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Mr ProgFreak
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Posted: July 06 2009 at 14:43 |
Certif1ed wrote:
I'm convinced you're confusing complicated with complexity - they are two different things.
Complicated is like taking a very simple chord progression, then layering it with related technical stuff that sounds impressive. It's a flashy way of writing, but not complex.
Complex is using long and developing chord progressions, or morphing riffs into other riffs to produce a dramatic chain of events that has a logical or, even better, twisted yet natural flow - or layering parts that are distinctly different to each other for a web of sound.
In terms of Classical composers, it's a bit like comparing Paganini to Liszt
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That has always been my problem with your point of view ... you're raising the bar for the level of complexity required for something to be called prog so high that only a handful of bands on this planet pass as prog. So who's prog in your book ... Genesis, King Crimson and Gentle Giant?
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Certif1ed
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Posted: July 06 2009 at 14:38 |
Transgressor wrote:
For KIMB I've said that the "prog" part is about the free composition concerning the form of the song that isn't the classical form strophe-refrain( and this si more predominated in peace sells..).I'm thinking about song like Skull beneath the skin fro example. But for you this is not a "prog thing". |
"Free Composition" would certainly come into the Prog remit as an element - I'd be interested in hearing it.
It's definitely not on the first track on KIMB - if anything, that song is less advanced than standard song format.
I will listen and analyse.
Transgressor wrote:
However, You should listen and focus on Peace Sells...but who's buying? |
I know that album very well - the band I used to be in covered most of the tracks on there - but we stuck with the title track live.
Certainly there's some diversity and experimentation in style, but not much branching out from standard song structure - nowhere near the level of complexity that Metallica attained.
I'm convinced you're confusing complicated with complexity - they are two different things.
Complicated is like taking a very simple chord progression, then layering it with related technical stuff that sounds impressive. It's a flashy way of writing, but not complex.
Complex is using long and developing chord progressions, or morphing riffs into other riffs to produce a dramatic chain of events that has a logical or, even better, twisted yet natural flow - or layering parts that are distinctly different to each other for a web of sound.
In terms of Classical composers, it's a bit like comparing Paganini to Liszt
Transgressor wrote:
and yes, you also have right for some things I'm thinking about songs like Fade to Black, for whom the bell toll, the call of ktulu in Ride the lightnig. Considering that this album is of \1984 I should reconsider also RTL for prog. And not only for technical part. |
Thank you - but if you listen hard, I hope you'll also agree that there is something about Metallica's music from that time that really stands out as innovative, above and beyond later bands.
Sure, Watchtower were technically very impressive - but it's not really very nice to listen to, is it?
What I mean is, after just a few listens, it gets old pretty quickly - while RTL, for example, just seems to be as good if not better than the last time you heard it? Or maybe I am a bit of a fanboy (I don't really mind admitting it, but for the purposes of this type of argument, I really do try hard to switch the fanboy off in favour of the hardened critic).
Transgressor wrote:
But I think also about Iron Maiden...and songs like To tame a land (from 1983 album) and obviously Rime of the ancient Mariner...so who was ahed at times?....So this is the reason why I have chose to start when technical things grow-up (in 1985). |
I never really got the feeling of Prog from "Piece of Mind" - I found that album a bit boring after Number of the Beast, and I think that their first two albums are more progressive, even if they are more primal.
It's not such a conundrum - Can wrote some extremely primal, if not primaeval music, and there's no disputing its progressiveness. [/quote]
Transgressor wrote:
The last thing: my list concerning prog and technical metal...and I'm focus on technical -thrash that's why I have listed KIMB (as an album that inspires techno-thrash...but it's Thrash Metal...)
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To my ears, there's little that's actually "Prog" about technical metal generally - it's technically oriented heavy metal, not progressive metal per se.
Prog has a kind of organic feel to it, whether rock or metal. It develops and grows - takes you on a journey, and I think it should have little do do with ordinary song structures with their regular refrains. The instrumental section of Ride The Lightning is a good example of this, even though the overall map of the piece is song form. The fact that Metallica bothered to structure this section separately is very telling about the craft they put into their compositions.
