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Topic ClosedPhil Collins ... A Prog Legend

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musicbandit View Drop Down
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Direct Link To This Post Posted: May 02 2008 at 12:16
I think Phil Collins made some great albums and songs in the 80s and is very wrongly criticised. Take just for example, Thunder and Lightning, I Missed Again, I don't Care Anymore, Thru these Walls, these are all genuine classics. I urge anyone who hasn't heard Phil Collin's first two albums to really listen to them before they even CONTEMPLATE criticising this man! He is a fantastic singer and a great drummer so let's all start appreciating him for what he's really worth - priceless!
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Direct Link To This Post Posted: May 02 2008 at 14:03
Originally posted by musicbandit musicbandit wrote:

I think Phil Collins made some great albums and songs in the 80s and is very wrongly criticised. Take just for example, Thunder and Lightning, I Missed Again, I don't Care Anymore, Thru these Walls, these are all genuine classics. I urge anyone who hasn't heard Phil Collin's first two albums to really listen to them before they even CONTEMPLATE criticising this man! He is a fantastic singer and a great drummer so let's all start appreciating him for what he's really worth - priceless!
 
Hardly he deserves any criticism, as progheads raised with early Genesis musivc, yuo must understand how hard it's for us to accept the change, I already said he's an outstandig drummer and IMO a very decent vocalist.
 
The point here is if he is a Prog legend, and I believe he's not, to be a Prog legend (as an individual)  you need some Prog releases on your own discography, and Phil doesn't have one.
 
I won't talk about quality music because I don't like the kind of Pop he did, but according to the fans he was good, so my comentary about his music wouldn't be accurate. But I can sayif he is a Prog Legend or not.
 
Call him a Rock legend or a POP legend, but not Prog legend, he has a place in Prog databases for his work as part of Genesis, but not for his work as an individual vocalist neither for the change he was part when he was frontman of the band specially after Duke.
 
At the end, being  a Prog musician doesn't imply being good, there are lots of terrible Prog bands (Believe me, afters searching each and every Symphonic band to clean the genre, we found a lot od less than mediocre bbands or artists), on the other hand, there are outstanding POP or mainsttream Rock bands that would kill anybody trying to label them as Prog.
 
Being a Prog musician is only being part of a genre in which Phil as a soloist wasn't part of.
 
Iván
            
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Direct Link To This Post Posted: May 02 2008 at 14:45
Wow, I was just gonna start a new thread regarding Phil Collins and then suddenly I see this, figured I might as well ask my question here as start a new topic.
 
So... is the album Face Value worth picking up? I do dig most of what Genesis has put out over the years and enjoy Peter's solo career but have never bothered with Phil for obvious reasons. I heard Face Value at least has some Prog-cred is this true? Any information/opinions on this album much appreciated.
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Direct Link To This Post Posted: May 02 2008 at 15:04
Originally posted by TheRocinanteKid TheRocinanteKid wrote:

Wow, I was just gonna start a new thread regarding Phil Collins and then suddenly I see this, figured I might as well ask my question here as start a new topic.
 
So... is the album Face Value worth picking up? I do dig most of what Genesis has put out over the years and enjoy Peter's solo career but have never bothered with Phil for obvious reasons. I heard Face Value at least has some Prog-cred is this true? Any information/opinions on this album much appreciated.
 
Face Value is a great pop-rock album with a magnificent tune "In the air tonight" which, as it has some atmospherics and a (sort of) epic feel with the way the real drums come halfway through the song and give it a burst of energy, we may say it retains a 1% of proggresiveness...not more than that... but that doesn't mean it's not a GREAT track... the rest of the album is not up to that song but is very enjoyable and I'd say get it.
 
