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Direct Link To This Post Posted: January 28 2011 at 22:34
^ I found it particularly irritating when the author stated that the album was "Too melody-driven to be called prog"... I mean, come on, melody is one of the main reasons I love prog so much, prog actually bothers to create and develop melody, and give melody for a fair amount of time, instead of just getting some nice tune and repeat it for 3 minutes (5 at the most, and it's already a long pop song).
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Direct Link To This Post Posted: January 28 2011 at 14:58
Originally posted by JS19 JS19 wrote:

Originally posted by Rush77 Rush77 wrote:

Also, the legions of stupid, stuck-up rock critics, who think their word is God, slamming it into the ground because 'It's not the same as everything else' don't help boost the popularity....

(A quote there from my most hated page on the entire internet; the review for Frances The Mute, which, a lot of people have differing opinions on, of course. However, this reviewer took it upon himself to have a good old rant on why any music with any substance should be burned at the stake, and we should all worship Kanye West or something.)

'Oh i wanna hear this please give me the link'


http://pitchfork.com/reviews/albums/5118-frances-the-mute

I'm starting to find it quite funny now LOL

wow no wonder he couldn't get into real journalism
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Direct Link To This Post Posted: January 28 2011 at 14:10
Originally posted by Rush77 Rush77 wrote:

Also, the legions of stupid, stuck-up rock critics, who think their word is God, slamming it into the ground because 'It's not the same as everything else' don't help boost the popularity....

(A quote there from my most hated page on the entire internet; the review for Frances The Mute, which, a lot of people have differing opinions on, of course. However, this reviewer took it upon himself to have a good old rant on why any music with any substance should be burned at the stake, and we should all worship Kanye West or something.)

'Oh i wanna hear this please give me the link'


http://pitchfork.com/reviews/albums/5118-frances-the-mute

I'm starting to find it quite funny now LOL


Edited by JS19 - January 28 2011 at 14:11
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Direct Link To This Post Posted: January 28 2011 at 12:32
AllP0werToSlaves, that was frickin awesome. Any chance you've read The Power Of Now. I've been reading that, and what you said kinda sounds like what some of the book was trying to say.
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Direct Link To This Post Posted: January 28 2011 at 11:53
I think what it boils down to is that people (including proggies) are exceptionally biased, whether they are aware of it or not. There are people out there right now debating "Why isn't band X popular? Converting people to band X"; you really can substitute anything and the formula is essentially the same. People who are dead-set biased for a particular thing (especially music) have one hell of a time allowing their ego to accept something different and unfamiliar. This shouldn't be taken in negative light, because we are all human and fall whim to our biological impulses.

It's that whole "I use something in counter culture to express my individuality" situation. Running to the opposite end of the spectrum which is just as naive as those basking in the stagnant popular music arena.

Once the ego attaches itself to something, anything questioning that music/trend/fashion etc can be see by the ego as an attack on itself. This is true throughout human history not only in music, but politics as well. You can see it on almost every level of development (democrats v.s. republicans, science v.s. religion etc). Although listeners of progressive music tend to be more open minded in general, you still see it happening here all the time. People are quick to tell you that you are wrong for naming a band a particular genre (then they let you know EXACTLY what it is, hence "proving" their arbitrary superior musical understanding), which album is best in a discography etc.

This thread should read "Why do people let their ego limit their enjoyment of music in general?" This is of course all just personal opinion, and should be regarded as such.


Edited by AllP0werToSlaves - January 28 2011 at 11:56
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Direct Link To This Post Posted: January 28 2011 at 10:56
I wanted to add, I think prog isn't very popular partly because prog-fans generally aren't good at introducing the genre to people.

Too many prog heads are like used car salesmen or guys being too pushy to get a girl into bed. If you're all about the sell, nobody really wants to buy. Also, many prog-heads don't know anything about other genres. It's hard to get other people to be open minded about a new genre if you haven't walked the walk yourself. Besides, if a friend was trying to show you his favorite rap and explain why it's so beautiful and artsy, would you take him more seriously if he knew a wide variety of genres, or if he ONLY liked rap?