It's the same difference between "proper" prog bands like ELP and Genesis, and bands which were commonly called progressive rock like Led Zeppelin and Deep Purple - really, the music is very, very different, but it's that elusive word, progressive again!
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The important thing is not to stop questioning.
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micky
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Posted: July 06 2009 at 14:15 |
oh brother... it is threads and topics like this that give this forum the appeal of a pair of sweaty gym socks.
so you're pissed about Metaliica's addition.... why stop there... there are SCORES of bands here that are not traditionally known as prog. Get yourself in a tissy over all them as well. In a tissy because Metalica is here but not in Prog Metal... why stop there... there are lots of groups that did prog albums that are listed in prog related.
The thing is the group is HERE so people may review the albums. To show through reviews what musical meatheads might have missed by simply relying on tags and labels rather than their ears. So what if no one has stuck a prog 'label' on a band. This site is about progressive music... in all shapes and sizes.
Pfffff...
Edited by micky - July 06 2009 at 14:16
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Transgressor
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Posted: July 06 2009 at 10:06 |
However, You should listen and focus on Peace Sells...but who's buying?, So far So good so what and RIP for what I've said:
songs like: Wake up dead The conjuring good mourning/black friday bad omen Into the lungs of hell Set the world afire Mary Jane In my darkest hour and all rust in peace
and yes, you also have right for some things I'm thinking about songs like Fade to Black, for whom the bell toll, the call of ktulu in Ride the lightnig. Considering that this album is of \1984 I should reconsider also RTL for prog. And not only for technical part. But I think also about Iron Maiden...and songs like To tame a land (from 1983 album) and obviously Rime of the ancient Mariner...so who was ahed at times?....So this is the reason why I have chose to start when technical things grow-up (in 1985). We should remeber at least of RUSH and WatchTower. Energetica disassembly was written in 1983.
The last thing: my list concerning prog and technical metal...and I'm focus on technical -thrash that's why I have listed KIMB (as an album that inspires techno-thrash...but it's Thrash Metal...)
Edited by Transgressor - July 06 2009 at 10:44
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Transgressor
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Posted: July 06 2009 at 09:54 |
Certif1ed wrote:
Running away so soon?
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It takes me too much time to follow the discussion. And I've said all what I have to say. For KIMB I've said that the "prog" part is about the free composition concerning the form of the song that isn't the classical form strophe-refrain( and this si more predominated in peace sells..).I'm thinking about song like Skull beneath the skin fro example. But for you this is not a "prog thing". I've never said that KIMB is a prog album (and that Megadeth is prog metal. They are a Thrash Metal band like Metallica. In 1985 KIMB was a technical album (not like WachtTower debut...but Megadeth were more famous). Obviously the other Megadeth's album are more tehcnical than it. I don't know music theory, I'm an ex -drummer and all that I can say is that, to my experience and to my ears Megadeth are more technical than Metallica and difficult to play (I have played both bands). But this was also the opinion of many of the musician I palyed with. For the riffage...I'm not a guitar player. I can say that I think that there is not so diversity about the level of complexity especially between justice and RIP.
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Certif1ed
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Posted: July 06 2009 at 09:25 |
Transgressor wrote:
Ah so Metallica developed the riffs... But that's your point of view sir, and as opinion is really opinable- I mean the fact that only them did it (I feel the smell of fanboysm...just a little bit. Yes, i'm sarcastic again, because i't no a little bit ).
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Your nose tells lies, sir - this is not fanboyism, and neither is it my opinion.
Metallica developed the riffs = fact. Please read my reviews and listen to the music.
Transgressor wrote:
Go and really listen carefully to the first four Megadeth albums...and you will see...album per album...the "progression" of Dave Mustaine, also about the riffage. |
I intend to - and I do listen extremly carefully
Transgressor wrote:
So Metallica are prog because they expand the riffs?...they do more complex riffs? Ah ah but it's obvious because they became more complex and technical album per album...like many bands...and you can hear that also in Megadeth. KIMBIB to RIP....Rust in Peace the more technical and complex album of the band... |
Complex and complicated are not the same thing, and Metallica's riffs are complex.
Please try to understand what developing riffs means!
