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Direct Link To This Post Posted: May 10 2011 at 19:53
Originally posted by Kashmir75 Kashmir75 wrote:


Prog lyrics often make me think and feel far more than any top 40 pop song. 


There is much much more to 'non prog' music than just top 40 (even assuming Britney Spears represents ALL top 40 pop, which she doesn't). This is the most baffling and disingenuous line of argument I keep hearing from prog listeners - to keep bashing top 40 to defend prog, as if these extremes cover everything.
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Direct Link To This Post Posted: May 10 2011 at 22:37
Quote You think I think all prog lyrics are bad, and all indie/alt rock lyrics are good.

I didn't say that. I said you're trying to box in what it means to be emotional and human. Your criticism is crap, your attitude toward lyrics is crap. Again, write lyrics about whatever you damn well please. I'm sorry if that makes you uncomfortable.

Quote And as for the other line, I am equally tired of the notion that only talking about sci-fi or fantasy unicorns is 'intelligent' and 'intellectual' and anything else is 'emo'.

I didn't say that either.

Quote Well, at least for me they do, and can we 'outcasts' have our own little corner to listen to some soulful music once in a while because we don't think it's a sin?

Prog doesn't avoid traditional songwriting topics - it just doesn't restrict itself to them. The point is that the kind of expression that Mr. Poet up there claims is the only kind that matters is everywhere, so there's no reason to complain, or to force the one pocket of resistance to give up doing something different.

Quote If so, Rush fits right in with their four song albums and sidelong mutlipart epics and such.

Stringing together several hard rock tracks and calling them a song isn't unusual or demanding.

Quote Isn't 2112 demanding and unconventional (even if I hate it)?

No.

Quote I don't particularly care for Rush, but I think if you polled the august body of the Prog Archives forum, they would certainly include Rush in progressive rock from the album 2112 onward.

Lots of people believing something doesn't make it true.

Quote Certainly albums like A Farewell to Kings and Hemispheres are as progressive or perhaps more progressive than anything that came out in 1977 and 78 (and certainly akin in sound, compositional structure and song length to Yes' Going for the One which was released at the same time).

National Health debuted in '77. Art Bears debuted in '78. I don't f**king think so.

Quote As far as the Moody Blues, it is arguable that the album Days of Future Past was the first prog album, or at least one of the first, and the album On the Threshold of a Dream, particularly side 2, is representative of an entire prog suite, complete with symphonic themes and instrumental virtuosity (Pinder's mellotron work is fabulous).

It's a bunch of psych-pop songs with Disney orchestration in the background. Cute, maybe, but not prog.

Quote Jethro Tull was prog for a few albums? Which albums exactly? Certainly, I assume you will kindly grant Thick as a Brick and A Passion Play in your exclusive little club, but in addition, I consider Stand Up and Aqualung  to be progressive prior to those albums, and Minstrel in the Gallery and Songs from the Wood afterwards. That's about as many "progressive albums" as Genesis and Yes put out with their classical lineups (unless you consider Duke, ABACAB, 90215 and Big Generator  to be progressive)

Definitely TaaB and aPP, the others are debatable, but probably Minstrel in the Gallery. I would say no to Stand Up and Aqualung.

Quote So, saying "those three bands [ie., Rush, The Moody Blues and Styx] don't exhibit any of the qualities associated with prog, such as demanding or unconventional song structures" is incredibly thick, and, might I add, a bit snobbish. Even Styx, who for the most part I loathe, was considered "progressive" for much of its early catalog, with adaptations of Copeland (an entire suite on their first release), Bach, Handel and Debussy interspersed among their first several albums. It may not be considered prog for your exclusive palate, but it is indeed categorized as such on nearly every internet reference I bothered to look up.

I don't see how it's snobbish - it's just true. Blood, Sweat and Tears were more progressive than any of those bands. And nobody calls them prog. I never said the bands were necessarily worse. They're just not progressive.




Edited by 1791 Overture - May 10 2011 at 22:38
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Direct Link To This Post Posted: May 10 2011 at 23:28
Originally posted by 1791 Overture 1791 Overture wrote:

Originally posted by The Dark Elf The Dark Elf wrote:

 
[quote]I don't particularly care for Rush, but I think if you polled the august body of the Prog Archives forum, they would certainly include Rush in progressive rock from the album 2112 onward.

