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Topic Closed...They spit on the face of Rock, No?

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philippe View Drop Down
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Direct Link To This Post Posted: April 08 2005 at 15:10
Originally posted by Peter Peter wrote:

To each his own.Ying Yang

Now ask me about Censored gansta rap, or Death Mental....Nuke

...but unfortunately there are some death metal bands in the progarchives

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Direct Link To This Post Posted: April 08 2005 at 14:39

Green Day are wimps! I can't frikin' stand any punk. I also hate emo and the fashion associated with it.



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Direct Link To This Post Posted: April 08 2005 at 14:28
Originally posted by John Gargo John Gargo wrote:

This Rock fellow must be a pretty big jerk if all these guys keep spitting in his face.


Yeah, I think spitting in the face of The Rock would be a very bad idea. The last thing you would ever see would be the People's Eyebrow, and then just blackness.
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Direct Link To This Post Posted: April 08 2005 at 09:54
This Rock fellow must be a pretty big jerk if all these guys keep spitting in his face.
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Direct Link To This Post Posted: April 08 2005 at 09:10

You know, punk isn't bad. Greenday isn't punk, as they claim, they're just emo, and my new signature will clear things up about my opinio on emo and the so-called revolution /breath of fresh air it represents.Punk bropught us The Melvins, who in turn gave us King Buzzo (Buzz Osbourne), who brought us FANTOMAS.  The last decent punk band were, IMO, Nirvan. Since then, no notable band has ever respected the punk aesthetics, if you get my drift

 


Teenage sucks hard -- Emo sucks even harder
Epic. Simply epic.
       
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Direct Link To This Post Posted: April 08 2005 at 08:29

Originally posted by Peter Peter wrote:

Originally posted by Certif1ed Certif1ed wrote:

While I'm perfectly capable of going on all night, I won't take the blame for your tardiness

Nighty-night!

Point well taken -- though I DID read all of your erudite post. (Perhaps with the wrong side of the ol' cerebrum, though....Embarrassed

ShockedBTW, your wife may be glad to hear that ^, oh tantric one, but I doubt your father-in-law will!WinkLOL

Ha! Thought I was gone, didn't you?Wink

I'm not married yet...

But I will be in June

...and jealousy will get you nowhere...

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Direct Link To This Post Posted: April 07 2005 at 14:42

Originally posted by Winterfamily Winterfamily wrote:


   Forget Radiohead

   Forget Green Day

   Listen to Wire

I like Wire,but why do I have to forget Green Day and Radiohead?

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Direct Link To This Post Posted: April 07 2005 at 14:38

You know what's even worse then Green Day?

GC, Simple Plan....

 

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Direct Link To This Post Posted: April 07 2005 at 12:17

   Forget Radiohead

   Forget Green Day

   Listen to Wire
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Direct Link To This Post Posted: April 06 2005 at 18:45
Originally posted by Garion81 Garion81 wrote:

 

Buffalo Springfield:

 

Don't forget Richie Furray and Jim Messina who went on to found Poco.  Then Messina joined up with Kenny Loggins in the early 70's Loggins and Messina. Very talented band. Had hits with For What it's Worth, Bluebird (Another song Steven Stills wrote about Judy Colllins), Rock and Roll Woman, Mr. Soul, Expecting to Fly and On the Way Home. They lasted about 1.5 years and they were done. 

 

 

Now I suddenly need to find a copy of Buffalo Springfield Again again. *hums Mr. Soul to himself*

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Direct Link To This Post Posted: April 06 2005 at 16:41

 

Buffalo Springfield:

 

Don't forget Richie Furray and Jim Messina who went on to found Poco.  Then Messina joined up with Kenny Loggins in the early 70's Loggins and Messina. Very talented band. Had hits with For What it's Worth, Bluebird (Another song Steven Stills wrote about Judy Colllins), Rock and Roll Woman, Mr. Soul, Expecting to Fly and On the Way Home. They lasted about 1.5 years and they were done. 

