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John 6 View Drop Down
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Direct Link To This Post Posted: September 06 2010 at 12:56
Originally posted by Epignosis Epignosis wrote:

[QUOTE=John 6]As long as the album isn't drenched in overtly religious lyrics, I'm not really bothered. Having it shoved in my face is a definite reason not to listen. I have all of Transatlantic's work, and think they are excellent, but I don't think Morse has gone over the top with the religious references, and as other forumites have mentioned, religion features heavily throughout most music genres, and never gets a second thought.Wink


And here I was thinking your username referred to Jesus' bold claims about himself that made everyone but his disciples leave him.  Tongue
[/QUOTE]Me, religious!!?!! Each to their own, but I choose not to partake. Seen religion cause alot of the world's problems, and to fight in the name of religion is so hypocritical, therefore I stay out of such matters.Wink 
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Direct Link To This Post Posted: September 06 2010 at 12:40
Originally posted by John 6 John 6 wrote:

As long as the album isn't drenched in overtly religious lyrics, I'm not really bothered. Having it shoved in my face is a definite reason not to listen. I have all of Transatlantic's work, and think they are excellent, but I don't think Morse has gone over the top with the religious references, and as other forumites have mentioned, religion features heavily throughout most music genres, and never gets a second thought.Wink


And here I was thinking your username referred to Jesus' bold claims about himself that made everyone but his disciples leave him.  Tongue
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Direct Link To This Post Posted: September 06 2010 at 12:35
As long as the album isn't drenched in overtly religious lyrics, I'm not really bothered. Having it shoved in my face is a definite reason not to listen. I have all of Transatlantic's work, and think they are excellent, but I don't think Morse has gone over the top with the religious references, and as other forumites have mentioned, religion features heavily throughout most music genres, and never gets a second thought.Wink
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Direct Link To This Post Posted: September 06 2010 at 12:08
Originally posted by VanVanVan VanVanVan wrote:

Originally posted by Slartibartfast Slartibartfast wrote:

Originally posted by miketheorganist miketheorganist wrote:

What amazes me is that atheist prog fans get so offended by lyrics about God. 

Speaking as an atheist prog fan, I do not get offended by lyrics about God.  I've mentioned this in another thread, I just don't like Christian lyrics that are "preachy".  I'll admit an almost complete ignorance or Neil Morse's lyrics.  I've just read enough opinions that I trust on here to say, thanks, but I'll pass.  Huge fan of 70's Kansas, though.  I think Kerry Livgren was most responsible for the religious themed lyrics back then, but they never impressed me as explicitly Christian (Epignosis will correct me if I'm mistaken).  I think Nobody's Home came the closest to being eC.  Jesus returning home to Earth to find we had wiped us all out. 

Kansas is my favorite band and I had no idea that that's what Nobody's Home was supposed to be about. A testament to Kerry Livgren's lyrical subtlety. Smile


Actually, "Nobody's Home" is about aliens.  I'm not kidding.  Lyrically, it's rather similar to "Watcher of the Skies."

Point of Know Return (where one can hear this song) was released before Kerry Livgren became a Christian (in 1979).

You will find lots of religious ideas in Livgren's lyrics before 1979, but none of these are explicitly Christian.  His Christian lyrics can be found on Audio-Visions and onward (even his seemingly Christian lyrics on Monolith are not exactly Christian, because Livgren was exploring Uranita at the time).

His best lyrics for me are on what I consider their best album, Somewhere to Elsewhere, and many of those songs are decidedly Christ-centric (and at the same time, not, because some of them have double meanings).


Edited by Epignosis - September 06 2010 at 12:12
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Direct Link To This Post Posted: September 06 2010 at 11:14
Originally posted by Slartibartfast Slartibartfast wrote:

Originally posted by miketheorganist miketheorganist wrote:

What amazes me is that atheist prog fans get so offended by lyrics about God. 

Speaking as an atheist prog fan, I do not get offended by lyrics about God.  I've mentioned this in another thread, I just don't like Christian lyrics that are "preachy".  I'll admit an almost complete ignorance or Neil Morse's lyrics.  I've just read enough opinions that I trust on here to say, thanks, but I'll pass.  Huge fan of 70's Kansas, though.  I think Kerry Livgren was most responsible for the religious themed lyrics back then, but they never impressed me as explicitly Christian (Epignosis will correct me if I'm mistaken).  I think Nobody's Home came the closest to being eC.  Jesus returning home to Earth to find we had wiped us all out. 

