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Topic ClosedDid Punk really kill prog all that much?

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Direct Link To This Post Topic: Did Punk really kill prog all that much?
    Posted: May 27 2006 at 15:40
    I'm glad to see that most people don't really believe that punk killed prog. I had been seeing this statement quite a bit, and it baffled me. I was going to start my own thread, until I found this.
    My theory is the change in radio. Someone else alluded to this, but it has not been fully investigated. In the late '70s, a major shift started to happen (in the U.S., I can't speak for the U.K.). A.M. radio was on its way out, and "mainsteam" formats were moving to F.M. This meant that the formerly "underground" F.M. formats were being moved out. By the '80s, even the AOR formats were being killed off. Classic Rock formats held some promise, but they ended up just playing the songs that had already gotten immense airplay.
    When I was a teenager, I was fortunate to have a station that was still playing Genesis, Tull, Yes, etc. They even played whole albums late at night (and this was in western Michigan). They also played some of the emerging "new" music, such as Talking Heads, and The B52's. But it had also changed by the mid '80s.
    Not only was prog disappearing, but they also weren't gutsy enough to play punk, or any of the more innovative new bands.
    So I see the cause as the death of progressive radio programming.
    
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Direct Link To This Post Posted: February 04 2006 at 17:41

Hope you don't mind me adding my opinion... and that is, that

Punk didn't kill Prog at all. Moreover, PROG is *alive and kicking* nowadays like it hasn't been in decades!

What I rather see is Prog being "killed" by so-called music lovers who still whine and moan about Genesis and Yes not being like they were in the 1970's anymore and such... people refusing to come out and visit a band's concert if that band isn't yet well-known... people not having investigated any NEW bands since 1978 and so on. Oh, and don't get me started on those so-called Tribute Bands, which  I tend to consider the *death* of true progressiveness !

Instead, I see the modern Prog Scene as a very healthy one - Prog Metal is very, very popular nowadays, for instance, but also note the gazillions of young bands having incorporated a massive influence from the 1970's bands - Porcupine Tree, Anathema, The Flower Kings, Riverside (who I've seen performing in a tiny pub some three months ago...!), Anekdoten, even the aforementioned Radiohead - the list is endless.

So, thinking "Punk killed Prog" is waaaayyyy too much honour to Punk!


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Direct Link To This Post Posted: February 04 2006 at 02:35

What ? Billy Joel huh ?>>>

Billy Joel was in a band called The Hassels in 1967.  They recorded two albums of punk rock in a Voidoids style. One song Tough Guy, starts out "He's a tough guy. He's a punk."

Then in 1970 Joel had a band called Attila that was a trio with Hammond, bass and drums.  Very Nice.  They did a song called Brain Intrusion, I think that was the name; it starts off quoting Bernstein and is very influenced by Emerson's version of Blue Rondo a la Turk.

Then in 71, he formed Cold Spring Harbor. They put out one album.  It wasn't until he signed with Columbia that he became famous. 

The connection of Punk rock to late 1960s Long Island is interesting and I should probably firther research it before eveyone is too old to remember. I know nobody cares; but being from Long Island, it is interesting to know that we created something that shook the world.

 

 

 

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Direct Link To This Post Posted: February 04 2006 at 00:10

Whereas Radiohead had their punk/alternative early era then came OK Computer and the Floyd influenced sound.Not much punk on Ok Computer.>>

 

Paranoid Android that part before the 7/8.

2+2=5 has that ambient guitar opening then goes into the Johnny Lydon bit.



Edited by ken4musiq
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Direct Link To This Post Posted: February 03 2006 at 23:31

With all due respect,Radiohead's punk leanings and ''prog'' ingredients were'nt really spliced together.On Grim Skunk you can hear punk,metal,classical and prog within the same song!!!

Whereas Radiohead had their punk/alternative early era then came OK Computer and the Floyd influenced sound.Not much punk on Ok Computer.

Anyway,I like both bands.

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Direct Link To This Post Posted: February 03 2006 at 23:20

For those who think that prog and punk can't mesh,think twice. Canadian band(from Quebec) Grim Skunk masterfully blended both genres on their eponymus album released in 1994.>>

 

The other more obvious example is Radiohead.

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Direct Link To This Post Posted: February 03 2006 at 17:56

Well thanks a lot!!!

I'm honnoured!Enjoy Grim Skunk!

Merci.

What's gonna come out of my mouth is gonna come out of my soul."Skip Prokop"
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Direct Link To This Post Posted: February 03 2006 at 17:42
Le rocher: You are as of now my favorite person on this forum, that is to say I think Grim Skunk might grow on me.
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Direct Link To This Post Posted: February 03 2006 at 11:26

For those who think that prog and punk can't mesh,think twice.Canadian band(from Quebec) Grim Skunk masterfully blended both genres on their eponymus album released in 1994.

