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Mr ProgFreak View Drop Down
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Direct Link To This Post Posted: July 08 2010 at 05:10
Originally posted by Certif1ed Certif1ed wrote:

Originally posted by Mr ProgFreak Mr ProgFreak wrote:

^ well, how can you comment on the beauty of a painting if you can't measure it? Simple: You just do.

I haven't read every post of this thread - but I don't have to. I'm pretty sure that none of the posts contains a perfect recipe for quantifying enjoyment of music.
 
I simply mean that you've said that you can't tell the difference - and yet you haven't even tried, so I was wondering how you could possibly know.
 
My posts have at least suggested ways in which it might be measured and tested - the notion that there might be a "recipe" is, after all, the entire point of this thread (you should read it sometime - it's jolly interesting).


I often play the guitar while it isn't tuned precisely to 440Hz ... but I've never noticed any difference.
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Direct Link To This Post Posted: July 08 2010 at 04:40
Originally posted by Mr ProgFreak Mr ProgFreak wrote:

There's no difference - it's all relative. Why not use 441Hz, or 421Hz, or 445Hz? As long as the whole piece is in tune, I couldn't care less.
 
Exactly.......and you're ALWAYS going to have trouble locating a tuning-fork @ 432hz, anyway......not many people make them.
 
But if you want to try a REAL experiment, have your keyboard player tune at 440hz, bassist tune at 257hz,
guitarist tune at 569hz and singer sing at 16hz (slip him some Mandrax), and spend the evening seeing how many beer-cans you can succesfully dodge. Your singer might take a few hits, but I bet he'll be the most 'relaxed'.
"...the thing IS, to put a motor in yourself..."
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Direct Link To This Post Posted: July 08 2010 at 03:15
 
I couldn't hear any difference, except the 432hz version was slightly slower.
 
It wound me up, no end.
 
 
 
 

 Dali @ 432hz. 
 
320 X 240, btw.
 
 
 


Edited by Rabid - July 08 2010 at 04:06
"...the thing IS, to put a motor in yourself..."
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Direct Link To This Post Posted: July 06 2010 at 05:28
Originally posted by Mr ProgFreak Mr ProgFreak wrote:

^ and how exactly do you measure listening pleasure? 

Listening is never a pleasure, which is why I listen to prog.  Hours and hours of guaranteed listening agony. LOL

Originally posted by Mr ProgFreak Mr ProgFreak wrote:

^ well, how can you comment on the beauty of a painting if you can't measure it? Simple: You just do.

I haven't read every post of this thread - but I don't have to. I'm pretty sure that none of the posts contains a perfect recipe for quantifying enjoyment of music.

Speaking of measuring paintings, I give you, Salvador Dali's masterworks...

http://www.salvadordalimuseum.org/collection/collection_highlights.html

Go for the really big ones. Tongue

The Discovery of America by Christopher Columbus (1958-1959)

Dalí's tenth masterwork is The Discovery of America, completed in 1959. This work, which is almost 14 feet tall...
Discovery of America by Christopher Columbus, Dali
The Ecumenical Council (1960)

This canvas honors Pope John XXIII for uniting the churches through the Ecumenical Council. The coronation of...
The Ecumenical Council, Dali
Galacidalacidesoxiribunucleicacid (Homage to Crick and Watson) (1963)

This unusually titled work is called Galacidalacidesoxiribunucleicacid, and subtitled “Homage to Crick and Watson."...
Galacidalacidesoxiribunucleicacid (Homage to Crick and Watson),   Dali


The Hallucinogenic Toreador (1969-1970)

Dalí conceived this painting while in an art supply store in 1968. In the body of Venus, on a box of Venus pencils,...
The Hallucinogenic Toreador, Dali


These four are amazing and may help you with the 432 Hertz rent-a-car affect. TongueLOL

http://www.salvadordalimuseum.org/


Edited by Slartibartfast - July 06 2010 at 05:33
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: July 06 2010 at 05:23
Originally posted by Mr ProgFreak Mr ProgFreak wrote:

^ well, how can you comment on the beauty of a painting if you can't measure it? Simple: You just do.

I haven't read every post of this thread - but I don't have to. I'm pretty sure that none of the posts contains a perfect recipe for quantifying enjoyment of music.
 