Look, I live in a university residence that's mostly freshmen. Most of the upper-years around here are into nerdy things. They play League of Legends and World of Warcraft. They listen to Rush and Tool. They play Star Wars board games. They occasionally read books like 1984. Are they looked at as uncool around here? Hell no! They're the top dogs of the residence, and they're pretty influential people. They have this attitude that says "This is what I like, you can try it with me if you want, or I could explain what I like about it to you, but it really doesn't matter to me whether you approve or not, we can be friends either way." This is the attitude prog-heads need.
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Direct Link To This Post Posted: January 28 2011 at 09:47
Originally posted by Stonebolt Stonebolt wrote:


Originally posted by JS19 JS19 wrote:

Isn't the whole point of music, the music, not just having the same skinny jeans that Billy Joe Armstrong has?
I don't necessarily agree with this. All music to some degree merges with other art forms. With progressive rock, it's usually visual art, as characterized by the interesting album covers and the fact that it's often released on vinyl.With many genres, it's the art of characterization. For instance, Ziggy Stardust, Marylin Manson, Lady Gaga, are these real people? No. They're singers in costumes.Many genres are largely about dancing. Techno, house, and the like.A lot of music is fused with the art of storytelling. For instance, most country, many progressive rock concept albums (The Wall being the most obvious).The point is music is rarely only about the music. It's usually augmented with some other form of art or entertainment. There are different degrees to how much this is present, but it's rarely not there at all.


Excellent point- music is not separate from other art forms at all.
Joseph Conrad would famously write -

Fiction -- if it at all aspires to be art -- appeals to temperament. And in truth it must be, like painting, like music, like all art, the appeal of one temperament to all the other innumerable temperaments whose subtle and resistless power endows passing events with their true meaning, and creates the moral, the emotional atmosphere of the place and time. Such an appeal, to be effective, must be an impression conveyed through the senses; and, in fact, it cannot be made in any other way, because temperament, whether individual or collective, is not amenable to persuasion. All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written words must also make its appeal through the senses, if its high desire is to reach the secret spring of responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music -- which is the art of arts.

He looks at it from the perspective of fiction. But truth is, music form is not complete without reference to other art forms.

And maybe we don't always know how to take in the whole picture, because prog music tends to be very complete, very satisfying. Maybe it's lack of time, maybe it's clse-mindenenss or maybe it's just lack of awareness of what prog sounds entail Sometimes, however, prog is being lisntened to without being labelled. Sometimes the bands from 70s are too obscure- I believe someone was not entirely wrong when mentioned we just like to tune in to something which is currently bbeing aired. The problem is current mainstream msic is starting to resemble an artificial plastic creature, constructed by reality tv moguls such as simon cowell. And the problem is when people complain about the sameness but don't do anything to turn away from it. QWhy/ Because they like it. And of they do- that is their buisness. You cannot force anyone to convert to something they don't keep an open mind to perhaps. If they like it- this is their individuality. And converting may be forcing someone to something they don't like or may not be readily willing to get used to. Matybe out of intellectual laziness? Who knows? I do not think it is our position to judge.
Everyone should just follow their own individualities, in my very humble opinion.









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Direct Link To This Post Posted: January 28 2011 at 00:03
Originally posted by JS19 JS19 wrote:

Isn't the whole point of music, the music, not just having the same skinny jeans that Billy Joe Armstrong has?


I don't necessarily agree with this. All music to some degree merges with other art forms. With progressive rock, it's usually visual art, as characterized by the interesting album covers and the fact that it's often released on vinyl.

With many genres, it's the art of characterization. For instance, Ziggy Stardust, Marylin Manson, Lady Gaga, are these real people? No. They're singers in costumes.

