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Star_Song_Age_Less View Drop Down
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Direct Link To This Post Posted: February 12 2015 at 20:54
^I wish I knew how to be helpful to you, Dayvenkirq, we just think so differently and approach music from such opposite directions.  Smile  Half the time when I'm playing I have no idea (at the time) what chords/notes/scales I'm using - I write down the notes and then go back later to figure out the chords/key(s) when another musician needs them to follow along with.  It's all about the feel of the instrument and when/how things seem to lock into place.  Really interesting to see someone writing about the opposite way of coming at it - thinking about chords and scales first.

Off to listen to some more of floflo's stuff.
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Direct Link To This Post Posted: February 12 2015 at 16:55
Me, I'm still learning songwriting. And all the stuff I try to come up with naturally, ... it just sounds unlistenable. Again: got nothing to say, don't say anything. This is why I'm screwing around with music theory, the magic box of tools, studying other people's songs.

--------------------------------------------------------

'~' is for modulation where I think modulation is happening.

=============================================================

"The Chance of Love" by the Bee Gees:

D A Am(D7) G Gm D Em  Gm D
IV I   ~ V I ~ iv I ii     iv I

 - ch.:

D7(Am)/C D G G E E A A
(IV) V I I ~ V V I I ~

D D G G E E A A/G E E
V V I I ~ V V I VII V V   ~ back to D

=============================================================

"I'm A Dreamer" by Sandy Denny:

 - ch.:

G#m G#m F# F# G#m C# D#m C#
ii ii I I ii V vi V
 (dec.)

B B F# F# G#m F# C# C#
V V I I ii I V V
(1/2 cad.)

=============================================================

"Birds" by Neil Young:

 - ch.:

C G C G C Bm Am  D C
IV I IV I IV iii ii     V IV
 (plag.)

G G7 Cmaj7 Cmaj7 G
I I IV IV I

=============================================================

All I'm saying is that some writers heavily employ ideas for cadences (mostly authentic and plagal) as ideas for any moment in a progression. I say "How simple, but how cool is that, and it works!" A lot of tossing around the I, the IV, and V in a chorus, with modulation as an option. On an additional note, I guess the melody has to come from whatever words you sing to the chords. Sometimes inspiration can be a b%ch.

--------------------------------------------------------

By the way, I don't wanna hear anything from Pedro about what I'm doing here. The magic of conventions is yet to be exhausted in the mind of the listener/author.


Edited by Dayvenkirq - February 12 2015 at 17:52
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Direct Link To This Post Posted: February 11 2015 at 23:20
Okay floflo79, I got to #29 on the soundcloud.  I can give you a little general feedback at this point.

Firstly, the highlight for me was definitely "The Old Heroes (Real)."  I enjoyed that one a lot.  It's driving, and just keeps moving from one thing to the next.  Some of the electronic stuff is a bit too slow and plodding for me, I'm waiting for it to do something - not so when you're playing for real.

Of the electronic ones I liked "Beezelbub's Gossip" best.  There's a guitar riff that just lurches out of the rest of it at you, and I liked the spontaneity of it.

There are many, many different compositional ideas here, one theme of which is the use of traditional melodies (like 'My Country Tis of Thee') in various places.  I would like to know if there is a story behind that or if it's something you were playing with just to try it.  Musically it doesn't seem to be performing any particular task but sometimes these things exist for artistic/storytelling reasons.  I need some context! Smile

The parts of the compositions that are faster were more interesting to me.  Some parts just hang on a single chord for too long (throughout multiple tracks) without much of anything else happening.  Sometimes that is intentional, to convey a certain emotion (such as apathy), but again I have no context, so I'm not sure.

