Procol Harum's contribution to progressive rock |
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Jacob Schoolcraft
Forum Senior Member Joined: December 22 2021 Location: NJ Status: Offline Points: 1068 |
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Deep Purple is really laughable sounding like a fight between the Rock group and the orchestra...that cracks me up!! I believe that to be true and the album felt awkward for that reason. Ian Gillian had a dynamic voice back then and it's easy to comprehendthat he possessed a skilled and diverse voice on the Jesus Christ Super Star album. I'm not a fan of that album, but it's impressive that the guy could sing musicals because it takes hours of Devotion and he nailed that part. You might think that DP Concerto would work out because of his talent ..but no.
The unpredictability of life never ceases to amaze me. Out of all the Deep Purple members I felt that Roger Glover wrote the most Progressive Rock album. It was titled Elements and the way in which he approached that project was in fact very serious and outstandingly perfect. The first time I heard the album it was played over a beautiful P.A. system by a sound tech friend and I sat through that album trying to convince myself that it was Roger Glover. The way Simon Phillips strikes the drum head at the intro is like thunder and then the orchestra comes in and then the vocals. Then the next track was energetic and relentless in power with coming across as such I was reminded of Passport Cross Collateral or Infinity Machine. The repeated theme is a bit reminiscent of Pink Floyd, but the album throughout delivers other elements of Prog which truly rates alongside Canterbury and Symphonic...Jazz Rock. When listening to "Waiting" played by Phil Lee from the Gilgamesh album Another Fine Tune I can hear those chord voicings on Glover's Elements. Phil Lee plays the piece on a Classical nylon string guitar and it is melodic to the dissonance just as Elements would be. It feels odd to me that Roger Glover was the only member of Deep Purple to release an album like this. Some sections of the album such as short soundscapes that bridge the pieces remind me of David Bedford style of composition on The Odyssey and Instructions For Angels. Apparently he was quite capable of writing Progressive Rock. |
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Sean Trane
Special Collaborator Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20239 |
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Purple's Concerto is really laughable in its construction. I mean even the 13 yo I was (loving In Rock and Taliesin) could see how much an embarassment it was. I remember reading in the liner notes that some violonist spoke out loud about working on some stupid project with second-rate Beatles, and Lord was crying. I hate to say it, but she was right. TBH, outside the great Sarabande, I was never convinced a single second with Lord's solo classical wannabe trip.
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let's just stay above the moral melee
prefer the sink to the gutter keep our sand-castle virtues content to be a doer as well as a thinker, prefer lifting our pen rather than un-sheath our sword |
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Offline Points: 17497 |
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Hi, The sad thing was that DP HAD TO make sure that the rock group stood out better than the orchestrated stuff ... Easy to tell you why!!! Very easy! THE FANS wanted the hits and the power songs, and couldn't careless of the smush of the orchestrated stuff that so many fans did not like then and trashed senselessly. I found it sad, but by that time, the storm of the power of the big sellers having to duplicate themselves with their hits ... and DP was one of these. Sadly, they were not, for my ears, very good in concert. When I saw them with Leon Russell, they were out of tune, loud and drunk! I walked out after 20 minutes! I wasn't the only one either!
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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dr wu23
Forum Senior Member Joined: August 22 2010 Location: Indiana Status: Offline Points: 20623 |
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Totally agree and I ,more or less, feel the same way about the Moody Blues one of my favorite bands in that they never really struck me as being prog rock and indeed they are here as 'crossover'...
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Syzygy
Special Collaborator Honorary Collaborator Joined: December 16 2004 Location: United Kingdom Status: Offline Points: 7003 |
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As for Brooker, he's the only one that wrote or rearranged songs using a symphonic orchezstra usefully Agreed - Deep Purple's orchestral album (for instance) sounds more like a fight between the rock group and the orchestra, with the rock group winning on points. |
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'Like so many of you
I've got my doubts about how much to contribute to the already rich among us...' Robert Wyatt, Gloria Gloom |
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Jacob Schoolcraft
Forum Senior Member Joined: December 22 2021 Location: NJ Status: Offline Points: 1068 |
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I loved Keith Reid's writing. Sometimes I got the impression that he may have been a frustrated atheist. Some songs revealed hope for human life and the imperfections and unfairness. His words gave me a reason and a cause to doubt the belief in God. Other times he would write about believing in suffering or grief based on the bad luck or misfortune of others. . I felt thrilled over the band having 2 keyboard players which was different in the late 60s. Possibly other bands did , but only knew of Procol Harum. I wasn't particularly fond of Robin Trower's guitar tone throughout the Shine On Brightly album. However he Improved on A Salty Dog and progressed further on Home and Broken Barricades. During that time I was listening to Mike Bloomfield, Johnny Winter, George Harrison, Eric Clapton, Paul Kossoff, and Mick Taylor. They seemed to have more finesse. After hearing George Harrison on Revolver and Clapton on Fresh Cream I was expecting the same from Procol Harum's guitarist. Procol Harum was not a Rock band with flash guitar yet Robin Trower was string bending and using vibrato as if it was...yet he didn't sound masterful like the aforementioned. When I heard his guitar playing on "Simple Sister" it was obvious that his tone improved immensely. Shine On Brightly was one of my favorite albums even though I struggled with the sound of his guitar. BJ Wilson I loved and on Grand Hotel he plays beautifully. I ended up buying all the Procol Harum albums beginning at age 10 and ending at age 21.
