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Finnforest View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Finnforest Quote  Post ReplyReply Direct Link To This Post Posted: November 19 2011 at 15:39
Yeah, I've heard that, pretty funny stuff..LOLSmoke
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: November 19 2011 at 16:29
Sorry Jim and Todd. EmbarrassedI can't explain why the seventies RPI sounds so new to me and the modern RPI so old ... I've tried so hard, I swear, but I can't.  It's strange. I like today's music. But not this one. The melodies are often great, but the sound is impossible, especially when a vulgar and enormous electric guitar comes and fills the space, leaving all the others instruments behind ...  Fortunately I don't have the same feeling for the Hadarma fantastic album. Hope it will be the beginning of something ...
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Finnforest Quote  Post ReplyReply Direct Link To This Post Posted: November 19 2011 at 21:19
ClapI get your drift.  I've had similar strange thoughts while listening to this one. 

 Concerto Delle Menti by PHOLAS DACTYLUS album cover Studio Album, 1973

Concerto Delle Menti
Pholas Dactylus Rock Progressivo Italiano

Review by Guldbamsen
Prog Reviewer

4 stars Falling down staircases

Talk about a wild tumbling ride! Putting this record on, is like strapping yourself onto a dizzy cheetah going 60 miles an hour! Pheewiii! Italian spoken vocals spanning from a deep, sometimes abrasive narrative voice - bellowing stuff you´d most likely find in a horror movie - to galloping, frantic and downright earth shattering bass booming incantations. The lyrics here are of an apocalyptic nature speaking of some biblical doomsday scenario, the end of all things. I can quite easily picture the world going down in flames listening to this, although I don´t speak Italian. There´s a kind of meta language going on here, that all through this bumpy and ferocious ride is breathing it´s fiery dragon breath down your neck, like a long lost demon from a time where human kind believed in the potential of darkness. There are still some of us, who think that the blackness of night changes things that otherwise in the sunlight has no real significance.

The music within strikes me as a blend of nearly every genre that existed at the time. I mean wow, these guys jump from hard bluesy rock to psychedelic textures, a teaspoon of Kraut, gritty symphonics and feverish fusion. This is an album, that sounds like its running from something - over stock and stone leaving its hat and glasses - jumping over streams and shrubberies, and somehow, like magic, all of this maniacal behaviour gets handed over to the listener in a form that is neither uncomfortable or disagreeable. It gets under your skin, and by the 4th or 5th tour of this Italian excursion, you´ve already strapped yourself into the cockpit and bam! it´s off to an eclectic wilderness of mad and pumping notes.

Even though this passage of my review might come across as a joke- or it appears slightly absurd, - I do honestly think that Concerto delle Menti at times sounds like an absurd rock band playing like there was no tomorrow, whilst falling down a staircase with a large drunk opera-singer, who´s cursing out blasphemously in his sleep. Tumbling down the stairs, -in agreement though, as all these crazy dudes obviously spend a lot of time hanging out with the front man while he´s sleepwalking, - the music keeps on climbing in intensity and adding on some cacophonous qualities. It is experimental, but it is not that hard of a listen though, well at least to these ears that is... It is something that slices open a smile on my face, and furthermore has given me plenty of giggles the past year. I just need to think of this album, and swooop - I suddenly have this internal movie playing inside my head with a big ball of yarn made up of crazy Italian musicians falling down stairs...

Counterpointing these rambling sections - we get beautiful piano laden epiphanies with soaring mellotron and some lovely organs - evening things out a bit. Think of this album as a snorkel diving experience: A few deep breaths of air, and down the watery rabbit hole we dive. It is dark, schizophrenic, off-kilter and maybe out of your comfort zone, but once you´ve become accustomed to the darkness, you´ll see things in it that no longer feel frightening, and a whole new set of worlds develop in front of your eyes, and suddenly the surface no longer seems that important any more...




Edited by Finnforest - November 19 2011 at 21:19
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Nightfly Quote  Post ReplyReply Direct Link To This Post Posted: November 20 2011 at 04:52
^ That is one album I've never got round to buying and I should have it! I'll have to put that right some time soon.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: November 20 2011 at 05:54
EQUIPE 84 : Stereoequipe. 1968.
 
I don't understand why this album (that many people see like the itlalian sgt pepper) has not been reissued !!!
Please someone,  just for that Lucio Battisti's song. Smile
 
 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: November 20 2011 at 12:29
IVANO FOSSATI : IL GRANDE MARE CHE AVREMMO TRAVERSATO
 
I have a special tenderness for this Fossati album. Maybe my brazilian side.
 