I'm simply astounded by the amount of work you've put into this.  I need a break!  And I'm just listening!  I will listen more tomorrow.
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Direct Link To This Post Posted: February 11 2015 at 22:14
Still listening to Floflo's stuff but uploaded a new mix of my song "Meat Drum" to soundcloud:

https://soundcloud.com/jamie-kern-5/meat-drum-21015-mix

This song is actually only 1/2 of one composition, there's another one called "Summer" that's the first half.  But I'm still embarrassed by some things in "Summer," and if I'm embarrassed I already know they need to be changed - whereas I really like this mix of "Meat Drum" and that means if something's wrong with it I've lost perspective.

Note - it's not supposed to sound "pretty."  That's not the goal.  The lead vocals are the way they are for a reason.   The high backing vocals represent a past perception of something while the lead low vocals represent my current perception of the same thing.
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Direct Link To This Post Posted: February 11 2015 at 21:56
Originally posted by floflo79 floflo79 wrote:



My album called Vango II. In three parts. For the song Garden Ruins in the second part, check the good version here :

Searching for feedback :)



Floflo - You have a lot of material here - all electronically generated, it sounds like.  I found your soundcloud, that was a little bit easier for me to digest.  Do you have all the same things there as you do on the YouTube links?  I know some of it was the same.

It's going to take me a little time to get anything really useful to you back on the composition because there is so much, but I can tell you two things right off the bat:
1. I'm interested in it
2. I'd really like to hear it performed rather than Midi-ed.

Sometimes some sounds were too sudden and loud - made me jump out of my skin!  Not sure if that was the intention or not.  Electronic sounds can be tricky like that, if the sound isn't subtle it can sound a bit 8-bit Nintendo and not mix in well.

Could you tell us a little about what inspired you to do all this? Where would you like to take it?  Is there a story behind it?  Are you in it for the pure sound?  Do you want to take this material and try to use it to interact with other performers?  There is a lot of potential here and I'd be interested to know what direction you want it to move in - that will help others on here give you useful criticism with perspective.  Smile
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Direct Link To This Post Posted: February 11 2015 at 19:16
Originally posted by Polymorphia Polymorphia wrote:

Originally posted by Star_Song_Age_Less Star_Song_Age_Less wrote:

There's a bunch of new stuff on here that I haven't listened to yet - will post feedback tonight, hopefully.

I myself just started a soundcloud account, and tested it with an old mix of one of my songs.  I love this mix... we changed the drums, though, and now need to re-adjust.  Still, here it is.  "The River Girl" on soundcloud.

https://soundcloud.com/jamie-kern-5/the-river-girl
I was working on a song today, with a "mischievous fairy tale" kind of aura, and I think it might have subconsciously been inspired by this song, which I listened to a couple nights ago.


That is quite possibly the highest compliment I've ever received! Smile   When you get round to it I'd love to know what you came up with.
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Direct Link To This Post Posted: February 10 2015 at 18:18
Originally posted by Star_Song_Age_Less Star_Song_Age_Less wrote:

There's a bunch of new stuff on here that I haven't listened to yet - will post feedback tonight, hopefully.

I myself just started a soundcloud account, and tested it with an old mix of one of my songs.  I love this mix... we changed the drums, though, and now need to re-adjust.  Still, here it is.  "The River Girl" on soundcloud.

https://soundcloud.com/jamie-kern-5/the-river-girl
I was working on a song today, with a "mischievous fairy tale" kind of aura, and I think it might have subconsciously been inspired by this song, which I listened to a couple nights ago.
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Direct Link To This Post Posted: February 10 2015 at 01:08
Originally posted by VOTOMS VOTOMS wrote:

Hey folks, after years my album is almost finished. Check it out the current status of some of the tracks.

Thanks for all the musicians who worked with me, progarchives members great feedbacks at facebook and the unfergettable partnership from Voivod at the concert!!

