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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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I grant the point about KC's quiet-loud contrasts when it comes to a track like Easy Money but Red opens with heavy guitar. Sorry, but I don't hear any moments of Genesis or Yes that are that heavy. I do hear stuff that sounds like it was influenced by Sabbath but both bands almost seem to avoid riffs and that takes the sting out their heavy moments. If you take LTIA pt-2, that's a solid riff. Even in Musical Box, where the pre-Maiden galloping beats begin, Hackett remains quite melodic and it is arguably Banks's organ that sounds heavier. |
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Dayvenkirq ![]() Forum Senior Member ![]() ![]() Joined: May 25 2011 Location: Los Angeles, CA Status: Offline Points: 10970 |
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Edited by Dayvenkirq - January 27 2013 at 17:07 |
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resurrection ![]() Forum Senior Member ![]() ![]() Joined: August 08 2010 Location: London Status: Offline Points: 254 |
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King Crimson was the most important of these three, though without Yes, I'm not sure it would have worked.
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JocBT ![]() Forum Newbie ![]() ![]() Joined: December 30 2012 Location: Canada Status: Offline Points: 35 |
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1.Yes
2. King Crimson 3. Genesis
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HackettFan ![]() Forum Senior Member ![]() ![]() Joined: June 20 2012 Location: Oklahoma Status: Offline Points: 7951 |
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No one has claimed Hackett invented tapping. The only thing relevant to the claim is two handed tapping. I know of know audio or video recording documenting it prior to Hackett. |
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Sumdeus ![]() Forum Senior Member ![]() ![]() Joined: October 23 2012 Location: SF Bay Area Status: Offline Points: 831 |
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http://en.wikipedia.org/wiki/Tapping#History
second paragraph. |
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Sumdeus - surreal space/psych/prog journeys
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HackettFan ![]() Forum Senior Member ![]() ![]() Joined: June 20 2012 Location: Oklahoma Status: Offline Points: 7951 |
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I checked the YouTube film/video of Roy Schmeck supposedly doing two handed tapping in 1932 (link available in the Wiki footnote). The video clearly shows that he was not. He was doing a legato technique with the right hand while fretting with the left. Crucially the left hand never tapped anything. Not your everyday technique for sure, but also not two handed tapping, just legato. Normally when one plays legato on a guitar, one uses the right hand to mute the strings while the left hand taps. If you do this on a much smaller ukelele, you will never see any frets, so it is quite natural to tap with the right hand. I haven't followed up on the others. I will. Chapman's stick is well known for hammering, but not hammer pull sequences, and the instrument facilitates actions on different strings as opposed to the same string. Because of this I suspect that his technique may have always been different from what we have come to know as two handed tapping, but I might find out differently about some early period in his career for all I know, but the Chapman technique in any event as we see on the Chapman Stick is not the technique that metal guitarists emulated. Which is our reason for discussing it. |
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HackettFan ![]() Forum Senior Member ![]() ![]() Joined: June 20 2012 Location: Oklahoma Status: Offline Points: 7951 |
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Actually there's a brief point in Muscal Box where there are a couple guitar chords that really crunch, but they don't come out favorably in the mix unless you listen to Genesis Revisited II. I don't think it's a hands down case that Red is heavier than Lillywhite Lilith. However, perhaps it is more clearly so in the case of LTIA pt. 2. This is something of an outlier for Crimson, though (aside from for pt. 3). Anyway, I agree with your point about Fripp being more non-melodic. |
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ProgMetaller2112 ![]() Forum Senior Member ![]() ![]() Joined: December 08 2012 Location: Pacoima,CA,USA Status: Offline Points: 3150 |
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So what if it is, Iommi and Sabbath is exactly what Metal is all about ![]() ![]() |
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“War is peace.
Freedom is slavery. Ignorance is strength.” ― George Orwell, Nineteen Eighty-Four "Ignorance and Prejudice and Fear walk Hand in Hand"- Neil Peart |
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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Knife only sounds like Sabbath to the extent that the riff is a bit like Sabbath. Rutherford doesn't double up with the guitarist in the same way as Butler so the effect is ultimately not that heavy.
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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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I am not sure Genesis Revisited II is a good exhibit for this because it is not representative of how the band wanted the composition to sound, only what Hackett wanted it to be like. Is it about Hackett getting drowned in the mix or is it just the way Banks wanted it to be? I don't think Genesis were really interested in sounding very heavy at that time and that is a clear distinction from the Wetton-KC lineup, which Fripp fully intended as heavy music. LTIA 2 is not really an outlier either because LTIA 1 too has a heavy riff and so does Fracture.
