Joined: April 10 2015
Location: Buenos Aires
Status: Offline
Points: 1189
Posted: March 02 2018 at 18:21
I prefer Daredevil Jokes aside, Flash is kind of "meh". I like Starcastle way more, so there's that.
About Rolling Stone magazine (and Banks) calling Yes "show-offs that do things to impress people", well, that's much better than being lazy f*cks and playing half-assed music. Technique/skills and feels are not polar opposites, it's not one or the other. Yes displayed both, without a doubt.
Two random guys agreed to shake hands. Just Because. They felt like it, you know. It was an agreement of sorts...a random agreement.
Joined: November 11 2016
Location: Finland
Status: Offline
Points: 5538
Posted: March 02 2018 at 14:38
Dellinger wrote:
^ Yeah, but when you are discovering music, you can't listen to everything that exists all at once, so you have to choose were to go next and what to dedicate your time, and money, into. So, if you read something is not good, and you believe it, well, why wast your time? Or at least you may leave it for later and go with something that seems more appealing at the moment. And yeah, it has even happened to me that I read negative reviews of something and I go like, well, it sounds like the things this guy dislikes of that album are just the ones I would like, and makes me want to check it out instead of discouraging me.
I am thinking quite like this. Just haven´t got time to check out everything, because there are just so much interesting music in the world. Also, really haven´t anybody even here said Flash is something everybody should check. But of course, found out great music accidentally and also some albums, that some reviewer hasn´t found great...
Joined: June 18 2009
Location: Mexico
Status: Offline
Points: 12732
Posted: March 02 2018 at 12:11
^ Yeah, but when you are discovering music, you can't listen to everything that exists all at once, so you have to choose were to go next and what to dedicate your time, and money, into. So, if you read something is not good, and you believe it, well, why wast your time? Or at least you may leave it for later and go with something that seems more appealing at the moment. And yeah, it has even happened to me that I read negative reviews of something and I go like, well, it sounds like the things this guy dislikes of that album are just the ones I would like, and makes me want to check it out instead of discouraging me.
Joined: July 27 2006
Location: wonderland
Status: Offline
Points: 43794
Posted: March 02 2018 at 02:23
Mortte wrote:
Never listened Flash, because I´ve read about that they never rised into level of Yes.
so because you just read that, you never tried listening to them. Are other people's opinion so important that you won't make your own, see things for yourself?
I'm quite the opposite of that. I just have that curiosity to see things for myself. Even with low rated album, I'm thinking "how bad can it be?". Sometimes it is bad, but other times quite the opposite (LOL).
Joined: January 02 2010
Location: Las Vegas
Status: Offline
Points: 377
Posted: March 01 2018 at 17:11
Here are Ray and Colin Carter rehearsing the same tune during their 2010 reunion...did you all know about that, and the Flash 2013 release, "Flash Featuring Ray Bennett & Colin Carter"?
Joined: January 02 2010
Location: Las Vegas
Status: Offline
Points: 377
Posted: March 01 2018 at 16:58
You're so right, Dark Elf, that's a god-awful video. It was doctored from the original (overdubbed with an out-of-sync, badly recorded live concert track). The original version was already a very bad-quality grab, probably from a TV screen..
Joined: January 02 2010
Location: Las Vegas
Status: Offline
Points: 377
Posted: March 01 2018 at 16:26
I've just read this thread to Ray Bennett (Flash bassist and songwriter). He had one comment:
If you're going to compare Yes and Flash (a reminder—comparisons are always a dubious enterprise at best), it's wise to limit your comparison to the first two years of both bands. Flash broke up so early, they were just getting started and who knows what they would have sounded like on a fourth album, and with the time to work out all the initial problems and growing pains of a new band (like kicking out the source of most of their problems—Pete—just as producer Derek Lawrence suggested and Yes actually did.)
Joined: July 20 2009
Location: Tucson, AZ USA
Status: Offline
Points: 7275
Posted: April 18 2017 at 10:51
moshkito wrote:
Hi,
Neither Dellinger. I try to word my best in regards to these things, about how I feel, and how I have heard and understood some of this stuff for 40 some years. FLASH was not new to me yesterday, and I heard it almost at the same time as FRAGILE, if I am not confusing dates in my head.
But looking at the whole thing from a different perspective, and a historical one, I would say that FLASH did not have the ability to "overcome themselves" and do better, like YES did, and Jon speaks about. I won't say "lazy", because some of us can meditate and some can not -- very simple -- but in the end, and the new material shows it ... there was something missing ... it was still very nice and enjoyable ... but something missing, that I can not put a finger on!
Nicely said! Flash were sort of "prog pop," and they sounded great on the AM radio. However, their composition really never rose to the level of Yes on the "Yes Album" and beyond, and "Fragile" was far more advanced than anything in Flash's catalog.
I enjoy Flash and remain connected to the surviving members, who were excellent musicians in their own right. However, "Fragile" represented a quantum leap in popular music, and remains one of the best LPs in Yes' catalog to this day.
