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micky
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Topic: New Category, Post metal/ Sludge or Doom Posted: October 01 2007 at 20:03 |
Ghost Rider wrote:
sleeper wrote:
^The problems with your examples, Gamemako, is that
Canterbury and Italian Symphonic Prog were established in the late 60's
and 70's, along with Krautrock, as independant styles of music that
grew up alongside the rest of prog, they are not genres created by this
site but have been recognised for 30+ years, who are we to disregard
that? Plus, I believe that ISP isa bit of a mis-nomeaner in that
not all bands are symphonic and that the genre should be known as Rock
Progressive Italiano (RPI), at least thats what I recall reading from
our resident expert micky so I'll bow down to his superior knowledge
here.
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I'd like to make one thing clear, in Micky's absence:
the name ISP should have been changed a long time ago into RPI. The
bands included in the subgenre are in most cases anything but
symphonic, as in the case of Area. The subgenre was created because the
prog movement in early Seventies Italy was probably the biggest in
Europe, and one of the most influential, especially in places
like Japan and South America. I know because I was there at the time...
My first introduction to prog, at the ripe old age of 11, was through
RPI.
I'll tell Micky to insist for a name change, because lots
of people don't understand that RPI is a category very much similar to
Canterbury and Krautrock, and has nothing to do with a national
division of symphonic prog.
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puts it on the list of things to do..
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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angelmk
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Posted: October 01 2007 at 20:03 |
ok, when you mentioned paradise lost, they maybe just made two electronic driven albums like host ane one second, but with their latest effort in requien they are back to their old goth/doom style
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www.last.fm/user/angelmk
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Dean
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Posted: October 01 2007 at 19:51 |
angelmk wrote:
to many categories are mentioned here. you can not simply divide prog metal into melodic prog, power prog , technical death .math prog .. it will cause total chaos , one band do not simply play for ex. power prog or post metal, some of the bands varied in their style ,experiment with new ideas , diversity in their music. that' s prog about , diversity.i agree that doom metal has very much in common with prog metal, but we cannot simply label all doom bends as prog metal, doom metal bands follow strict line,do not change style, it is what it is ,from the very first to the last album (ok, there are exceptions to this, of course), so we cannot just put for ex. my dying bride, paradise lost, katatonia, solitude aeternus, ...here , they belong to doom genre and should stay there. |
Doom hasn't been mentioned in this thread since Page 1 and no one is considering adding those bands, who incidentally have all moved on since their early Doom Metal beginnings and have changed their styles frequently - no one would/could ever claim Paradise Lost's One Second or Host as Doom Metal albums.
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What?
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angelmk
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Posted: October 01 2007 at 19:43 |
to many categories are mentioned here. you can not simply divide prog metal into melodic prog, power prog , technical death .math prog .. it will cause total chaos , one band do not simply play for ex. power prog or post metal, some of the bands varied in their style ,experiment with new ideas , diversity in their music. that' s prog about , diversity.i agree that doom metal has very much in common with prog metal, but we cannot simply label all doom bends as prog metal, doom metal bands follow strict line,do not change style, it is what it is ,from the very first to the last album (ok, there are exceptions to this, of course), so we cannot just put for ex. my dying bride, paradise lost, katatonia, solitude aeternus, ...here , they belong to doom genre and should stay there.
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www.last.fm/user/angelmk
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Gamemako
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Posted: October 01 2007 at 14:40 |
Ghost Rider wrote:
sleeper wrote:
^The problems with your examples, Gamemako, is that Canterbury and Italian Symphonic Prog were established in the late 60's and 70's, along with Krautrock, as independant styles of music that grew up alongside the rest of prog, they are not genres created by this site but have been recognised for 30+ years, who are we to disregard that? Plus, I believe that ISP isa bit of a mis-nomeaner in that not all bands are symphonic and that the genre should be known as Rock Progressive Italiano (RPI), at least thats what I recall reading from our resident expert micky so I'll bow down to his superior knowledge here.