Edited by Jacob Schoolcraft - December 28 2021 at 21:18 |
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Sean Trane
Special Collaborator Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20239 |
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I generally agree with you. TMB's Lost Chord and Threshold were more of psych rock than prog As for Brooker, he's the only one that wrote or rearranged songs using a symphonic orchezstra usefully |
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let's just stay above the moral melee
prefer the sink to the gutter keep our sand-castle virtues content to be a doer as well as a thinker, prefer lifting our pen rather than un-sheath our sword |
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Offline Points: 17497 |
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Hi, I'm not sure that the importance matters, but a couple of things here ... The Nice and The Moody Blues did not quite fit the AM radio band. The Moody Blues big hit was the only one, and even then it was not the same as the album's. The Nice, was NEVER going to get into the "radio" with its highly unusual music work for the time and place, but I'm not sure it did well in America, because there was no station playing their singles to get some public behind it, and "singles" were not a part of the "import" business in those days or in the next 10 years as the LP's took over in the late 60's and 70's and busted the control of American music by the AM Radio stations ... never again were you going to get a major "hit" on the AM band compared to the number of hits in the FM radio band a wee bit later. Also, perhaps an issue, I can't really say ... I need to re-listen to a lot of The Nice ... is that The Nice was not exactly about a rock song, which I think the next version (ELP) kinda adjusted some in order to get past the one crowd that always came to their shows, but the popular hit crowd was not there. Until "Lucky Man" busted the door, and that made them ready for the pop/rock crowd, which, honestly, I don't think that ELP ever adjusted to it. As far as "fully realized reason" ... that's harder to say and state since you have to look at the band's full catalogue to make a good/proper distinction. I think, and this is me, that Procol Harum, was not exactly interested in the "epic" thing that was being shown around them, and Gary Brooker/Matthew Fisher wanted to stick to "songs", at which point a few albums later the guitarist decided, that he could do better songs ... on one album only! In the sense of "reason", The Moodies were, as mentioned above "window dressing" and it only took their next album to show how plastic they were becoming and that the poetry, while nice, was actually much doggy doo about nothing! The Nice, worried less about the lyricism, and concentrated on the music and its strength and it did really well for them. I bet they sell more these days than they ever did before ... although I am not sure that many folks can even name a piece of music from them! But it tells you, how much the musicianship was valuable in the long run ... I think that PH lost that musicianship and became just about the songs, and The Moodies became a parody of the whole thing and (FOR ME) were the very first to "wear flowers in your hair" with stuff that "supposedly" was important, never mind the idea!
Edited by moshkito - December 28 2021 at 07:21 |
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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Syzygy
Special Collaborator Honorary Collaborator Joined: December 16 2004 Location: United Kingdom Status: Offline Points: 7003 |
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my original plan when I proposed Harum's inclusion was for Proto-prog along the Moody Blues and The Nice. I believe both of them spent a couple of months in that category before being moved elsewhere. [/QUOTE] I agree that Procol Harum belong in proto prog with The Nice and the Moodies, but for me Procol Harum is the most important of the three. The Nice brought the classical and jazz influences to rock music, but essentially played arrangements for organ, bass and drums (and did so quite brilliantly) but didn't really incorporate the influences into memorable original songs. The Moody Blues were very adventurous sonically and their albums were thematically coherent, but this was essentially window dressing for otherwise (mostly) quite straightforward songs. Procol Harum, in the Run of albums leading up to Edmonton, integrated classical flourishes into very well written songs with Keith Reid's scholarly lyrics adding another dimension. And yes, Procol Harum had their share of straightforward rockers in their repertoire, and the Moodies and the Nice certainly had their moments, but for me Procol had the most fully realised vision. |
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'Like so many of you
I've got my doubts about how much to contribute to the already rich among us...' Robert Wyatt, Gloria Gloom |
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Sean Trane
Special Collaborator Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20239 |
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my original plan when I proposed Harum's inclusion was for Proto-prog along the Moody Blues and The Nice. I believe both of them spent a couple of months in that category before being moved elsewhere.
