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I've got Electronic Realizations for Rock Orchestralying around somewhere (probably in an unopened box after a move and yes, it is a w.an.k.y. title) but remember it as being pretty good. Mostly played on synths I think?
I have a lot of respect for Larry but I see his music as best suited for film soundtracks. Not something I would put on and jam to. Thus there isn't a strong need for discussion.
Joined: May 13 2007
Location: Europe
Status: Offline
Points: 37575
Posted: March 15 2014 at 13:33
Yup. That's about it...
Oh, he made some modules for Rick Wakeman and had a minor technical role during the TFTO sessions. If anyone knows what that entailed I guess that could be an interesting discussion...
Oh, he made some modules for Rick Wakeman and had a minor technical role during the TFTO sessions. If anyone knows what that entailed I guess that could be an interesting discussion...
I think Rick Wakeman first used a customised synth module designed by Larry Fast on the live Yessongs album but don't ask me on what songs/sounds etc. Mr Fast was interviewed in 2004 about his involvement with TFTO but only offered this by way of a rather vague response:
Rick suggested I come to the studio when the band was recording Tales From Topographic Oceans
to see how the device was working and offer some tips and techniques,
as well as do a little upgrading. It was a very good opportunity. I was able to spend a
lot of time in the control room watching Eddie Offord work. I learned a
lot about the techniques that were important to the way British albums
of the time were engineered. It was quite different from the way
American recording was done in the studios in the New York area. I
brought a lot of those techniques back with me and they have stayed
with me. So, whether I was working with Peter Gabriel, Nektar, Kate Bush
or acts in America that had British roots like Foreigner or Bonnie
Tyler, I always had a cross-Atlantic thing to offer.
Despite our best efforts we just can't seem to make Larry more interesting than he is
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