AVant Garde/Post-Dodecaphonic/Technical/Jazz/Death/Electro/RIO

The main suites, Cult of Dementia and Shin Cybernatural, was recorded by myself all alone (Sax&otherbrass, Guitar&otherstrings, all keys, noises, vocals, real drum, electronic drum, computer, tapes programming, random instruments, etc...)


hope some feedback :D


Is your music available elsewhere?  I'm not comfortable actually downloading RAR files to my computer.  Perhaps you could post some to Youtube with a private link?  If not, that's okay... but I'm not going to download things I have to install.
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Direct Link To This Post Posted: February 09 2015 at 23:55
I actually listened to Zeitgeist and forgot to answer back. Having heard all the tracks before, it was nice to see them in a finalized form. 

I definitely liked how you guys play as a rhythm section and you can definitely hear elements of other modern music simply in the way you guys play. The hi-hat embellishments in "Haiku," the rhythmic bass in "Mosaic," the piano solos in all the tracks— some really nice stuff going on.

My main criticism is that, while I liked the songs individually, they all felt like much of the same as an album. A lot of the same textural ideas and tension devices were used in almost the exact same way for all the songs, which unified them a little too much.

There's another issue. The songs seem like they're supposed to build up in intensity, but, texturally, the instruments disperse tension. For instance, the heavy ride cymbal sounds great and very pretty at the beginning of Mosaic, but it fails to build the tension it seems you want to build in later sections. The heavy ride is used to make the music sound "cool" while your solos feel like they want to build up heat. The tones of the electric bass and the piano, too, are beautiful, but make for a lack of energy in some sections.




Edited by Polymorphia - February 09 2015 at 23:56
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Direct Link To This Post Posted: February 09 2015 at 23:20
Originally posted by The Pessimist The Pessimist wrote:

Hey folks! Haven't been on in a while as I've been super busy playing with The Cinematic Orchestra and my own project Zeitgeist... Speaking of Zeitgeist, our album has officially been launched! Check it out if you fancy odd-timed contemporary jazz/prog with a heavy influence on improvisation. Or just music in general. I think you'll like it.


Just listened to it - nice - relaxing - super jazzy.  I stink at jazz myself so any criticism I could provide would be amateurish and silly.  However, I did enjoy it.

A long time ago, did you post some music on myspace? I could swear I've seen the name "Zeitgeist" before, and heard some music...
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Direct Link To This Post Posted: February 09 2015 at 21:21
There's a bunch of new stuff on here that I haven't listened to yet - will post feedback tonight, hopefully.

I myself just started a soundcloud account, and tested it with an old mix of one of my songs.  I love this mix... we changed the drums, though, and now need to re-adjust.  Still, here it is.  "The River Girl" on soundcloud.

https://soundcloud.com/jamie-kern-5/the-river-girl
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Direct Link To This Post Posted: February 07 2015 at 21:12
I just started on it.  Smile     Yeah, Bush was pretty interesting, the 2nd album was packed tightly full of all these little hooks if I remember right.  Then they lost my interest when album 3 got far too tame and unvarying.  Haven't listened to them in a long time, but the impression was powerful. (Reminded me of Bush stuff I liked).

My own album is almost done.  Of course would appreciate some reviews on here.  I'd really consider it prog-related though.  Some songs are definitely progressive but not all.  I still need to wrap my head around the logistics of getting it available for people to hear, though.
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Direct Link To This Post Posted: February 07 2015 at 16:23
Originally posted by Star_Song_Age_Less Star_Song_Age_Less wrote:

EchoTail - I put your album Hold The Throne "away" for a while (I try to do this on purpose - to refresh my perspective) - listened to it again and was very suddenly hit by an impression.  Do you remember the grungy '90s band called Bush?  There's a likeness between you in parts that seemed to slap me in the face.  I enjoy the music more after putting it away and hearing it again, which is a really good sign.  I'll have a review up for you soon.