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I'd like to make one thing clear, in Micky's absence: the name ISP should have been changed a long time ago into RPI. The bands included in the subgenre are in most cases anything but symphonic, as in the case of Area. The subgenre was created because the prog movement in early Seventies Italy was probably the biggest in Europe, and one of the most influential, especially in places like Japan and South America. I know because I was there at the time... My first introduction to prog, at the ripe old age of 11, was through RPI.
I'll tell Micky to insist for a name change, because lots of people don't understand that RPI is a category very much similar to Canterbury and Krautrock, and has nothing to do with a national division of symphonic prog.
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I won't argue your point; as I said, my knowledge of ISP/RPI is quite limited. (But Aton's still sounds like symphonic prog to me.  ) However, as for growing up separately, I think it's also safe to say that different parts of prog metal grew up separately. Atheist and DT are quite at odds (Atheist's 1991 Unquestionable Presence and DT's 1992 Images and Words would be the hallmarks). But you now see mixing of styles. You're not separating based on root but on quality. The question is what your criteria for making a genre is -- you're going to have to pick and choose who is going to be left out because you can't have 50 genres at the top. You also have bands that have releases in multiple categories (such as the aforementioned Dark Suns or even the ever-popular Opeth with their completely clean versus completely growled vocals on different albums or, for an amusing example, Sieges Even, whose Art of Navigating by the Stars release is arguably not metal at all). Alright, let me put it this way: there are too many genres already, and you're suggesting yet more. It's already a mess, that giant line of names. Soon you'll have four lines of 25 or 30 genres. It's too many. It's not navicable or, to anyone but a prog expert, logical. It's a giant damn mess, and cracking up the prog metal genre will only make it worse. Amusingly, the Atheist profile makes reference to the Florida prog-metal scene. There really wasn't one. They were pretty much it -- which is part of the reason their incredibly complex music didn't exactly pick up. It was the Florida DEATH METAL scene (Deicide, Morbid Angel, Massacre, et cetera). Cynic came later, and Death picked up the style later.
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Raff
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Posted: October 01 2007 at 11:38 |
sleeper wrote:
^The problems with your examples, Gamemako, is that Canterbury and Italian Symphonic Prog were established in the late 60's and 70's, along with Krautrock, as independant styles of music that grew up alongside the rest of prog, they are not genres created by this site but have been recognised for 30+ years, who are we to disregard that? Plus, I believe that ISP isa bit of a mis-nomeaner in that not all bands are symphonic and that the genre should be known as Rock Progressive Italiano (RPI), at least thats what I recall reading from our resident expert micky so I'll bow down to his superior knowledge here.
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I'd like to make one thing clear, in Micky's absence: the name ISP should have been changed a long time ago into RPI. The bands included in the subgenre are in most cases anything but symphonic, as in the case of Area. The subgenre was created because the prog movement in early Seventies Italy was probably the biggest in Europe, and one of the most influential, especially in places like Japan and South America. I know because I was there at the time... My first introduction to prog, at the ripe old age of 11, was through RPI. I'll tell Micky to insist for a name change, because lots of people don't understand that RPI is a category very much similar to Canterbury and Krautrock, and has nothing to do with a national division of symphonic prog.
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sleeper
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Posted: October 01 2007 at 11:27 |
^The problems with your examples, Gamemako, is that Canterbury and Italian Symphonic Prog were established in the late 60's and 70's, along with Krautrock, as independant styles of music that grew up alongside the rest of prog, they are not genres created by this site but have been recognised for 30+ years, who are we to disregard that? Plus, I believe that ISP isa bit of a mis-nomeaner in that not all bands are symphonic and that the genre should be known as Rock Progressive Italiano (RPI), at least thats what I recall reading from our resident expert micky so I'll bow down to his superior knowledge here.
