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mrcozdude
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Joined: July 25 2007
Location: Devon,UK.
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Topic: Phil Collins ... A Prog Legend Posted: May 29 2008 at 11:30 |
I've spent to long trying to tell everyone collins is a good musician but no one can get past the eighties,i'm almost thinking of giving up,its a war i cant win.
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MTZArts
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Joined: February 05 2008
Location: Texas
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Points: 16
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Posted: May 26 2008 at 16:40 |
I have to admit, I've no penchant for any of Phil Collin's work, but I have to say he's a brilliant musician. Every song he writes seems to have this almost inconceivable depth and feeling of space, as though the music fabricates an environment.
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TheRockShow
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Joined: May 24 2008
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Points: 7
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Posted: May 24 2008 at 11:01 |
phil rocked until he did stuff for disney movies that sounded like crap... dag you phil. but songs like in the air tonight and against all odds show me how he inspired this genre.
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debrewguy
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Joined: April 30 2007
Location: Canada
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Points: 3596
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Posted: May 21 2008 at 18:10 |
Slartibartfast wrote:
TheProgtologist wrote:
I know...how about you guys stop this childish squabbling that has permeated the last few pages,and treat each other and their opinions with some respect,maturity and civility?Even if the differ from your own.
Or I am going to close this thread. |
Or how about, SIT DOWN AND SHUT UP!!! ?
![](https://upload.wikimedia.org/wikipedia/en/3/39/Mscrabtree.gif)
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Nah, I say we re-start the interminable variations on the Phil vs Peter wars, the needlessly never ending Dream Theater battles, and of course, the moronic moral morass of being against the impracticality of not eating steak as cows cannot survive on their own in the wild. Being Canadian, I could stir the hornet's nest with a discussion of the hypocrisy of the anti-seal hunt idiots; but that didn't work last time I tried as too many responded in an intelligent and moderate way (i.e. they knew about the existence of slaughterhouses, the increasing number of seals despite the hunt, the much needed income for those involved in the hunt, the celebrity PR machinery behind the distorted images that never showed or hinted at the very possibility of their being another valid side top the arguement etc....) Oh, and the fact that Klaatu & Ange are really the two top prog groups of all time despite what all the other people have said. The very fact that they are not listed in the top 100 of any genre shows just how great they are, as only a limited number of intelligent people (and a few unintelligent ones, too) are able to "get" them. And as we all agree, or at least the ones who agree with me, if we think so, it is so. So there ! ![Tongue](smileys/smiley17.gif) Now back to my meds
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"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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Slartibartfast
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Posted: May 20 2008 at 13:17 |
TheProgtologist wrote:
I know...how about you guys stop this childish squabbling that has permeated the last few pages,and treat each other and their opinions with some respect,maturity and civility?Even if the differ from your own.
Or I am going to close this thread. |
Or how about, SIT DOWN AND SHUT UP!!! ?
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Released date are often when it it impacted you but recorded dates are when it really happened...
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debrewguy
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Points: 3596
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Posted: May 20 2008 at 12:14 |
Dominic wrote:
Collins belongs behind the kit imo. Please don't kill me.
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No problem, identified as an opinion with no overblown hatred for the person or his later work. Which means you are out of place in an anti Phil fight
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"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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Dominic
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Joined: January 02 2008
Location: Liberation Land
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Points: 651
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Posted: May 19 2008 at 21:42 |
Collins belongs behind the kit imo. Please don't kill me.
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Manuel
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Joined: March 09 2007
Location: United States
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Points: 13481
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Posted: May 19 2008 at 20:56 |
I think Phil Collins and the rest of the band should have changed the name "Genesis' when they chaged their approach to music. that would have been more appropiate, given what Genesis menas to the prog community.
Phil a great drummer/singer? Yes, but not a prog legent IMHO.
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debrewguy
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Posted: May 14 2008 at 20:27 |
or, how bout this----those people who don't know what the f they are talking about when it comes to Genesis, zip it, and we will all be better off.
DB - You really shouldn't use a plural (we) when you mean the singular (I). Of course, we could re-orient the , ahem, discussion towards identifying our credentials re : Genesis knowledge before we proceed to head for the ditch intelligence wise.