Kansas is my favorite band and I had no idea that that's what Nobody's Home was supposed to be about. A testament to Kerry Livgren's lyrical subtlety. Smile
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Direct Link To This Post Posted: September 06 2010 at 10:37
Sorry for bumping an old thread, but I was listening to Transatlantic today and really wanted to comment on this.

I think it's a bit much that people are pulling the "entitled to their beliefs" card while coming down like a ton of bricks on anyone who's offended by it. This is absurd. 

Even when I was Christian I never felt comfortable with largely Christian themes in music.

A big part of the problem, again, is that it's got a very different significance to writing a song based on fantasy themes, the keyword here being fantasy, it's not something people make a religion out of generally. Even if that person is a bit of a nut and sort of believes in fairies and wizards, they would do so in a much more vague way in a similar way that a lot of songwriters write songs about vaguely spiritual themes.

I didn't realise this was a mostly Christian themed album at first. What actually gave it away was just the overall sound and production - it sounded very Christian Rock to me. While there were some good tracks, the overall feel was a little obnoxious. I feel it could have benefited from a more oldschool production, filtered off high end, more reverb, etc. Some King Crimson stuff was pretty laid back, but it had a kind of ambience to it.

Then some tracks with blatantly Christian lyrics came on, it was just too much for me.

Yes, perhaps it's something that "Means a lot" to him, but it's something I'm personally uncomfortable with. 

The other thing that bothers me about "Christian" music is the anti-individualistic element to it. This isn't a cup of coffee, it's Jesus's cup of coffee. You can't appreciate something for what it is, nothing has any material or spiritual significance on it's own. Because of that it's hard to enjoy Christian music since it's generally not written in a way that's "about this, but also sort of about something else, it's about a general feeling really". Neal left Spock's Beard because God wanted him to do something else. What about what he wanted to do? Someone else is making up his mind for him...

While a lot of atheists in this thread can still enjoy it for the overall positive feeling, I don't think it's something a non-Christian could ever get fully into. You can suck up the positivity, but "good vibes" aren't as simple to that, as different messages have different implications. Again, even without all the modern politicising and the near sociopathic nature of the religious right, there are still some underlying messages in "that" type of Christianity that bother me a lot.

I think people are trying too hard to be progressive. I don't believe the way to get on is to ignore things like this and pretend they're not an issue - with the rather militant attitudes of some of the "tolerant" people in this thread, the proof is in the pudding. You're managing to get on better with Christians, but distancing yourself from others as a result. It's delusional not to acknowledge this. 

The lack of  subtlety of the lyrics is of course the key. I don't have a problem with people working in vaguely Christian elements into an album if it's something important to them. I don't have a problem with most of Bob Dylan but I wouldn't listen to his specifically Christian music, because he can write music that doesn't sound as if it has to come from a Christian. Of course, anyone can write music about anything they like - but when I'm judging it on the basis of how much I like it, as others are doing in this thread, then the above applies. It does also feel a missed opportunity when a prog "Super group" like this is a bit of a waste for those of us not comfortable with the themes.

While there is a positive feeling to Neal's music, as other people have said, there is something that lacks substance here. Religion can be like a drug, and drugs often give people a very temporary and shallow happiness. I don't believe it's quite the same case here, but I still think there is to a degree an artificial high. 

It's possible to write "spiritual" music with some real depth. Ever listen to a Dead Can Dance record? Listen to that, and compare it to Transatlantic or some modern Christian Rock like Hillsong stuff. The idea that it's "spiritual" is absolutely laughable. It's like some hippie meditating to Britney Spears. It's absurd, but cultural imperative tells us otherwise and again the more conservative elements of religion favour music that's about pretty spiritually void, it's all about the "Message" or something.

What's good about the Dead Can Dance kind of spirituality, is that even full out atheists can appreciate it because it's falling back largely on old culture, fantasy and themes that can anyone can appreciate. Christian themes can mostly only be appreciated by Christians. 

This is one big reason why Christian Rock bothers me, why "The Whirlwind" bothers me. Even if I say "Okay, this is mostly for Christians and people who are more comfortable with Christian themes", it's bad as a spiritual record. Listening to old King Crimson records is a far more spiritual experience for me, the last track on the self titled especially.