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let's just stay above the moral melee
prefer the sink to the gutter keep our sand-castle virtues content to be a doer as well as a thinker, prefer lifting our pen rather than un-sheath our sword |
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Offline Points: 17497 |
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Hi,
It's hard for me to single out one group as to why/whynot it is/was a part of the progressive rock development. In my opinion, they all factored in one way or another, and us making the call if the group is/was progressive, or deserves to be (or not to be) included, is kind of sad, and in so many ways, even sadder when one realizes the immediate punch and appreciation that the group got for being so different and creating something that was so special and helped push the music further, specially in the very fickle, stupid and pathetic AM radio waves in America, where many of these things started and (also) died. If we look at it within a large poster that has all the groups and their music, we will find that the mole hill becomes a mountain in time, and then, it might fade, or in this case, become something else. Procol Harum deserves to be mentioned, and should, but because our definitions are YES/GENESIS/ELP related, things like Procol Harum end up in the scrap heap.
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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SteveG
Forum Senior Member Joined: April 11 2014 Location: Kyiv In Spirit Status: Offline Points: 20604 |
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Procol never had a true progressive song in my opinion. Even including In Held from the second album, which is string of unrelated but excellent songs. What Procol did was point the way forward for English progressive rock with the combination of their classical themes mixed with rock, as well as song suites. So, they were a type of important forerunner more than a prog prototype.
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8950 |
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yes I forgot about that one, also title cut to "Shine on Brightly". from a later album, "Mark of the Claw" written by Mick Grabham with great guitar work, is really good too
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Sean Trane
Special Collaborator Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20239 |
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Yeah, you're right. I didn't include these three because I ran out of place in my CDr compilation. you should get a load of Skip Softly (Moonbeans), though.
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let's just stay above the moral melee
prefer the sink to the gutter keep our sand-castle virtues content to be a doer as well as a thinker, prefer lifting our pen rather than un-sheath our sword |
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8950 |
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Interesting Hugues, when I look at your lust I realize for the most part that I prefer the "non-prog" Procol songs. Of that list I do like the 2 big hits and Salty Dog, and I think "Simple Sister" and "Repent Walpurgis" are ok, but never got into the other "epics".
What about "Power Failure", "Pilgrim's Progress" and "Nothing I didn't Know", plus some of the proggy work on "Grand Hotel", such as "Fires which Burned Brightly"? I know you prefer Jane to Annie, but really, the Annie version of Renaissance is definitely more proggy than the Illusion albums. I do love both though, but the Annie version has given me so much more in terms of highlights especially in their live performances
Edited by kenethlevine - December 26 2021 at 11:01 |
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Sean Trane
Special Collaborator Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 20239 |
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As I'm really not interested in post Edmonton era albums (could we call this Harum Mk 2?)I own only three Prool albums: The debut (with Whiter Shade on it), Shine On and the Edmonton one. I also have a CDr compilation with the best tracks from the other three Trower era albums. Tracks I consider full prog: 1. A Whiter Shade of Pale (4:04) 5. Cerdes (Outside the Gates Of) (5:04) 7. Conquistador (2:38) 10. Repent Walpurgis (5:04) 3. Skip Softly (My Moonbeams) (3:47) 7. In Held Twas in I (17:31) 1. A Salty Dog (4:41) 2. The Milk of Human Kindness (3:47) 7. Wreck of the Hesperus (3:49) 8. All This and More (3:52) 9. Crucifiction Lane (5:03) 2. The Dead Man's Dream (4:46) 5. About To Die (3:35) 6. Barnyard Story (2:46) 8. Whaling Stories (7:06) 1. Simple Sister (5:48) 6. Song For A Dreamer (5:36) 7. Playmate Of The Mouth (5:03) there might be more "prog" tracks on later albums, but I don't really have the patience for it.
I've always preferred the Ex-Yardbirds Renaissance and Illusion to the Haslam/Dunford one. |
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let's just stay above the moral melee
prefer the sink to the gutter keep our sand-castle virtues content to be a doer as well as a thinker, prefer lifting our pen rather than un-sheath our sword |
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Heart of the Matter
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In Concert with the Edmonton Orchestra broadened what was to be expected from a live record in a glorious way.
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8950 |
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My fave is the first...got me into serious music. All other albums have good highlights, with Grand Hotel probably second best
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Matti
Prog Reviewer Joined: April 15 2005 Location: Finland Status: Offline Points: 2118 |
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Just saw this thread. I very much agree on all said here, and in my own PH reviews I have expressed a pity for their low visibility in ProgArchives. One of the most influential bands in the proto prog era of the 60's.
My fave album is Grand Hotel, but the jewels are scattered on several albums that also tend to contain less interesting (and certainly less progressive) stuff, IMHO. |
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kenethlevine
Special Collaborator Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 8950 |
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big fan of the Illusion version of Renaissance (as well as the Haslam version). Don't forget James McCarty who helped put together the later version. He also has done a couple of really good solo albums, "Out of the Dark" and "Sitting on the Edge of Time", as well as an album called Renaissance Illusion (classifified with Illusion on PA) in 2001 that sounds like an Illusion album though Jane doesn't sing lead. Confused yet?
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