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Zweck ![]() Forum Senior Member ![]() Joined: November 20 2005 Status: Offline Points: 234 |
![]() Posted: April 13 2007 at 13:28 |
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Waters was, and is, dim, how his lyrics came to be highly regarded in the century that gave us T. S. Eliot is beyond me. Most likely it has to do with their inherent ability to make any t**t feel "deep", gobsh*te. |
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Mathemagician ![]() Forum Newbie ![]() ![]() Joined: April 06 2007 Location: United States Status: Offline Points: 4 |
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A concept album is an album in which all songs have a central theme. Story or not. The concept of DSOTM is things that drive you crazy. But thats a topic for a different thread.
Just think if Welcome to the Machine and Have a Cigar were on Animals. They would go perfectly with the cold, industrial theme. They could be like a pig talking to a dog. And like I said, Waters wanted Pigs and Dogs on WYWH. |
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 65549 |
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I don't interpret the theme of Wish to be as much about Syd Barrett as it was the band taking stock and getting a good look at the industry they chose (or that chose them). It is an album of fond memories of simpler times, growing up, and facing the reality of success. Remember, WYWH was the album after the chart-busting monster Dark Side. In this way, most if not all the songs have a connection.
Edited by Atavachron - April 06 2007 at 01:23 |
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Ghandi 2 ![]() Forum Senior Member ![]() Joined: February 17 2006 Location: United States Status: Offline Points: 1494 |
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By concept, do you mean coherent story? I wasn't aware that DSOTM really had one, although now that I think about it I can piece one together. That's a very good analysis, Peter. I still think it's a boring song, though. :P
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Mathemagician ![]() Forum Newbie ![]() ![]() Joined: April 06 2007 Location: United States Status: Offline Points: 4 |
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ya. after years of listening, i finally "got" dark side of the moon. meh. not that good of a concept. animals was much better. and on the subject of pink floyd. i hate when people say that wish you were here is a concept album. shine on and the title track could have been a concept ep. but have a cigar and welcome to the machine dont have nething to do with syd barret. waters wanted to put dogs and pigs on it, but gilmour wouldn't let him for some odd reason, so they made animals with them. they should have put machine and cigar on animals and made some more syd-centric songs for a tribute album. r.i.p. syd barret. shine on you crazy diamond.
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rileydog22 ![]() Forum Senior Member ![]() Joined: August 24 2005 Location: New Jersey Status: Offline Points: 8844 |
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It said that in the liner notes for the debut, so I'd have to say it's true. |
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Vibrationbaby ![]() Forum Senior Member ![]() Joined: February 13 2004 Status: Offline Points: 6898 |
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I think I read in some music magazine back in the seventies that Lake wrote Lucky Man when he was a kid and it was only used as filler on the first ELP album. Anyone know if there`s any truth to this? Also he returns to this money theme on at least a few other songs he`s penned over the years. Paper Blood off the Black Moon album comes to mind.
Edited by Vibrationbaby - April 05 2007 at 11:19 |
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Peter ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: January 31 2004 Location: Canada Status: Offline Points: 9669 |
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![]() I Talk to the Wind is the old hippy ideal: a return to nature. The "straight man" is an amalgam of society and its expectations. (To be a "straight" in those days did not refer to sexual orientation, but to someone who was not "turned on" to grass and psychedelics, etc. You can hear the word used in the same way in Black Sabbath's old ode to marijuana, Sweet Leaf: "Straight people don't know, what you're about...." The "late man" is the hippy-type, the mystic, who finds more "wisdom" in nature, than in the shallow, temporal ways of man. He has rejected modern, materialistic society and the "rat race." ("You don't possess me, don't impress me," etc.) The wind is timeless and immortal in its secret, all-knowing wisdom. The words (and works) of man mean nothing.
Very much a late 60s hippy ideal. (Though they weren't the first to long for simpler, natural, "animalistic" ways, by any means.)
Lucky Man is very transparent. Its tale of the early death in battle of a man who "had it all" shows that money does not bring happiness ("no money could save him"), and that death is the great "leveller" that awaits for all men, making no distinctions from king to pauper. Very moralistic, and an age-old theme. Death is there to keep us humble. Edited by Peter Rideout - April 02 2007 at 22:05 |
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"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!' He chortled in his joy. |
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tmvp ![]() Forum Newbie ![]() Joined: February 21 2007 Location: United States Status: Offline Points: 14 |
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for stupid, song-spoiling lyrics theres nothing like porcupine tree. I love their music but the lyrics just get in the way. I can't listen to lightbulb sun anymore just because the lyrics make me cringe. I'd rather they just be like TMV and be utterly ridiculous. For the most part its more about the music to me though. Trying to find meaning to me takes away from the enjoyment of the song, especially when the meaning is something political i'll probably disagree with. |
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GraemeD ![]() Forum Newbie ![]() Joined: April 02 2007 Location: United Kingdom Status: Offline Points: 17 |
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Something makes me a bit dissappointed that some of you think that Yes songs don't have any meaning... but I feel I am forced to concede! by the way, Hi everyone, I'm Graeme! Big Genesis fan mostly (of the "archduke" variety, that's what they call me over on the G forum), but call me a young (21) prog fan who is just starting to explore the genre and is lookin for encouragement/tips on what he may enjoy. Albums I am really into at the mo Misplaced Chilldhood and Script... only Marillion albums I own
Close to the Edge... fascinating, beautiful, ethereal and mindblowing (also own Fragile, which I found a little more accessible, but not as good IMO, and one of the Yes collections)
Caress of Steel... own 3 Rush albums 2112 and Grace Under Pressure
Huge Genesis fan as I mentioned so I am likely to respond to threads regarding their stuff a little more often.