 

 



Edited by Garion81


"What are you going to do when that damn thing rusts?"
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Direct Link To This Post Posted: April 06 2005 at 16:14
Originally posted by Certif1ed Certif1ed wrote:

Originally posted by Peter Peter wrote:

Only if "non-standard" equals "better," in music.Stern Smile

Blues is (generally) not complex stuff, but it can convey an awful amout of soul, & feeling.

That is "better" for me with a beer (or six) than a complex, "difficult" Deus Ex Machina album, say....

My choice depends upon the setting, and the company -- sometimes the head is listening, sometimes the heart & hips.Ermm

Sometimes, ya just wanna rawk!Big smile

Interesting debate, folks -- now LET ME GO HOME!Pinch

You're skim-reading, me old mucker! I attempted a very brief discussion of the mechanics of how Radiohead go beyond the standard - and it is those mechanics which show thought and intelligence. Anyone can string 3 chords together - I often do, and there is nothing wrong with that, but it shows a little lack of thought. I know - that's why I do it  It shows no lack of soul or feeling, however - but writing from the heart is different to writing from the head; it's generally easier.

I am deliberatly not suggesting that one band is better than the other in absolute terms - my opinion is well known, and anyway, I can only quantify "better" in relative terms.

While I'm perfectly capable of going on all night, I won't take the blame for your tardiness

Nighty-night!

Point well taken -- though I DID read all of your erudite post. (Perhaps with the wrong side of the ol' cerebrum, though....Embarrassed

ShockedBTW, your wife may be glad to hear that ^, oh tantric one, but I doubt your father-in-law will!WinkLOL

Ha! Thought I was gone, didn't you?Wink



Edited by Peter
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 06 2005 at 16:03
Originally posted by Peter Peter wrote:

Only if "non-standard" equals "better," in music.Stern Smile

Blues is (generally) not complex stuff, but it can convey an awful amout of soul, & feeling.

That is "better" for me with a beer (or six) than a complex, "difficult" Deus Ex Machina album, say....

My choice depends upon the setting, and the company -- sometimes the head is listening, sometimes the heart & hips.Ermm

Sometimes, ya just wanna rawk!Big smile

Interesting debate, folks -- now LET ME GO HOME!Pinch

You're skim-reading, me old mucker! I attempted a very brief discussion of the mechanics of how Radiohead go beyond the standard - and it is those mechanics which show thought and intelligence.

I am deliberatly not suggesting that one band is better than the other in absolute terms - my opinion is well known, and anyway, I can only quantify "better" in relative terms.

While I'm perfectly capable of going on all night, I won't take the blame for your tardiness

Nighty-night!



Edited by Certif1ed
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Direct Link To This Post Posted: April 06 2005 at 15:45
Originally posted by FuzzyDude FuzzyDude wrote:

Originally posted by Peter Peter wrote:

Originally posted by Certif1ed Certif1ed wrote:

Is that proof enough?

 

Only if "non-standard" equals "better," in music.Stern Smile

Blues is (generally) not complex stuff, but it can convey an awful amout of soul, & feeling.

That is "better" for me with a beer (or six) than a complex, "difficult" Deus Ex Machina album, say....

My choice depends upon the setting, and the company -- sometimes the head is listening, sometimes the heart & hips.Ermm

Sometimes, ya just wanna rawk!Big smile

Interesting debate, folks -- now LET ME GO HOME!Pinch

Ahah! So you admit they ARE more intelligent than Green Day!

I do? Confused They LIKELY are, but only their psychologists know for sure.Stern Smile

But yeah, from the little I've heard, RH's output is more cerebral, but it just doesn't grab me like some GD songs do.Ermm

Bye now!Smile



Edited by Peter
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 06 2005 at 15:37
Originally posted by Peter Peter wrote:

Originally posted by Certif1ed Certif1ed wrote:

I agree with Fuzzy - Radiohead's music is much more from the intellect than Green Day's. GD's music is much more from the "Street smart attitude", IMO, and the same goes for the lyrics. Nowhere on Green Day's new album do they really attempt to break the mould - the chord progressions are standard on the whole, the melodies and lyrics are on the side of cliched, and the arrangements are clean and accessible.