Nota Bene - the reason for moratorium comment should be well known to those who've been here for a bit. Most may remember the interminable Phil-istines vs Gabriel-ites wars, the "Phil is the Antichrist and here's why" rants, and most memorable - the final threads where the many moderate tempered PAers ganged up and said enough already. If you do need something or somewhere to vent your rage(s), I believe there is a thread here called "the Rant Room" where anyone and everyone is invited to spill their bile, and spit their venom at the most inane of inanities, the ultra utter nonsensical of situations, and basically just about all that you want to get off your chest. At least as long as you understand that the next person(s) to post may not even bother to read your rambling rage. ![LOL](smileys/smiley36.gif)
[/QUOTE]
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"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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The Doctor
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Posted: May 14 2008 at 16:40 |
The primary source I use is the book Inside & Out, which states throughout the book, who wrote which songs, at least most of the songs, and while Hold on my Heart did start from a chord progression of Tony's, the melody and lyrics were Phils. In Too Deep was almost solely Phil's song. This book does not list who wrote every song, but many of the songs are mentioned with the primary composer and lyricist. The rest I've looked up on various online resources, and yes, there are a few which even I don't know...(Dance on a Volcano being the most distressing, although I've always suspected that the lyricist was either Banks, Rutherford or Hackett ).
Anywho, I agree it wasn't all Collins' fault. And I actually think that some of later Genesis was quite good...(Domino, Mama, Home by the Sea, Fading Lights, Driving the Last Spike - sporting a Collins' lyric by the way, Brazilian, Feeding the Fire, Dreaming While You Sleep, etc.)
Edited by The Doctor - May 14 2008 at 16:44
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I can understand your anger at me, but what did the horse I rode in on ever do to you?
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Dr. Prog
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Joined: April 29 2008
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Points: 306
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Posted: May 14 2008 at 16:30 |
The Doctor wrote:
The three songs from Invisible Touch in which Banks was the primary songwriter were Anything She Does, Domino and The Brazilian, as well as the B-side Feeding the Fire. The two Banks songs from We Can't Dance were Living Forever and Fading Lights, and he also was the primary writer of the b-side On the Shoreline. Check it out. And get back to me.
Again, I agree with your overall sentiment. But you are wrong about who wrote what.
By the way, good to see you're still keeping the peace here Jody. ![Wink](https://www.progarchives.com/forum/smileys/smiley2.gif) |
source? don't tell me I am wrong unless you cite a source. ie a valid source.
either on the Genesis history video, or the Genesis interviews on the IT or WCD cd, I know I have read or seen Phil say that Hold on My Heart is primarily Tony's, as well as In Too Deep. I guess I will have to dig those sources out. Part of the problem of deciphering is that those albums are all credited as Banks, Collins Rutherford compositions, and many come out of band jamming and words are added later. Collins sometimes sings nonsensical words which then morph into songs as the song progresses, and so people think he wrote most of the songs.
The main point I was making, which has gotten lost, is that Genesis in the 80s wasn't just doing Phil Collins songs making them indistinguishable from his solo career. Rutherford and even Banks wrote some of the soft ballad songs, and even on the album IT, which gets sl*gged the most, the majority of the album was not written or compose by Collins. People also blame Genesis for becoming more "pop" and as you can see from earlier in this thread, constantly cite Your Own Special Way and Follow You Follow Me as evidence, which are both Rutherford songs primarily.
Edited by Dr. Prog - May 14 2008 at 16:35
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The Doctor
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Posted: May 14 2008 at 16:10 |
The three songs from Invisible Touch in which Banks was the primary songwriter were Anything She Does, Domino and The Brazilian, as well as the B-side Feeding the Fire. The two Banks songs from We Can't Dance were Living Forever and Fading Lights, and he also was the primary writer of the b-side On the Shoreline. Check it out. And get back to me.
Again, I agree with your overall sentiment. But you are wrong about who wrote what.
By the way, good to see you're still keeping the peace here Jody. ![Wink](https://www.progarchives.com/forum/smileys/smiley2.gif)
Edited by The Doctor - May 14 2008 at 16:14
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I can understand your anger at me, but what did the horse I rode in on ever do to you?
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Dr. Prog
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Joined: April 29 2008
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Points: 306
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Posted: May 14 2008 at 16:04 |
The Doctor wrote:
Chris Stacey wrote:
Dr. Prog wrote:
Chris Stacey wrote:
There are some similarities on PC/ latter Genesis work but ' Behind The Lines' IMO was a deliberate attempt by PC to be different so that is not a good analogy. Genesis songs like these are pretty close to being found on a PC solo album (And that is not a bad thing)
Hold on My Heart Collins
Tell me why Collins
Never a time Rutherford
Since I lost you Collins
In too deep Collins
Throwing it all away Rutherford
Taking it all too hard Rutherford
Mama Collins
No reply at all Collins
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Interesting, in that about half of those songs were written by either Rutherford or Banks. Throwing it All Away and Taking it All Too Hard are both Rutherford songs. Hold on My Heart and Since I Lost You are Banks songs, and I am pretty sure In Too Deep is too. Mama is clearly the best song on the list, and that is Phil's. Yet another example of the kind of misperception and way over the top invectives and dislike of Phil Collins around here for all the wrong reasons(in other posts, not this one). Most people who blame him for "ruining Genesis in the 80s" really don't even know what songs he wrote. |
Just for the record, who wrote those songs on the Genesis albums was not the point I was making. It was the similarity of sounds/crossovers over this period. |
The primary songwriters on those songs are listed above. Notice the lack of Banks in that list. While you are correct that Throwing It All Away and Taking It Too Hard are Rutherford songs, both Hold on my Heart and Since I Lost You are primarily Collins songs, although, granted Banks did contribute some chords to Hold. A I agree with the general sentiment that Collins is not the devil many make him out to be, and not solely responsible for the more poppish inclinations of later Genesis, but don't just make up who wrote what. ![Wink](https://www.progarchives.com/forum/smileys/smiley2.gif) |
Where are you getting that information? Hold on My Heart is a Banks song, so whatever you are quoting from is wrong, and I am pretty sure In Too Deep is also. Which means at least half those songs are not Collins songs, which is what I said from the get go.