Lots of people believing something doesn't make it true.
 
So, most of the people on this progressive forum and every music site I checked out refer to the Rush albums I referenced as "progressive", but they are all wrong and you're right? One person believing the world is flat doesn't mean the rest of us have to join in the lunacy.

Originally posted by 1791 Overture 1791 Overture wrote:

Originally posted by The Dark Elf The Dark Elf wrote:

Certainly albums like A Farewell to Kings and Hemispheres are as progressive or perhaps more progressive than anything that came out in 1977 and 78 (and certainly akin in sound, compositional structure and song length to Yes' Going for the One which was released at the same time).

National Health debuted in '77. Art Bears debuted in '78. I don't f**king think so.
 
Oh, you see, I was referring to albums that people actually listened to. National Health sold two albums, one was bought by the drummer's mum, and I guess you bought the other (seeing as they made two further failed albums before disappearing, I guess you didn't make a difference) . And Art Bears is listed as "avant-garde rock", not progressive rock. They certainly don't sound progressive according to your very limited definition of the term, which only includes 3 bands and a few albums from another. As you say in nearly every post: "I don't f**king think so." Like that adds any relevance to your argument.

Originally posted by 1791 Overture 1791 Overture wrote:

Originally posted by The Dark Elf The Dark Elf wrote:

As far as the Moody Blues, it is arguable that the album Days of Future Passed was the first prog album, or at least one of the first, and the album On the Threshold of a Dream, particularly side 2, is representative of an entire prog suite, complete with symphonic themes and instrumental virtuosity (Pinder's mellotron work is fabulous).

It's a bunch of psych-pop songs with Disney orchestration in the background. Cute, maybe, but not prog.
 
Wow, really? Not only genre confused, but symphonically insolvent as well. DoFP is considered one of the greatest albums of the 60s, and was certainly influential to many later prog bands. Beautiful album.

Originally posted by 1791 Overture 1791 Overture wrote:

Originally posted by The Dark Elf The Dark Elf wrote:

So, saying "those three bands [ie., Rush, The Moody Blues and Styx] don't exhibit any of the qualities associated with prog, such as demanding or unconventional song structures" is incredibly thick, and, might I add, a bit snobbish. Even Styx, who for the most part I loathe, was considered "progressive" for much of its early catalog, with adaptations of Copeland (an entire suite on their first release), Bach, Handel and Debussy interspersed among their first several albums. It may not be considered prog for your exclusive palate, but it is indeed categorized as such on nearly every internet reference I bothered to look up.

I don't see how it's snobbish - it's just true. Blood, Sweat and Tears were more progressive than any of those bands. And nobody calls them prog. I never said the bands were necessarily worse. They're just not progressive.
It's true in your world perhaps, but outside of that bubble there is a universe at variance with you. Blood, Sweat & Tears was always referred to as a jazz-fusion band and not progressive rock. Great band though.
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Direct Link To This Post Posted: May 11 2011 at 01:03
Originally posted by 1791 Overture 1791 Overture wrote:

Quote You think I think all prog lyrics are bad, and all indie/alt rock lyrics are good.

I didn't say that. I said you're trying to box in what it means to be emotional and human. Your criticism is crap, your attitude toward lyrics is crap. Again, write lyrics about whatever you damn well please. I'm sorry if that makes you uncomfortable.

Quote And as for the other line, I am equally tired of the notion that only talking about sci-fi or fantasy unicorns is 'intelligent' and 'intellectual' and anything else is 'emo'.

I didn't say that either.

Quote Well, at least for me they do, and can we 'outcasts' have our own little corner to listen to some soulful music once in a while because we don't think it's a sin?

Prog doesn't avoid traditional songwriting topics - it just doesn't restrict itself to them. The point is that the kind of expression that Mr. Poet up there claims is the only kind that matters is everywhere, so there's no reason to complain, or to force the one pocket of resistance to give up doing something different.

Quote If so, Rush fits right in with their four song albums and sidelong mutlipart epics and such.

Stringing together several hard rock tracks and calling them a song isn't unusual or demanding.

Quote Isn't 2112 demanding and unconventional (even if I hate it)?

