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HarbouringTheSoul View Drop Down
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Direct Link To This Post Posted: October 20 2012 at 11:57
Originally posted by Dayvenkirq Dayvenkirq wrote:

Well, there is the musicianship (which could be a problem as well), the sound of the instruments, especially the oboe and the Mellotron (but, I guess, you are not very keen about that on this album), and the composition techniques.

Arrangement and performance, I think, are always secondary to composition. You can arrange and perform a bad song well, but it's still a bad song. Regarding the composition techniques, that's a meaningless word by itself. What is unique about the composition techniques on Lizard?

Originally posted by Dayvenkirq Dayvenkirq wrote:

Originally posted by HarbouringTheSoul HarbouringTheSoul wrote:

Originally posted by Dayvenkirq Dayvenkirq wrote:

I have to ask: where did you get the number 36 from?
The age of Roger Waters when the album was released.

Oh, I thought it was PInk's age. I thought Pink was a young man in the story.

He is. But he's a projection of Roger Waters, who was far from a young man at the time. The whole concept strikes me as rather angsty and juvenile.


Edited by HarbouringTheSoul - October 20 2012 at 12:01
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Direct Link To This Post Posted: October 20 2012 at 12:29
^Agreed. And yet, it is arguably the most coherent of their "concept" albums. Does Dark Side of the Moon or Wish You Were Here, or even my personal favorite Animals, really execute a cohesive theme as effectively? Too bad it is so depressingCry
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Direct Link To This Post Posted: October 20 2012 at 12:34
Overated?? In my opinion I think Pink Floyd's The Final Cut gets a little too much revering in my world. I give it a 2/5 easy. Not a strong outing at all, yet so many seem to love it. Another is YES's CLOSE TO THE EDGE. It's a good album to me, but not a great album. I feel that the track CLOSE TO THE EDGE sounds more like a scattered jam session then anything else. Aside from the brilliant synth/keys work by Wakeman the track is really Overated. Yes has done so many better things. Tales From the topographic and Delerium are better. ;)
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Direct Link To This Post Posted: October 20 2012 at 13:05
Originally posted by progbethyname progbethyname wrote:

In my opinion I think Pink Floyd's The Final Cut gets a little too much revering in my world.
Come again?!
Originally posted by progbethyname progbethyname wrote:

In my opinion I think Pink Floyd's The Final Cut gets a little too much revering in my world.
... Really?! Tell me about it.
Originally posted by progbethyname progbethyname wrote:

Not a strong outing at all, yet so many seem to love it.

No, they despise it!



Edited by Dayvenkirq - October 20 2012 at 13:09
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Direct Link To This Post Posted: October 20 2012 at 13:09
^ It's what you'd call a mixed reception. 
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Direct Link To This Post Posted: October 20 2012 at 13:10
^ ... True that.

Originally posted by HarbouringTheSoul HarbouringTheSoul wrote:

Originally posted by Dayvenkirq Dayvenkirq wrote:

Well, there is the musicianship (which could be a problem as well), the sound of the instruments, especially the oboe and the Mellotron (but, I guess, you are not very keen about that on this album), and the composition techniques.
Arrangement and performance, I think, are always secondary to composition. You can arrange and perform a bad song well, but it's still a bad song. Regarding the composition techniques, that's a meaningless word by itself. What is unique about the composition techniques on Lizard?

For me, personally, uniqueness is not the point. I just really fancy the flow in a set of "Lizard" 's parts. It feels almost as if the first half of it was done by the numbers. ... But to each his/her own.


Edited by Dayvenkirq - October 20 2012 at 13:10
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Direct Link To This Post Posted: October 20 2012 at 13:34
Originally posted by Dayvenkirq Dayvenkirq wrote:






Originally posted by progbethyname progbethyname wrote:

In my opinion I think Pink Floyd's The Final Cut gets a little too much revering in my world.
Come again?!
Originally posted by progbethyname progbethyname wrote:

In my opinion I think Pink Floyd's The Final Cut gets a little too much revering in my world.
... Really?! Tell me about it.
Originally posted by progbethyname progbethyname wrote:

Not a strong outing at all, yet so many seem to love it.
No, they despise it!