Edited by Dr. Prog - May 14 2008 at 16:05
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TheProgtologist
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Posted: May 14 2008 at 16:02 |
I know...how about you guys stop this childish squabbling that has permeated the last few pages,and treat each other and their opinions with some respect,maturity and civility?Even if the differ from your own.
Or I am going to close this thread.
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Dr. Prog
Forum Senior Member
Joined: April 29 2008
Status: Offline
Points: 306
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Posted: May 14 2008 at 15:59 |
![Thumbs%20Up](smileys/smiley20.gif) Agreed. Genesis just seems to dumb down the board.
real cute
Perhaps there should be a moratorium on Genesis and Genesis-closely related discussion. [/QUOTE]
or, how bout this----those people who don't know what the f they are talking about when it comes to Genesis, zip it, and we will all be better off.
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The Doctor
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Posted: May 14 2008 at 15:57 |
Chris Stacey wrote:
Dr. Prog wrote:
Chris Stacey wrote:
There are some similarities on PC/ latter Genesis work but ' Behind The Lines' IMO was a deliberate attempt by PC to be different so that is not a good analogy. Genesis songs like these are pretty close to being found on a PC solo album (And that is not a bad thing)
Hold on My Heart Collins
Tell me why Collins
Never a time Rutherford
Since I lost you Collins
In too deep Collins
Throwing it all away Rutherford
Taking it all too hard Rutherford
Mama Collins
No reply at all Collins
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Interesting, in that about half of those songs were written by either Rutherford or Banks. Throwing it All Away and Taking it All Too Hard are both Rutherford songs. Hold on My Heart and Since I Lost You are Banks songs, and I am pretty sure In Too Deep is too. Mama is clearly the best song on the list, and that is Phil's. Yet another example of the kind of misperception and way over the top invectives and dislike of Phil Collins around here for all the wrong reasons(in other posts, not this one). Most people who blame him for "ruining Genesis in the 80s" really don't even know what songs he wrote. |
Just for the record, who wrote those songs on the Genesis albums was not the point I was making. It was the similarity of sounds/crossovers over this period. |
The primary songwriters on those songs are listed above. Notice the lack of Banks in that list. While you are correct that Throwing It All Away and Taking It Too Hard are Rutherford songs, both Hold on my Heart and Since I Lost You are primarily Collins songs, although, granted Banks did contribute some chords to Hold. A I agree with the general sentiment that Collins is not the devil many make him out to be, and not solely responsible for the more poppish inclinations of later Genesis, but don't just make up who wrote what. ![Wink](https://www.progarchives.com/forum/smileys/smiley2.gif)
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I can understand your anger at me, but what did the horse I rode in on ever do to you?
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Logan
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Posted: May 14 2008 at 15:51 |
You could have just deleted your last post, instead of editing out the one before.
Dr. Prog wrote:
...Sheesh, almost every time someone opens their mouth about Genesis lately, our collective IQ drops about 10 points. |
![Thumbs%20Up](smileys/smiley20.gif) Agreed. Genesis just seems to dumb down the board. ![Wink](smileys/smiley2.gif) Perhaps there should be a moratorium on Genesis and Genesis-closely related discussion.
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Dr. Prog
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Posted: May 14 2008 at 15:44 |
......
Edited by Dr. Prog - May 14 2008 at 17:44
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Dr. Prog
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Posted: May 14 2008 at 15:43 |
......
Edited by Dr. Prog - May 14 2008 at 15:44
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Ivan_Melgar_M
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Posted: May 14 2008 at 15:38 |
Chris Stacey wrote:
Just for the record, who wrote those songs on the Genesis albums was not the point I was making. It was the similarity of sounds/crossovers over this period. |
I agree Chris, I find a lot of similarities, won't guess who influenced who or care, but they sound similar to my ears.
Iván
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