Transgressor wrote:
If you don't see the similarity in structure of Metallica's songs it's not my problem, really. |
Maybe because it's not there?
Transgressor wrote:
P.S. and it's obvious that KIMB wasn't completly different from Kill'em all because Dave wrote partly the first Metallica album...and KIMB songs are all composed in 1983 (also other songs from Peace sells and SFSGSW were firstly written in 1983). The differeces are in the composition and the technical abilities.
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Yes - I've fully analysed "Last Rites / Loved To Death" - and its simplicity is almost laughable.
It's based on 2 chords in the verse and 2 in the chorus - and the verse/chorus sections are all there is, apart from the intro!
This is kindergarten compared even to, say "Hit The Lights" - which isn't particularly complex in itself.
I could post the full analysis - but one listen to the song will prove this as fact.
Besides - my full analyses are not short, because they are very thorough.
Transgressor wrote:
That's also what I have intended. So has RIP a motif merely repeated?...I don't think... but I'm just a poor ex-drummer. I've never studied composition...but I have ears. And Metallica certainly isn't Mozart or Stavinsky... |
Heh - no Prog band is equivalent to the great composers, and certainly no Prog Metal band I've ever heard - that is a pointless comparison!
We weren't talking about RIP, we were talking about KIMB, which is packed with short riff motifs merely repeated.
I'll get onto RIP if this discussion gets around to that album.
Transgressor wrote:
However I quit discussion because I've said what I have to say ...and the time spends to responds and follow the thread is not so short...
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Running away so soon?
Edited by Certif1ed - July 06 2009 at 09:27
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The important thing is not to stop questioning.
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Mr ProgFreak
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Posted: July 06 2009 at 08:36 |
^ I think that Rust in Peace can be called at least Prog-Related. I also don't think that Metallica's songwriters ever were near the sophistication of the best Prog songwriters, let alone classical composers ... but composition-wise I'd say that MoP is at least one step ahead of RiP.
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Transgressor
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Posted: July 06 2009 at 08:33 |
Mr ProgFreakFor example, when Certif1ed talks about riff development he doesn't mean that their riffs got more and more complex with each album ... he's refering to the technical term development as it is used in music theory and - first and foremost - classical music. It means that within a composition a motif (or riff) is not merely repeated, but constantly developed (expanded/varied).
[/QUOTE wrote:
That's also what I have intended. So has RIP a motif merely repeated?...I don't think... but I'm just a poor ex-drummer. I've never studied composition...but I have ears. And Metallica certainly isn't Mozart or Stavinsky...
However I quit discussion because I've said what I have to say ...and the time spends to responds and follow the thread is not so short...
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That's also what I have intended. So has RIP a motif merely repeated?...I don't think... but I'm just a poor ex-drummer. I've never studied composition...but I have ears. And Metallica certainly isn't Mozart or Stavinsky... However I quit discussion because I've said what I have to say ...and the time spends to responds and follow the thread is not so short...
Edited by Transgressor - July 06 2009 at 08:38
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Snow Dog
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Posted: July 06 2009 at 08:27 |
In fact it has become progressive.
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Mr ProgFreak
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Posted: July 06 2009 at 08:24 |
Definitely a developing story. ;-)
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Snow Dog
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Posted: July 06 2009 at 08:23 |
This thread has developed into an interesting new phase.
Edited by Snow Dog - July 06 2009 at 08:26
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Mr ProgFreak
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Posted: July 06 2009 at 08:23 |
^ this discussion is a perfect example of the inherent ambiguity of the word "Prog". IMO one part is the progressive approach ... and Metallica are a perfect example. The other part is the style defined by the classic prog bands ... Iron Maiden are a perfect example of a band that - again, IMO - got included because of stylistic similarities. Unfortunately the progressive approach is difficult to understand for people who don't play an instrument and/or aren't familiar with music theory. For example, when Certif1ed talks about "riff development" he doesn't mean that their riffs got more and more complex with each album ... he's refering to the technical term "development" as it is used in music theory and - first and foremost - classical music. It means that within a composition a motif (or riff) is not merely repeated, but constantly "developed" (expanded/varied).
