Is Rush prog |
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Saperlipopette!
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Posted: 19 hours 47 minutes ago at 07:17 |
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^ No, probably not. But I'm not really familiar with it. I didn't even mention songlength, and it was hardly The Dark Elf's main point either. It's about the composition. If my two mentioned Pink Floyd tracks are both too similar to mainstream rock for you to "qualify" as Prog, there's not enough common ground for us to stand on to discuss this any further. Just like song length in itself, mass popularity isn't an argument about the actual music, and it will not confirm anything for you. You must listen to confirm things in regards to music.
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David_D
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When talking about the length or suite form of a composition alone, do for instance the more than 20 minutes and suite form of Groundhogs' Split, Part One to Four (1971) make it Prog? Edited by David_D - 21 hours 19 minutes ago at 05:45 |
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quality over quantity, and all kind of PopcoRn almost beyond
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Saperlipopette!
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^I spent like half an hour on my own reply, so your post saying basically the same in fewer words and more to the point snuck in between:)
Edited by Saperlipopette! - January 03 2025 at 23:28 |
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The Dark Elf
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Wish You Were Here doesn't seem like Prog to you? "Shine On You Crazy Diamond" (all 25:33 of it)? "Welcome to the Machine"? Also, It always amuses me the idea that "mass popularity" somehow precludes a band like Floyd from someone's idea of "Prog". As if creating compositions that actually appeal to people is antithetical to prog-rock (we can't bloody well sell albums, we're prog for Christ's sake! We have to appeal to basement-dwellers, effete nerds and upper middle-class British schoolboys!). They were never a singles band, but folks still bought their albums and listened to them in their entirety.
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...a vigorous circular motion hitherto unknown to the people of this area, but destined
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David_D
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Animals and maybe Meddle are the only Floyd albums that really seem Prog to me. The rest of it is too psychedelic, melodic and similar to mainstream Rock, and the mass popularity of Floyd just confirms all this to me. Edited by David_D - January 03 2025 at 18:41 |
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quality over quantity, and all kind of PopcoRn almost beyond
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Floydoid
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^Wise words
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'We're going to need a bigger swear jar.'
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richardh
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Actually I don't think there is much Floyd that is not prog as such. Admittedly I only listen to 3 of their albums regularly (and that's enough to put them in my top ten favourite bands) but mostly they avoided straight up pop like Genesis did at times and only put out 2 serious 'Gilmour era' albums that still have a prog feel to them although are closer to AOR perhaps. Floyd are unique in so many ways and brought prog to the masses more than any other band. Also on a personal level I needed an album like The Wall at a difficult time when there was precious little else that was challenging society's values in an intelligent artistic way. They get a pass from me.
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verslibre
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Two songs, maybe. |
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Floydoid
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Well the Floyd cross many sub-genres, including psych/space in the first part of their career (Piper to OBC), then symphonic/eclectic in mid* career (DSOTM to TFC), and crossover in the Watersless era.
*The Wall is arguably heavy prog Edited by Floydoid - January 01 2025 at 12:32 |
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'We're going to need a bigger swear jar.'
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Cristi
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There was "is Pink Floyd prog?" thread not so long ago. And a "DSOTM is overrated" thread... So I don't think there are double standards here.
Edited by Cristi - January 01 2025 at 11:51 |
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verslibre
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Floyd's sacred cow status really annoys me. |
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verslibre
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When I first put on Victor and "Don't Care" rolled forth with the subtlety of a steamroller flattening a fire ant mound, I knew it was a winner. "Promise" also cooks with fire, and Dalbello's vocal on "Start Today" stamped it and waved it through. The rest was icing on the cake. "Strip and Go Naked" is a great instrumental. Indeed, Lerxst got to cut loose. The new remix-reissue adds some songs, while the reissue of Geddy's doesn't (and it could use some). I do like MFH, but it does feel a bit safe when we know what he's capable of. |
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Saperlipopette!
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^About the same as me it seems.
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Nogbad_The_Bad
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I have all those bands in a 'prog rock' genre on my ipod along with Yes and Genesis while having separate genres for RIO, Canterbury, Zeuhl, Krautrock, Electronic etc. |
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Ian
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Saperlipopette!
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^ They serve a purpose I guess. Although I personally just use Prog (or Progressive) Rock about all Symphonic Prog too.
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David_D
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And what about Symphonic Prog and Neo-Prog? |
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quality over quantity, and all kind of PopcoRn almost beyond
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Saperlipopette!
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Jeffro
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While Rush's total output does not fall under the prog umbrella, if you don't think some of Rush's 70s music was prog then you need to have your ears checked. There's plenty of Genesis that's not prog. There's plenty of Floyd that's not prog. No one seems to trash those bands because of that. Rush, on the other hand, gets trashed all the time. Double standards at work. |
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David_D
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I reckon that if I knew more of the bands placed in Eclectic Prog, I would be better qualified to have an opinion about it, but GG, VdGG and KC look fine in there to me, as bands which can't be classified by one of the main Prog sub-genres. |
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quality over quantity, and all kind of PopcoRn almost beyond
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Jeffro
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Regarding Roll The Bones I agree wholeheartedly. Meh sums it up quite well. Dreamline is great. Where's My Thing isn't bad. the rest is just so much whatever. Regarding Alex and Geddy solo projects Victor is awesome. It's chaotic and all over the road. That's why I love it. It's Alex cutting loose. My Favorite Headache is more consistent and melodic but is a little too safe. At the time, I remember thinking that it would have been better had Geddy rocked out a little more. There are some good songs but on the whole I prefer Victor. Edited by Jeffro - January 01 2025 at 08:04 |
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