The friend that introduced me to this album does play in some kind of a Christian music act, but they take more after stuff like Dead Can Dance than Lincoln Brewster. And I can probably relate to that a lot more since it's not just shouting I LOVE YOU JESUS CHRIST, since the music itself isn't total toss and actually manages what it sets out to do.

Overall what I really dislike is how militant people can get when people are uncomfortable with a particular theme, especially with Christianity. People are made out to be a****les or hipsters, which I think is very wrong and I strongly protest to the attitude in this thread.

If a message like this makes people uncomfortable and hurts the music for them, that's their bag, maybe the band should have been more subtle, maybe not. But don't tell people what to think and then make it out like they're against other people's freedom of expression.


Edited by Medicine Melancholy - September 06 2010 at 10:41
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Direct Link To This Post Posted: May 06 2010 at 16:18
My own take on the subject has nothing to do with the religious element per se. Like many other commenters on this thread, I believe that any idea can be put into music, and that prog is music that lends itself to ideas. Where I have difficulty with Whirlwind is in the lack of subtlety in the lyrics. The Christian element is present as an idea in both of their previous studio albums, but it never really hits you over the head: it is there if you listen for it, and the sensibility is there at all times, and helps to hold the music together in a way that I find most enjoyable. In Whirlwind, this is not the case for me. I might draw a comparison with Galleon, whose musicianship is excellent and whose ideas I generally tend to agree with, but to whose lyrics I can barely stand to listen to as they seem to have been written with a sledghammer. Same for Whirlwind. Any idea is fine, but the lyricist needs to have the right touch. In this case, unfortunately, Morse's hand was a little too heavy.
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Direct Link To This Post Posted: March 29 2010 at 03:01
^LOL
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Direct Link To This Post Posted: March 29 2010 at 02:40

I suffer from complete lyric-deafness. Really, I hear the words, can even sing along with some albums but somehow I don't register the meaning of it.
The result of too much Dio and Iron Maiden listening in my music-formative years I guess...

So the lyrics didn't bother me a bit on the Whirlwind. Everything else did.



Edited by Bonnek - March 29 2010 at 02:41
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Direct Link To This Post Posted: March 29 2010 at 01:57
^ I know ... I'm just saying. Apparently there's a lot of cranky people at PA lately, ready to knee-jerk for a large number of reasons.
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Direct Link To This Post Posted: March 29 2010 at 01:30
Originally posted by Mr ProgFreak Mr ProgFreak wrote:

Originally posted by Any Colour You Like Any Colour You Like wrote:

Oh god no.

Not again. We have religion/atheism/pastafarianism/deism/paganism/troll threads for this purpose.

(No offence intended to the poster, but we have a few thousand of these threads per day)


In fact there were like three such threads in two years.


http://en.wikipedia.org/wiki/Figure_of_speech

Wink


Edited by Any Colour You Like - March 29 2010 at 01:31
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Direct Link To This Post Posted: March 29 2010 at 01:27
Originally posted by Any Colour You Like Any Colour You Like wrote:

Oh god no.

Not again. We have religion/atheism/pastafarianism/deism/paganism/troll threads for this purpose.

(No offence intended to the poster, but we have a few thousand of these threads per day)


In fact there were like three such threads in two years.
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Direct Link To This Post Posted: March 29 2010 at 00:52
Originally posted by Henry Plainview Henry Plainview wrote:

I think the lyrics are the least of their problems.


I semi-agree; their w**ky, long-ass songs are a big problem. Probably has to do with having an ex-Speck's Beard member and a TFK member in the band. (Trewavas should at least try to minimize the masterbation as per Marillion's style).
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Direct Link To This Post Posted: March 29 2010 at 00:32
Originally posted by miketheorganist miketheorganist wrote:

What amazes me is that atheist prog fans get so offended by lyrics about God. What makes this any worse than any other topic? Why not just assign it to the realm of fantasy? You know, like, "What if there WERE such a being?" I mean, we can wonder about UFOs, ghosts, conspiracy theories, 2012, and have incomprehensible lyrics aplenty, but mention God and it's in the dumpster with it?  I mean, if I can manage to listen to a fasntasy story about a lamb lying down on broadway, with slippermen, hairless hearts, etc., why can't you listen to fantasy story about a supreme being who loves people?


The only snag is that Christian oriented lyrics ain't fantasy for those that write them i.e. there is a moral agenda at work.
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Direct Link To This Post Posted: March 28 2010 at 20:17
^ more to the point "I love this music but the beliefs of the writer offend me so much i cannot listen."

