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Direct Link To This Post Topic: Interpreting songs
    Posted: April 13 2007 at 13:28

Originally posted by Mathemagician Mathemagician wrote:

ya. after years of listening, i finally "got" dark side of the moon. meh. not that good of a concept. animals was much better. and on the subject of pink floyd. i hate when people say that wish you were here is a concept album. shine on and the title track could have been a concept ep. but have a cigar and welcome to the machine dont have nething to do with syd barret. waters wanted to put dogs and pigs on it, but gilmour wouldn't let him for some odd reason, so they made animals with them. they should have put machine and cigar on animals and made some more syd-centric songs for a tribute album. r.i.p. syd barret. shine on you crazy diamond.


Waters was, and is, dim, how his lyrics came to be highly regarded in the century that gave us T. S. Eliot is beyond me. Most likely it has to do with their inherent ability to make any t**t feel "deep", gobsh*te.       
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Direct Link To This Post Posted: April 06 2007 at 01:44
Originally posted by Ghandi 2 Ghandi 2 wrote:

By concept, do you mean coherent story? I wasn't aware that DSOTM really had one, although now that I think about it I can piece one together.





A concept album is an album in which all songs have a central theme. Story or not. The concept of DSOTM is things that drive you crazy. But thats a topic for a different thread.

Originally posted by Atavachron Atavachron wrote:

I don't interpret the theme of Wish to be as much about Syd Barrett as it was the band taking stock and getting a good look at the industry they chose (or that chose them). It is an album of fond memories of simpler times, growing up, and facing the reality of success. Remember, WYWH was the album after the chart-busting monster Dark Side. In this way, most if not all the songs have a connection.




Just think if Welcome to the Machine and Have a Cigar were on Animals. They would go perfectly with the cold, industrial theme. They could be like a pig talking to a dog. And like I said, Waters wanted Pigs and Dogs on WYWH.
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Direct Link To This Post Posted: April 06 2007 at 01:10
I don't interpret the theme of Wish to be as much about Syd Barrett as it was the band taking stock and getting a good look at the industry they chose (or that chose them). It is an album of fond memories of simpler times, growing up, and facing the reality of success. Remember, WYWH was the album after the chart-busting monster Dark Side. In this way, most if not all the songs have a connection.




Edited by Atavachron - April 06 2007 at 01:23
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Direct Link To This Post Posted: April 06 2007 at 01:10

By concept, do you mean coherent story? I wasn't aware that DSOTM really had one, although now that I think about it I can piece one together.

That's a very good analysis, Peter. I still think it's a boring song, though. :P
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Direct Link To This Post Posted: April 06 2007 at 00:59
ya. after years of listening, i finally "got" dark side of the moon. meh. not that good of a concept. animals was much better. and on the subject of pink floyd. i hate when people say that wish you were here is a concept album. shine on and the title track could have been a concept ep. but have a cigar and welcome to the machine dont have nething to do with syd barret. waters wanted to put dogs and pigs on it, but gilmour wouldn't let him for some odd reason, so they made animals with them. they should have put machine and cigar on animals and made some more syd-centric songs for a tribute album. r.i.p. syd barret. shine on you crazy diamond.
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Direct Link To This Post Posted: April 05 2007 at 23:21
Originally posted by Vibrationbaby Vibrationbaby wrote:

I think I read in some music magazine back in the seventies that Lake wrote Lucky Man  when he was a kid and it was only used as filler on the first ELP album. Anyone know if there`s any truth to this?


It said that in the liner notes for the debut, so I'd have to say it's true. 

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Direct Link To This Post Posted: April 05 2007 at 11:15
I think I read in some music magazine back in the seventies that Lake wrote Lucky Man  when he was a kid and it was only used as filler on the first ELP album. Anyone know if there`s any truth to this? Also he returns to this  money  theme on at least a few other songs he`s penned over the years. Paper Blood off the Black Moon album comes to mind.

Edited by Vibrationbaby - April 05 2007 at 11:19
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Direct Link To This Post Posted: April 02 2007 at 17:20
Originally posted by Harold Demure Harold Demure wrote:

Originally posted by rileydog22 rileydog22 wrote:

In response to the question about Tubular Bells, the grunting on the "Caveman" section was a joke.  Virgin asked Oldfield to add prominent vocals to at least one section of the album, so it could be released as a single.  The rest, as they say, is history.  




