vortex / Deya, and Waking Giant / No Way Back. When I looked a bit more into their turbulent history, and became aware of how Payne has tried to keep the band going at any cost (And been rewarded by a court injunction for his trouble, hence 'Asia featuring John Payne' ) I'm more accepting of Payne's material, and can listen to both versions and enjoy them equally as much.
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