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Johnny_Tsunami View Drop Down
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Direct Link To This Post Posted: August 04 2009 at 15:58
I recently came up with this pretty cool sounding metal riff in 11/8 in the key of D (yeah drop D tuning Embarrassed).  There's also a lot of tri-tone usage in that main riff.  I've been working on it a lot and it's pretty much a completed song now, but if I typed it in here, it wouldn't make much sense as I am theory illiterate.  I just know what time I'm playing and what basic key I'm in.  Despite the song being in 11/8, then shifting to 7/8, then to 6/8 and then to 5/4 it's not very difficult to follow because my drummer was able to get a beat going pretty easily!
I likes musics
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Direct Link To This Post Posted: August 04 2009 at 14:17
So it ended up being 3:54. Entirely instrumental.
Could fit on a heavy rock album from 1971 i think Pig
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Direct Link To This Post Posted: August 04 2009 at 13:37
Originally posted by Abstrakt Abstrakt wrote:

If anyone has Guitar Pro 5, i could send it to you on MSN Tongue


Send ur .GP5 file to me in a PM. I'm very interested. Smile

 . . . unless you were joking, then the joke's on me, I suppose. LOL
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Direct Link To This Post Posted: August 04 2009 at 13:26
Kept working on it today:

Originally posted by Abstrakt Abstrakt wrote:



7/8 :| C#m7 (1)  C#sus4 | C#m7 (2)  C#sus4 |: x2
6/8 :| C#m7 (1)  C#sus4 | C#m7 (2)  C#sus 4| C#m7 (1)  C#sus4 | F#  E |:

(C#m7 (1)  played as an E (B, E, G#) with C# and G# in the left hand
C#m7 (2)  played as an E (E, G#, B) with C# and G# in the left hand
C#sus4 played as an F# (C#, F#, Bb) with C# and G# in the left hand)

then:

4/4 :| C#madd11 | Bsus4 | F#7 | A6 |: x3

4/4  | C#madd11 | Bsus4 | F#7/Bb| Gmaj7 | Gmaj7 |

C#madd11 played C#, E, F# with C# and G# in the left hand
Just a regular Bsus4 with B and F# in the left hand
F#7 played Bb, C#, E, F# with F# and C# in the left hand
Just a regular A6 and Gmaj7

Then the same pattern as the intro, but with a F#m chord instead.
7/8 :| F#m  F#m | F#m  F#m |:
7/8: :| F#m | F#m7 | F#m6 | D/F# |:

Then slowed down a bit to a bluesy mood with a descending bassline:
6/8: :| F#m | F#m7 | F#m6 | D/F# |:

F#m played A, C#, F# with F# and C# in the left hand (Bass playing F#)
F#m7 played A, C#, E with F# and C# in the left hand (Bass playing E)
F#m6 played A, C#, Eb with F# and C# in the left hand (Bass playing Eb)
D/F# played F#, A, D with F# and C# in the left hand (Bass playing D)


Then the first couple of bars repeated:
7/8 :| C#m7 (1)  C#sus4 | C#m7 (2)  C#sus4 |: x2
6/8 :| C#m7 (1)  C#sus4 | C#m7 (2)  C#sus 4| C#m7 (1)  C#sus4 | F#  E |:

(C#m7 (1)  played as an E (B, E, G#) with C# and G# in the left hand
C#m7 (2)  played as an E (E, G#, B) with C# and G# in the left hand
C#sus4 played as an F# (C#, F#, Bb) with C# and G# in the left hand)

then:

4/4 :| C#madd11 | Bsus4 | F#7 | A6 |: x3

4/4  | C#madd11 | Bsus4 | F#7/Bb| Gmaj7 | Gmaj7 |

C#madd11 played C#, E, F# with C# and G# in the left hand
Just a regular Bsus4 with B and F# in the left hand
F#7 played Bb, C#, E, F# with F# and C# in the left hand
Just a regular A6 and Gmaj7

Then a slow and intense part with constant cymbals:
6/8 :| C#m | A | Bbdim | A |:


I should get a life Cry





Edited by Abstrakt - August 04 2009 at 13:59
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Abstrakt View Drop Down
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Direct Link To This Post Posted: August 04 2009 at 11:09
If anyone has Guitar Pro 5, i could send it to you on MSN Tongue
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Direct Link To This Post Posted: August 04 2009 at 11:00
So many 7s and majs and adds and #s, who could have doubted you?
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Direct Link To This Post Posted: August 04 2009 at 07:21
Hey, i was being serious here! LOLStern Smile
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Direct Link To This Post Posted: August 04 2009 at 05:59

Howlin' Wolf already dun dat.

Trendsetter win!

The search for nonexistent perfection.
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Direct Link To This Post Posted: August 04 2009 at 05:59
Originally posted by Vompatti Vompatti wrote:

I've been thinking about doing a 30-minute piece with one Em chord.


- Sounds like a masterpiece in the making Vompatti
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Direct Link To This Post Posted: August 04 2009 at 05:30
I've been thinking about doing a 30-minute piece with one Em chord.
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Direct Link To This Post Posted: August 04 2009 at 05:26
I really like the main theme.
Trendsetter win!

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Direct Link To This Post Posted: August 04 2009 at 05:23
Yeah, I got this theme album building up where all songs are bassed on the same theme that is a shuffle beat and a C / Am / F / G7 pattern on 4/4. There'll be 8 songs, all 3,5 minutes and all about love.
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Direct Link To This Post Posted: August 03 2009 at 16:05
Oh, and it's played on the organ with a bit of distortion.
Then there's pretty intense drumming during the 7/8 and 6/8. It cools down a bit when it settles in 4/4 time.
And then there's a simple bassline aswell.

Sounds like it sould fit in Heavy Prog, Proto-prog or Psychedelic/Spacerock Cool
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Direct Link To This Post Posted: August 03 2009 at 16:00
Here you can share ideas of your own songs and maybe how they are played.
Here's a thing i came up with:

Originally posted by Abstrakt Abstrakt wrote:


I was just noddling around on the piano when i came up with this cool chord sequence:

7/8 :| C#m7 (1)  C#sus4 | C#m7 (2)  C#sus4 |: x2
6/8 :| C#m7 (1)  C#sus4 | C#m7 (2)  C#sus 4| C#m7 (1)  C#sus4 | F#  E |:

(C#m7 (1)  played as an E (B, E, G#) with C# and G# in the left hand
C#m7 (2)  played as an E (E, G#, B) with C# and G# in the left hand
C#sus4 played as an F# (C#, F#, Bb) with C# and G# in the left hand)

then:

4/4 :| C#madd11 | Bsus4 | F#7 | A6 |: x3

4/4  | C#madd11 | Bsus4 | F#7/Bb| Gmaj7 | Gmaj7 |

C#madd11 played C#, E, F# with C# and G# in the left hand
Just a regular Bsus4 with B and F# in the left hand
F#7 played Bb, C#, E, F# with F# and C# in the left hand
Just a regular A6 and Gmaj7

Then something starting on F#m

I should get a life Cry



Your turn Tongue


Edited by Abstrakt - August 03 2009 at 16:01
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