But if you like rock-pop and want some Phil, try "...But seriously".... VERY pop so it's not for everyone here, but it has great great songs and also some unknown good ones...
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Direct Link To This Post Posted: May 02 2008 at 16:47
The T - you're right, But Seriously has some great known and also some unknown songs. Talking about Face Value, it doesn't really have any 'cred' at all and that's what perhaps makes it even more attractive to me. Saying that, it has a bunch of excellent songs on it. The only FASHOINABLE songs on it are Tomorrow Never Knows (because it's a Beatles cover) and In the Air Tonight (because of the strong drum beat). Unlike you - The T - I actually think ALL the rest of the tracks are better than these two. I think In the Air Tonight is slightly overrated and I know that Phil Collins wrote many better songs, on this album and others.  Which brings me onto Hello I must be Going  which is, in my opinion, just as good as the previous album. Like the previous album possibly the most boring song on it is the cover version (the Diana Ross song) and that's saying something because it's an excellent cover of a song. After those two, I'd probably try But Seriously.
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Direct Link To This Post Posted: May 02 2008 at 20:51
He is a fantastic drummer, but Genesis was no good after W&W and TOTT.  I mean ABACAB was an ok pop album, but thats it.  That other stuff was just boring as hell.  
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Direct Link To This Post Posted: May 02 2008 at 21:54
I liked Face Value.  Not prog, but very good pop.  I haven't bought any of his stuff after that; why bother, it was all over the radio at the time.  The hits, anyway, are expertly crafted product.  And that's what it is: product.  Produced from the ground up for consumption.  I fully appreciate the production values that went into the hits, but in the end it's somewhat like a Big Mac.
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Direct Link To This Post Posted: May 03 2008 at 04:51
Hello Jammun. What's so different about Face Value and his second album? Hello I must Be Going had only 1 or 2 hits on it and the rest are unknowns - and it's an album possibly just as good as Face Value. In fact, Hello... has some seriously excellent drumming! With all this talk about Collins as a drummer I think EVERYONE should listen to Hello I Must be Going. I don't really agree with you about the hits. Remember that he wrote the music himself.
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Direct Link To This Post Posted: May 03 2008 at 12:07
Shouldn't this thread be moved to GENERAL MUSIC?
 
Phil Collins is not in our database.
 
Iván
            
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Direct Link To This Post Posted: May 03 2008 at 12:24
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Shouldn't this thread be moved to GENERAL MUSIC?
 
Phil Collins is not in our database.
 
Iván
The thread title is at odds with musicbandit's opening post but I'll keep this thread here as a general appreciation of Phil Collins as a performer, within Genesis and Brand X and as part of any guest apperances on Prog albums, however this will enevitably include discussion of his non-prog output as a solo performer.
 
I think we should take it as read that Phil Collins as a solo performer is not Prog.
 
Just don't mention acting. Wink
What?
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Direct Link To This Post Posted: May 03 2008 at 12:59
I think you get more reviled for moving away from prog than to have never been prog.  I don't hate Chicago (once a great jam band) or R.E.M. for instance.  It's feeling betrayed that does it.

And goodness me, we've been betrayed a lot by the pioneers since about 1980.  Yes started sounding like Jefferson Starship.  Tull started sounding like just another AOR band.  Peter Gabriel, though artsy, had more to do with world music than prog. And so on.

As for Collins -- I'm a little ignorant of his innovations.  I'm afraid I don't notice him much at all in the classic Genesis except when he's singing along with Gabriel or making funny voice effects.  I just don't notice his drumming.  I do notice Neil Peart,  Barriemore Barlow, and Carl Palmer's drumming.
If imitation is the sincerest form of flattery, creativity is the sincerest form of worship.
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Direct Link To This Post Posted: May 03 2008 at 13:05
I have respect for him,though it took me a while.I like early genesis,brand x and the robert plant stuff he drummed on,i just pretend eighties genesis didnt exist lol
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Direct Link To This Post Posted: May 03 2008 at 16:45
Phil had his moments, good and bad, his good moments were really good though.  The progressive Genesis stuff, Brand X, even some good stuff on the solo albums.  I do love to poke fun at him though.