No.

Quote I don't particularly care for Rush, but I think if you polled the august body of the Prog Archives forum, they would certainly include Rush in progressive rock from the album 2112 onward.

Lots of people believing something doesn't make it true.

Quote Certainly albums like A Farewell to Kings and Hemispheres are as progressive or perhaps more progressive than anything that came out in 1977 and 78 (and certainly akin in sound, compositional structure and song length to Yes' Going for the One which was released at the same time).

National Health debuted in '77. Art Bears debuted in '78. I don't f**king think so.

Quote As far as the Moody Blues, it is arguable that the album Days of Future Past was the first prog album, or at least one of the first, and the album On the Threshold of a Dream, particularly side 2, is representative of an entire prog suite, complete with symphonic themes and instrumental virtuosity (Pinder's mellotron work is fabulous).

It's a bunch of psych-pop songs with Disney orchestration in the background. Cute, maybe, but not prog.

Quote Jethro Tull was prog for a few albums? Which albums exactly? Certainly, I assume you will kindly grant Thick as a Brick and A Passion Play in your exclusive little club, but in addition, I consider Stand Up and Aqualung  to be progressive prior to those albums, and Minstrel in the Gallery and Songs from the Wood afterwards. That's about as many "progressive albums" as Genesis and Yes put out with their classical lineups (unless you consider Duke, ABACAB, 90215 and Big Generator  to be progressive)

Definitely TaaB and aPP, the others are debatable, but probably Minstrel in the Gallery. I would say no to Stand Up and Aqualung.

Quote So, saying "those three bands [ie., Rush, The Moody Blues and Styx] don't exhibit any of the qualities associated with prog, such as demanding or unconventional song structures" is incredibly thick, and, might I add, a bit snobbish. Even Styx, who for the most part I loathe, was considered "progressive" for much of its early catalog, with adaptations of Copeland (an entire suite on their first release), Bach, Handel and Debussy interspersed among their first several albums. It may not be considered prog for your exclusive palate, but it is indeed categorized as such on nearly every internet reference I bothered to look up.

I don't see how it's snobbish - it's just true. Blood, Sweat and Tears were more progressive than any of those bands. And nobody calls them prog. I never said the bands were necessarily worse. They're just not progressive.




Hmm, can you intrinsically prove, without utilizing opinion or subjective posturing, that my criticism is 'crap'? What makes it so? Which qualities inherent within my criticisms constitute 'crap'? What universal paradigm considers my feelings preposterous and yours, enlightened? Can you openly and scientifically defend your claim? Hell, I'd be willing to settle for a pie chart or Venn diagram. 

Now that we've gotten that sordid slice of business out of the way, I'd like to move on to point two. This is a series of interdependent questions:

-What is your definition of 'prog'?

-Is this definition something that is inherent within the universe as a matter of hard physics (i.e. quantifiable and measurable), or did we humans make it up? 

That last one's rhetorical. Of course we humans made it up, just like we made up ALL words to ALL languages. Don't believe me? When's the last time you overheard a couple of trees speaking in pig latin?

That last one's not rhetorical. I heard my pet rock whisper to me a lullaby in German the other day. 

So if we humans made it up, then it means whichever the majority believes IS right, from a social standing. Let us pretend for a moment. Pretend that the entire planet consists solely of people who speak English, and there are no other languages. Say every single human on this planet says the word 'dog' to mean the four-legged canine creature with wagging tail and salivating tongue and connected genetic strain. Say one human in that bunch thinks otherwise. Who is right? Aren't words unreal? They are symbols we, as a society, have chosen to represent concepts so we may relay ideas to one another in an organized, efficient manner. Therefore, the definition of 'prog' is not a universal one. A group of humans, at one point, made it up. They did so to categorize similarities in certain bands. Is their definition the same as yours? Is the word 'prog' in the dictionary? If so, is this the definition you use? Which definition of prog is yours? Why is it more universally correct than anybody else? When you say prog, what do you mean? Isn't prog just a symbol for a symbol? Whoa buddy. For you is prog equal to prog, prog rock, progressive, progresso, progressive rock, preggo? Is prog metal progressive? It isn't prog rock, is it? Is progressive regressive? I mean, what's the definition of progressive? To progress, to evolve, to make headway, to move forward. Isn't all music progressive in some form? Isn't a regression merely a progression in an opposing direction? It's still progress. We aren't time traveling magicians. Is progresso preggo? Is Peter Pan a puss?

