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Topic ClosedRate yourself! (Prog elitism)

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Poll Question: How much do you consider yourself as a prog elitist?
Poll Choice Votes Poll Statistics
8 [9.09%]
4 [4.55%]
6 [6.82%]
9 [10.23%]
7 [7.95%]
10 [11.36%]
13 [14.77%]
10 [11.36%]
9 [10.23%]
12 [13.64%]
This topic is closed, no new votes accepted

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Ivan_Melgar_M View Drop Down
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Direct Link To This Post Posted: January 08 2008 at 00:20
Originally posted by darqdean darqdean wrote:

That's was not >50 different Genesis singles - only a completist counts every edition of each single.
 
The famous Charisma label had found a small amount of chart success selling left-field singles (Lindisfarne and Clfford T Ward) but in the words of Tony Stratton-Smith: "Charisma, in fact, has had only one Artist and Repertoire man until this year and that was Stratton Smith himself. He signs the bands directly and takes a hearty artistic hand in determining what goes out of the office with a Charisma label on it. Singles, he says, were never Charisma's strong point simply because he saw no need for them. Charisma was selling albums in copious quantities and those albums were by groups that English and American radio chieftains saw only as album acts." (http://www.charismalabel.com/tpcmarticle.htm)
 
Use the argument you want, Genesis released more than 100 singles along their whole career.
 
And you forgotten Yes, they released at least one single per album in ther peak.
 
Jethro Tull has a lot of Singles, Focus has singles, Manfred Mann's Earth Band have singles...The fact is that they also tried to reach the mainstream market unsuccesfullt
 
Jimmy_row's original statement was regarding the time when Prog was at it's peak, which was from 1970 through to 1976, he made no reference to any country. I referenced the UK since that was the epicentre of the growth (and decline) of Prog Rock in the 70s...
 
We know that UK market worjked in a different way with Prog, not enough to be a opopular genre or part of the mainstream, but it was essentially a British movement.
 
I was not being Anglo-centric in the facts I stated - I was just reflecting what I witnessed first hand in the UK in the 1970s - you made similar statements about your personal experiences of Prog from your youth. I cannot comment on what prog was like in the USA during th 70s because I was not there and had little interest in American music at that time.
 
I can't comment both I lived a year in Birmingham Alabbama, and the situation was similar to Perú, I hardly knew 10 persons who ever heard about Prog, the difference is that you always found a copy of a Yes, Genesis, King Crimson, Jethro Tull album, but never moire that 2 or 3
 
The World-wide status of Silver and Gold album is not related to the number of units sold, but to the percentage of the county's population that bought them. So the USA a Gold album has to sell 5 times more than the UK because the population is 5 times larger. Therefore achieving Gold in any country in the World is a comparable measure of popularity, not wealth.
 
US Gold = 500,000 from a population of 250,000,000 = 0.2% of population
UK Gold = 100,000 from a population of 50,000,000 = 0.2% of population
 
That's why I'm using BPI certification for UK albums and not RIAA.
 
but despite this fact, I can say without doubts that  100,000 albums in 14 years is NOTHING in UK, any POP or mainstream band sells more in the first six months.
 
So, yes you can make more money by going Gold in the USA, which is why every artist on the planet wants to be big in the USA - but you can make exactly the same amount of money by going Gold in 6 or 7 European countries. To use a modern statistic - Dream Theatre have sold 6 million albums, but only 2 million of those were in the USA - i.e they sell twice as many albums outside their own country.
 
Please, don't change the subject, I'm comparing albums sold in UK all with the same parameters, 100,000 albums in one year is considered a poor sale for any mainstream band.
 
Dream theater BTW is an exception because they got the Prog and the Metal audience.
 
(btw: Two weeks at No. 1 over the Christmas period means quite a lot as this is the time of high album sales and is equivalent in sales terms to several weeks at No.1 at any other time of the year)
 
But still they only got a gold certification during their first year, this means 100,000 albums in one year, normally a POP band with this sales would be put to sleep.
 
Pre-teen fads like the Spice Girls and Britney Spears are exceptions and do not really relate to Mainstream success either - the vast majority of Mainstream artists sell considerably less than that.
 
Do you wat more examples? I won't mention again the 11 Platinum albums of Thriller and the 3 platinum of Britney, I would go exclusively with no pre teen bands
 
Rolling Stones in UK:
 
Tally [U.K. LPs]: 4,220,000 certified units
SILVER: 23
GOLD: 21 (tied at #1 with the Beatles among all music groups)
PLATINUM: 4
 
And they are not Pre Teen Pop
 
Fleetwood Mac Rumours:
 
BPI – UK Gold May 23, 1977
BPI – UK Platinum November 9, 1977
 
In the year of release they got BPI Platinum Certification, but that's nt all.
 