Many genres are largely about dancing. Techno, house, and the like.

A lot of music is fused with the art of storytelling. For instance, most country, many progressive rock concept albums (The Wall being the most obvious).

The point is music is rarely only about the music. It's usually augmented with some other form of art or entertainment. There are different degrees to how much this is present, but it's rarely not there at all.

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Direct Link To This Post Posted: January 27 2011 at 18:18
Originally posted by gorecki_md gorecki_md wrote:

Originally posted by Bonnek Bonnek wrote:


Most people aren't looking for music but for "entertainment", for a quick musical snack that sounds exactly as they want it.
No problem at all with that, I don't have much of a clue about painting or literature neither.

The people that are looking for music as a form of artistic expression are a minority.
And that minority has to be further spread over the many available options: classical, jazz, blues, rock, world, indie, singer songwriters, some of the music featuring on PA and much more...

So it's simple logic, low demand and many many options.
 Nothing to do with intellectual superiority, better taste or whatever.

This. While I may be open-minded when it comes to music, I also don't know much about literature, and maybe the stuff I've read will fall under the "top 100 novels you should read before you die".  I think it's just a matter of preference.   Life is too short there's really no time to be 'artsy' in everything.
 
You don't have to "know" literature. You don't have to "know" film. You don't have to "know" the arts ... but does it mean that you have to go through life ignorant of other things that happen out there that people do? ... you see paintings every day. You see books every day ... you see movies every day ... and the only thing that you are missing, is this ... there is more out there ... that those 10 things (I call it top  ten everything) that you are seeing every day ... and one day, you will go ... there's more ... where is it? ... and it's there in all groups and disciplines!
 
But rejecting it, when someone is helping you learn there is something else out there ... is your choice ... and for some ... as they say ... ignorance is bliss!
 
Again ... your choice! How much do you want to see? Know? Appreciate? Love? ... or are you just happy and/or too ripped, or too lazy to get off your couch and stop seeing Americal Fool? ... again, instead of trying to find out ... why would Peter Hammill do something like this or that ...? ... why would Picasso do something like that? ... which is much more interesting than ... why did JaneShiphead sing this song like this on American Fool? On top of it, a song that has been done and redone 10k times!
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Direct Link To This Post Posted: January 27 2011 at 17:49
Originally posted by 0anaxim 0anaxim wrote:

...
I heard a revealing interview with the late Malcolm McLaren where he as much as admitted that Punk was a ploy to create new markets and so they produced some publicity/propaganda about the music that dominated at that time. This was designed to push a space into the market.
...
 
 
I don't think, at the time, that Malcom knew it as much as he did ... but he knew one thing ... he was not going down without screaming and getting attention ... and sometimes you have to do that. In Southern California there was another big example of the reverse ... several churches were condenming a porno, and in the end, what they helped make, was the fact that it developed the video business over night and then became a massive money maker ... massive! It was called the ... kyms theory ... keep your mouth shut -- because you were drawing attention to it instead! ...
 
The publicity part is easy ... money begets money, and sometimes the return is better than the alternative. But you have to have someone that is not afraid to do it, and in the end, you have to "produce" ... and his punk folks DID. And eventually even got a hit off it! But not all publicity is that expensive ... most clubs in Portland advertise in the rags, not the Oregonian, that no one can afford ... which means that most bands will have left town before you find out they were here! Except those old bands trying to milk an extra dollar ... I'm so bored with Styx!
 
In America, this doesn't work as well, because too many people are watching American Idol ... and there is no way that a band playing somewhere else is going to be as good ... because these folks are on TV and the band is not. And that is a serious brain-washing issue ... again, the talent and the music, or the art, is NEVER next to you, or saying hi to you, or playing right in front of you ... it's always somewhere else!
 
In the end, it has to be about the art and the music. It has to come through and not quit. And in America, because the art scenes and movements are not visible and nearly do not exist, the chance for something different and new coming up is ... almost impossible. Let's hear it for yet another different voice doing rap!