And while we're on it, what makes you think your opinions are better than any other opinions? What holy power graced you with that unfathomable privilege? I didn't vote for 'em. So now that we've assessed that the word 'prog' has no intrinsically universal meaning, and that it is merely an illusionary symbol we humans apply to a set of sounds that are organized and arranged in apparently quantifiable patterns, can we drop the act? You aren't so smart as to possess vast stores of essential information which we unenlightened drones haven't access to. I love ya, pal.
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Direct Link To This Post Posted: May 11 2011 at 02:03
Quote So, most of the people on this progressive forum and every music site I checked out refer to the Rush albums I referenced as "progressive", but they are all wrong and you're right? 

Pretty much. I'm just that cool. Cool

Quote Oh, you see, I was referring to albums that people actually listened to. National Health sold two albums, one was bought by the drummer's mum, and I guess you bought the other (seeing as they made two further failed albums before disappearing, I guess you didn't make a difference) . And Art Bears is listed as "avant-garde rock", not progressive rock. They certainly don't sound progressive according to your very limited definition of the term, which only includes 3 bands and a few albums from another. As you say in nearly every post: "I don't f**king think so." Like that adds any relevance to your argument.

Whether something is progressive is not dependent on its popularity. Your claim - that Rush's releases in those two years were just as progressive as anything around - was totally off. 

And how can my definition of prog not include Art Bears when I clearly just listed them as an example of what I consider progressive? If you don't accept Art Bears as an example of prog (now who's making their definition specific?) then take something else form the time, like Univers Zero's debut in '77. Now there's some music with some prog-meat on its bones!

Quote Wow, really? Not only genre confused, but symphonically insolvent as well. DoFP is considered one of the greatest albums of the 60s, and was certainly influential to many later prog bands. Beautiful album.

I never said it wasn't beautiful, but it wasn't prog. Sure it used a mellotron, but that's not necessary or sufficient for prog rock. It didn't really break away from the songwriting standards of the time.

Quote It's true in your world perhaps, but outside of that bubble there is a universe at variance with you. Blood, Sweat & Tears was always referred to as a jazz-fusion band and not progressive rock. Great band though.

I agree that they aren't prog. My point is - they were more innovative/"proggier" than Rush, Styx, or the Moody Blues, so it's difficult to simultaneously exclude them and include the other three.

Quote Hmm, can you intrinsically prove, without utilizing opinion or subjective posturing, that my criticism is 'crap'? What makes it so? Which qualities inherent within my criticisms constitute 'crap'? What universal paradigm considers my feelings preposterous and yours, enlightened? Can you openly and scientifically defend your claim? Hell, I'd be willing to settle for a pie chart or Venn diagram. 

You can't scientifically prove a subjective opinion. I said your position is crap because you want to decide what counts as emotional and human and what lyrics are worthy of writing. That's crap! Care to disagree?

Quote What is your definition of 'prog'?

My definition is too tacit to enumerate specifically in text, but a good first stab is rock music that does not adhere to a canonical song structure and in general tries to expand rock music through the use of complex writing. That can manifest in lots of ways, like expanded instrumentation, odd time signatures, increased eclecticism, etc. but none of them are necessary/sufficient on their own. They're more the result of an ethos. If all else fails, it's like pornography - I know it when I hear it.

Quote So if we humans made it up, then it means whichever the majority believes IS right, from a social standing.

If an arbitrarily high number of people were told tomorrow by a massive broadcast that Yes was reggae, and they believed it because they were unfamiliar with the band, would Yes become reggae upon the broadcast? According to your definition, it seems so.

Quote Is prog metal progressive?

In the sense that it uses superficial elements from prog rock, you could call it that. I think it's more tied to traditional non-progressive metal than it is to prog rock, though. I would call some of the bands progressive, some not.

Quote And while we're on it, what makes you think your opinions are better than any other opinions?

It's my opinion that my opinions are the right opinions. Now try to override that without contradicting yourself! Angry

Quote You aren't so smart as to possess vast stores of essential information which we unenlightened drones haven't access to. I love ya, pal.

