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The 1970s: counterculture, music, peace & struggle

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Jacob Schoolcraft View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: December 17 2024 at 18:49
So...it wasnt in the German musicians best interest to sing in their own language? Huh? Why? Because of success?

I found a lot of singing in the 70s to be questionable..but I assume that wasn't important to anyone of consequence.

I thought Robert Plant was a lousy singer and I found it repulsive that a record executive or a manager would want you to sing like him.

The music business in America was all about being commercial and or having a pretty face. Chi Coltrane had a pretty face and she turned her back on their demands. Years later she became a fan of Dream Theater 😃

In America the music business is a joke.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote David_D Quote  Post ReplyReply Direct Link To This Post Posted: December 18 2024 at 14:42
Originally posted by jamesbaldwin jamesbaldwin wrote:

the interesting thing is that the italian counterculture movement of the 1970s was largely external to the communist party, which had to maintain constitutional legality, in fact the armed struggle arose from elements that challenged the communist party for having lost its revolutionary drive. many left-wing writers and intellectuals were expelled from the communist party, some of whom founded movements and newspapers, the most famous of which is Il MANIFESTO, which is still in existence.

Yes, I think, it was quite typical that The New Left was organized besides the traditional left-wing parties. For instance in Denmark, it was not least in form of a new party, Venstresocialisterne (Leftsocialists), which was formed by some former, prominent members of the more traditional Socialistisk Folkeparti (Socialist People Party). Venstresocialisterne was much more radical than SF, and revolutionary, while SF's socialism strategy was based on reforms. Btw, I became myself a member of Venstresocialisterne in early '80s.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote David_D Quote  Post ReplyReply Direct Link To This Post Posted: December 19 2024 at 14:18
Originally posted by jamesbaldwin jamesbaldwin wrote:

Regarding the two strands of the counterculture, the hippy and the communist, it must be said that in Italy the 1977 movement, at the height of the armed struggle, included both instances. For example, Bologna's Mao-dadaist Radio, a radio station of the communist and autonomous left, which was inspired by the Marxist philosopher Tony Negri (who then went to live in France, he died recently),  I was saying: the radio of the communist movement in Bologna was called Radio Alice, because it was inspired by the Jefferson Airplane song: in short, communism and psychedelia.

I reckon that not so few leftists were influenced by the hippies, but basically, the hippies and the political left-wing had rather different strategies for new society / better world. The hippies saw the changes not least to happen within the mind of individuals, or at most creating a counter-society in the midst of the current system, for instance in form of independent small communities like Christiania - even I think, that was as far as it could get; while for the left-wing, it was definitely about changing the organization of the whole society and especially the economic system.


Edited by David_D - December 20 2024 at 12:18
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: December 19 2024 at 16:19
Great time on the U.S. West coast.   Somehow everyone assumed it would remain that way forevermore--   rock, drugs, culture, and fun in the sun.

"Too often we enjoy the comfort of opinion without the discomfort of thought."   -- John F. Kennedy
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamesbaldwin Quote  Post ReplyReply Direct Link To This Post Posted: December 21 2024 at 10:46
In 1972, when anarchists in Italy were still being blamed for the Milan bombing in 1969 (but it was a fascist bomb!), and when Commissioner Calabresi (who had arrested two of them, completely innocent), was killed by some armed militants, Francesco Guccini published this song that recalls a true story: an anarchist train driver hurling a locomotive at a train for rich people in the early 20th century. Crowds of left-wing demonstrators sing the song in chorus with clenched fists, shouting 

TRIUMPH THE PROLETARY JUSTICE!
These lyrics became a cult.


THE LOCOMOTIVE

I don't know what face he had, not even what his name was,
with what voice he spoke, with what voice he sang,
how old he was then, what colour his hair was,
but in my imagination I have the image of him:
heroes are all young and handsome,
heroes are all young and handsome
heroes are all young and handsome...

But I know the time of events, what his trade was:
the early years of the century, engineer, railwayman,
the days when the holy war of the beggars was beginning
the train also seemed a myth of progress
launched over the continents,
hurled over the continents,
hurled over the continents...

And the locomotive seemed to be a strange monster
that man mastered with thought and hand:
roaring it left behind distances that seemed endless,
it seemed to have within it a tremendous power,
the same force as dynamite,
the same force as dynamite,
the same force as dynamite...