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Spending more than I should on Prog since 2005
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Gamemako
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Posted: October 01 2007 at 09:02 |
MonkeyphoneAlex wrote:
Italian symph is in it's own genre because it has an entirely different sound than other symphonic bands. Listen to Premiata Forneria Marconi or Banco Del Mutuo Soccorso and then listen to The Flower Kings and tell me they belong together. |
Anglagard versus Yes versus Spock's Beard. Then listent to Aton's and tell me why it shouldn't be in Symphonic Prog. //EDIT: Removed clutter quotes.
Edited by Gamemako - October 01 2007 at 09:03
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MonkeyphoneAlex
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Posted: October 01 2007 at 08:52 |
Gamemako wrote:
MikeEnRegalia wrote:
^ care to elaborate? |
Certainly.
We're looking for threads that run among the groups. We're looking for looking for general traits. We're not looking for absolute miniscule genres to put everything into. I don't see why we need italian symphonic prog or canterbury scene or any of the new genres. What has been done, in my opinion, is the division into subgenres and re-listing as full genres. Prog metal may contain an eclectic mix of styles, but that doesn't mean you need to call it fifteen genres. It's prog metal. From there you can list subgenres, but you don't need them everywhere.
My suggestion is to take that top navbar and kill off at least half of those genres and integrate them into other genres. From there, you can subdivide as necessary for any genre. But making more and more and more and more genres is just silly. You're just going to get more problems with genre-benders (go ahead, put Dark Suns into one -- you'd have to decide between their first and second albums).
In my opinion (you're free to disagree as I'm sure you do), we should kill off the clutter and have a small number of large genres which can be narrowed (note the word can -- I will get to that in a moment) to more specific subgenres (i.e. click the name to go to the prog metal page which has all prog metal, and from there you can navigate to the avant-garde only and whatnot). Another benefit of this is that people will be able to explore the genres more fully. Honestly, I'm relatively unfamiliar with italian symphonic prog because I rarely navigate my way to that page. Sounds to me like symphonic prog, and the description says:
"Indeed so much progressive music has emerged and continues to emerge from Italy that some people believe it belongs in its own sub-genre."
I can't disagree more with this view. You can make it a subdivision of symphonic prog, but it doesn't need its own area. It's still just symphonic prog. And if it were in the symphonic prog page, I'd have quite a bit more exposure to it.
To reiterate my point, I think we should consolidate the genres and make subdivisions to those genres. I would probably never have checked uneXpecT if it were in some obscure avant-death section (granted, I knew the band before it was listed here, but the point is that you may occasionally want to stray from your comfort zone to access new music -- the smaller we make the genres, the less you see from other genres, and the less inclined you may be to experience other styles).
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Italian symph is in it's own genre because it has an entirely different sound than other symphonic bands. Listen to Premiata Forneria Marconi or Banco Del Mutuo Soccorso and then listen to The Flower Kings and tell me they belong together.
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"Information is not knowledge. Knowledge is not wisdom. Wisdom is not truth. Truth is not beauty. Beauty is not love. Love is not music. Music is THE BEST."
-FZ
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Gamemako
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Posted: October 01 2007 at 08:45 |
MikeEnRegalia wrote:
^ care to elaborate?
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Certainly. We're looking for threads that run among the groups. We're looking for looking for general traits. We're not looking for absolute miniscule genres to put everything into. I don't see why we need italian symphonic prog or canterbury scene or any of the new genres. What has been done, in my opinion, is the division into subgenres and re-listing as full genres. Prog metal may contain an eclectic mix of styles, but that doesn't mean you need to call it fifteen genres. It's prog metal. From there you can list subgenres, but you don't need them everywhere. My suggestion is to take that top navbar and kill off at least half of those genres and integrate them into other genres. From there, you can subdivide as necessary for any genre. But making more and more and more and more genres is just silly. You're just going to get more problems with genre-benders (go ahead, put Dark Suns into one -- you'd have to decide between their first and second albums). In my opinion (you're free to disagree as I'm sure you do), we should kill off the clutter and have a small number of large genres which can be narrowed (note the word can -- I will get to that in a moment) to more specific subgenres (i.e. click the name to go to the prog metal page which has all prog metal, and from there you can navigate to the avant-garde only and whatnot). Another benefit of this is that people will be able to explore the genres more fully. Honestly, I'm relatively unfamiliar with italian symphonic prog because I rarely navigate my way to that page. Sounds to me like symphonic prog, and the description says: "Indeed so much progressive music has emerged and continues to emerge
from Italy that some people believe it belongs in its own sub-genre." I can't disagree more with this view. You can make it a subdivision of symphonic prog, but it doesn't need its own area. It's still just symphonic prog. And if it were in the symphonic prog page, I'd have quite a bit more exposure to it. To reiterate my point, I think we should consolidate the genres and make subdivisions to those genres. I would probably never have checked uneXpecT if it were in some obscure avant-death section (granted, I knew the band before it was listed here, but the point is that you may occasionally want to stray from your comfort zone to access new music -- the smaller we make the genres, the less you see from other genres, and the less inclined you may be to experience other styles).