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Transgressor
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Posted: July 06 2009 at 08:10 |
Ah so Metallica developed the riffs... But that's your point of view sir, and as opinion is really opinable- I mean the fact that only them did it (I feel the smell of fanboysm...just a little bit. Yes, i'm sarcastic again, because i't no a little bit ). Go and really listen carefully to the first four Megadeth albums...and you will see...album per album...the "progression" of Dave Mustaine, also about the riffage. So Metallica are prog because they expand the riffs?...they do more complex riffs? Ah ah but it's obvious because they became more complex and technical album per album...like many bands...and you can hear that also in Megadeth. KIMBIB to RIP....Rust in Peace the more technical and complex album of the band... If you don't see the similarity in structure of Metallica's songs it's not my problem, really. Are you talking about developing riffage? Listen, as only examples, to Mental vortex and Grin by Coroner...or Deception ignored By Deathrow.... And about prog...we have certainly different positions...and I'm glad of it if you consider prog kill'em all. P.S. and it's obvious that KIMB wasn't completly different from Kill'em all because Dave wrote partly the first Metallica album...and KIMB songs are all composed in 1983 (also other songs from Peace sells and SFSGSW were firstly written in 1983). The differeces are in the composition and the technical abilities.
Edited by Transgressor - July 06 2009 at 08:24
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Certif1ed
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Posted: July 06 2009 at 07:27 |
Transgressor wrote:
Are you joking? Metallica has done three pure prog albums?!! Kil'em all is a prog release!!?! Rust in peace, isnt "prog", and doesn't have prog elements? |
No, I am not joking, just stating what can be heard in the music.
Transgressor wrote:
What does the term "progressive" means to you? |
Please look at my "What is Prog" blog on this site, and the Wikipedia definition which, if it has not been vandalised yet, is mostly my work (at least, the technical stuff, not the historical stuff post 1980).
Also, check out my other blog, where I try to find an answer to the question "What is Prog Metal" - and find that Prog and Prog Metal are two different things!
But Metallica are TRULY Prog metal - they are Prog in the classic definition rather than in the "tech" definition, and they are also not only metal, but they redefined what metal could be at least 3 times - so progressive in a literal sense in more ways than one.
They are in fact the link between Prog Rock and Prog Metal - the one band that can unquestionably justify Prog Metal's inclusion alongside Prog Rock in a collection or archive website.
The only way that Metallica are not prog metal is in the perception of a majority that would be overwhelming, if it actually had anything to say to support its argument.
Fortunately for common sense, it does not
Transgressor wrote:
Because now this is the point of the situation. Progressive isn't only a term of definition for a specified genre of the '70...the Classical prog rock...Now, in 2009 (for me especially), Progressive has expands its definition and areas... Progressive- progression...should be labeled all the band that expands and experiments on the classical form song. Progressive doesn't mean doing long song of 8 or 10 minutes...(like Metallica...repeating the same passages all over the song with the structure that remains a Classic structure..). |
But Metallica did not do this - they developed the riffs, and that's the point - that's one very good reason why they are more progressive than a lot of other bands.
Transgressor wrote:
Megadeth (the fist four albums) presents a complex structure form, with continuing time changes, and a form song LITTERALLY in "progression" without the strophe-refrain thing! So Dave Mustaine expanding the conception of sogn form (in his personal way) |
These are simply tangential changes as far as I remember, which is is not a particularly progressive way of writing.
Which songs sepcifically are you thinking of?
I cannot think of a single song on KIMB which is literally in progression off hand (mind you, I haven't listened to it for ages, and have never sat down to analyse it because the techniques don't jump out at me as they do from Metallica's music of the same time.
Transgressor wrote:
Metallica is not only less technical than Megadeth but presents simply a classical structure form song. |
The essential song form is there in most of their material, but it's hugely expanded, and the sections develop.
I haven't noticed that in Megadeth's music particularly.
Megadeth were not really "more technical" on KIMB, they just played more complicated (not complex) riffs - the underlying song structure was, if anything, more pronounced, IIRC - hence the music is less progressive than Metallica's on RTL (released the year before, I must point out).
I will dig it out and analyse it - but I'm sure it's not that clever.