I love you too, man.
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Direct Link To This Post Posted: May 11 2011 at 04:15
Bad lyrics abound in most if not all genres. I believe that one of the reasons its more prevalent in prog is because this genre leans towards musicians rather than songwriters; the emphasis is on the complexity of the music first and foremost, musicians come first, writers (and often singers) second. This is of course, a generality. There are fine moments, just a low percentage of such moments (IMO).
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Direct Link To This Post Posted: May 11 2011 at 05:22
pff... this topic is going nowhere
prog is too wide to discuss whether lyrics are intersting or not.
when you put Petrucci and Sinfield in the same category, you don't talk about lyrics.
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Direct Link To This Post Posted: May 11 2011 at 09:18
There ARE some, in fact, many songs of Rush where I don't hear prog at all, particularly songs like Red Barchetta and Camera Eye, but on the other hand, I don't know what I should call La Villa Strangiato if not prog rock.  Self indulgent metal instrumental w**k will not do as far as classifications go. 
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Direct Link To This Post Posted: May 11 2011 at 10:45
Originally posted by 1791 Overture 1791 Overture wrote:

Quote So, most of the people on this progressive forum and every music site I checked out refer to the Rush albums I referenced as "progressive", but they are all wrong and you're right? 

Pretty much. I'm just that cool. Cool

Quote Oh, you see, I was referring to albums that people actually listened to. National Health sold two albums, one was bought by the drummer's mum, and I guess you bought the other (seeing as they made two further failed albums before disappearing, I guess you didn't make a difference) . And Art Bears is listed as "avant-garde rock", not progressive rock. They certainly don't sound progressive according to your very limited definition of the term, which only includes 3 bands and a few albums from another. As you say in nearly every post: "I don't f**king think so." Like that adds any relevance to your argument.

Whether something is progressive is not dependent on its popularity. Your claim - that Rush's releases in those two years were just as progressive as anything around - was totally off. 

And how can my definition of prog not include Art Bears when I clearly just listed them as an example of what I consider progressive? If you don't accept Art Bears as an example of prog (now who's making their definition specific?) then take something else form the time, like Univers Zero's debut in '77. Now there's some music with some prog-meat on its bones!

Quote Wow, really? Not only genre confused, but symphonically insolvent as well. DoFP is considered one of the greatest albums of the 60s, and was certainly influential to many later prog bands. Beautiful album.

I never said it wasn't beautiful, but it wasn't prog. Sure it used a mellotron, but that's not necessary or sufficient for prog rock. It didn't really break away from the songwriting standards of the time.

Quote It's true in your world perhaps, but outside of that bubble there is a universe at variance with you. Blood, Sweat & Tears was always referred to as a jazz-fusion band and not progressive rock. Great band though.

I agree that they aren't prog. My point is - they were more innovative/"proggier" than Rush, Styx, or the Moody Blues, so it's difficult to simultaneously exclude them and include the other three.

Quote Hmm, can you intrinsically prove, without utilizing opinion or subjective posturing, that my criticism is 'crap'? What makes it so? Which qualities inherent within my criticisms constitute 'crap'? What universal paradigm considers my feelings preposterous and yours, enlightened? Can you openly and scientifically defend your claim? Hell, I'd be willing to settle for a pie chart or Venn diagram. 

You can't scientifically prove a subjective opinion. I said your position is crap because you want to decide what counts as emotional and human and what lyrics are worthy of writing. That's crap! Care to disagree?

Quote What is your definition of 'prog'?

My definition is too tacit to enumerate specifically in text, but a good first stab is rock music that does not adhere to a canonical song structure and in general tries to expand rock music through the use of complex writing. That can manifest in lots of ways, like expanded instrumentation, odd time signatures, increased eclecticism, etc. but none of them are necessary/sufficient on their own. They're more the result of an ethos. If all else fails, it's like pornography - I know it when I hear it.

Quote So if we humans made it up, then it means whichever the majority believes IS right, from a social standing.

If an arbitrarily high number of people were told tomorrow by a massive broadcast that Yes was reggae, and they believed it because they were unfamiliar with the band, would Yes become reggae upon the broadcast? According to your definition, it seems so.