They combine the raw agressivenes of punk along with the power of metal and grace of prog.They even integrate some classical bits here and there.Hammond organ is used extensively reminding one of Atomic Rooster.Very original and unique.As a matter of fact I think they should be in PA.

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Direct Link To This Post Posted: February 03 2006 at 00:33

By the way, there is a different song which sounds like disco to me: "Roundabout" by Yes. >>

Yes. I can imagine John Travolta dancing to Roundabout. Actually there is a little known fact that the Bee Gees approached Yes to use this in the score.  There was much dissention in the band as Jon and Chris were split.  Steve Howe was torn.  Years later the band would comment that they were sorry that they had not let the Bee Gees use it because Pink Floyd became known as the first prog band to use disco.  Yes could have had that distinction. 

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Direct Link To This Post Posted: February 02 2006 at 15:20

I would like to return to the strange accusation that some parts of "The Wall" are disco music. Well, I'm sorry, it's not disco in any way. Even if some people think that there is a "disco" feel to it, I think no one can imagine John Travolta dancing to the sounds of "Another Brick In The Wall part 2". Some people here don't like "The Wall" because it was so popular and they don't pay any attention to the music and the lyrics of this album.

By the way, there is a different song which sounds like disco to me: "Roundabout" by Yes. I obviously can't say that this song was influenced by disco, because it came out in 1972 when disco was in it's early anonymous stages, but still some parts of the song are close to disco. Don't get me wrong - I like this song.

I don't know enough about the history of music to make a good contribution to the "punk killed/not killed the prog" discussion, but I'll read Edward Macan's book "Rocking the classics" in the near future, so I'd be smarter after that. It's one of the best books about prog, from what I've heard.

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Direct Link To This Post Posted: February 02 2006 at 12:55

Punk didn't "kill" prog. (actually nothing "killed" prog.)  Prog. sort of faded away under the promotion of other styles of music.  I remember the time very well, in the late 70's and early 80's.  Punk was there and getting more attention, but it was never a huge force in music (as the myth goes).  Disco and dance music however, did get a lot of attention and promotion.  Flashy bands like Kiss were also extremely popular.  And "new wave" bands like Talking Heads and Blondie were also getting a lot of attention.

So in short, there was a big shift in music towards flashy, trendy NEW bands, with simplistic and/or bouncy song ideas.  It was 180 degrees from the non-trendy, complex thinking music of prog. bands (which radio and the music press were getting bored by).  The kings that controlled the music industry wanted to promote music that people could FEEL, not music to be listened to and valued for it's quality and talent.

In some ways, we're still stuck in that mode, with the high promotion of hip-hop and rap "artists" and people like Britney Spears.  But things are improving now that progressive and eclectic musicians can get their music out on small labels and through the Internet.  But the music atmosphere will probably never be like it was in the early 70's.

 

 

 



Edited by Flip_Stone
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Direct Link To This Post Posted: February 02 2006 at 12:23

Some good comments here.  I'll add mine.

  By 1972 Major labels were buying smaller record companies and making 3-4 major conglomerates. They were becoming less and less willing to allow an artist to evolve over three to four albums before the public finally got it. If bands didn't do it by their second album they were gone many cases it was the first album.   At the same time Radio formats were becoming more rigid.  In order to market their wares the record companies needed to conform to radio formats because this was the only way to get their bands heard.  On top of that bands had been recreating their "sound" now for 5-7 years. It is hard to stay fresh within your self imposed limitations.  Added to that fans were clamoring for more of the same.  We as an audience refused to progress as well. So record companies pressured their big progressive  artists to conform to one format or another and facing elimination they did. Some like Genesis thrived others like ELP faded away. There were hundreds of progressive bands in the Untied States in the mid 70's who died on the vine because there was no market for them.  No record deals, no radio play=no progressive music. 

It wasn't until the advent of the 90's the internet, indie labels and artist released CD's have we seen a revival in the music that once ruled the world. The format allows for bands to evolve to a particular style that was not present in the previous 15 years. The freedom to create is here again. Although we will probably never see these artists in large arena with elaborate stage shows again at least the music has survived.

So my sumation is Punk and Disco did not kill Progressive music.  The industry itself did.



Edited by Garion81


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Direct Link To This Post Posted: February 02 2006 at 12:21

Punk never killed prog, even thought the myth says so. Punk came along becuase of political and economic matters in Britian. We hit a slump, we went into Eurpoe, Kids weren't to sure of their future, with their dads being laid off etc. So they looked to music and found nothing all they found were heroic rock bands and bands that had got out of touch with their roots and their fans, all had gone up their own arses and were now in either cloud cuooko land or in valhalla feasting on mead and meat (probably due to the vast amount of drugs they were taking) and so began to make some bad albums. So punk was created out of frustation of the world around them and because of bands that did not speak to the kids anymore, no connection.