Just hard to play - which seems to be many tech metal heads measure of "Prog"
Transgressor wrote:
Megadeth albums is more varied in style and form than Metallica's...Metallica has not only the classical form song but the structure and the conception of the songs remains the same in 3 albums.. examples: fight fire with fire- battery- blackened ride the lighting (song)- Master of puppests (song)- and justice for all (song) the call of ktulu- Orion- to live is to die fade to black- welcome home- one ...
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KIMB sounds very similar in style all the way through - the different styles are far more pronounced on, say, RTL (or even KEA). Like I say, I'll analyse this.
FFWF is similar in structure to Battery, and possibly to Blackened - although I haven't really analysed the latter, however, the structuring of Battery is a logical progression of the structuring of FFWF - the amount of riff development is more sophisticated - I've certainly never heard Megadeth do anything of that sophistication.
How is RTL equivalent to MOP? For a start, MOP has a quasi-classical section that does not exist in RTL, and a "bolt out of the blue" section, which develops the main riff by concentrating on the first section by elongating it, then the second section, extending it with additional scales - this is mastery of riff development.
RTL is great, because it re-uses (but develops) practically all of its presented material, especially in that insane instrumental section - the logic in the progression is as crushing as the guitar tones.
AJFA I couldn't comment on as I haven't analysed it - but on the surface, at least, it's very different to MoP. I'm pretty sure it's a simpler construction.
As for the others - could you expand on how you think they are analogous? They seem quite dissimilar to me - I would guess you're going by tempo/mood rather than anything technical in the structuring.
They show a real progression in songwriting and metal composition that goes way above anything released at the same time - as I said, Metallica were leaders. There is a little symmetry - but then you could see that in Genesis' albums 2-4 if you wanted, and it hardly detracts from the Progressiveness of the music.
Transgressor wrote:
Master of puppets is simply a union between the roughness and powerful of kill'em all with the more technical and melody of ride he lightning. It's not so different in conception compared to the previous album.. |
No, MoP is a very clear Progression from KEA via RTL.
RTL is more powerful than KEA, and MoP is more powerful than RTL - the brutality increases from metal militia on KEA, through metal machine on RTL to metal mafia on MoP, you might say. An ever-increasing intensity in precision that gives way to "technicality" on AJFA, which in turn gives way to a diamond sharp and quite shockingly heavy production on the Black Album, which almost single-handedly heralds modern metal.
Transgressor wrote:
and and justice for all is simply Master of puppets with more technical skills. |
Absolutely not - it's a different style altogether, and a different concept.
It's actually less technically skillful than MoP (the absence of Cliff and the submersion of Newstead in the mix makes this painfully apparent), but progressive nonetheless because it is an attempt to create something that sounds purely like a progressive metal album, with long sections that are technical for the sake of being technical, rather than because the techniques better express the music.
Transgressor wrote:
What a great experimentation...really...what a true prog band...
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Yes indeed. Glad you're beginning to see sense!
oh... I see.
Sarcasm, eh?
haha
Transgressor wrote:
And, I repeat, prog metal is NOT only Dream Theater and Theater's clones.
Ah, I've started my "list" in 1985 because albums like Kill'em all and Show no mercy (slayer) does nothing to do with prog and technical metal. |
But you're wrong.
Kill 'Em All is far more progressive than anything else released in the world of metal in 1983 - it even features developing/evolving riffage, even if at a more primitive level than on Ride The Lightning.
The latter was released in 1984, and is a truly Progressive Metal album in terms of content, sound and style. The only thing missing is a concept - but hey, Prog doesn't necessarily need a concept.
There is absolutely nothing like Ride The Lightning from 1984 or before - it stands head, shoulders and probably naughty bits above everything else, and I defy you to find a competitior on equal terms (actually, I'd be really interested - I know I haven't heard everything released that year, and I do ocaasionally find surprises!).
Transgressor wrote:
Technical metal cannot be taken away by progressive term. I have just explained that we must expands the meaning of "progression"....and prog archives has done this
Here is not only classical prog rock but also experimental rock/metal, technical metal, Rock in opposition, Art rock etc...
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Sorry, don't understand this.
Transgressor wrote:
P.S. However, I've not denied Metallica's influence in prog metal. Especially in certain prog. But i'ts obvious because of the importance and fame of this band.
