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progvortex
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Topic: Recurring themes in prog Posted: April 20 2009 at 23:07 |
The best example of this that comes to mind is Close to the Edge : "I get up I get down" is repeated in all four sections of the title track, each with a starkly different emotion behind it.
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moshkito
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Posted: April 16 2009 at 11:50 |
30761760 wrote:
] Use of repeitition is a major part of musical theory. I also like the idea that it came out of jamming. I often use repitition in a jam to spring into an exploration of the peice we are creating. I know that is at odds with your opinions on 'theme, 4beats, song' concept but i feel that the real problems caused by such songs come from underelaboration. If you strip most songs back you have a repeted theme along with a 4/4 beat. Look at 'locomotive breath', essentially just a relentless bass line which is made more by the awsome piono, lyrics and flute work. Another example is King crimsons '21st centuary scitzoid man' which has a very structured opening theme/riff but degenerates into a free form jazz peice before collecting for a final verse. In fact, most of my favourite songs probably come out of this system of creativity which i enjoy. |
Thank you ... I replied to the post within a larger context than just one theme ... and you extended it ... and that is great ... and to me awesome. I appreciate this quite a bit.
Repetition has its place, and no one that does ragas (eastern musical concepts ... not western musical concepts) considers it "repetition" since it is not about the "notes" and "scales" as much as it is about how it is being played and brought forth ... which is the important part that really makes music come alive ... up until then, much of it is ... not much ... I certainly do not wish to say "nothing" since there is always something, that we might not see, or readily find.
We might as well add that Ravel's Bolero for many years was considered horribly boring! And Debussy dull. And Stravinsky ... not music!
You do what you know and feels right ... and it may repeat a theme or not ... and it may have a set of notes that are similar to that one band you used to like ... but within the context it is being played ... this is where some of the law courts are getting out of hand when it comes to plasiarism, and such ... playing the same 5 notes that Pete Townsend did on a song is not a copy .... unless I'm using the same guitar, amp, effects and song!
But some themes make a band recognizeable ... and most bands do not change from their start in this respect ... the only band I know that has absolutely nothing in common on the 1st, 5th and 10th album is Amon Duul 2 ... the rest tend to show way too much "copy" of what they already had done.
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Synchestra
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Posted: April 16 2009 at 06:58 |
Endless Wire wrote:
Another band that I just thought of that does it a bit is Coheed and Cambria (and now begins the are they prog debate...). Though they don't do it extremely often, when they do choose to do it the effect is very striking. Anybody else notice the C&C motifs? |
I was just listening to Stardust and could've sworn i heard one of the parts from 'different people' in it, thought i was going crazy from too much of the kings ![Embarrassed Embarrassed](https://www.progarchives.com/forum/smileys/smiley9.gif)
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Synchestra
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Posted: April 16 2009 at 06:56 |
Endless Wire wrote:
Good topic, recurring musical ideas is one of my absolute favorite things in music. Perhaps nobody does it better than Pain of Salvation, though. Just listen to BE, where practically every other melody can be heard somewhere else in the album but performed in a different way. These type of things add a lot of lasting value to an album for me.
I'm actually experiementing a lot with the concept to a great extent in my own music. |
its a huge part of the fun in PoS albums. I actually read somewhere something about Gildenlow taking one of the melodies from The Perfect Element: part 1 and turning it into a chord structure on scarsick (being part two of course) i dont know alot about music theory so i cant verify it, its a fun thought though ![Smile Smile](https://www.progarchives.com/forum/smileys/smiley1.gif)
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'Yeah, thats.. Whatever you're talking about for ya' - Zapp brannigan
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prog4evr
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Posted: March 17 2009 at 03:51 |
topofsm wrote:
Anyways, what are some artists that you feel use this technique well? |
Fish-era Marillion because of the "Jester" theme. Now, that is specifically lyrical recurrence. Musical recurrence is probably most evident in prog bands that have made a "suite" (again, something the classical masters originated). Off the top of my head, Marillion's Misplaced Childhood and Like Wendy's Falcon Suite fit the bill...
