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The.Crimson.King View Drop Down
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Direct Link To This Post Posted: July 24 2013 at 11:15
Ya, Zappa specifically mentions Webern as an influence in his autobio...and of course Webern came from the "Second Viennese School" and was a student of Schoenberg and his new creation, "12 tone serial music".  Like Schoenberg, Webern's music was deemed "cultural Bolshevism" and "degenerate art" by the Nazi party.

Thanks for the reference to "Trial of Strength" it sounds interesting too.  Along similar lines, I read a biography of Richard Wagner and his family...he had close ties to the Nazi party and was probably the single composer most embraced by Hitler and the party.  Wagner actually wrote an essay with the title (translated) "Jewishness in Music" which was mostly an anti-semitic rant and included an attack on fellow composer Felix Mendelssohn...no wonder the Nazi's loved him Wacko


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Direct Link To This Post Posted: July 24 2013 at 07:30
Originally posted by The.Crimson.King The.Crimson.King wrote:


Originally posted by presdoug presdoug wrote:

German conductor Ernst Praetorius, who fell from favor in Nazi Germany for conducting so called "degenerate music", landed in Turkey. He became an important musical figure there, conducting the first performance of Beethoven's Ninth Symphony in the country. Back in Germany, he was renowned for conducting the first recording of Bruckner's Second Symphony in 1937.

I recommend an excellent book titled "The Devil's Muse".  It tells the story of Nazi persecution of musicians beginning when they achieved power in the early 1930's.  I have this book to thank for my discovery of Arnold Schoenberg.  When I read that the Nazi's determined his music was "degenerate" I decided that I just had to hear it!  Later, when I connected the dots between Schoenberg's creation of 12 tone serial music, Anton Webern, and Frank Zappa, Zappa's orchestral music finally made sense to me.  If interested, I'd also highly recommend hearing Schoenberg's 12 tone based opera "Moses and Aron" (he purposely misspelled "Aron" that way so the title would have 12 letters...he was one clever man and a brilliant composer) Wink
Thanks, that sounds like a very interesting book, i will hunt for a copy. I like Schoenberg a lot,especially his Gurrelieder, Ode to Napoleon, and Pierrot Lunaire. I will investigate this opera as well. I had not known he influenced Zappa.
           I would suggest to you a book called Trial of Strength by Fred K. Preiberg, about the rocky course the career of conductor Wilhelm Furtwangler took when his genius collided with Nazi Germany.

Edited by presdoug - July 24 2013 at 07:34
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Direct Link To This Post Posted: July 24 2013 at 00:38
Originally posted by presdoug presdoug wrote:

German conductor Ernst Praetorius, who fell from favor in Nazi Germany for conducting so called "degenerate music", landed in Turkey. He became an important musical figure there, conducting the first performance of Beethoven's Ninth Symphony in the country. Back in Germany, he was renowned for conducting the first recording of Bruckner's Second Symphony in 1937.

I recommend an excellent book titled "The Devil's Muse".  It tells the story of Nazi persecution of musicians beginning when they achieved power in the early 1930's.  I have this book to thank for my discovery of Arnold Schoenberg.  When I read that the Nazi's determined his music was "degenerate" I decided that I just had to hear it!  Later, when I connected the dots between Schoenberg's creation of 12 tone serial music, Anton Webern, and Frank Zappa, Zappa's orchestral music finally made sense to me.  If interested, I'd also highly recommend hearing Schoenberg's 12 tone based opera "Moses and Aron" (he purposely misspelled "Aron" that way so the title would have 12 letters...he was one clever man and a brilliant composer) Wink
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Direct Link To This Post Posted: July 23 2013 at 16:27
German conductor Ernst Praetorius, who fell from favor in Nazi Germany for conducting so called "degenerate music", landed in Turkey. He became an important musical figure there, conducting the first performance of Beethoven's Ninth Symphony in the country. Back in Germany, he was renowned for conducting the first recording of Bruckner's Second Symphony in 1937.

In the DRA (Deutsche Rundfunk Archiv) are the very first recordings made of Bruckner's first three numbered symphonies.

Famous singer Lotte Lehmann's brother Fritz Lehmann was a conductor.



Edited by presdoug - July 23 2013 at 16:29
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Direct Link To This Post Posted: June 01 2013 at 19:54
Anton Bruckner dedicated his 2nd Symphony to Franz Liszt, after giving the score of the work to Liszt to look at, Liszt misplaced it.

