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Interactive poll No. -46 2/3 - the folk music poll |
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The Anders ![]() Forum Senior Member ![]() ![]() Joined: January 02 2019 Location: Denmark Status: Offline Points: 3535 |
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I think there may be a cimbalom.
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Snicolette ![]() Forum Senior Member ![]() ![]() Joined: November 02 2018 Location: OR Status: Offline Points: 6048 |
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Thank you! I know lots of people who play Middle Eastern music will also play Greek styled music at times, as so many of the instruments have similarities. The way they approach these kinds of sounds differ from each other so that you can tell which style it is in....also many will play Flamenco and Gitano types of music. I love them all!
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"Into every rain, a little life must fall." ~Tom Rapp
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The Anders ![]() Forum Senior Member ![]() ![]() Joined: January 02 2019 Location: Denmark Status: Offline Points: 3535 |
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Shadowyzard Blind Guardian: Folk music and hard rock / metal is not a rare combination, but while the vocals move towards hard rock screaming towards the end, the metal sound I expected at the beginning does not come. But surprises are nice, and I really like the song. The second track reminds me a bit of it melodically. The visual performance is a bit over-the-top to my taste (especially with the big guy with the bass drum). I like it musically, but I clearly prefer the first one. Logan Mark Fry - The Witch: I think I have heard it before (the melody right at the beginning makes me think of "Mother Sky" by Can). It's rather dark and 'noir'ish with its hypnotic and monotonous arrangement. Cristi The first song (Cantec de oameni) starts in the Mixolydian mode with acoustic instruments - which later reappears in the outro, leaving the song in a dreamy and thoughtful mood. The biggest attraction for me is however the guitar work throughout the song. It is really great, but I also like the composition and the vocal harmonies. Phoenix starts with some quite heavy guitar work (which, funnily enough, is also Mixolydian). Then enters an acoustic guitar figure im the right channel. Again the feeling is quite dream-like. There are also some ooh's, and towards the end, a drumbeat sets in, but then the song fades out. The final song (Nicu alifantis) has a melancholic Mediterranean tone to its melody, but the folk elements are counterpointed by some synthesizers. Good composition, and I sense the words have quite a lot of weight - especially as there is recitation towards the end. jamesbaldwin Adriano Celentano: Il ragazzo della via Gluck is more in the style of mid 60's pop to my ears. Not that that is necessarily a bad thing, just an observation. But to be honest it is not a type of music that really appeals to me. But maybe there is some lyrical content to be aware of? TCat The Low Anthem - "Charlie Darwin" is a melancholic guitar ballad (is the guitar tuned down a bit, or is it recorded at a high speed and then slowed down? - it sounds a bit that way). Normally I am not fond of falsetto singing, but here I actually think it fits the song well. |
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suitkees ![]() Forum Senior Member ![]() ![]() Joined: July 19 2020 Location: France Status: Offline Points: 9050 |
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...and a quick follow-up on the rest of the suggestions: micky: If I would have a model in mind of what American folk music would sound like it could be this song by Gordon Lightfoot. Great singing and great playing, and the way both the guitar and the drums convey the tension of the situation is wonderful. Great choice! Raff: Belfast Child, this is actually from the only album (Street Fighting Years) from Simple Minds that I have, and a great album it is, including this song: they have appropriated the traditional Irish folk music and incorporated it in their own style of pop-rock in a very powerful way. Engaging! With Admirals Hard we're going at sea in a very up-tempo and festive manner. The music may not be the most original, but the playing is tight and the vocal harmonies are beautiful (and I like the way how they exploit the extreme wide angle lens for the filming of this clip!). The Nuova Compagnia di Canto Popolare remain more traditional in their performance, musically speaking, but they make it very engaging, especially through their singing. Fotheringay still top all of these though, for me. mathman: Nice round-trip! Yes, with James Holden & The Animal Spirits we definitely go into more psychedelic territory; makes me think of some of The Grateful Dead. Very nice. Then two by Tin Hat (Trio or more...): first we wander away on the Width of the World with an intimate kind of contemporary saloon-folk - very cinematic. On Helium Reprise there is more accent on the contemporary aspect of the music without loosing the cinematic quality. Love the way the accordion is used on both of these tracks. Crimson doesn't grab me as much as the previous suggestions. There is nothing not to like in it, great melodies from the different instruments and the singing, but it is not really sticking with me once it's over. Unfolk, with Bedroom Discothèque, leaves a similar impression: a very pleasant song, great arrangements, some very nice vocal harmonies, but it doesn't leave a big impression either. A farewell to your selections with Tuva Farewell, interesting blues-folk mixed with Tuvan singing, which works quite well, but his own singing brings this on a much higher level. Very interesting, but my personal favourite of yours is Width of the World by Tin Hat Trio. The Anders: Sorten Muld bring us a kind of soothing traditional which builds up through its rich arrangements. Nice production but maybe a bit to smooth for my ears? The Greek traditional conveys more emotion, imo. Musically we're indeed in more traditional territory regarding the playing. I'm more on a holiday trip than with the previous one, but at the same time it is not very challenging either. The song you put up by Väsen is by far my preferred one. Lewian: I saw a documentary about the architecture of the Elbphilarmonie - quite impressive building and the acoustics of the auditorium seems to be exceptional! The Danish String Quartet are less impressive than the architecture of the building to my ears; nice but a bit short, so I probably need to see/hear them live over there... |
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The razamataz is a pain in the bum |
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Lewian ![]() Prog Reviewer ![]() ![]() Joined: August 09 2015 Location: Italy Status: Offline Points: 15151 |
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Always love to read your comments on the suggestions, thanks! Wish I had more time to write some...