To me that speaks of being very closed minded and intolerant. There are very few things that I love that I would turn off to the beliefs of the writer with the possible following exceptions

1. Who advocates sexual intercourse with children and animals.  especially  violent 
2. Who advocate violent crimes against women sexual or not
3. Who advocate violent crimes against anyone else not listed. 
4. People who scam or steal from others using their innocence, trust, love and senility against them. (There are religious leaders and spokespeople  who fall into this category but most don't including Neal Morse. I  think there are far more politicians who fall into this camp)
5. Most Toby Kieth songsWink

Other than that are you really insulted that Neal Morse puts an invitation in his songs to come to God?  any more so than a religious person might have felt when Greg Lake wrote "and when the hour comes don't turn away. Face the light of day and do it your way"?  

Just let it go and enjoy the music.  

Oh to answer a point by Slarty earlier Kerry Livgren wrote about religious ideas in his early albums mostly about eastern religions ideas up until his conversion in 1979.  It was after that even that his lyrics became overtly Christian in Nature and evangelical in thought.  (Think Hold On, Crossfire) Kerry has learned over the years to make his lyrics less in your face and more introspective but undeniably about Christ.  You can read his book Seeds of Change if you want his views on the subject. 


Edited by Garion81 - March 28 2010 at 20:20


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Direct Link To This Post Posted: March 28 2010 at 19:22
Originally posted by mamboboy mamboboy wrote:

...lyrics put me off so, so much! Being an atheist it really makes me cringe to hear some of the lines. The 'Dancing with eternal glory , whirlwind' is probably the best (or worst) example of this. An epic 12 minute song, but it's all about God!





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Direct Link To This Post Posted: March 28 2010 at 18:05
Originally posted by miketheorganist miketheorganist wrote:

Thank  you Javier.  After all, let's say God is just a fantasy. Is He any less a trip than Lord of the Rings?  Seems to me if we can enjoy lyrics about other trips why not His? And besides, if this little excursion inspires the kind of incredible music we usually receive not only from TA but most prog bands, what's the problem?
You said it very well.


I would be inclined to agree with you, but for one detail. The Lord of the Rings, or any kind of fantasy literature (mythology, fairy tales, and so on) have never been responsible for wars, or the death and persecution of millions of human beings, as any kind of organized religion throughout the ages unfortunately has. Mind you, I am an agnostic who respects the right of people to believe in what they want - as long as they do not try to force it down the throats of those who disagree with them. I don't agree with those militant atheists who get a kick out of insulting religious people, even when those people are anything but dangerous fanatics. However, I was born in Rome, raised in the Catholic faith, and know something about the history of the world - so I am aware of the negative role played by organized religion in the past as well as nowadays.
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Direct Link To This Post Posted: March 28 2010 at 18:01
Originally posted by miketheorganist miketheorganist wrote:

After all, let's say God is just a fantasy. Is He any less a trip than Lord of the Rings?  Seems to me if we can enjoy lyrics about other trips why not His? And besides, if this little excursion inspires the kind of incredible music we usually receive not only from TA but most prog bands, what's the problem?
You said it very well.

Originally posted by m2thek m2thek wrote:

I don't understand why it's any different than any other lyrical content. It's not like he's trying to convert you with they lyrics. It's a very powerful piece, because Morse is singing about something that really moves him.

Agreed. I actually enjoy "Dancing with Eternal Glory". 
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Direct Link To This Post Posted: March 28 2010 at 17:35
Thank  you Javier.  After all, let's say God is just a fantasy. Is He any less a trip than Lord of the Rings?  Seems to me if we can enjoy lyrics about other trips why not His? And besides, if this little excursion inspires the kind of incredible music we usually receive not only from TA but most prog bands, what's the problem?
You said it very well.
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Direct Link To This Post Posted: March 28 2010 at 15:30
Originally posted by javier0889 javier0889 wrote:

Yes' Close to the Edge (song) is about searching for God. 

Tales From Topographic Oceans is about God and the Creation.

Both are amazing prog pieces.

What's the problem? Although I'm an atheist, I'm not bothered by this kind of things. It's their vision, and they have the right to believe in any God, as I have the right to be an atheist as well.

If Neal Morse thinks God saved his life, good for him. He's happy with that. And I don't care, I think Spock's Beard and Transatlantic are just too good to stop listening to them only because I don't agree with Morse's beliefs.



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