The Dark Side of the Moon |
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Dellinger
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Indeed that was nice. They would write a new song, play it live, try it different ways, and then they will already know if people liked it, and will know it very well by the time they recorded it. Also, with the pre Dark Side songs, it's great to hear them live (whether they had already recorded them on studio or not), because they vary from their studio versions very much... often making the studio sound incomplete... and they also vary from one live version to the other. I think they were very adventurous in that regard in the beginning. I can particularly think of King Crimson taking a similar aproach with their live shows, both for playing their songs live before recording them on studio, and for doing variations from one playing to another of the songs. |
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Hugh Manatee
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Floyd were pretty unique in that regard. Most bands would record an album and then do a tour to promote the newly recorded material. Floyd instead would work up songs for an album in concert and then record them. "Animals" was another prime example of this method.
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I should have been a pair of ragged claws
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Dellinger
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Have any of you seen a bunch of Live Albums from Pink Floyd that have been added for streaming? All of them pre Dark Side of the Moon, including one that includes the early version of the album live, when On The Run was still sort of a jamming song still with music, instead of just atmosphere, and before the female vocals were added to The Great Gig in the Sky. It's an interesting listen.
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Jacob Schoolcraft
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Syd Barrett was very innovative in the sense that he created a new idea for Psychedelic Music by combining a style of children's literature with Rock. John Lennon had in fact previously written and recorded songs of that nature, but no more than 1 or 2 per album..where Syd Barrett had gone the distance by writing 5 or 6 songs in that style for an album..to give the album personality. Then he put together "Astromony Domine" and "Interstellar Overdrive" which have been classified Psychedelic, however I view both pieces as the beginnings of "Space Rock" The obvious proof is in the music of Hawkwind, Gong, Amon Duul II, and several other European bands..where the similarities of what they were writing were tied into Syd Barrett's sound and ideas. He wasn't a virtuoso type of musician, but he was a creator in that aspect. He had inventive ideas. He listened to the AMMM Music album and produced some of the sounds of that album for the closing of "Bike". After his breakdown he released 2 solo albums. It's been stated in a documentary that "If Syd had remained with Pink Floyd..you couldn't imagine what he would have written " or that no one could have predicted that. I don't see it that way because "Dominoes" would have fallen nicely between "San Tropez" and "Seamus" on Meddle. "Golden Hair" would have been perfect between "If" and "Fat Old Sun" on Atom Heart Mother. "Baby Lemonade " between "Fat Old Sun" and "Alan's Psychedelic Breakfast " and there's other examples, you just have to edit the recordings for that sequence and then listen to the albums in their entirety. If someone would go into a state of the art recording studio and record the song "Opel" with a choir, bass, guitar, keyboards, and drums it would be telling. It would be like an epic Pink Floyd song in the 70s, perhaps fitting for The Wall. The song could then blossom and show the full potential of his writing.
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Jacob Schoolcraft
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I bought Dark Side Of The Moon probably right around the time of its release in the U.S. I was generally impressed with the album and formed a very quick obsession with them. I then bought every album from Piper onward. I believe it was 72' and I was playing in High School Dances and Battle Of The Bands . It seemed odd to me as a 16 year old that musicians and music fanatics insisted that Dark Side Of The Moon was a sell out. I was offended by it all 😃 Then I used my brain to help me better realize that this was an older generation talking like this. Expressing this abundance of disappointment from a different perspective. They grew up listening to Piper, Meddle, Ummagumma, and Atom Heart Mother and they disliked the addition of female vocalists on Dark Side and attributed that to selling out..not unlike how people butchered Brothers And Sisters by The Allman Brothers Band was a sell out because Duane Allman was the spirit of the band and that now the band were just a bunch of losers attempting to move on without him. They definitely reacted with that harshness toward Dark Side. Record store owners, musicians in bands, fans of Rock, I just found it so incredibly strange. I remember this so clearly yet thinking how impossible that seems when Dark Side became iconic. Something about the experience is hilarious. It's difficult to conceive that a good number of people would react that way to Dark Side...however it's important to understand that it was a different generation and on the East coast of the U.S. during the early 70s...people were just fanatical about musicianship..just as Rick Wright mentioned in an interview how musicians and fans were anti commercialism or sell out. I remember how hard it was for me at 16 getting used to that environment. Lol! Profound and a good example of extremism
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Hugh Manatee
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I'm going to edit out that link to save frustration from future participants. Sorry about that folks. It really is about the guitar tones for me. Barrett seemed to be focused more on using the guitar for rhythm whereas the outstanding element of Floyds post Barrett work for me (and I suspect many others) is the lead guitar of Gilmour. |
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Dellinger