Quote Is prog metal progressive?

In the sense that it uses superficial elements from prog rock, you could call it that. I think it's more tied to traditional non-progressive metal than it is to prog rock, though. I would call some of the bands progressive, some not.

Quote And while we're on it, what makes you think your opinions are better than any other opinions?

It's my opinion that my opinions are the right opinions. Now try to override that without contradicting yourself! Angry

Quote You aren't so smart as to possess vast stores of essential information which we unenlightened drones haven't access to. I love ya, pal.

I love you too, man.

You misunderstand my meaning. I wasn't saying that if everyone believed Yes was Reggae, that it would change the band's sound. I was saying that if all humans believed and agreed that prog meant 'Jamaican beats and groove based music which is steeped in cannabis mythos and political ideals with a bare and cultural song structure' and reggae meant 'eclectic bands which eschewed canonical song structures in favor of complex time signatures, experimentation, etc', then Yes would not be prog, they'd be reggae to these people and the sound would not change. 

It's a social thing. You use words that your society have deemed fitting for their subjects. Without the word 'prog', what would you call them? If your definition of a made-up word is different than the socially accepted definition for said made-up word (given that words are only indirectly connected to their definition via our culturally accepted symbolism), why then is your definition superior? It's like arguing that vampires who sparkle aren't real vampires. They're just as much vampires as any other fake creature. 

Oh, I commend your for hating Rush, though. I respect that.

It seems that your definition of prog focuses only on the difficulty and complexity inherent in playing the song, not the difficulty and complexities inherent in writing songs. Isn't it logical to say any mediocre songwriter could take 20 minutes of blank space and write out a complex epic? The first three minutes will be 17/4, then 3/4, then 17/4, then 2/4, then 17/4, then 1/4, ten 17/4, then 4/4, then 6/8, then 9/4, then...etc. And have each measure ending with  an arpeggiated scale follwed by a descending grace triplet. Break into the blind dueling mellotron and guitar solo for a few minutes, then just hamer out complex, hard to play, but boring notes for ten minutes or so? 

Wouldn't you say that a melodically unusual song would be harder to write than a something as melodically simplistic as your typical heavy prog song? What if The Beatles' Happiness is a Warm Gun was more difficult to write than Dream Theater's Pull Me Under? Doesn't that count for anything? If not, then all that matters in music is song playing and not songwriting, so we might as well never have a new song again.
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Direct Link To This Post Posted: May 11 2011 at 15:34
Progressive rock has the deepest most thoughtful lyrics I've ever heard (for the most part).  Have you ever listened to VDGG or Pink Floyd? But I guess some bands do seem to be more poor lyrically like Rush
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Direct Link To This Post Posted: May 13 2011 at 06:18
Originally posted by Tapfret Tapfret wrote:

 
Originally posted by prog058 prog058 wrote:

Most prog musicians probably don't take an interest in language and literature



Umm, what? Wacko

No RD Laing in Gentle Giant, eh?
No Ayn Rand or Samuel Taylor Coolridge in Rush, eh?


The overall OP premise is misguided. I don't think prog has any worse lyrics than any other genre. You want maybe they switch to hip-hop lyrics? Should Jon Anderson sing more about cappin' sucka's? Should Annie Haslam sing about havin' to keep her womanhood extremely tight?

Yes!!!! That would rule!!
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Direct Link To This Post Posted: May 13 2011 at 21:40
Originally posted by Wafflesyrup Wafflesyrup wrote:

Music is universal. Humans are idiots. The universe... I dunno.
LOL  You should make that your signature!
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Direct Link To This Post Posted: May 22 2011 at 08:13
take offense to "bad" lyrics myself- if they are typical and not honest and I specifically choose prog which doesn't let me down in these respects, but perhaps more so in terms of lyrics understoon on the lvel of "stories" told, in which they combine with music. Although admittedly music like that of Rhapsody of Fire makes me cringe...