BPI – UK 10X Platinum January 28, 2000
 
That's not a Pre teen group neither
 
Cat Stevens is not mentioned by BPI but this numbers may guive you an idea:
 
RIAA – U.S. Gold May 12, 1971
RIAA – U.S. Platinum January 30, 2001
RIAA – U.S. Double Platinum January 30, 2001
RIAA – U.S. Triple Platinum January 30, 2001
 
Madonna: Like a Prayer:
 
United Kingdom 1 4x Platinum 1,200,000+
 
Hotel California:
 
5 Platinum Certification by BPI
 
The Joshua's Tree (U2)
 
United Kingdom 1 6x Platinum 1,800,000+
 
REM - Out of Time:
 
BPI – UK Triple Platinum March 1, 1992
 
In one year got triple Platinum in UK
 
So please, the numbers speak by themselves, mainsteream sales are incredibly superiotr to Prog sales , so we can't compare them.
 
 
The general trend is exponential with all the artists around the middle to lower regions of the charts selling similar volumes, which is why Unsigned bands can find their downloads in the top-40 and Marillion can release 23 singles over the past 24 years, all of which chart.
 
Niumbers don't lie, I made a list of serious bands. not pre teens, no Rap, etc, only recognized mainstream artists and the difference with Prog is amazing, even in England.
 
Iván
            
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Ivan_Melgar_M View Drop Down
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Direct Link To This Post Posted: January 08 2008 at 00:33
Originally posted by jimmy_row jimmy_row wrote:

Ivan:  Being that you're a huge Genesis fan, as I am, I'm sure you know that they didn't exactly take those singles seriously...many were empty motions or contractual fulfillments, while the earliest ones were aimed at raising awareness for the band, especially in Italy betwenn 71/72 were they became very popular. The band weren't particularly focussed on singles (in fact, they didn't like their songs being cut up and edited), but with management, there's always a contractual obligation or some kind of outside pressure...all the same, most of these singles were released after the records and are just a footnote, meant to promote the album at the time.
 
You are right, but it was said that Prog bands didn't released singles, I could ,mention most of the famous bands releasing singles. 
 
I could be wrong, but to me, there's no denying the initial leap in sales that albums from Yes et al took...whether or not they sold consistently through the years, they made a big splash in the charts, and that is definately saying something about their popularity/mainstream appeal
 
But again, when you go to the cold numbers, the difference with real mainstream is incredible.
 
*(Ivan, I'm curious about the geographical appeal of prog in the '70s, because you mention that it was next to unheard of in Peru, while Dean describes a proggers paradise in the UK...makes me think that prog was predominantly an Englsih-speaking movement, while the heavily promoted pop-albums you mentioned *eg Thriller* were marketed around the world to enormous audiences...and probably even bands like The Rolling Stones to a lesser extent.)
 
In Perú uin the 70's most albums were in English, mostly Rock. Led Zeppelin, Deep Purple, Uriah Heep, Kansas, Queen, Slade, etc sold well.
 
But Prog was hardly sold, and that's not only in Perú, as I said I lived in USA and the situation was not that different.
 
Cheers
 
Iván
 
            
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Zargus View Drop Down
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Direct Link To This Post Posted: January 08 2008 at 10:13
Well thats a hard question i whuld gues only around 30-40% of my music collection culd be described as prog and much of it on the edge, the rest is all types of diffrent music. But yes i do consider prog to be one of the best types of music i like otherwise i whuldetn be here whuld i ? a 6-7 maybe. Since im still pretty new to prog and so far mostly got the big bands. But one day i hope to be a 100% prog nutt like the rest of you.. Wink
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Direct Link To This Post Posted: January 09 2008 at 08:54
10 of course!!!
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Direct Link To This Post Posted: January 09 2008 at 09:15
17.
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Direct Link To This Post Posted: January 23 2008 at 07:40
I was really intrigued by the discussion between Ivan_Melgar and Reality at the end of last year. They both had a point but in fact I agree with a lot Ivan says. This is our love and let the rappers and dancefreaks have fun on their sites.
There's no reason to be ashamed to be a progger because eventhough most prog is hardly known with the general public and therefore not on top of the chain I believe it's their loss and they are missing out. Most of the general public is a bit shallow with music and they don't want to make an extra effort for it. Because after all prog doesn't come easy to you. It's a lot more "easy" to just listen to the charts and go with the flow. But if I listen to the charts occasionally I pity the people who love it. 90% is rubbish to me and I can't bear to listen to it.
Probably I'm missing out on real life then, well so be it. Maybe it's presumptuous but it's how I feel it and if it's immature: again, I can't help it.
 
So, yes I'm almost a hundred percent progger and I'm fine with it. Still I wouldn't give myself a 9 or 10 in this poll because I'm too limited in my favourite subdivisions of prog. I don't even like half of the subdivisions and there are even a few I almost hate. So I can't call myself a true progger over the whole spectrum and because of that I would say 8.
A day without prog is a wasted day
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Direct Link To This Post Posted: January 23 2008 at 09:41
10 of course!!!
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A B Negative View Drop Down
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Direct Link To This Post Posted: January 23 2008 at 11:15
1 for prog elitism, 10 for music elitism. Good music is good music, regardless of genre.
"The disgusting stink of a too-loud electric guitar.... Now, that's my idea of a good time."
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Direct Link To This Post Posted: January 23 2008 at 21:25
1: I'm a rock snob, but not a prog snob.
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