At Franz Liszt's funeral, Anton Bruckner played the organ, and Liszt pupil Bernard Stavenhagen gave the funeral oration.

When Bruckner met composer Richard Wagner for the first time, and asked if Wagner would accept the dedication of one of two of either of his symphonies, the day after Bruckner could not recall which one Wagner had accepted for dedication because they had had too much beer. He contacted Wagner and recieved the note "The one where the trumpet leads the fanfare" That, of course, meant the 3rd Symphony.

Composer Sir Edward Elgar made the comment one time about his own composing, "When i hear Brahms, i feel that i am tinkering."



Edited by presdoug - June 01 2013 at 19:55
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Direct Link To This Post Posted: April 23 2013 at 16:48
One hundred years ago, in 1913, the first complete recording of a symphony was made-Beethoven's Fifth, conducted by Artur Nikisch with the Berlin Philharmonic. It has been issued on CD on the Dutton label.

Nikisch was considered by many to be THE conductor of his day, until his death in the early 1920s. He conducted the world premiere of Bruckner's 7th Symphony in Leipzig, and the composer was present.

Nikisch was also interested in Mahler's music, and even conducted the first music from his 3rd Symphony, the inner movements, before the composer conducted the whole symphony later on.

Professor Hans Richter, another celebrated conductor, became very important in the late 19th, and first decade of the 20th Centuries. He conducted the world premieres of Bruckner's 4th and 8th Symphonies, and Elgar's First Symphony.
He retired around 1911, and unfortunately left no recordings.

American conductor Theodore Thomas, who died in the first decade of the 20th Century, was enormously important, being the director of many US concert premieres, including Bruckner's 4th and 7th Symphonies. He sometimes premiered musical works even before they had been done in Europe.

Leopold Stokowski had also a giant list of world premiere performances under his direction, including the American premieres of Elgar's Second Symphony, and Mahler's 8th Symphony and Das Lied Von Der Erde.

Edited by presdoug - April 23 2013 at 19:27
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Direct Link To This Post Posted: April 09 2013 at 12:04
Iconic German conductor Wilhelm Furtwaengler, regarded as one of the 20th century's greatest Bruckner interpreters, never conducted Bruckner's un-numbered symphonies, or Symphony No. 1. There were isolated performances of Symphony 2, though, and all the later symphonies were done.
   Alas, there were no recordings left of any symphonies before the Fourth.

The only Bruckner-Furtwaengler recording made in a studio setting, the Adagio to the Seventh Symphony, was played on German radio just before the announcement of Hitler's suicide.

Celebrated musician/conductor Dr. Serge Koussevitzky, was renowned as one of the greatest double-bass players of his day. He once met composer Tchaikovsky, playing some chamber music with him.

Brother of composer Tchaikovsky, Modest Tchaikovsky, considered Koussevitzky to be the greatest conductor of his brother's music.

Serge Koussevitzky was known as a great conductor of Tchaikovsky's last three symphonies, but also conducted the Tchaikovsky First Symphony, though no recordings exist.

Edited by presdoug - April 09 2013 at 21:43
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Direct Link To This Post Posted: March 17 2013 at 17:30
Back to Chas & Dave - Chas wrote a gardening book
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Direct Link To This Post Posted: March 17 2013 at 17:00
Originally posted by presdoug presdoug wrote:

The original cover for Heart's Magazine album was different than the one that became known
Interesting. I did not know that, I knew the 1977 release was made up of partially finished studio tracks, b-sides and some live tracks compared to the 1978 release that was fully finished studio tracks, but didn't realise the artwork was different.
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Direct Link To This Post Posted: March 17 2013 at 12:01
The original cover for Heart's Magazine album was different than the one that became known

One of my cousins went to a school and had as a teacher, a brother of the Wilson sisters, years ago.
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Direct Link To This Post Posted: March 17 2013 at 09:44
Yeah me too, I have a remaster of the CD coming which I'm really looking forward to. 

Another tidbit (as I'm reading the Heart bio at the moment)......on the Queen cover, all of the band are in rented clothes except Ann.  She couldn't find anything she liked in the rental clothes rack, so her clothes on that cover are her own.  Apparently in one of the other sleeve shots in the album, you can spot a zipper on her boot, the only spot where they failed to make certain everything was "period". 


Edited by Finnforest - March 17 2013 at 09:46
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Direct Link To This Post Posted: March 17 2013 at 09:44
The riff sampled on Eminem's "My Name Is" was taken from a Labi Siffre song on which Chas & Dave played. 
Before they formed their famous duo, Chas had worked with Joe Meek, and Dave had been in a band called The Rolling Stones.
 