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Snicolette ![]() Forum Senior Member ![]() ![]() Joined: November 02 2018 Location: OR Status: Offline Points: 6048 |
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I was just about to say the same, re suitkees way of reviewing the music. Very appreciated!
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"Into every rain, a little life must fall." ~Tom Rapp
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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You're right. In Italy It's an historycal song. Maybe the first one written with the approach of an American storyteller. And with an ecological aim, that is clear on the original video Here's to you the original video: IL RAGAZZO DELLA VIA GLUCK (THE BOY FROM GLUCK STREET) This is the story Of one of us he was born by chance in via Gluck In a house, outside the city Quiet people who worked Where there was the grass now there is a city And that house in the open fields Where will it be? This boy from Gluck Street He enjoyed playing with me But one day he said I'm going to town And he said it while he was crying I ask him: "My friend Aren't you happy? You're finally going to town There you will find the things you didn't get here You can wash yourself at home without going Down in the courtyard" "My dear friend", he said, "I was born On this street, I'll leave my heart here How can't you understand? It is a lucky thing for who are staying here, Barefoot, playing in the meadows. While there in the center I breathe the cement But there will come a day when I will come back here And I'll hear my friend the train That whistles like that: "Uah, uah"" Years go by But eight are long But that boy has come a long way But he doesn't forget his first home Now with the money he can buy it He comes back and doesn't find the friends he had Only houses upon houses Tar and cement Where there was the grass now there is A city, ah And that house in the open fields Where will it be? I don't know, I don't know Why do they continue To build the houses? And they don't leave the grass They don't leave the grass They don't leave the grass They don't leave the grass Well no If we go on like this, who knows How will it be done Who knows Who knows How will it turn out Edited by jamesbaldwin - March 23 2021 at 09:42 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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suitkees ![]() Forum Senior Member ![]() ![]() Joined: July 19 2020 Location: France Status: Offline Points: 9050 |
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@Nickie and Lewian: Thanks, you make me blush...
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The razamataz is a pain in the bum |
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Snicolette ![]() Forum Senior Member ![]() ![]() Joined: November 02 2018 Location: OR Status: Offline Points: 6048 |
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"Into every rain, a little life must fall." ~Tom Rapp
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suitkees ![]() Forum Senior Member ![]() ![]() Joined: July 19 2020 Location: France Status: Offline Points: 9050 |
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^ But they're so eloquent!
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The razamataz is a pain in the bum |
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Snicolette ![]() Forum Senior Member ![]() ![]() Joined: November 02 2018 Location: OR Status: Offline Points: 6048 |
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"Into every rain, a little life must fall." ~Tom Rapp
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Cristi ![]() Special Collaborator ![]() ![]() Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Online Points: 45687 |
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Snicolette ![]() Forum Senior Member ![]() ![]() Joined: November 02 2018 Location: OR Status: Offline Points: 6048 |
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First thoughts on the additions from Cristi:
Mircea Baniciu “Scrisoare de bun ramas” Begins with gentle guitar and cymbals. Light keyboards support the equally gentle
male vocalist, with drums kicking in softly behind and also soft electric
guitar. I really like the sound of this
one, a bit melancholy and now I see in translated lyrics, that it is so. The melody is beautiful. This is my favourite of yours, this time. Phoenix “Strunga” A sort of pan flute opens this one with an
ominous, somewhat menacing vocal and strummed guitar with bass. No crossing these guys’ lands! Nice, psych-style lead guitar joins in ¾ through
and the singer is joined with other voices in harmony as the tune fades
away. Nicu Alifantis “Trecea un om” This one has some flute and a more sing-songy
vocal, with some discordant bits of some sort of stringed instrument, can’t
quite figure out what it is, it creates an interesting effect together. Flutters of flute come in, under the vocal as
the song picks up pace a bit. An
acoustic lead guitar comes in, the song seems very full of thought to me, like
we are eavesdropping on this man’s thoughts.
My favourite thing about this one when the plinky unknown stringed
instrument comes in at the various times that it does. It has a cinematic feel to me.