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I haven't heard the bootleg versions, but in the Later Years box-set there are a few of them... and of course there's the Astronomy Domine version on Ummagumma. I must say I prefer, at least slightly, the versions with Gilmour (though my very favourite is the one on PULSE, even if it gets shorter again and less adventurous). As for Interstellar Overdrive, the version on The Early Years was a bit underwhelming, for the initial riff sounds rather subdued (though some new concerts just appeared on Spotify, and there seems to be a few more versions, I should give them a listen soon). Now, The Later Years does have a concert with Barrett (which lost the voice audio), that has my favourite version of Interstellar Overdrive, as well as Pow R Toc H (which I didn't really like so much originally). Oh yeah, and I guess the version of IO with Frank Zappa should at least be an interesting listen for people around here. |
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Dellinger
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No, I definitley don't think the band would have achieved what they achieved. Barrett would have kept too much control, so Waters contributions would have been much less, and David's obviously wouldn't have existed... perhaps Wright's contributions would have remained very similar, but without the input from Gilmour or Waters some of the songs he gave his ideas to (like Echoes) would have been very different. And Barrett certainly wouldn't have been able to give Floyd the beautiful guitar sound that Gilmour did. |
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moshkito
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Hi, (btw ... video unavailable outside Australia!) (It's gotta be the pandemic, right?) I don't think I have ever thought that Interstellar Overdrive and Astronomy Domine were that bad, and in fact I always believed them to be much more of an introduction of what PF became later (for a while). I'm not sure that most folks that love their Gilmour have really given a solid listen to the versions of IO and AD that were on many bootlegs and some of them cleaned up for a hundred album redos, although some ot eh live versions are STILL not shown anywhere. The bootlegs are still better on this! I think the only change would have been that the whole thing was to become less "psychedelic" and more musically oriented, but by the time we hear "Saucerfull of Secrets" ... we have a pretty good idea of where the band is going in order to be able to make the connection from Syd's music to the band's music with David Gilmour, and a bit of a bunch of experiments were necessary to find that out ... with the bonus that many of those moments ended up giving us some great music later!
Edited by moshkito - December 16 2021 at 09:26 |
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Hugh Manatee
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One of the interesting points that Mason makes about Barrett walking away from Pink Floyd is that it wasn't only about his LSD intake apparently.
Mason says that Barrett did not want to become a "rock star" and instead preferred to be an artist, as if the two where mutually incompatable.
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I should have been a pair of ragged claws
Scuttling across the floors of uncertain seas |
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Psychedelic Paul
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I agree, so there are no brickbats coming your way. If Pink Floyd had A Momentary Lapse of Reason, they may have tried to continue with Syd Barrett, but replacing him with Dave Gilmour was the best thing that ever happened to Pink Floyd.
Edited by Psychedelic Paul - December 15 2021 at 06:48 |
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Cristi
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I agree, no need to take cover.
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Hugh Manatee
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I just watched Brian Johnson-A Life on the Road featuring Nick Mason and a contraversial thought occured to me.
I wonder if Pink Floyd would have become the force they have become if Syd Barrett had remained with them and David Gilmour never bacame involved, Gilmours guitar being such an integral (and appreciated) part of their sound. I now duck and take cover. Edited by Hugh Manatee - December 16 2021 at 21:15 |
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I should have been a pair of ragged claws
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MortSahlFan
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My favorite group. I rank the albums as follows: Dark Side The Wall WYWH Animals Meddle Not a big fan of their first couple albums, or last couple. 70s stuff is very amazing - basically the Roger Waters-led Pink Floyd. Fav song 1. Time 2. Shine On You Crazy Diamond 3. Us And Them 4. Dogs 5. What Shall We Do Now? (to me, the "Eclipse" of THE WALL)
Edited by MortSahlFan - November 24 2021 at 15:16 |
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David_D
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Your OP here is really impressing, Paul. I don't know how you've got the idea for it, but I've seen something similar in a poem written by Ralph J. Gleason which was composed almost entirely of Miles Davis' album titles, or titles of selections contained in the albums and released with Davis' album E.S.P. It was supposed to be read aloud as the music was to be heard.
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quality over quantity, and all kind of PopcoRn almost beyond
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HolyMoly
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Oh by the way, which one’s Paul?
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CrimsonMojito
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Fully agree! the live version from The Man In The Journey is much better!
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Psychedelic Paul
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Thanks Jim! It's good to see this old thread Coming Back to Life again. That was the Mother of all thread introductions to write, but it's just Another Brick in the Wall of my band tributes. One of These Days I have High Hopes of writing a tribute to my favourite band, Mostly Autumn, if I can find the Time.
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Cylli Kat (0fficial)
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Paul, your OP was freakin' brilliant!!!
Awesome wordplay! Very nicely done! |
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Dellinger
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I was never much of a fan of Biding my Time ever since I got Relics, but the live version from the Early Years Boxset, from the Man and the Journey concert, is so much better for me, with some great added guitar solo.
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