On this website people seem to be smarter and I'm glad that most feel the same way here. I definately feel at home. Lol. Glad you feel the same way.

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Direct Link To This Post Posted: October 20 2012 at 13:57
^ OK, shnookums, first of all I would never in my whole damn life misspell the word "definitely". Second of all, ... yeah, I can see it's a joke.

Edited by Dayvenkirq - October 20 2012 at 13:58
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Direct Link To This Post Posted: October 20 2012 at 14:15
Originally posted by Dayvenkirq Dayvenkirq wrote:


^ OK, shnookums, first of all I would never in my whole damn life misspell the word "definitely". Second of all, ... yeah, I can see it's a joke.


   Well i was definitely close!! Such a joke it is, but I think I just made myself look a bit dumb. That's twice I've shot myself in the foot today! Not my day. Thank god it's Saturday.
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Direct Link To This Post Posted: October 20 2012 at 15:26
Originally posted by Ronnie Pilgrim Ronnie Pilgrim wrote:

^Agreed. And yet, it is arguably the most coherent of their "concept" albums. Does Dark Side of the Moon or Wish You Were Here, or even my personal favorite Animals, really execute a cohesive theme as effectively? Too bad it is so depressingCry

I think Animals is a lot more coherent. It can be described in a few words: "an analogy of George Orwell's 'Animal Farm' that applies that book's criticisms of communism to capitalism". The only way to describe The Wall in such few words is by making it sound pathetic: "a guy goes crazy because people treat him badly".

Originally posted by Dayvenkirq Dayvenkirq wrote:

I just really fancy the flow in a set of "Lizard" 's parts. It feels almost as if the first half of it was done by the numbers.

I don't really understand what you're saying here.

Originally posted by Dayvenkirq Dayvenkirq wrote:

But to each his/her own.

Always. It's just fun to exchange opinions.
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Direct Link To This Post Posted: October 20 2012 at 16:15
Originally posted by HarbouringTheSoul HarbouringTheSoul wrote:

Originally posted by Ronnie Pilgrim Ronnie Pilgrim wrote:

^Agreed. And yet, it is arguably the most coherent of their "concept" albums. Does Dark Side of the Moon or Wish You Were Here, or even my personal favorite Animals, really execute a cohesive theme as effectively? Too bad it is so depressingCry

I think Animals is a lot more coherent. It can be described in a few words: "an analogy of George Orwell's 'Animal Farm' that applies that book's criticisms of communism to capitalism". The only way to describe The Wall in such few words is by making it sound pathetic: "a guy goes crazy because people treat him badly".



Except that Animals isn't an analogy of Animal Farm and your outline of the Wall plot is totally over simplified.


Edited by Snow Dog - October 20 2012 at 16:15
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Direct Link To This Post Posted: October 20 2012 at 16:15
pink floyd dark side of the moon
Life Can Be Hilariously Cruel.


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Direct Link To This Post Posted: October 20 2012 at 16:27
Originally posted by Snow Dog Snow Dog wrote:

Originally posted by HarbouringTheSoul HarbouringTheSoul wrote:

Originally posted by Ronnie Pilgrim Ronnie Pilgrim wrote:

^Agreed. And yet, it is arguably the most coherent of their "concept" albums. Does Dark Side of the Moon or Wish You Were Here, or even my personal favorite Animals, really execute a cohesive theme as effectively? Too bad it is so depressingCry

I think Animals is a lot more coherent. It can be described in a few words: "an analogy of George Orwell's 'Animal Farm' that applies that book's criticisms of communism to capitalism". The only way to describe The Wall in such few words is by making it sound pathetic: "a guy goes crazy because people treat him badly".