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"Into every rain, a little life must fall." ~Tom Rapp
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Lewian ![]() Prog Reviewer ![]() ![]() Joined: August 09 2015 Location: Italy Status: Offline Points: 15151 |
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Actually my "you" was ambigous and my appreciation was meant to go to all of you Nicky, The Anders, suitkees!
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Snicolette ![]() Forum Senior Member ![]() ![]() Joined: November 02 2018 Location: OR Status: Offline Points: 6048 |
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Actually my "you" was ambigous and my appreciation was meant to go to all of you Nicky, The Anders, suitkees! [/QUOTE] Good clarification. I know not everyone has time or inclination to respond in any sort of length to the entries, but I do enjoy reading them, any and all that have done so.
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"Into every rain, a little life must fall." ~Tom Rapp
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The Anders ![]() Forum Senior Member ![]() ![]() Joined: January 02 2019 Location: Denmark Status: Offline Points: 3535 |
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Snicolette "Siuil A Ruin" has some really interesting vocal harmonies in the chorus, especially with the phrasings. In the verses it gets a bit new age-like to my taste, especially with the soft strings. But I really enjoy the chorus. Faun - "Federkleid" begins with a tin whistle (I think - it also appears in the previous song), but the song is more rhythmic. A bit too feel-good like for my taste tbh. "Estrelina Do Lucero" starts with a harp. The vocal performace is more neutral, and the track is clearly my favourite among those three. Lewian Opa Cupa - Pompei is quite a surprising style combination between folk and "music conservatory funk". The latter dominates the instrumentation while the singing and melody is clearly folkish. The combination works surprisingly well. Solarference is another interesting combination. Obviously in the area of folktronica, but they clearly have their own interpretation of the term. Sampler and acoustic guitar. Very interesting song. Reminds me a bit of an Australian project called Clue to Kalo. TCat (continued) The Amazing Blondel - "Seascapes" sounds like something that could have been released in the 1970's. Must be based on some British folk music tradition. Great vocal harmonies. Interesting with the orchestral arrangement. Fovea Hex - "You Were There" has some very delicions backing vocals. Harmonically it is based on the Dorian mode. There's a drone in the bottom which - among the drums that come in later - makes me think of Indian music. Fleet Foxes - "Ragged Wood": And now for something completely different. It sounds more American to me. Fine song, but I like the other two a lot better.
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Snicolette ![]() Forum Senior Member ![]() ![]() Joined: November 02 2018 Location: OR Status: Offline Points: 6048 |
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"Into every rain, a little life must fall." ~Tom Rapp
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suitkees ![]() Forum Senior Member ![]() ![]() Joined: July 19 2020 Location: France Status: Offline Points: 9050 |
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Before I won't have the occasion to communicate it, my nomination is: Tunng - Woodcat
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The razamataz is a pain in the bum |
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The Anders ![]() Forum Senior Member ![]() ![]() Joined: January 02 2019 Location: Denmark Status: Offline Points: 3535 |
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jamesbaldwin (continued) Bruce Springsteen - Johnny 99. I have only listened sporadically to the Nebraska album. The songs I did know were more low-key; this one sounds more like a demo for a song on one of his E-street Band albums. It has a touch of rockabilly (there is even added echo to the vocal track). Even though I appreciate the minimalist approach on the album, I feel this particular song would be better off with his band. But in general I am not that much of a Bruce Springsteen fan. John Hiatt Mr. Stanley (2000) is in the blues area, and I personally like it a lot better. I like its free use of irregular rhythm, and actually I think I prefer blues music this way. It appeals more to me than electric blues. Johnny Cash: Like The 309 (2006): More American folklore sound here, and as usually Mr. Cash adds a hell lot of autenticity with his down-to-earth vocal performance. It would surely had been a contender for my votes had it been in the competition. Stormy Six: Arrivano gli americani (Americans are coming) starts in a rather gloomy mood with some rather sinister and interesting chord changes. Then there's a sudden change of mood with the dance-like chorus, but we're soon back to the ominous. There's also a touch of cabaret to it. I like this a lot. Very interesting composition, and not without humour. Il barbiere (The Barber) sounds almost Zappa-ish with its complex rhythmic and tonal structure. Love the pling plong sound of it. When the vocals set in, it turns into a march. Once again the chord changes are quite out there, and as such very much up my alley. Towards the end there is some really great guitar work. Le Lucciole (The Fireflies) uses clarinets - which is almost grotesque in the context, and I mean that positively. More pling plong sounds from circa 3:30. Around 4:30 there comes a friggin' fugue. Another very interesting track, but I think I like the other two better. I admit I had not heard of this band, but it is definitely worth checking out. A strong contender for my part.
Edited by The Anders - March 24 2021 at 16:47 |
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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@The Anders happy to hear your words.... My nomination is STORMY SIX: Il barbiere |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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