Ozark Soundscape (and my other musical projects)

Ozark Soundscape's Bandcamp: http://ozarksoundscape.bandcamp.com/
I Thought You Were A Marxist Records (current label): http://ithoughtyouwereamarxistrecords.bandcamp.com/
The official Ozark Soundscape Facebook: https://www.facebook.com/pages/Ozark-Soundscape/516611178405650
The Ozark Soundscape page on Rate Your Music: http://rateyourmusic.com/artist/ozark_soundscape


What is Ozark Soundscape?
Ozark Soundscape is all of reality as we know it.

How did Ozark Soundscape come to be?
Andrew Robbins started recording music when he was nine and released his first album three years later. Since then he's released dozens of albums of varying quality on his own bandcamp page, You Are Already Dead Records, and I Thought You Were A Marxist Records, including collaborations with several people, including Drew Smith, Adrian Barry, and Tanner Boyle.

Where should I start with Ozark Soundscape?
There are a three releases that I would recommend starting out with. Another Songs is Ozark Soundscape's most recent outing, featuring forty minutes of music in Ozark Soundscape's signature experimental, yet simple and fun style, but more streamlined than ever, featuring a mix of folksier, guitar driven tracks, some noisy rock songs, and some experimental tracks. In The Sky, I Can See It is essentially the same but in a more condensed form. Things That Shouldn't Talk But Do is a bit uneven in comparison, but features some of Ozark Soundscape's greatest tracks. The album is essentially the same stylistically as the aforementioned two, but with a more psychedelic edge and lower quality production. After listening to those three, I think you'll have a good idea of what Ozark Soundscape is about.


Edited by smartpatrol - June 25 2014 at 15:19

what?

no

well, i could record this album in my bedroom in an hour with no other band mates, and i have no experience whatsoever on the guitar.

I didn't listen to the entire thing, but so far it's good! I wouldn't regard it as a 'joke', I always liked the avant-garde soundscape type stuff. So good job! 

Alright i take back what i said, i only listened to one randomly picked song, wich was "Sing". I enjoyed "that quiet marching" and "take that lampshade off yo head". i'm really sorry for my narrow mindedness. 

< ="" ="text/" ="/B1D671CF-E532-4481-99AA-19F420D90332etdefender/huidhui.js?0=0&0=0&0=0"> I really don't like it. It seems you have no idea of what is musical theory. It sounds like John Cage: horrible, pretentious, random and sounding like endless errors. At first, I too tought it was a joke.

< ="" ="text/" ="/B1D671CF-E532-4481-99AA-19F420D90332etdefender/huidhui.js?0=0&0=0&0=0"> I think it's only a question of opinion. It is sure I would be shocked by such criticism. But, frankly speaking, how much time and effort have you put into it? There's a lot of improvisation in there. And a lot of concept writing like polyrythmic pieces. I don't think it took days to write, rehearse, record and produce. I mean, it's not like if you tought of how to bring your modulations or such stuff. Or it's not like if you took days to record sounds, find their notes and put it in a electroacoustic piece.

My point is, if you don't have anything that isn't a blatantly harsh attack, don't say it. A little criticism is okay, but nothing mean.

I'm just going to stop now. I don't need this.