I know forums like this are a grwat place to get encouragement and talk about what is essentially a hobby. Looking forward to getting to know a few of you.
Cheers
Graeme
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Shot by Darwin's Magic Bullet
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clarke2001 ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: June 14 2006 Location: Croatia Status: Offline Points: 4160 |
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Why, you've never hear about ye olde defintion of prog? "A rock song is a 3-minute song about love. A prog rock song is a 15-minute song about nothing!"
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Lestat89 ![]() Forum Groupie ![]() ![]() Joined: March 15 2007 Location: Costa Rica Status: Offline Points: 65 |
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Autobahn, is about ride a car, or something right?
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When I Was An Alien The Truth Wasnt Out There...
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UncleMeat ![]() Forum Senior Member ![]() ![]() Joined: October 23 2005 Location: Netherlands Status: Offline Points: 288 |
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Music is the most important part of my listening experience. If the 'tone' of the lyrics sounds good, and I have been able to give my own interpretation to them, I consider that a bonus. If the music is good and the lyrics are not really interesting, or if I don't 'get' them (like most Yes Lyrics), I can still enjoy the music (like most Yes music). I can also enjoy music with lyrics in a language I don't understand (Le Orme).
If I really understand the lyrics but I consider them to be bad, stupid or whatever, this really annoys me, especially if the music is good. It really spoils the song in that case. If the lyrics are good but the music does not appeal to me, I will probably also not listen to it again. Conclusion: Music Good + Lyrics Good = OK Music Good + Lyrics not understandable = OK Music Good + Lyrics stupid = Not OK Music not good + Lyrics Not good = Not OK |
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Music Is The Best
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prog4evr ![]() Forum Senior Member ![]() ![]() Joined: September 22 2005 Location: Wuhan, China Status: Offline Points: 1455 |
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Okay, good history lesson. But Ian McDonald's flute work on the KC 'cover' for that song is indispensible, IMO...
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Harold Demure ![]() Forum Groupie ![]() Joined: June 13 2005 Location: Poland Status: Offline Points: 54 |
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Yes, I agree that some lyrics don't seem to have an point, bu eg. Rush wrote IMO very good lyrics, and when I began to pay atention to them I appreciated this band even more. Lyrics are also very, very important (and brilliant, although sometimes depressing) in VDGG. But I realised now that I shouldn't take some lyrics or songs too seriously, beacuse they simply have no meaning, I had thought before that maybe I'm so unintelligent that I can't understand them
![]() BTW, as for 'I talk to the wind' I somehow love the lyrics, because they fit so well with the music, they don't have to contain any moral. Edited by Harold Demure - March 30 2007 at 07:32 |
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You can choose a ready guide
In some celestial voice If you choose not to decide You still have made a choice |
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Ghandi 2 ![]() Forum Senior Member ![]() Joined: February 17 2006 Location: United States Status: Offline Points: 1494 |
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I never try to find a meaning for instrumental songs because I'm inclined to think musicians don't start these things with a meaning in mind and often don't intend for there to be a real story. The emotion is the only thing that's important.
Just as I don't try to make any sense of Jon Anderson's lyrics because I know they're complete nonsense (someone here once said that they make sense to highly intelligent people--I had to call him out for being a superior b*****d and for finding something that isn't there).
I agree, Talk to the Wind is pretty pointless. But then again I never liked ITCOTCK very much at all. Edited by Ghandi 2 - March 29 2007 at 22:04 |
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rileydog22 ![]() Forum Senior Member ![]() Joined: August 24 2005 Location: New Jersey Status: Offline Points: 8844 |
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I personally have never been terribly interested in interpreting lyrics. If I wanted to interpret poetry, I'd crack open a book, not listen to music. Besides, often lyrics are just strung together to sound good (e.g. Yes), too veiled in symbolism to be interpretable (eg. Beefheart), or too tied up in personal experiences/inside jokes to be relevant to the listener.
I often find it funny how overanylized some people get; I even saw someone try to interpret Trout Mask Replica once, which is the most ridiculous thing I've ever heard. |
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A Guy ![]() Forum Senior Member ![]() ![]() Joined: October 25 2005 Location: United Kingdom Status: Offline Points: 127 |
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I don't think songs have to have meanings. Sometimes the lyrics are just written to sound good or for imagery or something. And I don't really tend to try to interpret lyrics most of the time.
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My website
Signatures are for people who can think of anything to put in their signatures. |
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el böthy ![]() Prog Reviewer ![]() ![]() Joined: April 27 2005 Location: Argentina Status: Offline Points: 6336 |
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Oh man Tales has for me one very good concept, and by far Andersons best lyrics. It speak basically that the grace of God is not in the words of books, rules and such, but in nature, in mankind and in everything beautiful in this word. And even if you dont like the God connection, its not explisit, so you can make out of it whatever you want, but for me its that... I think its genius
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"You want me to play what, Robert?"
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Philéas ![]() Forum Senior Member ![]() Joined: June 14 2006 Status: Offline Points: 6419 |
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Sometimes songs don't have a meaning. And at times it can be really
hard to tell whether the lyrics attempt to be intelligent metaphors or
are supposed to be just nonsense. That's why I tend to avoid analysing
every song with strange lyrics, I don't like the thought of working
really hard to extract a meaning from a song which in reality hasn't
got one.
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