Interactive Poll X: Cover Your Ears! |
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Snicolette
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"Into every rain, a little life must fall." ~Tom Rapp
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Logan
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Looks good to me from what I have seen. Nice job in how you put it together.
The playlist is a great, very helpful accessory, and thanks for keeping up with it. Edited by Logan - February 08 2021 at 11:21 |
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The Anders
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Next batch: Logan Julee Cruise - "Into the Night": This one is quite "noir" in its feel, so it is no surprise it should fit into something like Twin Peaks. There are deep synthesizers and an ominous beat on cymbals and hihat. At 3:30 there is a sudden break in the silent atmosphere. Not what I listen to the most, but I like it. The Xiu Xiu version is more dissonant with as quite industrian sounding beat. There are some sound effects too, a tasteful electric guitar, and sometimes there's a glockenspiel. I think I will have to hear it again. It's very low-key, but absolutely not uninteresting. Ronstein Genesis - "For Absent Friends". It's actually been quite a while since I last listened to this. I copied Nursery Cryme to a cassette tape way back, and now it is collecting dust basically because my tape machine doesn't work properly. Considering that it is prog, it is a very short track, but clearly an enjoyable one. There are some fine chord changes in particular. The Richard Sinclair version I am less fond of, especially because it sounds like synthetic piano sound on a keyboard rather than a real piano. Fortunately the other instruments makes it up for that. Still a beautiful song. Cristi The Spandau Ballet song is a singer/songwriter track with acoustic guitar, but in a very late 80's sounding "grandiose" production. The vocal style and keyboard sounds are not really my taste. It is not a bad song though. The Romanian language version appeals much more to me. I especially like the vocal performance a lot better, it has much more edge to it, and it is very dynamic. The soundscape is rather synthetic, but the vocals eventually save it for me. jamesbaldwin Paolo Conte - "Via con me" is quite jazzy and contains a half-speaking singing voice. There's a break after 1:40 with among other things a xylophone. Again not what I listen to the most, but I do like it. The Negri per caso version is all acapella, complete with "vocal percussion". It contains, amon other things, an imitation of a muted trumpet, and later there is a very Bobby McFerrin-sounding "sax solo". I clearly perfer the original version. |
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mathman0806
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I listened to and liked the Sara DeBell version of Rusty Cage. Listened to a few of her other covers on YouTube. But for an even more subdued version, from part of Twinkle Twinkle Little Rock Star series, there is this one. |
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Logan
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Both versions of "Into the Night" were growers for me. I've been so hugely into Twin Peaks that I could well find a burped version of any Twin Peaks music interesting. ;) Audrey's swoony, dreamy dancing to an all burped tune would be something. It was the instrumental music that I had liked best from Twin Peaks (the Angelo Badalamenti music), but I came to appreciate this kind of dream Cruise pop, and the rather dark, ambient take on it from Xiu Xiu much more. In some ways I feel like Xiu Xiu's 2016 album might fit the 2017 "Twin Peaks: The Return" better than the original series, which can be rather grittier, more experimental and darker (and just as silly at other times). Noir is a choice word for Into the Nuit. The percussion, which can be primitive, is one of the more interesting elements to me in the Xiu Xiu Plays the Music of Twin Peaks music. |
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Hrychu
Forum Senior Member Joined: November 03 2013 Location: poland? Status: Online Points: 5358 |
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Richard Sinclair's cover of For Absent Friends is incredible!
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“On the day of my creation, I fell in love with education. And overcoming all frustration, a teacher I became.”
— Ernest Vong |
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Snicolette
Forum Senior Member Joined: November 02 2018 Location: OR Status: Offline Points: 6039 |
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Just as I suspected, I had a terrible time deciding this time. Truly each one had merit. Thank you, as always to Lorenzo (for the original idea), Shadowyzard (for the poll itself, this time) and George (for his YTplaylist!).
1. suitkees:
Nirvana’s “Smells Like Teen Spirit,” Covered by Shaka Ponk:
Here is another pretty female vocal taking the song on, and
ooooooh! With strings! Loving this.