Note that none of this means "bad". Cliches in music are necessary - you can hardly write a piece without throwing in a couple of cliches just to keep the piece comprehensible to the average listener.

The thought and intellectual application on OK Computer, for example, is obvious in all 3 areas I drew as examples; The chord progressions are not standard on the whole - you can pratically feel Johnny Greenwood pushing at the boundaries of what is acceptable within the rules of rock. Standard rock song formats are all but ignored. The melodies deliberately avoid the obvious, yet are seamless, accessible and engaging. The lyrics are minimalist poetry - I'm very surprised you haven't spotted that, Peter. And as for the arrangements - the four part vocal harmonies in the coda section of "Paranoid Android", the guitar solo on the near side of atonal and the quasi leitmotifs are well in the progressive realms. The build ups and disintegrations are remarkable and verge on pure noise in places - this is anything but standard rock. And yet it works well enough to be a hit single, despite clocking in at around 7 minutes.

Is that proof enough?

Only if "non-standard" equals "better," in music.Stern Smile

Blues is (generally) not complex stuff, but it can convey an awful amout of soul, & feeling.

That is "better" for me with a beer (or six) than a complex, "difficult" Deus Ex Machina album, say....

My choice depends upon the setting, and the company -- sometimes the head is listening, sometimes the heart & hips.Ermm

Sometimes, ya just wanna rawk!Big smile

Interesting debate, folks -- now LET ME GO HOME!Pinch

Ahah! So you admit they ARE more intelligent than Green Day!

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Direct Link To This Post Posted: April 06 2005 at 15:35
Originally posted by Certif1ed Certif1ed wrote:

I agree with Fuzzy - Radiohead's music is much more from the intellect than Green Day's. GD's music is much more from the "Street smart attitude", IMO, and the same goes for the lyrics. Nowhere on Green Day's new album do they really attempt to break the mould - the chord progressions are standard on the whole, the melodies and lyrics are on the side of cliched, and the arrangements are clean and accessible.

Note that none of this means "bad". Cliches in music are necessary - you can hardly write a piece without throwing in a couple of cliches just to keep the piece comprehensible to the average listener.

The thought and intellectual application on OK Computer, for example, is obvious in all 3 areas I drew as examples; The chord progressions are not standard on the whole - you can pratically feel Johnny Greenwood pushing at the boundaries of what is acceptable within the rules of rock. Standard rock song formats are all but ignored. The melodies deliberately avoid the obvious, yet are seamless, accessible and engaging. The lyrics are minimalist poetry - I'm very surprised you haven't spotted that, Peter. And as for the arrangements - the four part vocal harmonies in the coda section of "Paranoid Android", the guitar solo on the near side of atonal and the quasi leitmotifs are well in the progressive realms. The build ups and disintegrations are remarkable and verge on pure noise in places - this is anything but standard rock. And yet it works well enough to be a hit single, despite clocking in at around 7 minutes.

Is that proof enough?

 Better than I could have described it!

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Direct Link To This Post Posted: April 06 2005 at 15:33
Originally posted by Certif1ed Certif1ed wrote:

I agree with Fuzzy - Radiohead's music is much more from the intellect than Green Day's. GD's music is much more from the "Street smart attitude", IMO, and the same goes for the lyrics. Nowhere on Green Day's new album do they really attempt to break the mould - the chord progressions are standard on the whole, the melodies and lyrics are on the side of cliched, and the arrangements are clean and accessible.

Note that none of this means "bad". Cliches in music are necessary - you can hardly write a piece without throwing in a couple of cliches just to keep the piece comprehensible to the average listener.