I simply mean that you've said that you can't tell the difference - and yet you haven't even tried, so I was wondering how you could possibly know.
 
My posts have at least suggested ways in which it might be measured and tested - the notion that there might be a "recipe" is, after all, the entire point of this thread (you should read it sometime - it's jolly interesting).


Edited by Certif1ed - July 06 2010 at 05:23
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Direct Link To This Post Posted: July 06 2010 at 04:46
^ well, how can you comment on the beauty of a painting if you can't measure it? Simple: You just do.

I haven't read every post of this thread - but I don't have to. I'm pretty sure that none of the posts contains a perfect recipe for quantifying enjoyment of music.
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Direct Link To This Post Posted: July 06 2010 at 04:29
Originally posted by Mr ProgFreak Mr ProgFreak wrote:

^ and how exactly do you measure listening pleasure? 
 
How exactly can you comment on whether or not it is affected if you don't even know how to measure it?
 
You really haven't been folowing this thread at all, have you?
The important thing is not to stop questioning.
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Direct Link To This Post Posted: July 06 2010 at 03:50
^ I'm sure scientologists have a device just for that!
https://soundcloud.com/why-music Prog trio, from ambiant to violence
https://soundcloud.com/m0n0-film Film music and production projects
https://soundcloud.com/fadisaliba (almost) everything else
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Direct Link To This Post Posted: July 05 2010 at 12:40
By pleasurometer, you silly!
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Direct Link To This Post Posted: July 05 2010 at 12:34
^ and how exactly do you measure listening pleasure? 
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Direct Link To This Post Posted: July 05 2010 at 09:23
Originally posted by Mr ProgFreak Mr ProgFreak wrote:


My only point was that merely playing a song with the intstruments tuned to 432 Hz instead of 440Hz does not change much in terms of listening pleasure, except for people with perfect pitch.
 
 
You can't simply say it has little or no effect if you haven't bothered to measure it (which is the point of this discussion, after all).
 
That's just lazy.


Edited by Certif1ed - July 05 2010 at 09:25
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Direct Link To This Post Posted: July 05 2010 at 07:51
Originally posted by friso friso wrote:

 


Yeah, but the Egyptians had a better science of the universe than the modern world until the mid nineties.


You can't seriously believe that, surely?

I am astonished.








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Direct Link To This Post Posted: July 05 2010 at 04:21
Originally posted by Certif1ed Certif1ed wrote:

Originally posted by Mr ProgFreak Mr ProgFreak wrote:

Originally posted by Certif1ed Certif1ed wrote:

Originally posted by Mr ProgFreak Mr ProgFreak wrote:

There's no difference - it's all relative. Why not use 441Hz, or 421Hz, or 445Hz? As long as the whole piece is in tune, I couldn't care less.
 
Of course there's a difference - if the key pitch is different, the entire piece will sound different and have a different "flavour". This is something that J. S. Bach explored when he wrote the 48 preludes and fugues.
 
Recently, I heard a remaster of Led Zep II on the Quiex label, and hated it. I ran it back to back with my first pressing on the same system, to prove that it wasn't simply the equipment making it sound unfamiliar, and it turned out that it had been remastered at a slightly different speed, which raised the pitch by nearly a semitone.
 
This is the equivalent of making A > than whatever frequency was originally used, so the difference is entirely tangible.
 


You notice this because you have perfect pitch. I don't have it, and to me there is no discernable difference. Isn't it likely that you're simply used to a particular pitch, and that something sounds odd to you if it's slightly off that pitch? I don't think that there's any objective difference between 440 Hz and 432 Hz.
 
Having perfect pitch is simply a tool which I could use to help explain why I liked one version and not the other.
 
Have you done the specific comaprison I mentioned?



No, but since I don't have such an intimate relationship with the original version, I doubt that the difference would be that important to me. (see next answer, too).

Originally posted by Certif1ed Certif1ed wrote:


 
If you had, you'd notice differences straight away - the fact that the pitch is different makes the music slightly faster, and puts more empahsis on treble than bass frequencies. Of course, some of this is the mastering EQ, but speed obviously changes a lot more than pitch.
 


I think that both changes in speed and EQ are much more important than a slight change of pitch - except for people with perfect pitch, who are used to specific pitches and perceive notes that are slightly off as - well, slightly off, while people like me, who have relative pitch, can be perfectly fine with the recording as long as all the notes are in tune with each other.