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mr.cub
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Posted: March 15 2009 at 10:49 |
^ Ok thanks for the advice
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shanocles
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Posted: March 15 2009 at 06:54 |
shanocles wrote:
mr.cub wrote:
shanocles wrote:
definitely jethro tull.
a passion play has a great main theme and is such a good listen when you haven't heard it in a while.
actually on a side note ... just got ian anderson plays orchestral dvd in the post to watch fri nite. hope its a good watch. also got the phil keaggy 30th anniversary tour of master & the musician dvd with same package. |
Previewed this Ian Anderson cd online the other day and it sounded like it was worth checking out, let me know how it is I might just get the dvd as well |
sure thing. i gave it a quick spin when i first arrived and its ok i guess. couldn't really hear the strings that much. also ian struggles to hit the higher notes it seemed so they transposed some of the songs which make them sound a little different ... awaiting better viewing tonite. its PROG NITE at my house. (every few months or so my bro-in-law comes round and we share dvd's and stuff. he's got some tommy emmanuel and i got the JT and keaggy stuff. should be a good nite!)
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hi mr. cub ... watched the dvd and i'd say pass on getting the dvd and cd. it wasn't that thrilled with it actually. better to get something from their heyday when they could hit the higher notes when singing. but having said that if you like the acoustic take on the songs then maybe check it out. definitely wait until its cheap/bargain buys!
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Vibrationbaby
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Posted: March 13 2009 at 10:30 |
Wow a thread that is actually about music ![Shocked Shocked](smileys/smiley3.gif) ! Interesting thread. Unless I missed I`m suprised nobody has mentioned the center piece of Focus`Moving Waves, Eruption. It is almost entirely based on 16th century Italian operatic composer`s opera Euridice. Plenty of recurring themes on that one.
Edited by Vibrationbaby - March 13 2009 at 10:31
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A Person
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Posted: March 12 2009 at 22:41 |
moshkito wrote:
Pink Floyd is actually a good example. You can easily play Echoes, Atom Heart Mother, Dark Side of the Moon, and Obscured by Clouds ... and you will find a couple of notes on Richard's piano that seem to repeat ... and I think these were the "joining points" for the jams to stop and all to come together that separated the old days (quite clear in the bootlegs) and later Pink Floyd. In all cases, this theme ... brings about a change in the music ... into a new area.
Is this a symphony? A concert (a la bach, beethoven, etc) ?
We can't really find any difference in the compositional nature of "Dark Side of the Moon" ... than any of us can in Beethoven's 5th, or Mahler's 15th!
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Hmmm, I am going to check that out, I hope the cold medicine I took doesn't put me to sleep before I can finish all the PF, and I was going to listen to In a Gadda Da Vida. ![Embarrassed Embarrassed](smileys/smiley9.gif)
Edited by A Person - March 12 2009 at 22:42
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shanocles
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Posted: March 12 2009 at 18:39 |
mr.cub wrote:
shanocles wrote:
definitely jethro tull.
a passion play has a great main theme and is such a good listen when you haven't heard it in a while.
actually on a side note ... just got ian anderson plays orchestral dvd in the post to watch fri nite. hope its a good watch. also got the phil keaggy 30th anniversary tour of master & the musician dvd with same package. |
Previewed this Ian Anderson cd online the other day and it sounded like it was worth checking out, let me know how it is I might just get the dvd as well |
sure thing. i gave it a quick spin when i first arrived and its ok i guess. couldn't really hear the strings that much. also ian struggles to hit the higher notes it seemed so they transposed some of the songs which make them sound a little different ... awaiting better viewing tonite. its PROG NITE at my house. (every few months or so my bro-in-law comes round and we share dvd's and stuff. he's got some tommy emmanuel and i got the JT and keaggy stuff. should be a good nite!)
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mr.cub
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Posted: March 12 2009 at 13:53 |
shanocles wrote:
definitely jethro tull.
a passion play has a great main theme and is such a good listen when you haven't heard it in a while.
actually on a side note ... just got ian anderson plays orchestral dvd in the post to watch fri nite. hope its a good watch. also got the phil keaggy 30th anniversary tour of master & the musician dvd with same package. |
Previewed this Ian Anderson cd online the other day and it sounded like it was worth checking out, let me know how it is I might just get the dvd as well
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tamijo
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Posted: March 12 2009 at 04:17 |
Crimson & Fripp have done this for 40 years, very consequently and sometimes too much
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Prog is whatevey you want it to be. So dont diss other peoples prog, and they wont diss yours
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Barla
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Posted: March 11 2009 at 22:14 |
Just gave another listen to Not Of This World by Pendragon. What a great album, and of course tons of recurring themes on all the songs of the album. This repeated themes usually maximize the emotional impact music gives me; it's a great thing. Now that I think about it, Pendragon deserves a place in my signature. Goodbye, Rush! Welcome, Pendies!