Thanks for your answers, I had even thought that no one would reply to his topic.
It's very possible that Atavachron and soundspectrum are right. Maybe often artist compose certain strange, complex songs to let us interpret them in our own way, especially the instrumental ones, but they didn't mean anyhing particular when composing it.
Please, give your interpretation to songs with lyrics if you've come up to one .
Has anybody an idea about "I talk to the wind", already mentioned before? Or "Lucky Man" by ELP - what is the moral of this song?
And one more thing, I don't want you to think that I'm concerned only on lyrics and message of songs. Of course, music is the most important thing and that's what makes prog so interesing, while words add yet more charm to the music (look at my signature)
Ermm My analysis:
 
I Talk to the Wind is the old hippy ideal: a return to nature. The "straight man" is an amalgam of society and its expectations. (To be a "straight" in those days did not refer to sexual orientation, but to someone who was not "turned on" to grass and psychedelics, etc. You can hear the word used in the same way in Black Sabbath's old ode to marijuana, Sweet Leaf: "Straight people don't know, what you're about...." The "late man" is the hippy-type, the mystic, who finds more "wisdom" in nature, than in the shallow, temporal ways of man. He has rejected modern, materialistic society and the "rat race." ("You don't possess me, don't impress me," etc.) The wind is timeless and immortal in its secret, all-knowing wisdom. The words (and works) of man mean nothing.
 
Very much a late 60s hippy ideal. (Though they weren't the first to long for simpler, natural, "animalistic" ways, by any means.)
 
Lucky Man is very transparent. Its tale of the early death in battle of a man who "had it all" shows that money does not bring happiness ("no money could save him"), and that death is the great "leveller" that awaits for all men, making no distinctions from king to pauper. Very moralistic, and an age-old theme. Death is there to keep us humble.


Edited by Peter Rideout - April 02 2007 at 22:05
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 02 2007 at 17:07
Originally posted by UncleMeat UncleMeat wrote:

Music is the most important part of my listening experience. If the 'tone'  of the lyrics sounds good, and I have been able to give my own interpretation to them, I consider that a bonus. If the music is good and the lyrics are not really interesting, or if I don't 'get'  them (like most Yes Lyrics),  I can still enjoy the music (like most Yes music). I can also enjoy music with lyrics in a language I don't understand (Le Orme). If I really understand the lyrics but I consider them to be bad, stupid or whatever, this really annoys me, especially if the music is good. It really spoils the song in that case.If the lyrics are good but the music does not appeal to me, I will probably also not listen to it again.  Conclusion:
Music Good +  Lyrics Good = OK
Music Good + Lyrics not understandable  = OK Music Good + Lyrics stupid = Not OK
Music not good + Lyrics Not good = Not OK



for stupid, song-spoiling lyrics theres nothing like porcupine tree. I love their music but the lyrics just get in the way. I can't listen to lightbulb sun anymore just because the lyrics make me cringe.
I'd rather they just be like TMV and be utterly ridiculous. For the most part its more about the music to me though. Trying to find meaning to me takes away from the enjoyment of the song, especially when the meaning is something political i'll probably disagree with.
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Direct Link To This Post Posted: April 02 2007 at 11:56

Something makes me a bit dissappointed that some of you think that Yes songs don't have any meaning... but I feel I am forced to concede! by the way, Hi everyone, I'm Graeme! Big Genesis fan mostly (of the "archduke" variety, that's what they call me over on the G forum), but call me a young (21) prog fan who is just starting to explore the genre and is lookin for encouragement/tips on what he may enjoy. Albums I am really into at the mo

Misplaced Chilldhood and Script... only Marillion albums I own
Close to the Edge... fascinating, beautiful, ethereal and mindblowing (also own Fragile, which I found a little more accessible, but not as good IMO, and one of the Yes collections)
Caress of Steel... own 3 Rush albums 2112 and Grace Under Pressure
Huge Genesis fan as I mentioned so I am likely to respond to threads regarding their stuff a little more often.
 
I know forums like this are a grwat place to get encouragement and talk about what is essentially a hobby. Looking forward to getting to know a few of you.
 
