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two steves
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Topic: "What if" He joined a group Posted: December 04 2009 at 21:44 |
LOT'S OF CHANGES IN YES AS PEOPLE QUIT OR WERE FORCED OUT OR NOT INVITED IN---I HAVE WONDERED WHAT IF---LIKE WHAT WOULD GATES BATTLE SOUND LIKE IF VANGELIS JOINED (NUCLEOGENESIS PART 2 ---PERHAPS) SO---WHAT WOULD YOU MOST LIKE TO HEAR IF YOU COULD OR MAYBE WHAT DO YOU THINK WOULD HAVE TURNED OUT BETTER THAN THE ORIGINAL?
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Dellinger
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Posted: December 04 2009 at 21:53 |
I was tempted to say Vangelis on Relayer for curiosity about how that would have worked, but I guess the reason Vangelis didn't join was the right reason: the stiles weren't quiet so compatible; and the end result with Moraz instead of Vangelis was unbeatable (Gates of Delirium!!!) If Squire had been around for ABWH then it wouldn't have been ABWH at all, ofcourse, instead it would have been a reunion of the very best incarnation of Yes, and that would have been fantastic, so I voted for this option (though surely they wouldn't have hit the height they achieved on Frigile and CttE).
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Soul Dreamer
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Posted: December 04 2009 at 23:55 |
Agree 100% with Dellinger....If Squire had been on ABWH then that would have been Yes, in the most classical line-up, and I bet the album (ABWH) would have been even better...
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To be the one who seeks so I may find .. (Metallica)
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someone_else
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Posted: December 05 2009 at 04:34 |
Squire on ABWH to make the line-up complete. The other options are hardly an improvement, or not at all.
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progkidjoel
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Posted: December 05 2009 at 04:37 |
The only reason why ABWH wasn't called Yes is because of a legal matter, so Anderson on Drama takes the cake for me.
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dedokras
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Posted: December 05 2009 at 06:03 |
Moraz on GFTO
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Petrovsk Mizinski
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Posted: December 05 2009 at 06:43 |
WHAT WOULD YOU LIKE TO HEAR IF YOU COULD LEARN TO NOT TYPE IN UPPER CASE FOR AN ENTIRE POST.
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proggy
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Posted: December 05 2009 at 07:52 |
Anderson on Drama - Shame on You......I chose Squire.......
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mrcozdude
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Posted: December 05 2009 at 08:29 |
Bruford on tales
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Slartibartfast
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Posted: December 06 2009 at 00:35 |
Petrovsk Mizinski wrote:
WHAT WOULD YOU LIKE TO HEAR IF YOU COULD LEARN TO NOT TYPE IN UPPER CASE FOR AN ENTIRE POST.
| I CAN'T HEAR WHAT YOU'RE TYPING BECAUSE THE THE OTHER GUY TYPED ALL IN CAPS!  By the way, you can actually hear Jon Anderson on Drama if you get the remaster which has bonus tracks where he and Wakeman do some rehearsal tracks before they split.
Edited by Slartibartfast - December 06 2009 at 00:38
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Released date are often when it it impacted you but recorded dates are when it really happened...
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Progfan1958
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Posted: December 06 2009 at 02:04 |
Dellinger wrote:
I was tempted to say Vangelis on Relayer for curiosity about how that would have worked, but I guess the reason Vangelis didn't join was the right reason: the stiles weren't quiet so compatible; and the end result with Moraz instead of Vangelis was unbeatable (Gates of Delirium!!!) If Squire had been around for ABWH then it wouldn't have been ABWH at all, ofcourse, instead it would have been a reunion of the very best incarnation of Yes, and that would have been fantastic, so I voted for this option (though surely they wouldn't have hit the height they achieved on Frigile and CttE). |
Yes, Squire on ABWH would be ideal. Maybe we should get a movement going to have the band go back to the multitracks and have Chris add his bass and vocals ? ( Though I've nothing against Tony Levin-a fine musician if there ever was one ) At the same time they could remove those awful electronic drums and have Bruford record a full acoustic kit instead. Then have Rick go back in with a REAL piano instead of the poor sampled one they used........ Mix that together and I bet we would have a very decent Yes album !
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Progfan1958
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mohaveman
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Posted: December 07 2009 at 14:39 |
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WalterDigsTunes
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Posted: December 07 2009 at 14:51 |
Petrovsk Mizinski wrote:
WHAT WOULD YOU LIKE TO HEAR IF YOU COULD LEARN TO NOT TYPE IN UPPER CASE FOR AN ENTIRE POST.
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Thanks for another non-contribution to a thread about classic prog.
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Alberto Muńoz
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Posted: December 07 2009 at 14:53 |
Bruford in Relayer
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Pekka
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Posted: December 07 2009 at 14:56 |
Eddy Offord on ABWH. The sound on that album is bordering on unlistenable.
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amwvb
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Posted: December 07 2009 at 15:18 |
Squire on ABWH because, as mentioned earlier, that would have been CttE Yes
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chopper
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Posted: December 07 2009 at 16:23 |
Pekka wrote:
Eddy Offord on ABWH. The sound on that album is bordering on unlistenable. |
Good call, but that's mainly due to the drum sound. This is an interesting poll actually, I would have to go for Squire on ABWH. The others are interesting ideas but I certainly wouldn't replace Moraz on Gates, he did a brilliant job there. How about Wakeman on Time and A Word as an option?
Edited by chopper - December 07 2009 at 16:24
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Ivan_Melgar_M
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Posted: December 07 2009 at 16:30 |
No way Squire on ABWH, I believe Levin is far a better bassist than Chris (Who is already outstanding)
I would vote Moraz in Going for the One.
Iván
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The T
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Posted: December 07 2009 at 17:53 |
WalterDigsTunes wrote:
Petrovsk Mizinski wrote:
WHAT WOULD YOU LIKE TO HEAR IF YOU COULD LEARN TO NOT TYPE IN UPPER CASE FOR AN ENTIRE POST. |
Thanks for another non-contribution to a thread about classic prog.
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At least he usually says things that make sense and add to teh discussion, unlike you who in every non-classic-prog thread only say "post 89 rock is garbage"....
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Dellinger
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Posted: December 07 2009 at 22:10 |
Ivan_Melgar_M wrote:
No way Squire on ABWH, I believe Levin is far a better bassist than Chris (Who is already outstanding)
I would vote Moraz in Going for the One.
Iván |
I read an interview with Levin about his playing with different bands and artists. He said that when he was playing for Peter Gabriel, he was given The Lamb lies down on Broadway to listen and he was like very cool music. When he joined King Crimson he was given another album (I don't remember which) and just the same he liked it a lot. But when he was going to play for ABWH, he was given Close to the Edge, and he was just like he didn't know how the **** he was going to play the beginning to that song. He then was asked if he had liked the song, and he said he had been too worried about playing it to think wether he liked it or not. In the end he had to invent some weird techinque in order to give the song an adequate sound.
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