Reviews reporting thread

ANGRA — Holy Live

Angra is a band of Speed- Symphonic- Epic- Power- Prog- Metal (!) that regarding many other similar ones more is canted in favor of Symphonic- Speed- Progressive and for more (to the age...) with a singer outside from the common one! And this live confirmation all this. Part with "Crossing", little more than a intro when storm 6' 26" of "Nothing To Say", fantastic in the uneven rhytm of the intro part and then developed skillfully, with one great voice. "Z.I.T.O." not me power of attorney the same emotions, but it turns out equally winning. Here "Carolina IV" more Power- Speed in many parts, but at the same time Progressive (big Progressive)! "Unfinished Allegro" is an allegro interval with synthetized orchestra. Therefore here "Carry On" an Epic- Speed- Seeds Progressive that but ago to come the shivers! Andre Matos possesses one voice outside from the common one and according to me the other strong man are Confessori and Loureiro. In order to end... I consider this live truly good, not perfect (it is too much premature), but arrived in the best moment of ours. And therefore worthy to be in the best collections. Those of the conoisseurs.

Posted Sunday, September 26, 2004, 13:42 EST

ANGRA — Holy Live

HOLY

Certainly premature... Nevertheless to have it of live so! Andre Matos is an extraordinary singers and drags the Angra towards a Prog Metal a lot near the Classic Symphonic Metal showing that Genesis, Raimbow and Yes are able to be mixed to the Maiden and to 80's Speed Metal Bands. Unfortunately here it hears itself that the Angra play with the popularity.

In this Ep hit "Nothing To Say" and the long one "Carolina IV" two masterpiece. in fact they are excited also after 1 million of listening. They have a rhytm Speed Metal but are totally Symphonic Prog! A step under "Unfinished Allegro" (short orchestral intermezzo), "Z.I.T.O." (that it does not convince me), "Carry On" too dry and "Crossing", in playback.

Although it is a premature live, is another CD to possess all of the costs.

For always yours, Mandrakeroot.

Posted Monday, May 15, 2006, 08:14 EST

LE ORME — In Concerto

Creed not to never have listened to Progressive live with loads animal like this. The classic songs are faster that in studio (would otherwise not have been beautiful) and, although too much similar to the ELP, remains an album much Italian. I do not have other words in order to describe live that go listend and enjoyed until in bottom.

Posted Tuesday, November 02, 2004, 13:34 EST

LE ORME — In Concerto

THE FIRST ITALIAN LIVE LP

This is the first live album of the Italian Prog. It it was recorded between 16 and 17 January 1974 at the Brancaccio Theater in Rome and is one of the more attractive live of the Prog (not only Italian!).

It is left with the unpublished "Truck Of Fire" that after a first very attractive part and Symphonic Hard Rock proposes the second part (recorded in a studio version for a 7" for the Charisma but ever published...) with English lyrics that, however, is too to the ELP!... It is continued with 4 classics. You are a lot more swift than in studio and actual for this a lot more effective putting in light the enormous class of the ours. In this section of the live LP is contained "Preludio A Era Inverno" that is an autonomous song and "Collage (Sigla)" that is the original tape played in Playback.

Important live album not only for the Italian music but for all of the Prog World.

For always yours, Mandrakeroot.

Posted Friday, July 07, 2006, 08:25 EST

LE ORME — Collage

"Collage" is one of the Italian album better than all the times. It contains immortal songs with immense witnesses and not invading arrangiaments therefore. The production is strained to succeed in to rival with those offering discs, but personally it is a step under. But I prefer it therefore. 5 historical stars!

Posted Friday, October 29, 2004, 13:05 EST

LE ORME — Collage

FROM TO VENICE (MARGHERA) TO THE HEAD OF PROG WORLD

In 1970 Le Orme went(on board of FIAT 238 van and in the full one of the spirit of Open Hair Festival) to the "Isle Of Wight Festival". For luck, because how it is read in the sleevenotes of "Antologia 1970- 1980" you are discovered where went the world music. You are had had some way to know of the protagonists of the festival and, returned in Italy and rhymed in three (Tagliapietra, Pagliuca and Dei Rossi) had the courage of to invent this masterpiece, or rather Masterpiece. That still today it would do the luck of bilion groups...

Already "Collage" is a big piece, halway between the Cream and the Prog more summon, so like "Era Inverno" that in possess a dramatic office than does not succeed ever to prevail. It is prevailed on "Cemento Armato" that to my warning is a denunciation on the destruction of the nature, supported from a very technical music. "Sguardo Verso Il Cielo" is a large Rock, immediate and yet not easy. To understand it (farewell for all of the album!) they a lot of listening want us and still you will not understand it! "Eclisse Totale", "Morte Di Un Fiore" ed "Immagini" are a lot of Psychedelic even if a lot of Prog. More near how much already produced, are nevertheless a fusion between Psychedelic Rock, Classic Music and very Acid Prog.

Large album, perhaps one of the Italian album most universal like music that ever I listened to.

For always yours, Mandrakeroot.

Posted Wednesday, April 05, 2006, 08:53 EST