For some reason, it is so much more ominous to me when a woman sings
this song. She’s joined in with the male
vocal as well, next. This is just so
restrained and spooky. In this version,
the band kicks in full bore after the first couple of verses. Kind of an amalgam of the acoustic way to do
this song, along with the heavy grunge way it was done originally, with some
classical overtones as well, provided by the strings and full chorus. Definitely this one may be a contender for
me. 2. Mike: Unicorn’s “No Way Out of Here,” Covered by Iron & Wine and Ben Bridwell. Definitely love the melancholy in thisHere it is presented in a more Americana than Alt Rock sound, although at times the harmonies are reminiscent of CSN&Y. Same almost haunted place feeling, but with some steel guitar and crisper vocals and harmonies. This one gives me chills. Excellent choice and an excellent cover of the original. 3. Lewian: The Beatles “Tomorrow Never Knows,” Covered by Daniela Andrade: Yours and Mike’s had a tough competition! Here on solo electric guitar, she does a little bit of a lisp, not sure if it’s intentional or not. Still keeps the dreamy feel of the piece, there is a nice chorus with herself a couple of times, way back in the mix, with a tiny bit of some kind of keys underpinning that part. Lovely and turns it into another thing, entirely, in this singer/songwriter mode. Honourable Mentions: Well, really, everyone, but these are the ones that contended the most to also be in the Top 3, in no particular order: I prophesy disaster: The United States of America “The Garden of Earthly Delights,” Covered by Snakefinger: I just love psych and tis was an excellent updated take on the original. The sound is a bit different, with the male vocals and guitars! It mostly follows quite closely, otherwise, except with less whirly-swirlies. But still a nice, complementary piece, to be played side by side with the original. Well done! George: Black Sabbath’s “War Pigs,” Covered by Brass Against ft Maya Azucena. I loved the ingenuity of arranging this piece, in this way. Very heavy, this time with so much brass! Great idea to cover this, in this way. Oh yeah, great pipes on Maya! Absolutely just as powerful, with the band as killer as the singer. The Anders: Haydn’s “Symphony No. 94,” the 2nd movement, Covered by the Hoffnung Music Festival: I love humour in music and this had it aplenty. Here is the same piece of music, albeit with VERY big dramatic shifts, done in a comedic way. They continue with this approach with very slippy-slidy strings when the occasion warrants it and very stern accentuated parts. This is really fun, overall, reminds me of Warner Brother’s cartoons. Certainly Haydn’s intent was to be comedic, as well, though of course, we don’t have a live recording of his music with audience from his time. Can’t help but wonder what he would have thought….was he funny, or would he be upset? BaldFriede: The Rolling Stones’ “(I Can’t Get No) Satisfaction,” Covered by Barbara Dennerlein: Starts off with quirky organ and horns, funky/jazzy percussion. Slows down a bit for some bass and then a horn solo. What a fun cover this is, turns it completely around. I was directed to some other videos of hers as well, she’s absolutely phenomenal. |
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"Into every rain, a little life must fall." ~Tom Rapp
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Logan
Forum & Site Admin Group Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 35804 |
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Just very quick insubstantial comments on those nominations that I did not "cover" before more for my own benefit than anyone else's:
Cristi: Through the Barricades. I really liked your earlier choice that I commented on, but as for this, I surely do like the cover version and do prefer it to the original. The Anders: Haydn's Surprise Symphony (covered the Nino Rota and Petra one before so not to confuse myself). I do prefer the first version, but appreciate the humour of the second (which I can mostly tell via the audience laughter). ;) I will have to listen more carefully anon. I am quite familiar with Haydn's Surprise Symphony from different orchestras as I grew up with it, and have talked with my dad about it ages ago, but hadn't listened to it in a very, very long time. A different approach to the topic. With Haydn I have listened to his string quartets the most. Dr Wu: The In Crowd (Dobie Gray + Bryan Ferry). This original put a big smile on my face, which is just what I needed. Hey, aren't the participants here the In Crowd, which means that I'm in with them too. And I find that Bryan Ferry cover very enjoyable. Be surpised if I don't vote for this. Kees: Smells Like Teen Spirit. Of course I know the original very well and that kind of energy is working well for me now and then with a cover we have a change of tone which I'm really liking, which then changes tone again.... They went big, and its a very well done cover. Not ready to vote yet, will still need more spins for some of the music to sink in and to become fully acclimated to it. Edited by Logan - February 08 2021 at 18:39 |
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The Anders
Forum Senior Member Joined: January 02 2019 Location: Denmark Status: Offline Points: 3529 |
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A comment on my entry: Gerard Hoffnung
(1925-1959) was a German cartoonist, musician and humorist who lived
most of his life in London. He is known for his many cartoons that poke
fun at the clichés of classical music. As I grew up with classical
music, books with Hoffnung cartoons were almost mandatory. Some of his drawings can be found on the internet too. He also gave name to the Hoffnung Music Festivals between 1956 and 1961 from the Royal Festival Hall. They include all kinds of parodies and crazy gags, with contributions from prominent figures of the British music scene of the time, such as Malcolm Arnold - his famous "Grand Grand Overture" (featuring vacuum cleaners) was written for one of the Hoffnung festivals. One of the more famous features in the festivals was the deconstruction of Haydn's "Surprise Symphony". I thought it would suit this poll well, because the Hoffnung deconstruction only makes sense if you know the original Haydn movement in advance.
Edited by The Anders - February 09 2021 at 10:45 |
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Logan
Forum & Site Admin Group Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 35804 |
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That may be seen to spoil the "surprise", Anders.
It's one of those that you not only have to know the piece well, but you have to listen quite carefully. I've been surprised by Gerard Hoffnung more than once (first by my dad who loved it). By the way, one of my favourite podcasts is called The Rule of Three where comedians choose comedic material to discuss. I had enjoyed the Matt Lucas one (he was in Little Britain, Nardole in Doctor Who and other things) where his choice was Gerard Hoffnung. You might appreciate this: https://play.acast.com/s/ruleofthree/mattlucasongerardhoffnung |
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Logan
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^ Of course it's a very useful write-up, and glad you went into details.