 
 
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Direct Link To This Post Posted: March 17 2013 at 09:38
^ I love that cover
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Direct Link To This Post Posted: March 17 2013 at 09:32
^Must have succeeded in getting the ball rolling.  I believe the sign looks tip top now. 


The cover of Heart's Little Queen was not taken in some picturesque rural village in Wales or Canada, but rather in the city park right next to Dodger Stadium in LA.   Ann said there were 1000 other better shots taken of her that day where she was smiling, but they chose the one pic she didn't like, where she was "pouting". 
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Direct Link To This Post Posted: March 17 2013 at 09:18
File:Hullywod-Sign.jpg
 
In 1978 Alice Cooper organised a campaign to restore the Hollywood sign, which by then was in such a poor state it read "HuLLYWO D". He donated £27,700 to restore the second letter "O".
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Direct Link To This Post Posted: March 04 2013 at 19:10
Gustav Mahler's symphonies were performed with great frequency in Germany in the 1920s, to the point where some critics complained about what they called the "Mahler fever".

German pianist Elly Ney, who was a specialist in Beethoven, toured all over America in the 1920s, giving speeches at her concerts saying how great National Socialism was. At one point later in her career, she claimed troubles due to interference by Jewish people. Obviously, she was wrong on both accounts.

German conductor Hermann Abendroth was referred to in some circles as "the other Furtwangler". Furtwangler and Abendroth admired each other as conductors, and when Furtwangler died in 1954, Abendroth stated "It's as if my world has stopped turning."
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Direct Link To This Post Posted: March 03 2013 at 11:03
Composer Frederick Delius contracted Syphilis, and this led to later complications of paralysis and blindness.

Conductor Sir Thomas Beecham gave the oration at Delius's funeral.

German conductor Hans Richter, who conducted the world premiere of Sir Edward Elgar's First Symphony called it "the greatest symphony of modern times"

When the Nazis came to power in Germany, England's composer Sir Edward Elgar remarked that he was "very interested in what is going on over in Germany".

Elgar said of British conductor Sir Adrian Boult, "With you, i am assured that my music will be in capable hands"
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Direct Link To This Post Posted: February 13 2013 at 15:17
After WW2, when the Munich Philharmonic got back on it's feet and in operation and with conductor Hans Knappertsbusch directing things again, during the opening concert, Knappertsbusch said-"The "Thousand Year Reich" is over, and now we can hear Beethoven as he was meant to be heard."

Knappertsbusch was an outspoken opponent of the Nazis, one time it is recorded that he hurled an ashtray at a speaker during a Nazi speech.

Knappertsbusch was difficult for Hitler to deal with, as he was physically speaking an "Aryan German", and also a very endearing personality in the German's music world of the day, so the Nazis could not do away with him. They did push him around a bit, though, having prevented him from going to Britain in '36 to conduct.

Knappertsbusch's final concert with the Vienna Philharmonic in April of 1964, was done when the old man was quite ill with emphysema, having been a smoker, but the result was a fantastic recording of Anton Bruckner's Fourth Symphony. Sadly, the following October of '65 Knappertsbusch was dead.


Edited by presdoug - February 13 2013 at 15:31
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Direct Link To This Post Posted: February 11 2013 at 10:44
Composer Frederick Delius worked on a Florida orange plantation as a young man, thus in part, the inspiration for his composition "Florida Suite"

At one concert in Italy conducted by Dutchman Willem Mengelberg, he played Richard Strauss's great work Ein Heldenleben. Gustav Mahler was in the audience, and remarked later to Mengelberg, "You have converted me to Ein Heldenleben".

When conductor Pierre Monteux was on his deathbed, he made reference to Mengelberg's conducting, something to the effect,"Mengelberg does it the right way".

Mengelberg would often encourage Monteux to program works by Richard Strauss in his concert seasons. Strauss was a Mengelberg specialty.

German conductor Carl Schuricht was an early Delius champion, being the first to introduce some of Delius's works to German audiences.

In a recording of Mahler's Das Lied von der Erde, done in '39 with Schuricht, in between movements, you can hear a woman saying "Deutschland uber alles, Her Schuricht!"
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Direct Link To This Post Posted: February 05 2013 at 00:18
Dubstep musician Burial, electronic musician Four Tet (Kieran Hebden), post-rock band Fridge (who Hebden happened to be a member of) synthpop band Hot Chip, and indie pop/dream pop band The xx all attended the same school at the same time.
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