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Never mind their importance and fame.
I remember hearing Ride The Lightning back in 1984, and I was desperate to find more music like it.
I had to wait 2 years before Metallica released Master of Puppets...
They did not have a huge following or fame at the time - I saw them at the Marquee club in London, which isn't particularly big, and guys in my group were slam-diving off the stage. I didn't, because I'm quite big, and people tend to get out of the way rather than catch me...
I knew then and can confirm now that I was listening to a rather special group.
Pity they went bad - but then they lost Cliff - and yes, he was that important to making Metallica a Progressive Metal band.
Edited by Certif1ed - July 06 2009 at 07:40
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The important thing is not to stop questioning.
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Transgressor
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Posted: July 06 2009 at 06:15 |
Certif1ed wrote:
Ahem...
JJLehto wrote:
3 prog-ish albums does not a prog-related band make.
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True, but 5 utterly progressive (including 3 pure Prog Metal albums a Prog Metal band easily makes.
Transgressor wrote:
So: Rust in Peace is a prog-thrash album more than every album Metallica did.
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No, it isn't.
It's a good album, but Megadeth never got into the purely progressive way of writing that Metallica did on albums 2-4.
I'll re-listen, but Megadeth are a technical metal band, not a progressive metal band.
Tech is not the same as prog.
Transgressor wrote:
The question is: why Metallica and not Megadeth or Coroner (or others more proggy and more important for techincal and prog metal music than Metallica)?
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Coroner were never as progressive as Metallica - and I cannot think of any band as progressive or more important for prog metal than Metallica.
Can you provide good examples of how Coroner are important to Progressive Metal?
Ivan_Melgar_M wrote:
Metallica was added because of preasure of a group of members against the opinion of the vast majority, this poll proves it, that ended convincing the owner who was against the inclusion.
Iván
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Ivan_Melgar_M wrote:
No - Metallica were added because they are fundamentally crucial to the development of progressive metal, as much as the Beatles were to Progressive Rock.
They changed the possibilities of the Metal genre that much.
Ivan_Melgar_M wrote:
Mr ProgFreak wrote:
^ So Metallica are prog after all? |
By the contrary, they are a non Prog band added with the excuse that Prog Related is not Prog, if they were Prog, the Prog Metal Team would had added Metallica.
Iván
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On the contrary, they were probably the first Prog Metal band. They are not simply Prog related, they are Prog. By every definition.
JJLehto wrote:
Especially when they started as thrash metal, and that was their intent.
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Really - I don't ever remember seeing them saying that - can you point me to an article where they said that?
They always wanted to push the envelope (which they did), hence Cliff Burton was the bassist of choice, not Ron McGoverney.
They wanted someone who could think coherently about pushing musical boundaries, which is why Dave Mustaine was fired from the band. (Nothing against Dave or his phenomenal abilities, just bluntly stating what actually happened).
JJLehto wrote:
So because Lars says it, that makes it true?
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Actually, no - if you listen to the music, it is true!
JJLehto wrote:
Besides Kill 'em All was open E riffing for 5 minutes, with crazy solos of course.
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Some tracks have passages of open E riffing, it's true, but not the whole album - that is a fallacy!
You could say the same about many Hawkwind albums, but you'll never see Hawkwind being disputed on this forum.
JJLehto wrote:
Thus, proving my point Metallica is a thrash metal band, that was their intent NOT to be progressive.
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Sorry - I don't follow the logic.
How is that point proven?
Please explain, and use musical examples so that your logic may be followed more clearly.
JJLehto wrote:
However, since they are on this site Megadeth MUST be as well. Someone also mentioned Coroner. These should be added, since Metallica is.
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Not at all, unless both bands can be proven to have been as significantly Progressive Metal as Metallica. Which I doubt - but would be very interested to read the arguments, as I like both bands.
debrewguy wrote:
And Master of Puppets & And Justice for All are prog.
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And Ride The Lightning - and parts of Kill 'Em All too.
debrewguy wrote:
Again, COMMERCIAL SUCCESS is the easiest & biggest reason when it comes to such groups being slammed as not prog. Because everyone thinks they know the music.