That combination is extremely important to me. Although that will be a very relative term- bad lyrics. To each their own. Genesis, Jethro Tull, King Crimson,Rush.. for me prog music is a source of inspiration with regards to the allusions they make or retellings they do. . Musicanship is important but if you want only music stick to all instrumental prog, which is also fine in the way it can stimulate imagination and make you imagine your own stories, though there is usually a concept behind it that partly directs the listener. Prog music is ALL about story telling and creativity,. not merely about technicality or compolexity of instrumentation on that level of technical performance. There is no other inventive music like it, which would exude the same complexity and depth and as long as its authors put their minds as well as hearts into it, it reaches the listener and never ever bores him or her. Much like classical music, which you can listen to over and over and always hear something new, something else that inspires you.

However, in that respect, I find that fantasy sort of metal prog, like Rhapsody of Fire tends to shine with cheesiness and I really have no heart to go through their music, which is only catchy and doesn't feel like having any substance to it.

It's really all taste (and very much personality) dependent but you really cannot say that prog has bad lyrics or bad stories. There is much to say about more mainstream music too. The melodies may be simple but sometimes it's the simple that makes you feel..empowered. Take Dougie MacLean and his "Ready for the Storm" for instance. I often find it a source of empowerment through a simple image and a sense of desolation it evokes. I used to really like old albums by McKennit - The Vist and Book of Secrets in particular because her music seemed to have been a result of research and genuine dedication and interest in the idea of Learning.

No, no, no. Trully, you really cannot put everything into one simple box, disregarding the varietiy and variety most of all listeners who always make their own senses of the music they listen to.


Edited by Perihelion - May 22 2011 at 08:16
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Direct Link To This Post Posted: May 24 2011 at 06:49

Prog often Plagued by Poor Lyrics?



Yes.

I was just listening to Kayak the other day, first two albums.  The lyrics are, often enough, literally about failing or barely managing to write lyrics LOL.

edit (sent by mistake):
But are those albums "plagued"?  I don't think so.  It probably would make them less approachable for some people, but I'm always there for the music before anything else; actual good lyrics are a bonus.


Edited by American Khatru - May 24 2011 at 06:51

Why must my spell-checker continually underline the word "prog"?

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Direct Link To This Post Posted: May 30 2011 at 18:09
Prog? Music in general!
"You want me to play what, Robert?"
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Direct Link To This Post Posted: May 31 2011 at 07:57
Prog has better lyrics than on average, at least the Prog I listen to

Pink Floyd - Best

Other Greats: The Who, Marillion, Alan Parsons Project,

Very Good: Supertramp,  Electric Light Orchestra, Emerson Lake Palmer, Genesis

etc. etc. etc.

As some have said, compare to C-RAP, S-Hit Hop, etc. etc.
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Direct Link To This Post Posted: May 31 2011 at 09:02
Head on wall
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Direct Link To This Post Posted: May 31 2011 at 11:07
Originally posted by RoyFairbank RoyFairbank wrote:

Prog has better lyrics than on average, at least the Prog I listen to

Pink Floyd - Best

Other Greats: The Who, Marillion, Alan Parsons Project,

Very Good: Supertramp,  Electric Light Orchestra, Emerson Lake Palmer, Genesis

etc. etc. etc.

As some have said, compare to C-RAP, S-Hit Hop, etc. etc.

You've never even heard of Massive Attack, Portishead, DJ Shadow, or Public Enemy, have you?

Why ONLY compare to one genre we all know most the pizza-faced jickass nerds are gonna hate? Isn't that too easy? You're too lazy in defending prog, Mr. zealot.
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Direct Link To This Post Posted: May 31 2011 at 13:18
Prog doesn't always have bad lyrics - look at:

Pink Floyd - Everything
Genesis - Selling England By the Pound
Jethro Tull - Thick as a Brick
King Crimson - A lot of things
et cetera

But well, in every genre someone fails ^^
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Direct Link To This Post Posted: June 06 2011 at 22:21
@ OP:

Yes. Prog often has terrible lyrics. I've heard great lyrics too, i.e. Fish.

The bad lyrics I have heard in prog are far far far worse than anything I have heard in pop. Now you might say "thats just your opinion", but I challenge you to find a pop song with worse lyrics than some of Roine Stolt's most abysmal.

Also terrible:
Post-Kevin Moore Dream Theater
IQ
Most things involving Neal Morse
Beardfish
Later era Jon Anderson lyrics (his earlier are some favorite ever)

My theory is that most prog musicians have a form of high functioning autism that makes it difficult for them to relate with other people using language.
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