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MikeEnRegalia
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Posted: October 01 2007 at 08:18 |
^ I think we'll settle for 3 genres ... but I like your idea of introducing them gradually. First we could "extract" the Post Metal / Experimental bands, and then - after a month of "getting used to" - the Tech/Extreme/Avant bands.
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MonkeyphoneAlex
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Posted: October 01 2007 at 07:57 |
Prog Matal needs to be broken up. Having 5 brand new genres, however, will get confusing. I think the breakup should be done gradually. Perhaps we could decide on 4 or 5 new genres, and make one each month, and then whatever's left over in prog metal will be melodic prog.
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"Information is not knowledge. Knowledge is not wisdom. Wisdom is not truth. Truth is not beauty. Beauty is not love. Love is not music. Music is THE BEST."
-FZ
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MikeEnRegalia
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Posted: October 01 2007 at 07:18 |
^ care to elaborate?
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Gamemako
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Posted: October 01 2007 at 06:36 |
MikeEnRegalia wrote:
genres are not about bands which are "alike" ... they're about bands which share similar traits.
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Which is precisely why we don't need so many genres.
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MikeEnRegalia
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Posted: September 30 2007 at 05:27 |
genres are not about bands which are "alike" ... they're about bands which share similar traits.
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Gamemako
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Posted: September 30 2007 at 01:38 |
My suggestion would be to consolidate and subdivide.
We don't need more than six or seven major prog genres. From there, you can subdivide them (prog metal -> speed/power/tech/death/extreme/football/sludge/symphonic/cheesy/epic/avant-garde/minimalist metal) and not have a horrible mess for a navbar. We don't need genres like proto-prog and Canterbury Scene. They can be merged and left as subgenres.
This is prog, people. No two bands are going to be alike.
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MikeEnRegalia
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Posted: September 29 2007 at 11:05 |
^ I don't think the sub genres are to blame for your being "fed up" ... it's rather the threads where we discuss them over and over which I find really annoying.
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ZowieZiggy
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Posted: September 28 2007 at 20:22 |
I'm truely fed up with all these sub-genres.
I like Symph and Neo-prog a lot. There are an incredible amount of bands in these two genres and they do not need to be split up. Would anyone like to have a "Genesis", "Arena", "ELP" etc. related music" genre ?
I don't. And it's the same for the metal one (which not fully belongs here anyway).
Cheers.
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ZowieZiggy
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The T
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Posted: September 21 2007 at 14:50 |
MikeEnRegalia wrote:
^ tagging is available on my website ... I think it will not be implemented here any time soon. I think for the archives splitting prog metal in three genres is the best approach that actually has a chance to be approved of by M@x *and* can be implemented quickly. |
I love your website Mike but I just wouldn't want the tagging system to be implemented here.. Sorry, it's a little confusing, and it makes classification difficult, and as much as music defies classification, is necessary for research....
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stonebeard
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Posted: September 21 2007 at 11:28 |
Mategra wrote:
Metal isn't real Prog. |
Neither is electronic prog, post rock, indo prog, or space rock. Let's boot them too.
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