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Isn't it wierd how commercial success hasn't affected Genesis, Yes, Tull or especially Pink Floyd's standing as Prog Rock groups?
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Are you joking? Metallica has done three pure prog albums?!! Kil'em all is a prog release!!?! Rust in peace, isnt "prog", and doesn't have prog elements? What does the term "progressive" means to you? Because now this is the point of the situation. Progressive isn't only a term of definition for a specified genre of the '70...the Classical prog rock...Now, in 2009 (for me especially), Progressive has expands its definition and areas... Progressive- progression...should be labeled all the band that expands and experiments on the classical form song. Progressive doesn't mean doing long song of 8 or 10 minutes...(like Metallica...repeating the same passages all over the song with the structure that remains a Classic structure..). Megadeth (the fist four albums) presents a complex structure form, with continuing time changes, and a form song LITTERALLY in "progression" without the strophe-refrain thing! So Dave Mustaine expanding the conception of sogn form (in his personal way) Metallica is not only less technical than Megadeth but presents simply a classical structure form song. Megadeth albums is more varied in style and form than Metallica's...Metallica has not only the classical form song but the structure and the conception of the songs remains the same in 3 albums.. examples: fight fire with fire- battery- blackened ride the lighting (song)- Master of puppests (song)- and justice for all (song) the call of ktulu- Orion- to live is to die fade to black- welcome home- one ... Master of puppets is simply a union between the roughness and powerful of kill'em all with the more technical and melody of ride he lightning. It's not so different in conception compared to the previous album.. and and justice for all is simply Master of puppets with more technical skills. What a great experimentation...really...what a true prog band... And, I repeat, prog metal is NOT only Dream Theater and Theater's clones. Ah, I've started my "list" in 1985 because albums like Kill'em all and Show no mercy (slayer) does nothing to do with prog and technical metal. Technical metal cannot be taken away by progressive term. I have just explained that we must expands the meaning of "progression"....and prog archives has done this : Here is not only classical prog rock but also experimental rock/metal, technical metal, Rock in opposition, Art rock etc... And about Coroner...I think you've never listened to Mental Vortex and Grin to say that... P.S. However, I've not denied Metallica's influence in prog metal. Especially in certain prog. But i'ts obvious because of the importance and fame of this band.
Edited by Transgressor - July 06 2009 at 06:58
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Dean
Special Collaborator
Retired Admin and Amateur Layabout
Joined: May 13 2007
Location: Europe
Status: Offline
Points: 37575
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Posted: July 06 2009 at 03:48 |
^ I walked out during Ulrich's d rum solo
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What?
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Certif1ed
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Joined: April 08 2004
Location: England
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Points: 7559
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Posted: July 06 2009 at 03:47 |
Dean wrote:
^ they didn't play any wrong notes(...) |
You've never seen them live, then...
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The important thing is not to stop questioning.
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Dean
Special Collaborator
Retired Admin and Amateur Layabout
Joined: May 13 2007
Location: Europe
Status: Offline
Points: 37575
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Posted: July 06 2009 at 02:33 |
^ they didn't play any wrong notes, therefore cannot be Prog Metal.
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What?
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Certif1ed
Special Collaborator
Honorary Collaborator
Joined: April 08 2004
Location: England
Status: Offline
Points: 7559
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Posted: July 06 2009 at 00:35 |
I still say that the coffee should be smelt, and Metallica added to Prog Metal where they not only belong, but laid down the foundations for the entire genre.
Their not being included in that category makes no sense to me except from a straw-man point of view (ie most people think they aren't and can't be Prog, ergo they're not), while the reality is the opposite. 3 albums of the most progressive metal ever released agree with me.
No... I'm not going to let this one drop
...and I will interrogate question any opposition until I'm convinced otherwise. Musically.
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The important thing is not to stop questioning.
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JJLehto
Prog Reviewer
Joined: April 05 2006
Location: Tallahassee, FL
Status: Offline
Points: 34550
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Posted: July 06 2009 at 00:31 |
The archives a dictatorship? Well, I say to hell with parliamentary procedure!
Causes nothing but hassle. But seriously, yea this thread needs to die....I regret even being part of it
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