I think also it was just a sign of the times, prog ahd been around for about 8 years (even longer prehaps if you think that most of the prog bands first started life as pychedellic bands in teh pychedellic movement) and so people began to get bored of it and so alligences switched new forms of music were championed by the mainstream masses and those who wanted to look cool and hip. (just like now with certain musical tastes eg boy and girl bands are out of favour or punk itself from 1981)

Yet though as the saying goes everything comes full circle and prog and rock and metal are now back in some sort of vouge so we are now seing the rise or the nu-prog along with new rock and metal bands. The next to genres of rock I predict will become vouge in a few years time are Prog (with Co & Ca, Muse, Dream Theater leading the way) and Power metal (with Dragonforce leading the way with more trad. bands like Hammerfall, Stratovarious, Blind Guardian following behind) 

 

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Direct Link To This Post Posted: February 02 2006 at 10:56
Originally posted by ken4musiq ken4musiq wrote:

BTW: music history - some one above said that punk was 'a British thing.' Untrue: punk started in NYC w/ Patti Smith & The Ramones.>>

 

Punk was actually a Long Island thing.  Even Billy Joel was doing it back in the late 1960s. It seems to be historically linked  in the literature with Lenny Kaye and Patti Smith doing poetry readings with guitar and then it moved to CBGB's; but it was going on already with bands on the Nassau/Suffolk border, really the outer limit of NYC.

What ? Billy Joel huh ?

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Direct Link To This Post Posted: February 02 2006 at 07:47

BTW: music history - some one above said that punk was 'a British thing.' Untrue: punk started in NYC w/ Patti Smith & The Ramones.>>

 

Punk was actually a Long Island thing.  Even Billy Joel was doing it back in the late 1960s. It seems to be historically linked  in the literature with Lenny Kaye and Patti Smith doing poetry readings with guitar and then it moved to CBGB's; but it was going on already with bands on the Nassau/Suffolk border, really the outer limit of NYC.

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Direct Link To This Post Posted: February 02 2006 at 03:19

I think prog owes a debt to punk really [now don't start fuming...;)]. I don't think it caused a death, things simply evolved. In my record store days we didn't use the genre term 'prog' as we do now, we called it Art Rock [section in the bins]. The term 'progressive' came later for us [mid-late 70s/early 80s] and referred to newer, more modern work [often punk/new wave or funk influenced], experimental - like Eno and Fripp [two of my particular "gods",] solo Gabriel, Manzanara/801, RIO, ReR stuff - like Henry Cow, Art Bears, Frith, Zorn, solo Bruford, National Health, Tuxedomoon, The Residents, Snakefinger & other Ralph Records stuff, Chris Cutler, Mick Karn/Sylvian/Japan, Talking Heads spin offs, etc, etc. It really crossed genres, was less rote/cliché & more inventively rich in terms of the new.

 Hey, but can't you hear early strains of punk in a lot of great early 70s prog - like Planet Gong for instance?

BTW: music history - some one above said that punk was 'a British thing.' Untrue: punk started in NYC w/ Patti Smith & The Ramones.

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Direct Link To This Post Posted: January 30 2006 at 18:26

prog had enoguh time. it was dying when punk came, so its easy to say punk killed prog. Well, i wasint alive then, so what im saying prob has no backup whatsoever...

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Direct Link To This Post Posted: January 30 2006 at 16:49

A "little bit killed?" Huh? Confused

 

No, time "killed" prog. Times and tastes change and evolve/devolve. Witness disco

(or not!Dead)

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Direct Link To This Post Posted: January 30 2006 at 14:50
Originally posted by Hemispheres Hemispheres wrote:

Originally posted by chromaticism chromaticism wrote:

I guess it used to be true as punk was the antithesis of prog in its simplicity and rawness, but now I think some punk bands are trying to make innovations to their music themselves so in a sense they are "progressing" as well.  I even think there are even punk-influenced prog bands like Birdsongs of the Mesozoic and that Finnish band Alamaailman Vasarat.

Alot of the post punk bands were more experimental and innovative and shall i say progresive in the fact they were moving forward then most prog bands were at the time and they were influenced by prog bands such as Can,Captain Beefheart,Roxy Music and others although punks dont like to call them prog one punk i spoke to refered to them as being experimental anarchists.

 

I agree with what you're driving at.  These artists may prefer different terms besides "progressive rock" yet in the essense of innovation they are doing similar things.  As a side note, I think Robert Fripp himself disliked the term progressive rock (and even once thought of punk as a breath of fresh air) as well as other bands like The Mars Volta and Porcupine Tree.

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