Except that Animals isn't an analogy of Animal Farm and your outline of the Wall plot is totally over simplified.

Except that it is (what else is supposed to be?) and I am very much aware that my one-sentence summary of The Wall is oversimplified, and deliberately so.
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Direct Link To This Post Posted: October 20 2012 at 16:28
Originally posted by HarbouringTheSoul HarbouringTheSoul wrote:

Originally posted by Snow Dog Snow Dog wrote:

Originally posted by HarbouringTheSoul HarbouringTheSoul wrote:

Originally posted by Ronnie Pilgrim Ronnie Pilgrim wrote:

^Agreed. And yet, it is arguably the most coherent of their "concept" albums. Does Dark Side of the Moon or Wish You Were Here, or even my personal favorite Animals, really execute a cohesive theme as effectively? Too bad it is so depressingCry

I think Animals is a lot more coherent. It can be described in a few words: "an analogy of George Orwell's 'Animal Farm' that applies that book's criticisms of communism to capitalism". The only way to describe The Wall in such few words is by making it sound pathetic: "a guy goes crazy because people treat him badly".



Except that Animals isn't an analogy of Animal Farm and your outline of the Wall plot is totally over simplified.

Except that it is (what else is supposed to be?)

It simply isn't.
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Direct Link To This Post Posted: October 20 2012 at 16:31
It's hard to debate facts, but it should be obvious to everybody that Animals is based on Animal Farm. This is where the pigs/dogs/sheep distinction comes from.
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Direct Link To This Post Posted: October 20 2012 at 16:35
Originally posted by HarbouringTheSoul HarbouringTheSoul wrote:

It's hard to debate facts, but it should be obvious to everybody that Animals is based on Animal Farm. This is where the pigs/dogs/sheep distinction comes from.

You see things in very simple terms. But it isn't "obvious"  to  me, but it is "obvious" to jump to your conclusion.
And it sin't particularly about capitalism either. It shouldn't be hard to debate "facts". Show me some.


Edited by Snow Dog - October 20 2012 at 16:37
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Direct Link To This Post Posted: October 20 2012 at 16:54
Originally posted by AEProgman AEProgman wrote:

 IV is overrated to me also, I always thought Presence was underrated...Achilles Last Stand blows me away still.

Amazing, I just listened to that song about 5 minutes ago!  Blows me away as well, and I agree that "Presence" is very much underrated!  Page just blasts away on that one!
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Direct Link To This Post Posted: October 20 2012 at 17:02
Originally posted by Snow Dog Snow Dog wrote:

 
And it sin't particularly about capitalism either. It shouldn't be hard to debate "facts". Show me some.

en.wikipedia.org/wiki/Animals_(Pink_Floyd_album)

The source is a book called "Saucerful of Secrets" by Nicholas Schaffner. But all of this can be easily by just reading the lyrics. George Orwell came up with the pigs/dogs/sheep categorization. Save for the extremely unlikely event that Roger Waters somehow had the exact same idea independently, the album is definitely based on "Animal Farm".
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Direct Link To This Post Posted: October 20 2012 at 17:04
Originally posted by HarbouringTheSoul HarbouringTheSoul wrote:

Originally posted by Dayvenkirq Dayvenkirq wrote:

I just really fancy the flow in a set of "Lizard" 's parts. It feels almost as if the first half of it was done by the numbers.
 
I don't really understand what you're saying here.
That is, the first half of "Lizard" was neatly written and executed. No messing around like on "The Last Skirmish".


Edited by Dayvenkirq - October 20 2012 at 17:04
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Direct Link To This Post Posted: October 20 2012 at 17:56
Animals isn't an analogy of Animal Farm as such, more rewriting of it. It replaces communism with capitalism and pigs with sheep. That was always my interpretation of it and it seems Wiki agrees with me.
What?
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