Originally posted by Certif1ed Certif1ed wrote:



The point is that the two are different, and to my taste, one is not as pleasant to listen to as the other - I merely sought ways to explain it. There could of course be other reasons, as I did not perform an exhastive scientific exploration - this suffices in exactly the same way as playing the album at 45 RPM would.
 


Well, today you can change pitch and speed independently (of course not without a dramatic reduction in quality due to rendering artefacts). My only point was that merely playing a song with the intstruments tuned to 432 Hz instead of 440Hz does not change much in terms of listening pleasure, except for people with perfect pitch.
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Direct Link To This Post Posted: July 05 2010 at 03:32
Originally posted by Mr ProgFreak Mr ProgFreak wrote:

Originally posted by Certif1ed Certif1ed wrote:

Originally posted by Mr ProgFreak Mr ProgFreak wrote:

There's no difference - it's all relative. Why not use 441Hz, or 421Hz, or 445Hz? As long as the whole piece is in tune, I couldn't care less.
 
Of course there's a difference - if the key pitch is different, the entire piece will sound different and have a different "flavour". This is something that J. S. Bach explored when he wrote the 48 preludes and fugues.
 
Recently, I heard a remaster of Led Zep II on the Quiex label, and hated it. I ran it back to back with my first pressing on the same system, to prove that it wasn't simply the equipment making it sound unfamiliar, and it turned out that it had been remastered at a slightly different speed, which raised the pitch by nearly a semitone.
 
This is the equivalent of making A > than whatever frequency was originally used, so the difference is entirely tangible.
 


You notice this because you have perfect pitch. I don't have it, and to me there is no discernable difference. Isn't it likely that you're simply used to a particular pitch, and that something sounds odd to you if it's slightly off that pitch? I don't think that there's any objective difference between 440 Hz and 432 Hz.
 
Having perfect pitch is simply a tool which I could use to help explain why I liked one version and not the other.
 
Have you done the specific comaprison I mentioned?
 
If you had, you'd notice differences straight away - the fact that the pitch is different makes the music slightly faster, and puts more empahsis on treble than bass frequencies. Of course, some of this is the mastering EQ, but speed obviously changes a lot more than pitch.
 
The point is that the two are different, and to my taste, one is not as pleasant to listen to as the other - I merely sought ways to explain it. There could of course be other reasons, as I did not perform an exhastive scientific exploration - this suffices in exactly the same way as playing the album at 45 RPM would.
 
Originally posted by Henry Plainview Henry Plainview wrote:

 And pet peeve, Certified, but nobody ever believed that the world was flat. It's obvious the world is round if you are anywhere near a large body of water.
 
Sorry, Henry, but it's true - although not for Mediaeval times, as is widely supposed. Dig back a bit further, and you'll find stuff from the Babylonians through the Egyptians (although not all) to even the early Greeks, who used the Flat Earth as the basis for experiments, and described the earth in this fashion in maps, which we have copies of - showing the entire known land mass surrounded by ocean on what would seem to be a disk rather than a sphere.
 
You are correct, however, that this belief was not as widely held as a many people seem think - but nevertheless, viewing the horizon standing near a large body of water might easily lead one to assume that the earth is a kind of curved disk with a kind of gas-filled dome above it, with, perhaps, the nearest high mountain range as the high point on that curved disk - possibly the abode of the gods? Wink
 
Maybe I should have used the "Earth at the centre of the universe" as my metaphor?


Edited by Certif1ed - July 05 2010 at 03:33
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Direct Link To This Post Posted: July 03 2010 at 02:59
Just to land in the Andes?LOL

Edited by Mr ProgFreak - July 03 2010 at 02:59
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Direct Link To This Post Posted: July 02 2010 at 13:37
Did a vehicle
Come from somewhere out there...
Can you tell me where we're headin'?
Lincoln County Road or Armageddon.
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Direct Link To This Post Posted: July 02 2010 at 10:41
Originally posted by mono mono wrote:

You simply shift all frequencies by a factor of 432/440 (multiply all frequencies by this factor) and all fits in. It's just a matter of reference. It's like moving the pitch bend wheel down veeeeeery slightly.
Is that it or did I get you wrong?
I was under the impression that because of the way the octave pitches add up, moving them around would cause dissonance in one of the other notes. But reading Wikipedia more closely, it seems I misunderstood. But my point remains that it's incorrect for friso to claim that for all time until the modern period A was 432 hz, because that was not the case.