Edited by moshkito - January 27 2011 at 17:56
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Direct Link To This Post Posted: January 27 2011 at 16:43
Also, the legions of stupid, stuck-up rock critics, who think their word is God, slamming it into the ground because 'It's not the same as everything else' don't help boost the popularity....

(A quote there from my most hated page on the entire internet; the review for Frances The Mute, which, a lot of people have differing opinions on, of course. However, this reviewer took it upon himself to have a good old rant on why any music with any substance should be burned at the stake, and we should all worship Kanye West or something.)
[/QUOTE]
Oh i wanna hear this please give me the link
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Direct Link To This Post Posted: January 27 2011 at 16:40
Its too complex and intellectual for a casual crowd its really not a casual music its a music that requires a lot  of a person to sit down and really listen to a 6+ min. song.
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Direct Link To This Post Posted: January 26 2011 at 19:59
Originally posted by Bonnek Bonnek wrote:


Most people aren't looking for music but for "entertainment", for a quick musical snack that sounds exactly as they want it.
No problem at all with that, I don't have much of a clue about painting or literature neither.

The people that are looking for music as a form of artistic expression are a minority.
And that minority has to be further spread over the many available options: classical, jazz, blues, rock, world, indie, singer songwriters, some of the music featuring on PA and much more...

So it's simple logic, low demand and many many options.
 Nothing to do with intellectual superiority, better taste or whatever.


This. While I may be open-minded when it comes to music, I also don't know much about literature, and maybe the stuff I've read will fall under the "top 100 novels you should read before you die".  I think it's just a matter of preference.   Life is too short there's really no time to be 'artsy' in everything.
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Direct Link To This Post Posted: January 26 2011 at 16:18
Originally posted by JS19 JS19 wrote:

...
Also, the legions of stupid, stuck-up rock critics, who think their word is God, slamming it into the ground because 'It's not the same as everything else' don't help boost the popularity....
...
 
Which was originally my biggest criticism in America, because there were no alternative publications that actually reviewed the music. And too much of the local rags are/were saying the same thing.
 
In the early days in LA, you had the Free Press, and it helped, but even that has "disappeared", but I am not in the area and have not been for 25 years. That publication alone should get the Oscar and all the awards for having made Frank Zappa, and help tear down the fabric of the "establishment" that was the LA Times and many of its rock critics, almost all of whom were corporate kissers. Robert Hilburn, had an independent streak in that he kept saying nice things about some of the English bands no one ever heard, or would hear, but in the end, it really was KMET, KLOS and KNAC (all of these FM radio and long cuts  allowed) and a few other radio stations that helped make Pink Floyd, Yes, Led Zeppelin, Jethro Tull, Willie Nelson and many others ... not the printed media!
 
This is as much as I understand based on my days in Santa Barbara (90 minutes drive to downtown LA on 5th and Hill for example) ... and in many ways, I still see the same thing, with the exception that the Portland alternative is just as bad as The Oregonian and is elitist as hell! And many times just full of it too!
 
 


Edited by moshkito - January 27 2011 at 17:57
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Direct Link To This Post Posted: January 26 2011 at 02:22
I always found that America had a very different approach to music, especially unpopular sub-genres. Seeing as for most people, traveling to a concert would be a 'big' thing, because the US of A is such a large place, while here in England, I can hop on a train to London and be there in about 45 minutes.

This changes people's appreciation of music, because in America, a concert is only an option if you know you love the band/artist, and want to see them desperately. 

On the other hand, in the 70s, English people got exposed to a lot of new and exciting music, because it was all so accessible at festivals and small shows, that it was easy to get to. The same thing still applies, which is why i think America is a more 'mainstream focused' country, and has yet to fully embrace most smaller genres.