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dr prog ![]() Forum Senior Member ![]() ![]() Joined: September 25 2010 Location: Melbourne Status: Offline Points: 2516 |
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Yes for sure out of those 3 bands. From 1968-73 Yes are definately better, But my prog giants are:
Tull Gentle Giant Camel All 3 had better composers than Yes, Genesis and King Crimson. I feel a bit bored listening to Genesis and Crimson and sometimes embarrased. I've always considered it a sympathy vote and an inside joke that Crimson and Genesis are considered the best 2 bands of the 70s lol. They're not at all. Not even top 10. All my top 10 bands are prog related 70s bands. Crimson sit about 15th and Genesis are about 10th thanks to the 1976-77 era which I really enjoy. Crimson didn't even do a studio album from 1975-1980. It's not possible they can be among the best 2 bands of the 70s and their 1970-74 stuff isn't as good as everyone makes out
Edited by dr prog - January 27 2013 at 19:59 |
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ProgMetaller2112 ![]() Forum Senior Member ![]() ![]() Joined: December 08 2012 Location: Pacoima,CA,USA Status: Offline Points: 3150 |
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I agree Mike doesn't have the effect that Geezer does but really that song reminds me of Sabbath |
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“War is peace.
Freedom is slavery. Ignorance is strength.” ― George Orwell, Nineteen Eighty-Four "Ignorance and Prejudice and Fear walk Hand in Hand"- Neil Peart |
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HarbouringTheSoul ![]() Forum Senior Member ![]() Joined: May 21 2010 Status: Offline Points: 1199 |
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So your argument is "It has one riff that reminds me of Black Sabbath, therefore it's heavier than King Crimson."?
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ProgMetaller2112 ![]() Forum Senior Member ![]() ![]() Joined: December 08 2012 Location: Pacoima,CA,USA Status: Offline Points: 3150 |
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Nope, the Knife is a really violent song musically and conceptually that no King Crimson track has ever matched it ![]() |
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“War is peace.
Freedom is slavery. Ignorance is strength.” ― George Orwell, Nineteen Eighty-Four "Ignorance and Prejudice and Fear walk Hand in Hand"- Neil Peart |
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ole-the-first ![]() Forum Senior Member ![]() ![]() Joined: January 03 2012 Location: Russia Status: Offline Points: 1534 |
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^Except for Schizoid, Laks and the whole Crimson's industrial-era (1994 — 2003).
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This night wounds time.
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ProgMetaller2112 ![]() Forum Senior Member ![]() ![]() Joined: December 08 2012 Location: Pacoima,CA,USA Status: Offline Points: 3150 |
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I'll be honest here I stopped searching the bands music after Three Of A Perfect Pair ![]() |
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“War is peace.
Freedom is slavery. Ignorance is strength.” ― George Orwell, Nineteen Eighty-Four "Ignorance and Prejudice and Fear walk Hand in Hand"- Neil Peart |
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Dayvenkirq ![]() Forum Senior Member ![]() ![]() Joined: May 25 2011 Location: Los Angeles, CA Status: Offline Points: 10970 |
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Edited by Dayvenkirq - January 28 2013 at 02:23 |
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ProgMetaller2112 ![]() Forum Senior Member ![]() ![]() Joined: December 08 2012 Location: Pacoima,CA,USA Status: Offline Points: 3150 |
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you are entitled to disagree and have your own opinions ![]() Edited by ProgMetaller2112 - January 28 2013 at 02:25 |
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“War is peace.
Freedom is slavery. Ignorance is strength.” ― George Orwell, Nineteen Eighty-Four "Ignorance and Prejudice and Fear walk Hand in Hand"- Neil Peart |
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HarbouringTheSoul ![]() Forum Senior Member ![]() Joined: May 21 2010 Status: Offline Points: 1199 |
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Honestly, I wouldn't describe a song with such a cheerful vocal melody as violent. It's about violence, sure, but compared to its subject matter it's fairly light musically. Now a song like LTIA2 is just bludgeoning. Even its softer sections are built around eerie harmonies and gradually build up tension. And I've never heard anything in music that matches the trauma of the 'loud' sections. It's the musical equivalent of somebody punching you in the face. |
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