Originally posted by friso friso wrote:

Some ancient civilisations believed that the world is flat...
Yeah, but the Egyptians had a better science of the universe than the modern world until the mid nineties.
The mid nineties of which century? Because I'm pretty sure this statement is going to false for any of them, unless science of the universe has some meaning I'm not aware of (and you are a follower of Ra). And pet peeve, Certified, but nobody ever believed that the world was flat. It's obvious the world is round if you are anywhere near a large body of water.


Edited by Henry Plainview - July 02 2010 at 15:13
if you own a sodastream i hate you
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Direct Link To This Post Posted: July 02 2010 at 09:18
I listened to the samples again last night, starting with the 432 version, it was harder to tell the difference that way, I think, I can't say if it was any more relaxing or not though.
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Direct Link To This Post Posted: July 02 2010 at 09:11
Originally posted by Certif1ed Certif1ed wrote:

Originally posted by Mr ProgFreak Mr ProgFreak wrote:

There's no difference - it's all relative. Why not use 441Hz, or 421Hz, or 445Hz? As long as the whole piece is in tune, I couldn't care less.
 
Of course there's a difference - if the key pitch is different, the entire piece will sound different and have a different "flavour". This is something that J. S. Bach explored when he wrote the 48 preludes and fugues.
 
Recently, I heard a remaster of Led Zep II on the Quiex label, and hated it. I ran it back to back with my first pressing on the same system, to prove that it wasn't simply the equipment making it sound unfamiliar, and it turned out that it had been remastered at a slightly different speed, which raised the pitch by nearly a semitone.
 
This is the equivalent of making A > than whatever frequency was originally used, so the difference is entirely tangible.
 


You notice this because you have perfect pitch. I don't have it, and to me there is no discernable difference. Isn't it likely that you're simply used to a particular pitch, and that something sounds odd to you if it's slightly off that pitch? I don't think that there's any objective difference between 440 Hz and 432 Hz.
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Direct Link To This Post Posted: July 02 2010 at 07:42
I did a bit of Internet research about Egyptians and resonance and unfortunately no academical research has surfaced, only, indeed, pseudo-science. All sorts of "experts" in "ancient spirituality" are "explaining" all sorts of stuff from religious rituals that are not actually documented to engineering, the end of the world and astrology... only quoting themselves, not academical research LOL

Here's such a "scientist":



This dudette is actually a singer/musician whose most academic offering was the participation at a Da Vinci Code conference (?), her performance is now broadcasted on The Travel Channel. She is an "expert" in Mary Magdalene, Gnosticism and sound healing. LOL

This extremely successful writer that comes across a lot when searching for Egyptians and resonance is a guy whose major concern is the "truth" in mythological civilizations and other history "mysteries". He's a sort of a more reasonable Erik von Daniken.

This guy is also concerned about astrology and immortality. LOL One of his most "interesting" claims is that "the ‘meshing’ of the Egyptian calendars (the ‘civil’ and ‘stellar’) were the cause of momentous events in Ancient Egypt". However the representatives of "alternative history" (how these guys call themselves) are upset on him because they feel he is going to much from the occult to "orthodox" Egyptology. LOL

Here's an intereting site which explains a lot LOL

Etc, etc.

Of course the ancients believed in this stuff and called it "science". Their efforts to understand and explain cosmos, human being, destiny etc. are fascinating and are now studied as academically as cultural phenomena, not as science. Taking these ancient beliefs again and trying to sell them now as (occult) "science" like these "alternative" guys do is, like Petrovsk said, pseud-science, charlatanism. But that doesn't mean that the ancient's intuitive "science" didn't have good ideas, worth exploring today. "Sound therapy" is of course bull***t if it tries to heal diseases by playing the patient certain "cosmic" music based on the ratios extracted from the alignment of his planets LOL, while studying the effect of sound over perception, therefore over neuro-processes and eventually over the possible effect on the body is indeed something scientifical. Thumbs Up


Edited by harmonium.ro - July 02 2010 at 07:53
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