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Did Yes "drop the ball" when Bruford left? |
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Man With Hat ![]() Collaborator ![]() ![]() Jazz-Rock/Fusion/Canterbury Team Joined: March 12 2005 Location: Neurotica Status: Offline Points: 166183 |
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bruford is definitely the better drummer if that answers the question
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iluvmarillion ![]() Forum Senior Member ![]() ![]() Joined: February 09 2010 Location: Australia Status: Offline Points: 3247 |
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This. While Bill Bruford is my favorite drummer, Alan White's drumming on TFTO takes Yes to a new level. Patrick Moraz on Relayer takes them to a new level again. I think it all went wrong when Rick Wakeman returned to Yes. Alan White and Steve Howe were developing a harder edge with the sort of music they were doing with Patrick Moraz. Wakeman returned the group to a more folksy - pop - classical feel which the band had been moving away from. The group survived GFTO only because Wakeman liked what Jon Anderson was doing and was able to enhance the music. The split was always inevitable when it occurred with the Tormato album.
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cstack3 ![]() Forum Senior Member ![]() ![]() VIP Member Joined: July 20 2009 Location: Tucson, AZ USA Status: Offline Points: 7420 |
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I voted "not really." Bruf was getting bored with Yes from what I've read, and he wanted to play in King Crimson so he could "play some wrong notes."
White was an excellent replacement, his work on "Relayer" is sublime. I saw Bruford with Yes for the Reunion Tour, he said he was bored out of his mind. However, I think he did very well with Anderson Bruford Wakeman & Howe, so who knows.
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nick_h_nz ![]() Collaborator ![]() ![]() Prog Metal / Heavy Prog Team Joined: March 01 2013 Location: Suffolk, UK Status: Offline Points: 6737 |
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I prefer Bruford as a drummer, but my favourite Yes albums all tend to be after he left. I think only CttE would make it to my top five Yes albums, from the Bruford era.
For me personally, I think losing Moraz to take back Wakeman created far more of a dropping the ball moment, than Bruford voluntarily leaving the band. [EDIT] I posted this without reading what others had said. I see now that I’m not the first to have recognised losing Moraz as being more of a dropped ball moment than Bruford leaving. 🤗 *note to self* - Read before posting…. 🙄 Edited by nick_h_nz - November 06 2021 at 02:00 |
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Mormegil ![]() Forum Senior Member ![]() ![]() Joined: January 03 2010 Location: NE PA Status: Offline Points: 7766 |
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Mmmm, no.
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Welcome to the middle of the film.
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Manuel ![]() Forum Senior Member ![]() ![]() Joined: March 09 2007 Location: United States Status: Offline Points: 13481 |
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Exactly.
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18159 |
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Hi, Bill does not exactly say a whole lot about leaving YES, in his book, which concentrates on trivial matters more often than not, and is not a sort of tell all book at all. It is also possible that his residuals from YES material are still large enough for him to say anything at all, and rock the boat! I agree that he is a great drummer, and he shows it in KC, with the sad fact that a lot of the "remixes" done from KC during his time, do not show BB very well. Witness a song done by Rachel Flowers, where she DOES take the time to add the little touches and trinkets that became a signature 35 years when KC had 3 drummers, so one could do all the little fun stuff! You could easily have said that it was BB that created a lot of those bits instead! Time comes and goes, and never does it look any different the next day, other than a few clouds, and maybe a little warmer or colder. In essence, BB had decided that he wanted to try something new, and I believe he misjudged TFTO a bit, which would have been nice for him, although I have a feeling that there were passages when his style of cutesy, or edgy jazzy bits, would (apparently) not fit at all, and in this sense, Alan White did a great job staying focused on what was needed and requested for the players to do their thing and shine. BB went on to do some outstanding things with KC and on his own. To say he dropped the ball, is kind of sad, and he does not deserve that kind of attack. Pretty soon we have to blame the dog, or the cat, for it all happening, and throw them out the door, just so we can live out our life of continuous rejection of the way life is, and how things turn out. Our reactive ideals are not what people are about.
Edited by moshkito - November 06 2021 at 07:47 |
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chopper ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: July 13 2005 Location: Essex, UK Status: Offline Points: 20035 |
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Maybe you misread the OP - it says "Yes dropped the ball", not Bill.
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cstack3 ![]() Forum Senior Member ![]() ![]() VIP Member Joined: July 20 2009 Location: Tucson, AZ USA Status: Offline Points: 7420 |
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From what I've read, Yes treated Patrick Moraz very poorly, including withholding payment. From an online interview with Moraz (original link didn't work) – Were you forced to leave or parting company was friendly?
Unfortunately, I was forced to leave. And even though, at the time, the split “was not made to appear acrimonious”, I suffered extremely and extensively. To be “asked to leave” so suddenly put me in a lot of turmoil and disturbance. The fact is, I was never compensated for anything. I never ever got paid for any of my tour participation in the extremely successful and extensive YES Tour of 1976, which comprised about 65 concerts, many of them in front of sold-out audiences of more than 100,000 people. After all, as a member of the band, I was entitled to a 20% cut from what the band was getting. I don’t like to dwell into negatives, however, I can tell you that I had absolutely no desire to want to leave YES, at the time, in November of 1976. We had just finished the biggest tour YES had ever done, the “Bicentennial Tour”, a huge, extremely successful tour for YES. Somehow, it had been decided that we would go and record, in my own country, Switzerland, what became the album “Going for the One”, which we had extensively composed, developed and rehearsed during the course of 1976 (and even before that). There was no reason in the world for me to want to leave the band! Also, I understood, much later, that Rick was already in town, with his own crew, when I was still in the group, and I was still part of YES. In addition, it was an extremely complicated and difficult situation for me to be stranded, on the street, with my baby daughter who was only one-month old and her mother, without any transport or money, in the cold winter of Switzerland. Then the fight for survival to stay alive, it all became surreal. Edited by cstack3 - November 06 2021 at 11:32 |
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verslibre ![]() Forum Senior Member ![]() ![]() Joined: July 01 2004 Location: CA Status: Offline Points: 18736 |
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^Awful.
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Rednight ![]() Forum Senior Member ![]() ![]() Joined: January 18 2014 Location: Mar Vista, CA Status: Offline Points: 4812 |
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"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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richardh ![]() Prog Reviewer ![]() ![]() Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 29638 |
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Alan White was actually a phenominal drummer as proved on Rick Wakeman's Six Wives album were both he and Bruford get 3 songs each. Ann Of Cleves may well have my favourite drumming. I believe that Bruford improved as a drummer after he left Yes and was challenged a lot more by Fripp and crew. That said Yes were amazingly creative in the period when he was there and I suspect he was a slightly more versatile drummer than White who was more talented on the heavy side. I tend to agree that Relayer was the most 'progressive' of the post Bruford albums but that was largely down to Moraz. Pity that Moraz and Bruford never played together..oh hold on they did lol!
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verslibre ![]() Forum Senior Member ![]() ![]() Joined: July 01 2004 Location: CA Status: Offline Points: 18736 |
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Seems like Alan will forever be in Broof's shadow for some fans. For me, the "classic" Yes line-up is Squire, Howe, Anderson, Wakeman and White. That's the line-up that recorded TFTO, Going for the One and KTA 1/2. 'Nuff said!
And those are killer albums.
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