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Paco Fox View Drop Down
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Direct Link To This Post Posted: April 16 2004 at 03:19

Originally posted by diddy diddy wrote:

I often hear my brother saying 'LOL' instead of laughing  

Oh, thanks! At last I learn what that damn world means, after several years rerading it in every internet forum around the net!!! . I sometimes think some non english speaking people are starting to write more proper english than some teenagers. Not me, of course.

But, back to prog, I think that Peter is right: the key is the shortening of attention spans. Prog needs actually being listened to, not just 'heard'. And it requieres patience.

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Direct Link To This Post Posted: April 15 2004 at 14:25

i think that prog is so wide to hear it in one song, but  if you want to know a little bit, choose randomlly any record of king Crimson or Van der graaf Generator

peace

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Direct Link To This Post Posted: April 15 2004 at 13:36
Originally posted by Peter Rideout Peter Rideout wrote:

People all over the English-speaking world are adopting the same inane "Carifornia valley-girl/surfer-speak." Culture is being homogenized, and "dumbed down."

Maybe it's kind of interesting for you that this development can be found in other languages as well. I can report about this development for the german language. Due to the internet/chat language and some expressions coming from TV shows and chart-music also  settle down in our language. I often hear my brother saying 'LOL' instead of laughing  Many expressions tend to be spoken english and not german...expressions coming out of TV series or chart music are wrepped in our normal life. And the main area are commercials, they use those expressions to address young people because they often just understand this kind of language because the original one is maybe to boring...

I really wondered about the fact that nobody in our class could understand Goethe's Faust even though it is german language  maybe the same with Shakespeare for example...

If liberty means anything at all, it means the right to tell people what they do not want to hear...
George Orwell
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Direct Link To This Post Posted: April 15 2004 at 13:11
Originally posted by Peter Rideout Peter Rideout wrote:

Smile But we can fight this with good music, and by reading to our children, as well as for our own pleasure.

Stern Smile Try turning the darned television (and computer) off sometimes, folks!

But... but... but PETER!

I read for pleasure ON my computer screen.  In part. 

How else could I keep up on all the wonderful information about ninja wolverines, attack wombats and beavers no longer involved in radio??????????

 <SMILIE>

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Peter View Drop Down
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Direct Link To This Post Posted: April 15 2004 at 12:46
Originally posted by Paco Fox Paco Fox wrote:

 But, when they came to really listening to this music, they really have no patience for it to develop, no patience for build up. It's as if they waited EVERY movie to start and develop as, let's say, Die Hard 3 (non-stop action and the main theme stablished from minute one).

Unhappy I know what you mean, Paco. Thanks to the TV remote, and hundreds of channels, attention spans are getting shorter, and we are becoming ever more visually-oriented.

Disapprove Plus, the arts of conversation, reading and letter writing are being eroded....

(For example, thanks to Internet chat-speak, lots of kids think that "you" is spelled "u"....)

People all over the English-speaking world are adopting the same inane "Carifornia valley-girl/surfer-speak." Culture is being homogenized, and "dumbed down."

Smile But we can fight this with good music, and by reading to our children, as well as for our own pleasure.

Stern Smile Try turning the darned television (and computer) off sometimes, folks!



Edited by Peter Rideout
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 15 2004 at 03:26

Originally posted by Marcelo Marcelo wrote:

I tried to explain when music plays, but at the third minute (it doesn't matter Genesis, Yes, or any prog gem) the reaction is the same: "Nice, but I'm boring"

What I usually get is not 'when is his going to finish?'. I'm usually said: 'When is this going to start?' . The lenghth might put off people at first, but you can explain some themes in form of suite: I've done so with, for example, Tubular Bells: imagine there's a silence every time it seems to change the melody/style or so and that's it. But, when they came to really listening to this music, they really have no patience for it to develop, no patience for build up. It's as if they waited EVERY movie to start and develop as, let's say, Die Hard 3 (non-stop action and the main theme stablished from minute one).

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Direct Link To This Post Posted: April 15 2004 at 01:46
Originally posted by landberkdoten landberkdoten wrote:

I'll go along with this session for prog starters:

1.- In the Cage - Genesis

2.- Dogs - Pink Floyd

3.- Incubus - Marillion

4.- Otto Pankrock - Grobschnitt

5.- Cliche - Fish

and just that to get him/her hooked up on progressive rock music!  haha

SmileWelcome, Landberk! How is the weather in Mexico? Are you in Mexico City?

Good list -- Marillion and Fish are in good company there!

Bit of a fan, are you?