 
 
 
 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote dreadpirateroberts Quote  Post ReplyReply Direct Link To This Post Posted: November 20 2011 at 18:17
Originally posted by hellogoodbye hellogoodbye wrote:

EQUIPE 84 : Stereoequipe. 1968.
 
I don't understand why this album (that many people see like the itlalian sgt pepper) has not been reissued !!!
Please someone,  just for that Lucio Battisti's song. Smile
 
 
 
Very cool - a song Lucio wrote for them? I'd never heard it before, very pleased!
We are men of action. Lies do not become us.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: November 21 2011 at 13:36
HYDRUS (1978) MIDNIGHT IN SPACE.
One of my favorite electro italian prog. Magnificent ! Vinyl only.
 
 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Mellotron Storm Quote  Post ReplyReply Direct Link To This Post Posted: November 21 2011 at 21:36
Originally posted by hellogoodbye hellogoodbye wrote:

A good one, Todd. I'm listenning now to Osanna's l'Uomo. Osanna and Officina Meccanica have a great psych feeling. But in my opinion "Ys" goes still further. Each time I listen to that gem, I feel that if one changes a note, all can Pingcollapse.
 
I agree with you completely.Love that heavy psyche flavour like the video Chris posted of Roberto Righini that i've never heard of before.Listening to Collage from LE ORME right now and it has some of that too.I made my teens listen to it on the way into town yesterday.My son is always polite about it but he teases me a lot about my music.His girlfriend was with him too and i'm sure out of politeness but she's been positive about my music.I let them listen to what they want to on the way home.
"The wind is slowly tearing her apart"

"Sad Rain" ANEKDOTEN
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: November 22 2011 at 12:10
I love Le Orme and Collage is wonderfull. The way they play on the Scarlatti sonata is truly fantastic. More than everyone in rock music, the italians understand and feel (without never betraying) the spirit of classical music. There's so much to say about it. It could the subject of a new den.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lizzy Quote  Post ReplyReply Direct Link To This Post Posted: November 22 2011 at 12:58
^ That is one of the few instances where I am not exactly pleased with the rendition of a classical piece. I cannot deny the musicianship, which is at its finest, but the outcome and the use of keys are not exactly my cup of tea. I still cannot get myself to like Le Orme. Cry
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Post Options Post Options   Thanks (0) Thanks(0)   Quote toroddfuglesteg Quote  Post ReplyReply Direct Link To This Post Posted: November 22 2011 at 13:30

Check out the six MP3s on Pane's homepage. I suspect we may have a good candidate for top 5 on our hand there.

I am in touch with Claudio and their story will be told soon, btw.

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guldbamsen Quote  Post ReplyReply Direct Link To This Post Posted: November 24 2011 at 14:14
Listening to Allan Sorrenti´s Aria today for the first time in a year... I can´t believe I started out hating this album like I hate celery sticksLOL Now I am really enjoying it - and those vocals seem far more interesting than before( well they need to don´t they - taking up about 90 percent of the darn thing...)
That and Metamorfosi is spinning a lot at my domicile.

Thank you for posting the Pholas Dactylus one Jim - it really is a one of a kind album.
 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: November 25 2011 at 05:40
 
Diesel (1977) A cool singer album by Eugenio Finardi. (His third). Two members of AREA play on the record.  An interesting mix of Jazz, rock and classical music of the only song I've found on you tube. Easy to find.
 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Nightfly Quote  Post ReplyReply Direct Link To This Post Posted: November 25 2011 at 12:21
Originally posted by Guldbamsen Guldbamsen wrote:

Listening to Allan Sorrenti´s Aria today for the first time in a year... I can´t believe I started out hating this album like I hate celery sticksLOL Now I am really enjoying it - and those vocals seem far more interesting than before( well they need to don´t they - taking up about 90 percent of the darn thing...)
That and Metamorfosi is spinning a lot at my domicile.

Thank you for posting the Pholas Dactylus one Jim - it really is a one of a kind album.
 
 
Ah the vocals -  that was always my problem with that album. Just couldn't get away with them.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2011 at 07:01
Don't think of Alan Sorrenti as a singer, but as a bird. Then you will love it. Duck word. Wink
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Finnforest Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2011 at 08:25
Originally posted by hellogoodbye hellogoodbye wrote:

Don't think of Alan Sorrenti as a singer, but as a bird. Then you will love it. Duck word. Wink


LOL


Right on Duck! I struggled with them initially, but eventually the music won me over and my tolerance for the vox went up.  Now I like the whole package. 
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Finnforest Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2011 at 08:28
Nice work!