Cheers
Graeme
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Direct Link To This Post Posted: April 02 2007 at 11:31
Why, you've never hear about ye olde defintion of prog? "A rock song is a 3-minute song about love. A prog rock song is a 15-minute song about nothing!"Wink
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Direct Link To This Post Posted: April 02 2007 at 11:25
Autobahn, is about ride a car, or something right? LOL

When I Was An Alien The Truth Wasnt Out There...
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Direct Link To This Post Posted: March 31 2007 at 09:36
Music is the most important part of my listening experience. If the 'tone'  of the lyrics sounds good, and I have been able to give my own interpretation to them, I consider that a bonus. If the music is good and the lyrics are not really interesting, or if I don't 'get'  them (like most Yes Lyrics),  I can still enjoy the music (like most Yes music). I can also enjoy music with lyrics in a language I don't understand (Le Orme).

If I really understand the lyrics but I consider them to be bad, stupid or whatever, this really annoys me, especially if the music is good. It really spoils the song in that case.

If the lyrics are good but the music does not appeal to me, I will probably also not listen to it again. 

Conclusion:
Music Good +  Lyrics Good = OK
Music Good + Lyrics not understandable  = OK
Music Good + Lyrics stupid = Not OK
Music not good + Lyrics Not good = Not OK


Music Is The Best
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Direct Link To This Post Posted: March 31 2007 at 08:12
Originally posted by Atavachron Atavachron wrote:

If you want to hear the real 'I Talk to the Wind', get GG&F's 'Brondesbury Tapes' .. it's a real hoot and a pretty significant link in the early prog chain.
Okay, good history lesson.  But Ian McDonald's flute work on the KC 'cover' for that song is indispensible, IMO...
 
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Direct Link To This Post Posted: March 30 2007 at 07:31
Yes, I agree that some lyrics don't seem to have an point, bu eg. Rush wrote IMO very good lyrics, and when I began to pay atention to them I appreciated this band even more. Lyrics are also very, very important (and brilliant, although sometimes depressing) in VDGG. But I realised now that I shouldn't take some lyrics or songs too seriously, beacuse they simply have no meaning, I had thought before that maybe I'm so unintelligent that I can't understand them .
BTW, as for 'I talk to the wind' I somehow love the lyrics, because they fit so well with the music, they don't have to contain any moral.

Edited by Harold Demure - March 30 2007 at 07:32
You can choose a ready guide
In some celestial voice
If you choose not to decide
You still have made a choice
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Direct Link To This Post Posted: March 29 2007 at 22:03
I never try to find a meaning for instrumental songs because I'm inclined to think musicians don't start these things with a meaning in mind and often don't intend for there to be a real story. The emotion is the only thing that's important.
Just as I don't try to make any sense of Jon Anderson's lyrics because I know they're complete nonsense (someone here once said that they make sense to highly intelligent people--I had to call him out for being a superior b*****d and for finding something that isn't there).
 
I agree, Talk to the Wind is pretty pointless. But then again I never liked ITCOTCK very much at all.


Edited by Ghandi 2 - March 29 2007 at 22:04
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Direct Link To This Post Posted: March 29 2007 at 19:45
I personally have never been terribly interested in interpreting lyrics.  If I wanted to interpret poetry, I'd crack open a book, not listen to music.  Besides, often lyrics are just strung together to sound good (e.g. Yes), too veiled in symbolism to be interpretable (eg. Beefheart), or too tied up in personal experiences/inside jokes to be relevant to the listener. 

I often find it funny how overanylized some people get; I even saw someone try to interpret Trout Mask Replica once, which is the most ridiculous thing I've ever heard. 

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Direct Link To This Post Posted: March 29 2007 at 17:12
I don't think songs have to have meanings. Sometimes the lyrics are just written to sound good or for imagery or something. And I don't really tend to try to interpret lyrics most of the time.
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Direct Link To This Post Posted: March 29 2007 at 14:32
Oh man Tales has for me one very good concept, and by far Andersons best lyrics. It speak basically that the grace of God is not in the words of books, rules and such, but in nature, in mankind and in everything beautiful in this word. And even if you dont like the God connection, its not explisit, so you can make out of it whatever you want, but for me its that... I think its genius
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Direct Link To This Post Posted: March 29 2007 at 11:35
Sometimes songs don't have a meaning. And at times it can be really hard to tell whether the lyrics attempt to be intelligent metaphors or are supposed to be just nonsense. That's why I tend to avoid analysing every song with strange lyrics, I don't like the thought of working really hard to extract a meaning from a song which in reality hasn't got one.
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