Edited by Peter Rideout
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 15 2004 at 01:32

I'll go along with this session for prog starters:

1.- In the Cage - Genesis

2.- Dogs - Pink Floyd

3.- Incubus - Marillion

4.- Otto Pankrock - Grobschnitt

5.- Cliche - Fish

and just that to get him/her hooked up on progressive rock music!  haha

break the circle

reset my head

wake the sleepwalker

and i'll wake the dead
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Direct Link To This Post Posted: April 14 2004 at 14:28
You could also try some more popular prog music. Like the poppy era from Genesis, Marillion, some Dream Theater (when the 'patient' or 'victim' likes metal)
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Direct Link To This Post Posted: April 14 2004 at 14:06

Originally posted by Marcelo Marcelo wrote:

I tried to explain when music plays, but at the third minute (it doesn't matter Genesis, Yes, or any prog gem) the reaction is the same: "Nice, but I'm boring"

because they expect the song to be over  it's not their beloved 'fast-food-music'

If liberty means anything at all, it means the right to tell people what they do not want to hear...
George Orwell
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Direct Link To This Post Posted: April 14 2004 at 14:03
I tried to explain when music plays, but at the third minute (it doesn't matter Genesis, Yes, or any prog gem) the reaction is the same: "Nice, but I'm boring"
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Direct Link To This Post Posted: April 14 2004 at 13:11

"The Knots" by GENTLE GIANT would probably scare him ... but as a technical point of view it is a GOOD representation of what PROG MUSIC is all about

I would go in a 5 steps progression (slowly but surely):

  1. Symphonic Prog 70s (YES or GENESIS)
  2. NEO PROG SYMPHONIC (MARILLION, IQ)
  3. Symphonic Prog mid and late 70s (VAN DER GRAAF, Gentle Giant, UK)
  4. Italian Prog (BANCO DEL MUTUO SOCCORSO, LOCANDA DELLE FATE)
  5. Actual Prog (Anglagard, Dream Theater, Porcupine Tree)
  6. maybe MAGMA

While listening, I would talk to him (or her) about the evolution of the genre  !

What do you think ?

Prog On !
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Direct Link To This Post Posted: April 14 2004 at 12:41
Have to go with Money or I guess, the entire album of Dark Side. Either that, or WYWH, the actual song.


It's the same guy. Great minds think alike.
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Direct Link To This Post Posted: April 14 2004 at 11:45

Originally posted by Jim Garten Jim Garten wrote:

Yeeeeeeeeeesssssss, but UK in later incarnations were without guitars (I think) with the lineup of Wetton/Bozzio/Jobson.

that's right...but 'Mental Medication' is with Holdsworth and that's why I love it

I meant the fact that VdGG uses the saxophone instead of the guitar and thats (IMO) unusual for symphonic prog and the symphonic is the most representative one I think...

but by the way, 'a plague of lighthouse keepers' is AWESOME!!!

If liberty means anything at all, it means the right to tell people what they do not want to hear...
George Orwell
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Direct Link To This Post Posted: April 14 2004 at 11:26
Yeeeeeeeeeesssssss, but UK in later incarnations were without guitars (I think) with the lineup of Wetton/Bozzio/Jobson.

Jon Lord 1941 - 2012
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Direct Link To This Post Posted: April 14 2004 at 11:18

Hmmm... maybe 'Mental Medication' by U.K.

but I think that the ones named by Jim Garten are good ones...maybe we leave VdGG out because they don't use Guitars (O.k. Fripp appears here and there) and use a Saxophone instead, not really representative for Prog bands (IMO!!!)

If liberty means anything at all, it means the right to tell people what they do not want to hear...
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Direct Link To This Post Posted: April 14 2004 at 10:45
A plague of Lighthouse-keepers by VDGG

Pantagruels Nativity by Gentle Giant

Gates Of Delerium by Yes

Seven Stones by Genesis

pure prog majesty

Jon Lord 1941 - 2012
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Direct Link To This Post Posted: April 14 2004 at 10:21

Something from the bigger bands, I geuss.

Yes - Yours is no disgrace

Rush - Xanadu

Pink Floyd - Shine on

Genesis - The Musical box

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Direct Link To This Post Posted: April 13 2004 at 04:42
I'd try 21st Century Schizoid Man. I remember hearing that for the first time (I downloaded it from the website and bought the album soon after). I was simply AMAZED!
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Direct Link To This Post Posted: April 13 2004 at 03:02

I've done it recently, with the Locanda Della Fate song 'Force le Luciolle...'. Although it would depend on wich friend I'm talking to. For example, there's no doubt I would be Renaissance  (maybe 'A song for all seasons') or Mostly Autumn ('Shrinking Violet' probably) if the friend is a woman.

Although it's better to try to convince them using their own experiences. Does he like the Beatles?, play 'A day in the Life'. Does he like Dire Straits?, play Telegraph Road. Is he/she a Queen fan?, then Bohemian Rhapsody can do it. Does he like Justin Timberlake? Oooopssss!

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