 Hanblecheya by LABIRINTO DI SPECCHI album cover Studio Album, 2011
Hanblecheya
Labirinto Di Specchi Rock Progressivo Italiano

Review by zravkapt
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4 stars Wow, I am very impressed with this album. I haven't heard a lot of modern RPI but what I have heard disappointed me, sounding like retro prog. This, on the other hand, sounds more what I would expect present day RPI to sound like. Besides being based in classic Italian prog, there are some more modern influences like metal and post-rock here as well. The only vocals on the album are the narration of Paulo Cerelli, formally of Pholas Dactylus (whose sole 1973 album I have only recently heard). This is listed here as a 2011 release but without having it handy I'm pretty sure my copy has a 2010 date. If this is considered a 2011 release then it is one of the better releases this year without a doubt.

The music itself is a mix of the spacey, the symphonic and the heavy. Some great retro synth sounds are used and a guest musician plays violincello. The sound is great for a modern recording, not too compressed and every instrument has room to breathe. After a spacey opening with narration, "Eclissi Pt. 1" goes into symphonic metal before getting more folky and jazzy with piano and percussion. Later more metal with great classical piano runs. At over 1 minute into "La maschera della visione" it goes into Zeuhl territory similar to Italian Zeuhl bands Runaway Totem and Universal Totem Orchestra. Later some narration backed by some spacey quasi-metal. Gets more intense with the organ. Great synth sounds here including an awesome solo.

"Fantasia" features some lovely acoustic guitars, violincello and cymbals as bass and drumkit join them. After 3 minutes gets very folky with a nice bouncy beat. Then immediately goes into breath-taking symphonic prog. The bouncy beat later returns in a post-rock fashion with narration. Although the whole album is very consistent, track #4 with a very long title is the weakest on the album. Spacey and slightly avant this features narration and lots of percussion sounds. The percussion dies out at one point as hypnotic guitar enters and percussion comes back with altered talking in the background and random piano playing. Some of the percussion sounds electronic or heavily modified.

"Purpurea" has some retro-sounding spacey synth leading to what sounds like programmed drums and a Mellotron-like sound with acoutic guitar and bass. Real drummer enters as the band goes into uptempo symph prog with some metal guitar. Later some post-rock guitars and violincello along with narration. Then full blown post-rock with metal guitar soloing. Develops some post-rock style crescendos. "Follia" is a 19 minute epic that starts off with sorta Post/sorta Spanish acoustic guitar playing along with atmospheric and spacey sounds. Full band then comes in.

Some funky auto-wah bass. Repeated guitar notes lead to spacey synths that remind me of Jean Michel-Jarre's Oxygene album. Goes into some kind of space/post/symph hybrid. Some more narration. Later builds towards spacey metal with piano. Great organ soloing at one point over symphonic post-rock. Symphonic string-synth as the rest of the band slowly increases in tempo, playing post-rock style. Nice way to end the epic but despite it's length is not one of the highlights of the album. Last song "Eclissi Pt. 2" starts with a catchy drumbeat, then proceeds into symphonic metal territory. Symph metal fades out and is replaced by Tool-sounding spacey post-rock type stuff (or something).

Symphonic synths get added. Goes into a piano-based post-rock vibe, then prog metal with sitar. Violincello reminding me of chamber prog sets the pace for some more narration. Ends on a spacey note. What an album! It's nice to know that even in 2011 there is still great new music being made...that will be ignored by almost everyone. I would highly recommend this album to fans of RPI. A modern classic? Time will tell. 4 stars.




Edited by Finnforest - November 26 2011 at 08:28
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Post Options Post Options   Thanks (0) Thanks(0)   Quote hellogoodbye Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2011 at 13:12
I'm not an absolute fan of this Batiisti's album. (Maybe too rock'n 'oll for me). But the fourth instrumental song is one most perfect piece of folk music I have heard in all my life.
 
 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote infocat Quote  Post ReplyReply Direct Link To This Post Posted: November 26 2011 at 20:10
I was at a CD store earlier and they had a Banco album.  I was rather hoping for Darwin!, but no luck there. The one they did have was Capolinea.  I'd never heard of it, and based on the PA rating it looks like I dodged a bullet by not buying it!
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