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Joined: January 24 2010
Location: Canada
Status: Offline
Points: 8649
Posted: February 16 2011 at 16:35
darkshade wrote:
since i dont want to multiple quote, im just going to bring up Fripp being important to metal music.
Like rock music, metal would have been created in some form or another eventually. However i was referring to an interview i remember, where Ozzy Osbourne (or Tony Iommi, i dont remember) said that if it werent for 21st Century Schizoid Man, Black Sabbath would not have gone in a heavier direction, and we all know that Sabbath are said to have been the first metal band.
Im sorry, but after all these years, i cannot agree with the fact that guys like Hendrix, Clapton (Cream), etc.. were more influential on metal. Sure they inspired countless guitarists and other musicians, but i think there were more important people in that area. In fact, guys like Hendrix, Jeff Beck, Clapton, whoever, were more influential in the development of Jazz-Rock Fusion, than metal. Jimmy Page is probably the exception.
The first true heavy metal band was Blue Cheer, who were before Zep, Sabbath, Purple, etc.and were incredibly loud and heavy, i mean incredibly!
Joined: November 19 2005
Location: New Jersey
Status: Offline
Points: 10964
Posted: February 16 2011 at 15:44
PlumAplomb wrote:
darkshade wrote:
AtomicCrimsonRush wrote:
Rock: Elvis
Country: Johnny Cash
Classical: Beethoven
Metal: Jimi Hendrix
Prog: Robert Fripp
Jazz: Miles Davis
to be honest, had it not been for Fripp, metal music would probably not exist. And though i understand why you chose him for prog, but who influenced him? that person(s) would have to be the one(s) who influenced prog the most i think.
everything else i agree with, except maybe Bach for classical (but it could go either way)
Jimi influenced guitarists, not necessarily whole genres of music
EDIT: wait, Elvis would be nothing had Chuck Berry not paved the way
i think there wouldn't be metal music without beethoven imo, even megadeath were classically trained julliard musicians. or wagner or mussorsky? or more simply put, there wouldn't be metal without classical. i grew up with classical so i accredit that mostly to most influential. tchaikovsky is my favorite though, you can accredit him to symphonic prog maybe? or grieg?
i also like to think of that question on a smaller scale as well, i like to think that without gloria gaynors i will survive, i might not have riot grrl music for instance. without tony wilson i wouldn't have madchester. everyone paves some way
of course, i mean without classical, most music wouldnt exist, at least not in the way it exists now.
late 70s, and most 80s metal is highly classically inspired. That influence seems to have diminished during the 90s, and from whatever metal i hear these days that isnt prog metal, the classical influence is completely gone, unless the band was directly influenced from one of the 80s bands.
Joined: November 19 2005
Location: New Jersey
Status: Offline
Points: 10964
Posted: February 16 2011 at 15:40
since i dont want to multiple quote, im just going to bring up Fripp being important to metal music.
Like rock music, metal would have been created in some form or another eventually. However i was referring to an interview i remember, where Ozzy Osbourne (or Tony Iommi, i dont remember) said that if it werent for 21st Century Schizoid Man, Black Sabbath would not have gone in a heavier direction, and we all know that Sabbath are said to have been the first metal band.
Im sorry, but after all these years, i cannot agree with the fact that guys like Hendrix, Clapton (Cream), etc.. were more influential on metal. Sure they inspired countless guitarists and other musicians, but i think there were more important people in that area. In fact, guys like Hendrix, Jeff Beck, Clapton, whoever, were more influential in the development of Jazz-Rock Fusion, than metal. Jimmy Page is probably the exception.
Joined: October 10 2006
Location: Missouri
Status: Offline
Points: 19236
Posted: February 16 2011 at 13:48
rogerthat wrote:
Atavachron wrote:
Bach? Beethoven? Please, that's a bit extreme, and besides I think the OP had someone a little more recent in mind; maybe Leonard Bernstein, or Brian Wilson
But he used the word EVAH and not modern music or rock/pop. I think calling Lennon the most influential ever is a bit much.
Joined: July 24 2008
Location: Big Muddy
Status: Offline
Points: 5208
Posted: February 16 2011 at 11:13
thellama73 wrote:
Negoba wrote:
Here's a few ideas:
The inventor of the pianoforte.
The inventor of the electric guitar.
These two instruments have dominated Western music in their own eras. Obviously their precursors were also very important but each had some specific qualities that allowed entire new sounds to evolve.
You mean Bartolomeo Cristofori and Les Paul?
In terms of classical composers, I would argue that Beethoven has been more influential than Bach, but as for modern popular music I have to go with Elvis.
I also think that Brian Eno has been tremendously influential on modern music and that he is often underestimated in this regard.
The reason I didn't pick is because inevitably you get arguments about so and so did this first and yada yada.
And yeah, Bach.
"Blackbird" by the Beatles is my modern favorite ripped from the old guy, but there are many.
You are quite a fine person, and I am very fond of you. But you are only quite a little fellow, in a wide world, after all.
Joined: October 16 2006
Location: FL, USA
Status: Offline
Points: 17493
Posted: February 16 2011 at 10:49
Henry Plainview wrote:
hobocamp wrote:
Henry Plainview wrote:
You can't know the influence of someone until it's been a long time since they died.
Ladies and gentlemen I give you "absurd."
It would be nice if you argued against me instead of smirking. How is it possible to know what someone's influence will be on the entire history of music before you've experienced a lot more of it?
And T, I should have said not really respected. I know he was never obscure, but as far as I know he wasn't regarded as a luminary until much later.
Joined: May 26 2008
Location: Declined
Status: Offline
Points: 16715
Posted: February 15 2011 at 17:46
hobocamp wrote:
Henry Plainview wrote:
You can't know the influence of someone until it's been a long time since they died.
Ladies and gentlemen I give you "absurd."
It would be nice if you argued against me instead of smirking. How is it possible to know what someone's influence will be on the entire history of music before you've experienced a lot more of it?
And T, I should have said not really respected. I know he was never obscure, but as far as I know he wasn't regarded as a luminary until much later.
Joined: April 17 2010
Location: Fine Furniture
Status: Offline
Points: 525
Posted: February 15 2011 at 13:28
The T wrote:
hobocamp wrote:
harmonium.ro wrote:
^ Those were hardly Bach's <s>contemporaries</s> equals
Contemporaries?? Brahms and Bach?
Hobocamp, next you will say Guilliaume de Machaut and Philip Glass lived in adjacent houses and played card together...
I agree with most of what you say - I was pretty generous with my "contemporaries" time window. But I probably would have said that de Machaut and Hitler played cards together.
Joined: August 18 2008
Location: Anna Calvi
Status: Offline
Points: 22989
Posted: February 15 2011 at 12:39
The T wrote:
He was not super famous after he died but he never was this unknown genius who romantically got discovered centuries later. That's a false notion that any proper music historian will discreedit. Of course, people love these kind of things.. (like all the false myths around Mozart too)
Yes, I think it would be more correct to say that he went out of fashion for a while, no?
Joined: October 16 2006
Location: FL, USA
Status: Offline
Points: 17493
Posted: February 15 2011 at 12:35
By the way, there is this wrong idea that Bach as not fully respected before Mendelssohn started performing continuously (and with cuts and edits) the St Matthew Passion. Bach was respected in his lifetime, he was quite successful, that's why princes and Margraves liked him and kept him in comission. He was not super famous after he died but he never was this unknown genius who romantically got discovered centuries later. That's a false notion that any proper music historian will discreedit. Of course, people love these kind of things.. (like all the false myths around Mozart too)
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