Edited by Slartibartfast - May 03 2008 at 16:51
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: May 03 2008 at 21:52
Su. . .Su . . . Sudio!
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Direct Link To This Post Posted: May 04 2008 at 19:36
Okay are we officially banned from talking about Phil's solo career? If so on a final note just wanna say thanks for the recommedations everyone, I read every single post and am gonna get hold of Face Value, Hello, I Must Be Going and perhaps even No Jacket Required and see how I feel.
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Direct Link To This Post Posted: May 04 2008 at 23:18
If you are expecting prog, you'll regret this.   Phil's solo career is like Invisible Touch with the prog parts taken out.
 
Which doesn't mean that Phil isn't a prog legend.  darqDEAN lists the relevant items in his resume that qualify him.


Edited by ghost_of_morphy - May 04 2008 at 23:19
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Direct Link To This Post Posted: May 05 2008 at 00:16
I think Phil did the right thing, proved himself as an incredible drummer and then took over the band and for a few albums proved himself to be a very good front man (with a great beard I might add!) But if he had just stayed that way he would be known and loved by us, instead he opted to "ruin" Genesis (I think it was a decent development) thus making our wonderful prog band a household name and making them millionaires. He then made a solo career (which isn't all that great) and did what barely any other musician can do - be in a successful band and then out shadow it in terms of popularity. Robert Plant will always be "The guy from Led Zeppelin" and Mark Knopfler may always be "The guy from Dire Straits" but Phil Collins, at least to my generation is - "what? That guy plays drums in a prog band?" He's also a millionaire and shares mutual prog and pop admiration. Smart guy. Made great music and made tons of music.
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Direct Link To This Post Posted: May 05 2008 at 03:10
I feel it's unfair to bash just Collins, all members of Genesis were to blame for the lame pop rubbish produced in the later period.
 
What happened was that all of them made solo albums that more or less flopped commercially except for Collin's album.
 
Now, at this point ALL OF THEM must have agreed to roll with the cash.
 
I'm pretty sure that if Bank's or Rutherford's albums had turned out to be huge sellers, they would have gone in THAT direction instead. It was just unfortunate (well, in a way, but you probably know what I mean) for Collins that it was his effort that rocketed.
 
I lay the blame on all of them, not just on Collins. I find blaming him alone distinctly unfair.
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Direct Link To This Post Posted: May 05 2008 at 06:52
Face Value is up on Amazon for £1. I can afford that...
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Direct Link To This Post Posted: May 05 2008 at 07:01
If I didn't know better, I'd think the thread's title was chosen to create , ahem, a discussion of Phil's musical talent.
Now all we need is to bring in the Peter part of what was once hoped to be a done to death debate about who was to blame for Genesis putting out music that some here didn't like.
Get over it. You figure Phil isn't a prog guy on his own, fine. You think his era Genesis does not bear comparison to Peter's, fine. But for God's sake, don't take it personally. None of you know what music Genesis would have gone on to make if Jonathan Silver, John Mayhew , Anthony Philips, Peter Gabriel and Phil Collins had not left the group at their respective times (keep in mind the final Genesis studio album with Ray Wilson).
And so the pop direction that gradually took over the group's sound cannot be said, with any certainty, to be due to Phil's emergence as supposed group leader. For all you know (and not what you think you know), they would have followed the same path.
Play your old records, enjoy them as you will, leave the later ones for those of us who find them entertaining for what they are, and pleeeeeeeeeeeeeeeeeeeeaaaaaaaaaaaaaaaaaaaaaaaaaaasssssssssssssssssssseeeeeeeeeeeeeee
get on with your bloody lives.
No animals were hurt during the making of any of Phil's music, though I suspect that some humanoid bipeds suffered from the delusional treason of a group playing music that a fan did not like or agree with.
BBBBBBBBBBBOOOOOOOOOOOOOOOOOOOOHHHHHHHHHHHHHHHHHOOOOOOOOOOOOOOOOOO!
Let's ask malnourished Ethiopian the question, and its' relative importance in the scheme of things. But first, let's make sure there is nothing around that can be used as a weapon, eh ....

"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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