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Topic ClosedMy own NEARfest 2010 review

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Tony R View Drop Down
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Direct Link To This Post Posted: June 27 2010 at 18:32
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Direct Link To This Post Posted: June 27 2010 at 17:42
Marty, I don't know if you have visited the USA, but I can tell you that the centre of Bethlehem does not look anything like a 'typical' US city. As regards Central Europe, I am more familiar with Hungary, Austria and Germany than the Czech Republic, which I have never visited - and definitely found similarities. Then again, if you expect an American town (founded about 200 years ago) to look like something at least three or four times as old, then you're bound to be disappointed... Anyway, I'm sure you read about the Moravian community in Bethlehem, and its rather famous church.

In any case, this review is about the music first and foremost, and I don't see any need to nitpick in this way. Sorry to be blunt, but this is the way I feel.
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Direct Link To This Post Posted: June 27 2010 at 16:46

Very lenghty and greatly done report. I like these, informative and I get as much feelings and experiences of yours from them as possible.

I wish I'll see the fest one day.



Edited by Marty McFly - June 28 2010 at 15:34
There's a point where "avant-garde" and "experimental" becomes "terrible" and "pointless,"

   -Andyman1125 on Lulu







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Direct Link To This Post Posted: June 27 2010 at 13:59
Great review Raff, written with clarity and precision, as always. Clap I would have loved to go if it were anywhere near me. 
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Direct Link To This Post Posted: June 27 2010 at 06:48
Oh, sorry about that, I'm not used yet to Progressor's page style, the review author name didn't catch my eye though it was very visibly placed Tongue
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Direct Link To This Post Posted: June 27 2010 at 06:47
Alex, the Moraine review on ProgressoR was written by Vitaly Menshikov himself, not me - while the Forgas Band Phenomena review is all my own. Thanks a lot for the kind words!
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Direct Link To This Post Posted: June 27 2010 at 06:38
Thanks for the review Raff, your description got me excited about Moraine and Forgas Band. For those curious, here's an excerpt of Raff's review for Moraine:

Staggering, Ephebes Amoebus, Nacho Sunset and Disillusioned Avatar are all largely improvisational in nature, but inasmuch as most of the arrangements on the first three of these grow from the (skeletal, mainly drums-based) swing framework, each reveals quite a few standard jazz tricks as well. With the latter track, however, the quintet gets into more adventurous territory. Totally cohesive despite featuring few unison soloing lines and no recurring themes at all, Disillusioned Avatar is a refined jazz-fusion phenomenon and sounds interesting throughout. However it is chamber rock-related compositions that are the real highlights of this effort, even though some of those are inferior to the others. Revenge Grandmother and the title track are brilliant from start to finish, each plunging the listener into an amazing musical journey, full of pleasing surprises.

http://www.progressor.net/review/moraine_2009.html

And John's (Easy Money) review:

Review by Easy Money
FORUM & SITE ADMIN GROUP Jazz-Rock/Fusion
4 stars Sounding somewhat like a mix of Lark's Tongue in Aspic, Fred Frith's Gravity, Bartok string quartets and McLaughlin's Indo - fusion, Moraine's Manifest Density draws on Progressive Rock's past, but synthesizes something totally fresh and new at the same time. With two string players on board they are able to expand further on the violin-rock sound initiated by Mahavishnu Orchestra and King Crimson. In fact, it's that seamless mix of semi-sting section and jazz-rock trio that is the hallmark of this band's sound.

Although this band can improvise on a scale comparable to the best fusion bands, their love of progressive rock composition often makes them more similar to jazzy prog-rock bands such as Focus or Quiet Sun. Meanwhile, their tendency to favor heavy diminished scale riffs with odd-metered rhythms will bring on the Mahahavishnu/Crimson reference again. To their credit though, despite all the obvious tributes to their favorites of the past, Moraine never sounds cheaply derivative or short on original musical ideas. Also, their tendency towards the occasional 'pretty' melody or chord progression makes them different from the harsher members of the jazz-rock set. Album closer, Middlebrau, in particular recalls a classic escalating 'prog-rock' chord progression, but with a more modern less indulgent approach.

Like many of the artists on the Moonjune label, Moraine has a very pure 'live' sound with little or no overdubbing or slick studio technology. The exact antithesis of ambient nu jazz, acid jazz, trip-hop or much of today's post-Laswell neo-psychedelic music, the individual musical lines of each player can be clearly heard and they are not buried beneath reverb, echo and a plethora of modern 'dubbing' techniques. If you are looking for a modern and original extension of bands like King Crimson, Henry Cow and Mahavishnu Orchestra, Moraine has it.

This band sounds really awesome from these reads, I definitely need to check this out!
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Direct Link To This Post Posted: June 27 2010 at 06:08
For those of you who are interested in reading what I wrote after the event, here's my review just published on the ProgressoR website:

http://www.progressor.net/nearfest2010.html

Hope you enjoy it, and feel motivated to take part in this wonderful event next yearSmile!
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