Awesome, I have actually never heard of any songs from Bush so I should check them out if there are similarities! Looking forward to seeing your review!
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Direct Link To This Post Posted: February 07 2015 at 13:23
EchoTail - I put your album Hold The Throne "away" for a while (I try to do this on purpose - to refresh my perspective) - listened to it again and was very suddenly hit by an impression.  Do you remember the grungy '90s band called Bush?  There's a likeness between you in parts that seemed to slap me in the face.  I enjoy the music more after putting it away and hearing it again, which is a really good sign.  I'll have a review up for you soon.
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Direct Link To This Post Posted: January 24 2015 at 03:32


My album called Vango II. In three parts. For the song Garden Ruins in the second part, check the good version here :

Searching for feedback :)



Edited by floflo79 - January 24 2015 at 03:34
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Direct Link To This Post Posted: January 24 2015 at 01:57
Andrew's Songwriting Protips #375:
If you can't find a rhyme, take inspiration from the Beach Boys: just add "now" to the end of every line!
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Direct Link To This Post Posted: January 19 2015 at 09:36
^Will listen both you guys!

Originally posted by Dayvenkirq Dayvenkirq wrote:

In any case, ...

Originally posted by Polymorphia Polymorphia wrote:

On the topic of innovation:
1. It is happening, but not so much in rock music. Moreso in electronic music.

...

6. There IS a different kind of innovation that is happening, a revisionism in the revivals, which is why I don't dismiss them altogether. There will be a couple bands that add a unique songwriting sense to the music, or some more modern elements, or something that hasn't previously been applied to that genre. At the same time, there's only a handful of bands that are really doing anything radical and whether or not they are doing anything truly radical is still arguable, esp. because, again, rock music is no longer at the frontier of technology.
Armed with this explanation, can you give one example of a recent true innovation in electronic music?
 
 
Point 6 is supposed to refer to rock music only btw. 

The innovation happening in electronic music has to do with the medium itself. People are mixing in organic elements in different ways or experimenting with creating very very sparse or very very dense recordings. Because it is a recorded medium there is less discrepancy between composition and recording, compositional ideas can be more easily executed. This is why I like to include recording in the creative process earlier on.


Edited by Polymorphia - January 19 2015 at 09:37
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Direct Link To This Post Posted: January 19 2015 at 08:11
Hey folks, after years my album is almost finished. Check it out the current status of some of the tracks.

Thanks for all the musicians who worked with me, progarchives members great feedbacks at facebook and the unfergettable partnership from Voivod at the concert!!

AVant Garde/Post-Dodecaphonic/Technical/Jazz/Death/Electro/RIO

The main suites, Cult of Dementia and Shin Cybernatural, was recorded by myself all alone (Sax&otherbrass, Guitar&otherstrings, all keys, noises, vocals, real drum, electronic drum, computer, tapes programming, random instruments, etc...)



hope some feedback :D




Edited by VOTOMS - January 19 2015 at 08:12
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Direct Link To This Post Posted: January 18 2015 at 11:54
Hey folks! Haven't been on in a while as I've been super busy playing with The Cinematic Orchestra and my own project Zeitgeist... Speaking of Zeitgeist, our album has officially been launched! Check it out if you fancy odd-timed contemporary jazz/prog with a heavy influence on improvisation. Or just music in general. I think you'll like it.
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Direct Link To This Post Posted: January 16 2015 at 23:37
In any case, ...

Originally posted by Polymorphia Polymorphia wrote:

On the topic of innovation:
1. It is happening, but not so much in rock music. Moreso in electronic music.

...

6. There IS a different kind of innovation that is happening, a revisionism in the revivals, which is why I don't dismiss them altogether. There will be a couple bands that add a unique songwriting sense to the music, or some more modern elements, or something that hasn't previously been applied to that genre. At the same time, there's only a handful of bands that are really doing anything radical and whether or not they are doing anything truly radical is still arguable, esp. because, again, rock music is no longer at the frontier of technology.
Armed with this explanation, can you give one example of a recent true innovation in electronic music?
 
 


Edited by Dayvenkirq - January 16 2015 at 23:37
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