The historical comparison is interesting, but only moderately so. We have another "Yes" controversy with two simultaneous Yes versions, i.e. Howe's formal "Yes" and "Yes featuring ARW". Another bifurcation in the Yes saga!
Joined: January 04 2007
Location: Grok City
Status: Offline
Points: 17531
Posted: April 18 2017 at 07:26
Hi,
Neither Dellinger. I try to word my best in regards to these things, about how I feel, and how I have heard and understood some of this stuff for 40 some years. FLASH was not new to me yesterday, and I heard it almost at the same time as FRAGILE, if I am not confusing dates in my head.
But looking at the whole thing from a different perspective, and a historical one, I would say that FLASH did not have the ability to "overcome themselves" and do better, like YES did, and Jon speaks about. I won't say "lazy", because some of us can meditate and some can not -- very simple -- but in the end, and the new material shows it ... there was something missing ... it was still very nice and enjoyable ... but something missing, that I can not put a finger on!
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told! www.pedrosena.com
Joined: June 18 2009
Location: Mexico
Status: Offline
Points: 12732
Posted: April 16 2017 at 20:38
micky wrote:
moshkito wrote:
Hi,
Interesting. I like the comment that "FRAGILE was not human" ... and in a sense that is so true as the whole album is so well defined and designed that it made it almost inhuman and too perfect an album for us all to ignore.
As much as I like FLASH, and have always had those first two albums, I think that lyrically and compositionally, they needed to get past that "human" thing, not that they had to create an album that was "superhuman", which was never what they were about, but something that helped them transcent what they think they were that helped see them through a different sphere and set of fans. FRAGILE might not be human, but it got our attention ... the first two FLASH albums were nice but did not get our attention compared to the other monster.
There is something to be said about that "human" thing, and it would come alive 20 years later with NIRVANA, for example, but in the end, it renders a band repetitive, and one can not find a reasonable understanding for the pieces of music, that are a bit more than just a 4 minute song ... the solos become meandering in the ears and eyes of the listener, and that is something that hurts the idealism around music, so much of which propels it!
The same thing happened with IRON BUTTERFLY, who could never get past their first piece of music that sent them to the stratosphere, and mostly because it was not about the trip itself, but about the song and its this and that for the trip, and that did not last long enough for us to even listen to the 2nd album of theirs!
The writing was on the wall, proverbially, for the music scene ... it was going to make you buy everything to confuse your understanding of things. All of a sudden, JEFFERSON AIRPLANE was not as intelligent a rock band as one song made it out to be, even though it had nice stuff, and one beautiful song, did not help IT'S A BEAUTIFUL DAY become any better and more appealing, in favor of louder, and less interesting music around the time.
And then, something like LZ showed up. And "human" was taken to a personal level that most could not even relate to and could only fantasize about. That was "superhuman"?
good god man.. that is more inspiring than a 6ft blond with big tits and f**k me eyes
you are a treasure Pedro. the only poster here both smarter than me.. and able to make less sense with his posts
This last post just reminded me of Bilbo's last birthday speech before disappearing. Should the crowd feel flattered or offended by it? Should Pedro feel flattered or offended by your post?
Joined: October 02 2005
Location: .
Status: Offline
Points: 46833
Posted: April 16 2017 at 09:47
moshkito wrote:
Hi,
Interesting. I like the comment that "FRAGILE was not human" ... and in a sense that is so true as the whole album is so well defined and designed that it made it almost inhuman and too perfect an album for us all to ignore.
As much as I like FLASH, and have always had those first two albums, I think that lyrically and compositionally, they needed to get past that "human" thing, not that they had to create an album that was "superhuman", which was never what they were about, but something that helped them transcent what they think they were that helped see them through a different sphere and set of fans. FRAGILE might not be human, but it got our attention ... the first two FLASH albums were nice but did not get our attention compared to the other monster.
There is something to be said about that "human" thing, and it would come alive 20 years later with NIRVANA, for example, but in the end, it renders a band repetitive, and one can not find a reasonable understanding for the pieces of music, that are a bit more than just a 4 minute song ... the solos become meandering in the ears and eyes of the listener, and that is something that hurts the idealism around music, so much of which propels it!
The same thing happened with IRON BUTTERFLY, who could never get past their first piece of music that sent them to the stratosphere, and mostly because it was not about the trip itself, but about the song and its this and that for the trip, and that did not last long enough for us to even listen to the 2nd album of theirs!
The writing was on the wall, proverbially, for the music scene ... it was going to make you buy everything to confuse your understanding of things. All of a sudden, JEFFERSON AIRPLANE was not as intelligent a rock band as one song made it out to be, even though it had nice stuff, and one beautiful song, did not help IT'S A BEAUTIFUL DAY become any better and more appealing, in favor of louder, and less interesting music around the time.
And then, something like LZ showed up. And "human" was taken to a personal level that most could not even relate to and could only fantasize about. That was "superhuman"?
good god man.. that is more inspiring than a 6ft blond with big tits and f**k me eyes
you are a treasure Pedro. the only poster here both smarter than me.. and able to make less sense with his posts
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