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shanocles
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Posted: March 11 2009 at 21:27 |
definitely jethro tull.
a passion play has a great main theme and is such a good listen when you haven't heard it in a while.
actually on a side note ... just got ian anderson plays orchestral dvd in the post to watch fri nite. hope its a good watch. also got the phil keaggy 30th anniversary tour of master & the musician dvd with same package.
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harmonium.ro
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Posted: March 11 2009 at 15:59 |
How about Jethro Tull? TaaB is a good example.
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mr.cub
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Posted: March 11 2009 at 13:56 |
Epignosis wrote:
Yes's Tales from Topographic Oceans makes a great use of two main themes presented after the introduction of "The Revealing Science of God." You hear the second one throughout the album, chiefly toward the end of "The Remembering" and again at the end of "Ritual" (although in a minor key). The first one is also prominent in "Ritual."
In addition, you can hear snippets of previous works, like "Close to the Edge." In "Ritual," Howe plays the guitar theme (just before the words) from "Close to the Edge" during one atmospheric section. In "The Ancient," he plays a snippet of the very first guitar notes from "Close to the Edge" on classical guitar, and prior to that, hearkens back to his repetitive guitar theme from "Siberian Khatru" on electric.
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Been listening to this album very closely for the last few days, even to the point of identifying the sections of the songs (i.e ABCB etc.), and it is remarkable how well this album flows when listened in full. Before I thought this album wasn't well structured aside from the first disc, but now its incredible how 'The Ancient' and 'Ritual (Nous Sommes Du Soleil)' connect and expand on themes of disc 1.
'Nous Sommes Du Soleil's melody is culled from 'The Rembering', Wakeman's atmospheric secitions in 'The Remembering' are extremely similar to those on 'The Revealing the Science of God ' and these sections are found in 'Ritual' as well; also Howe's solos in 'Ritual' contain themes from 'Revealing the Science of God' and 'The Remembering' not to mention Squire's lead bass section in 'Ritual' from the Relayer section of 'The Remembering.'
Overall an extremely intricate album of multiple recurring themes ![LOL LOL](https://www.progarchives.com/forum/smileys/smiley36.gif)
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shanocles
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Posted: March 10 2009 at 18:41 |
its what i really love about prog really, thats what i try and explain
to people when they ask what prog is ( i say has recurring themes,
classical/symphonic leanings)
if we're talking themes developed over a series of albums ... i definitely hear this in flower kings catalog. (but it may just be down to the artist's preference of chord structure, melody and emotion, fav lick?) if we're talking themes developed through an album - then concept albums are an obvious choice for me. modern bands that i feel do this exceptionally well are: POS, neal morse, ayreon, glass hammer, flower kings, the last song on the ritual album 'hemulic voluntary band', first half of the 1st tangent record, DT octavarium (the song) plus many more.
of course its all through yes' Tales from topographic oceans as someone mentioned.
p.s. i love that cacho/collaborator tag about loving the sound of the hammond. jon lord is a master!
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StyLaZyn
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Posted: March 10 2009 at 07:14 |
Genesis - Los Endos. It revists other tracks melodies as well as a bit of lyrical content of Supper's Ready.
edit: ELP - Karn Evil #9 Just listen and you'll hear the recurring theme over and over.
Edited by StyLaZyn - March 10 2009 at 07:15
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GlassPrison68
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Posted: March 09 2009 at 16:27 |
Porcupine Tree does this in sentimental. They take a part from trains. Steven Wilson said he did this because of a reference to trains is in the first line of the next song way out of here.
Also it's all over the place in Beethoven's 9th Symphony, from one movement to the next.
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lazland
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Posted: March 09 2009 at 14:57 |
The Who's Quadrophenia also has recurring themes throughout, albeit with four separate personalities!
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