The thought and intellectual application on OK Computer, for example, is obvious in all 3 areas I drew as examples; The chord progressions are not standard on the whole - you can pratically feel Johnny Greenwood pushing at the boundaries of what is acceptable within the rules of rock. Standard rock song formats are all but ignored. The melodies deliberately avoid the obvious, yet are seamless, accessible and engaging. The lyrics are minimalist poetry - I'm very surprised you haven't spotted that, Peter. And as for the arrangements - the four part vocal harmonies in the coda section of "Paranoid Android", the guitar solo on the near side of atonal and the quasi leitmotifs are well in the progressive realms. The build ups and disintegrations are remarkable and verge on pure noise in places - this is anything but standard rock. And yet it works well enough to be a hit single, despite clocking in at around 7 minutes.

Is that proof enough?

Only if "non-standard" equals "better," in music.Stern Smile

Blues is (generally) not complex stuff, but it can convey an awful amout of soul, & feeling.

That is "better" for me with a beer (or six) than a complex, "difficult" Deus Ex Machina album, say....

My choice depends upon the setting, and the company -- sometimes the head is listening, sometimes the heart & hips.Ermm

Sometimes, ya just wanna rawk!Big smile

Interesting debate, folks -- now LET ME GO HOME!Pinch



Edited by Peter
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 06 2005 at 15:32
Originally posted by Shatterwolf Shatterwolf wrote:

Quote Buffalo Springfield

Sorry to get off topic, but the other night at supper, my dad was talking about them. I can't remember the name of the song, but they did write one or two hits.

Strange..

They were a folk rock band from the late 60s. They weren't exactly the most talented band around. They only had three albums, and only one of them was really that great. They're famous for two things, though.

a) Stephen Stills and Neil Young were in it. Stills is better known for later forming Crosby, Stills, and Nash, whereas Neil Young is one of those unpredictable dark geniuses they tell crazy stories about.

b) In the 60s, you usually either sang covers or had someone else write your songs for you. There were a few major exceptions (Beatles, Dylan, Stones, Hendrix, etc.), but generally speaking, that was the rule. Buffalo Springfield was one of those exceptions. They were sort of avant garde for their time.

That's all I can remember off the top of my head. But yeah, they were the first band I was into as a kid.

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Direct Link To This Post Posted: April 06 2005 at 15:23

I agree with Fuzzy - Radiohead's music is much more from the intellect than Green Day's. GD's music is much more from the "Street smart attitude", IMO, and the same goes for the lyrics. Nowhere on Green Day's new album do they really attempt to break the mould - the chord progressions are standard on the whole, the melodies and lyrics are on the side of cliched, and the arrangements are clean and accessible.

Note that none of this means "bad". Cliches in music are necessary - you can hardly write a piece without throwing in a couple of cliches just to keep the piece comprehensible to the average listener.

The thought and intellectual application on OK Computer, for example, is obvious in all 3 areas I drew as examples; The chord progressions are not standard on the whole - you can pratically feel Johnny Greenwood pushing at the boundaries of what is acceptable within the rules of rock. Standard rock song formats are all but ignored. The melodies deliberately avoid the obvious, yet are seamless, accessible and engaging. The lyrics are minimalist poetry - I'm very surprised you haven't spotted that, Peter. And as for the arrangements - the four part vocal harmonies in the coda section of "Paranoid Android", the guitar solo on the near side of atonal and the quasi leitmotifs are well in the progressive realms. The build ups and disintegrations are remarkable and verge on pure noise in places - this is anything but standard rock. And yet it works well enough to be a hit single, despite clocking in at around 7 minutes.

Is that proof enough?

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Direct Link To This Post Posted: April 06 2005 at 15:11
Originally posted by Shatterwolf Shatterwolf wrote:

Quote Buffalo Springfield

Sorry to get off topic, but the other night at supper, my dad was talking about them. I can't remember the name of the song, but they did write one or two hits.

Strange..

Good band -- Neil Young was in there.  Mr. Soul was a "hit" for them.Thumbs Up

"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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