I got the chance to listen again to those I hadn't spun multiple times and will vote: The In Crowd (Dobie Gray + Bryan Ferry) Rythme futur (Django Reinhardt + Atomic Ape) The Garden of Earthly Delights (The USA + Snakefinger) -- knew the original well, but loved the cover. |
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The Anders
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Next batch (and I believe I reached everything now?) Tancos Django Reinhardt - "Rhythm Futur" sounds like a sort of galop, just build around an acoustic guitar. There's a clarinet too. It contains some rather dissonant chords. Very charming. Atomic Ape's version is slower and much longer, and with a sax playing the main riff. There's a distorted electric guitar too. It later turns into a sort of free-form jazz - wonderfully cacophonic, I like that a lot. Around 4:00 it goes latin, and that part intrigues me less. Tapfret More Black Sabbath? They must have a big fanbase around here. I like the guitar work quite a lot, but I'm not much of a fan of Ozzy Osbourne's singing. I like "War Pigs" better. The miRthkon version is very different and not without humour. The vocals come in during a jazzy section. Vocally it's not so much me, but I like the absurd combination of metal and "horn honking" from deep brass instruments - the latter made me think of the weird Russian band Dvar. One of the guitar riffs reminds me of "So What?" from Kind of Blue. I think I like it better than the original version. TCat (part 2) I love this take on "Crazy Train" which actually made me enjoy the song. It's a bit like a steel band, just with xylophones instead of steeldrums, and in many ways an absurd take on the song. Especially when we come to the "guitar tapping". Tapfret (part 2) And here a similar version by the same musicians, this time of a Rush song. I still struggle to appreciate Rush. In this version it almost sounds like some of Frank Zappa's 70's work. It's not nearly as entertaining as the "Crazy Train" cover. Quite impressive drumming considering his age. Jazz Sabbath: I think I have had enough Black Sabbath for the time being, so I decided to skip these. dr wu23 Dobie Gray - "The In Crowd". The original sounds quite a lot like "Dancing In the Streets", but despite its Motown-like sound, it is not a Motown record it appears. Fine soul single. The Bryan Ferry version appeals more to me. It contains a very 70's art/glam rock sound reminiscent of his work in Roxy Music. Judging by the drumming style, I suspect it is the actual Roxy Music drummer playing on the track. suitkees Here's another song I can sing in my sleep. Great anthem that still holds so many years later. The Shaka Ponk version is very different. Unfortunately it is not my taste, especially not as we get to the metal part. It is very "up to 11", especially with the strings and staccato choir. Then there is "Kids in America". I was familiar with this song too. I like its cool new wave sound. Very enjoyable song. The Shaka Ponk version is less different from the original than their take on "Smells Like Teen Spirit", but it is more punky. There is a sudden citing of "Territorial Pissings" from Nevermind. It feels a bit out of place, but overall the version appeals more to me than the Nirvana cover.
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The Anders
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Hm, perhaps you're right.
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suitkees
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Thanks Anders! A bit surprised you prefer the Kim Wilde cover (also because it is closer to the original), but I understand your "up to 11" remark. Shaka Ponk is going up there quite regularly, but for me, most of the times, it works...
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The razamataz is a pain in the bum |
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Tancos
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The Garden of Earthly Delights - Two distinctive versions of a curious song. Haydn: Symphony No. 84, II Andante - Yes, humor does belong in music. Fairies Wear Boots - Confession: I've never been much of a Sabbath fan. To my ears, all three covers greatly improve on the originals. miRthkon's was the most fun.
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dr wu23
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Garden Of Earthly Delights-USA and Snakefinger
...great old psychy song done well in the cover
No Way Out Of Here-Unicorn and Iron and Wine ...did not know Unicorn wrote this ,like their's and the cover as well Is It Like Today- World Party and Eliza Gilkyson ...used to listen to World Party in the old days...nice tune and nice cover version also |
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One does nothing yet nothing is left undone.
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TCat
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It was tough, but here are my favorites: Rythme futur (Django Reinhardt + Atomic Ape) - Loved both of these and it reminds me of Katchaturian's Sabre Dance, The Garden of Earthly Delights (The USA + Snakefinger) - Not as much a fan of the original as the cover version, though I love Snakefinger's interpretation.
Edited by TCat - February 10 2021 at 10:41 |
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Cristi
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my 3 choices
War Pigs (Black Sabbath + Brass Against) Tomorrow Never Knows (The Beatles + Daniela Andrade) No Way Out of Here (Unicorn + Iron & Wine)
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The Anders
Forum Senior Member Joined: January 02 2019 Location: Denmark Status: Offline Points: 3529 |
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My votes: The Garden of Earthly Delights (The USA + Snakefinger) |
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The Anders
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Honorable mentions: No Way Out of Here The original version of For Absent Friends The original version of Satisfaticon The original version of Dönece The original version of Smells Like Teen Spirit The Bryan Ferry version of The In Crowd
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