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Topic ClosedGenesis were bad to its fans.

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Queen By-Tor View Drop Down
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Direct Link To This Post Posted: April 23 2009 at 20:55
Originally posted by King Crimson776 King Crimson776 wrote:

Originally posted by King By-Tor King By-Tor wrote:

It's like your girlfriend leaving you for someone much better looking and complaining about how you don't know why and stalking them. GET OVER IT.
In this case someone far uglier... but still, your GET OVER IT point stands.


As far as mega amounts of money and fans and fame goes, it's actually much prettier. Prog is kind of the nerdy guy of the music world. Pop may be vain, but damn is he sexy Wink
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Direct Link To This Post Posted: April 23 2009 at 20:53
I think it's unnecessary to feel that others should do what we'd like.. you make some valid points and Phil will probably eat his words someday, but it's their vision, not ours.  It's kinda like when someone criticizes George Lucas for the prequel Star Wars films..thing is, it's his movie and I'm more interested in what he's got to say than what I envision it should be.  Good or bad, we can't assume an artist's work is intentionally weak; an album is not up to par in our eyes, but the band may feel it's one of their best.  And you can't really argue with a genuine view.






Edited by Atavachron - April 23 2009 at 20:54
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Direct Link To This Post Posted: April 23 2009 at 20:53
Originally posted by King By-Tor King By-Tor wrote:

It's like your girlfriend leaving you for someone much better looking and complaining about how you don't know why and stalking them. GET OVER IT.
In this case someone far uglier... but still, your GET OVER IT point stands.
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Direct Link To This Post Posted: April 23 2009 at 20:48
they weren't bad to the fans, they wanted to keep putting food on their plate. The smoke cleared from the 70s and quite frankly no one was buying their music anymore. People say artist this and fans that but to pull a line from my favorite reviewer of all time:

"fans are whiny, complaining dipsh*ts who are never EVER happy with anything you ever give them, the sooner you tune them out the happier you'll be for it."

a bit harsh, but it's true. Get over the fact that they changed. If they didn't then they would all be in the gutter trying to play firth of fifth on their ratty old accoustic guitar to passers by who may spare a pence to get the b*****d clean shaven, but he'd just be spending it on booze because he hadn't sold a record since the bloody 70s. That aside, maybe they didn't want to play that kind of music anymore. They just didn't. They got different (and quite frankly, much MUCH more) fans while playing pop music, who whose loss is it? Theirs or ours? It's like your girlfriend leaving you for someone much better looking and complaining about how you don't know why and stalking them. GET OVER IT.
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Direct Link To This Post Posted: April 23 2009 at 20:46
Sorry to answer your large post so briefly, but I think you (and Trevor Rabin) have a point. If bands would change their names when members leave / styles change, it would nullify this entire mess.

Genesis should have ended after Hackett left. Yes should have ended with Trevor Rabin (and as you said, he thought so as well), and Yes could have restarted with The Ladder.
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Direct Link To This Post Posted: April 23 2009 at 20:40
This is an issue i'd like to address. Fans get irate about the change in direction Genesis took in the 80s,  Collins Banks and Rutherford counter argue that bands change.
This retort may appear a reasonable statement by itself, but they managed it in an unreasonable way;

Firstly they dismissed their past; I have heard stories about when Genesis were on tour fans were caling out for then to play Musical box, Collins answered "back we don't play that crap anymore." Thus dismissing music that moved many people, and alienating an audience that were supporting  the band when they weren't as popular. They could have brass in their music while still sounding like Genesis and not have that foreign song Paperlate.
I see this behaviour as arrogant.
Yes bands do change their sound but many have achieved that while respecting their fanbase and embracing their past, for instance Iron Maiden evolved their sound has changed many times over the years with many experimentation but have never dismissed their past, they play the songs their fans like old and new. They are now talking about playing only their more recent material but their recent material has still strong connection to their past, they are a band that have put out good and bad albums, have changed singers but still have maintained their artistic aesthetic, and any change such as the controversial Bayley on vocals is understandable. Again Rush has been similar in many respects to its fans as Iron Maiden

Secondly Phil Collins is absolutely entitled to write whatever he likes on his solo albums, the same goes for Mike and the Mechanics and Tony Banks. But when Collins included his songs on Genesis albums, he should have made sure they had some sort of reference to the Genesis sound, you hear many stories of band members doing solo but adding music to the band that fits in well with their music, while sticking the music that doesn't fit in to their solo material because they respect their fans. If they have ever made that mistake or done an album that doesn't fit in their bands catalogue they often repent. 
Genesis allowed songs alien to their sound constantly on different albums. They again came across arrogant to their fans.

Thirdly their sound embracing trends and conformity. Genesis's music was largely anti-convention like most other prog. I understand that bands do flirt with wider success I don't think thats wrong, but thing is many of them have maintained their uniqueness, Rush and Split Enz achieved this, (although Enz last 2 albums were more foreign the band was falling apart and they don't consider their last 2 albums any good [see example 2]).  If Genesis wanted to have singles they could still do it while still being Genesis.

Some more things I'd like to point out you may argue that Yes did the same with 90125, but the fact is they were going to be a band called Cinema at that time, but the executives thought otherwise, I don't blame Trevor Rabin for the choices he made, he was against them being called Yes, it was another band, and you know how it got messy for them.
Another may argue Miles Davis did the same thing to his fans with Fusion, again I believe that this is different, Davis was constantly changing his sound right from the start; he experimented with orchestra, post bop. And also although he worked in a band context Davis wasn't a band he changed his line up all the time, he was under no obligation to continue a specific sound, he could have done country music if he wanted to. Also Davis unlike Genesis still stayed true to his roots, he still played Jazz, Genesis wrote In too Deep and other such tracks which are again foreign to their roots. In too Deep should have been on a Solo album. 
What am I saying here? I believe that a band can grow and experiment but remain true to their sound, while a solo artist has no such obligation they can be diverse as they want; that is the nature of solo work its about the artist exploring sounds outside of the requirements of the band.

So IMO opinion that is why Genesis gets a roasted, Banks Collins and Rutherford are asking for it, they were bad to us.




Edited by Cheesecakemouse - April 23 2009 at 21:55



  
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