But another great force was then spreading its wings,
But another great force was then spreading its wings,
words that said ‘all men are equal’
And against kings and tyrants burst in the street
the proletarian bomb and lit up the air
the torch of anarchy,
the torch of anarchy,
the torch of anarchy!

A train every day passed through its station,
a luxury train, a distant destination:
he saw revered people, he thought of those velvets, the golds,
thought of the meagre day of its people around,
thought a train full of gentlemen,
thought a train full of gentlemen,
he thought of a train full of gentlemen...

I don't know what happened, why he made the decision,
perhaps an ancient rage, nameless generations
that screamed revenge, blinded his heart:
he forgot pity, he forgot his goodness,
his bomb his steam engine,
his bomb his steam engine,
his bomb his steam engine....

And on the track stood the locomotive,
the pulsing machine seemed to be a living thing,
it looked like a young colt that as soon as it released the brake
biting the rail with muscles of steel,
with blind force of flash,
with blind force of flash,
with the blind force of a flash...

And one day like the others, but perhaps with more rage in his body
he thought he had a way to right some wrong.
He climbed onto the sleeping monster, tried to push away his fear
and before he thought about what he was going to do,
the monster devoured the plain,
the monster devoured the plain,
the monster devoured the plain...

The other train ran unaware and almost in no hurry,
no one imagined they were heading for revenge,
but at the Bologna station the news came in a flash:
‘emergency news, act urgently,
a madman has thrown himself against the train,
a madman has thrown himself against the train,
a madman has thrown himself against the train...’

But meanwhile it runs, runs, runs the locomotive
and hisses steam and seems almost a living thing
And seems to say to the bent peasants the whistle that spreads through the air:
‘Brother, dont fear, I run to my duty!
Let proletarian justice triumph!
Let proletarian justice triumph!
Let Proletarian justice triumph!’

And in the meantime he runs and runs and runs
And he runs and runs and runs towards death
And nothing now can hold back the immense destructive force,
It waits only for the crash and then for the mantle
Of the great comforter
Of the great comforter
of the great comforter...

History tells us how the race ended
The locomotive diverted along a dead line...
With its last animal cry the car erupted lapilli and lava,
exploded against the sky, then the smoke scattered the veil:
they picked him up who was still breathing,
they picked him up who was still breathing,
they gathered him who was still breathing....

But we like to think of him still behind the engine
as he runs the steam engine away
And that one day more news will reach us
of a locomotive, like a living thing,
bombarded against injustice,
bombarded with injustice,
bombarded with injustice!


Live version: (on the bass: Ares Tavolazzi, Area's bassist)



Edited by jamesbaldwin - December 22 2024 at 17:01
Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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David_D View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote David_D Quote  Post ReplyReply Direct Link To This Post Posted: Yesterday at 06:12

A very fine song reflecting The New Left was by the African

Osibisa - "Think about the People", on their debut album (1971), and an excerpt of the lyrics says:

Now stop for a moment
Think about the world
Think about the people
Think about their lives
Stop for a moment
Think about the system
Think about your children
Think about the whole wide world!


Think about deception
Think about pollution
Think about radiation
Think about destruction
Think about revolution
Think about a revelation
Think about a solution
Or think about a whole wide world!

RIGHT NOW!

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David_D View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote David_D Quote  Post ReplyReply Direct Link To This Post Posted: 33 minutes ago at 06:35

Probably the largest hippie community was established in Haight-Ashbury, San Francisco, and is by Wikipedia described like this:

"Some of the earliest San Francisco hippies were former students at San Francisco State College[61] who became intrigued by the developing psychedelic hippie music scene.[52] These students joined the bands they loved, living communally in the large, inexpensive Victorian apartments in the Haight-Ashbury.[62] Young Americans around the country began moving to San Francisco, and by June 1966, around 15,000 hippies had moved into the Haight.[63] The CharlatansJefferson AirplaneBig Brother and the Holding Company, and the Grateful Dead all moved to San Francisco's Haight-Ashbury neighborhood during this period. Activity centered on the Diggers, a guerrilla street theatre group that combined spontaneous street theatre, anarchistic action, and art happenings in their agenda to create a "free city". By late 1966, the Diggers opened free stores which simply gave away their stock, provided free food, distributed free drugs, gave away money, organized free music concerts, and performed works of political art."

(https://en.wikipedia.org/wiki/Hippie#1967:_Human_Be-In,_Summer_of_Love,_and_rise_to_prevalence)

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