Originally posted by Pitchfork Media Pitchfork Media wrote:

Indie and prog-rock have a lot more in common than most of their listeners might like to admit. Both are dominated by apostate wallflowers who act a lot cooler and more self-assured than they really are, and their artists, despite creating an aura of aloofness, are notoriously defensive. If you wanna take the psychoanalytic bent, both have masculinity issues: Prog compensates with double kick drums and the phallic gratification of rabid shrrredding, while indie prefers to spin its shortcomings into anti-heroism. This is not to detract from the legacy of either music-- both have rich and diverse histories-- but the reps of each have been tarnished by generations of feckless dudes whose spotlight-hogging has rendered the genres unusually susceptible to generalizations. In fact, the terms themselves are generalizations, almost always used negatively: These days, bands are most commonly dubbed "prog" or "indie" when their music isn't provocative enough to earn a more individually tailored description. 

Also, the legions of stupid, stuck-up rock critics, who think their word is God, slamming it into the ground because 'It's not the same as everything else' don't help boost the popularity....

(A quote there from my most hated page on the entire internet; the review for Frances The Mute, which, a lot of people have differing opinions on, of course. However, this reviewer took it upon himself to have a good old rant on why any music with any substance should be burned at the stake, and we should all worship Kanye West or something.)


Edited by JS19 - January 26 2011 at 04:33
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Direct Link To This Post Posted: January 25 2011 at 20:20
Originally posted by PlumAplomb PlumAplomb wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by PlumAplomb PlumAplomb wrote:

 
...
prog is also very personal, you are in our own world when you listen to it, it's total 'gaze into my soul' music..my past life in the land of dragons and faeries, music. maybe our self esteems don't want to get teased for liking it as well. or maybe people as a whole are not open to a lot of different things in which i see a lot of you take that stance, it's easy to say of someone if they dont like what you like that they 'just don't know' and be arrogant bout it. everyone does that :)
 
All "serious music" is personal to a great extent. And the so called "serious music" and "classical music" try to separate themselves from that experience, at least within a rock/jazz concert atmosphere, because we get excited and all that ... and in classical music you don't do that until the break or change of acts or movements!
 
I am of the opinion, that sometimes we are not as well versed in the arts, and the art of individuality, and most schooling is about placing you into the same group as everyone, so all the kids liking something, and you not, means you are not cool ... it's very childish and something that is not discussed, and sometimes we do that here (including me!) even without meaning to do so.
 
You have to have a sense of "personality" and "person" and "yourself" in order to like something that others don't. And you have to walk away from those socialist-types (don't you love it -- in a democracy they do that to you! ... yeah!), because they are only trying to feel superior because they are "in" ... and this was one of the biggest fights I had in California when I got there in 1971 ... with people thinking you were not cool because you did not exactly think that Joni Mitchell or Jackson Brown were that great ... which I always said ... so what? And once asked ... is that your excuse to get stoned? ... you ___________ moron, and walked out of his party ... and I found out later that the party ended 15 minutes later and that others did not like that person either!
 
It's a tough area all around ... but I sincerely question the desire and ability to be something, when we're doing the opposite ... and that is something that I am not sure that everyone has the "perspective" in order to be able to see it, which always makes the person that sees it sound wrong. Maybe stuffy a bit, but not necessarily wrong ... and I always said ... you have a choice ... how do you want the truth to get to you? ... sometimes it comes with a slap, sometimes a Mack truck, sometimes a good night of sex, sometimes with a finger, sometimes with a rat, sometimes with ... and many times we will accept one way, and ignore the others ... and the reality is ... it comes in all forms!
 
As Reagan said one time ... let them get stoned ... I'll win all the elections! ... and I quit on the spot! That was enough!


yeah i've not ever cared what anyone thinks about me, i kind of have elementary and high school to thank for that,  i was mercissly teased for being a freak, i had no idea that's what i was lol, i was just being me :) and i'll like what i like thanks

on that note if you don't like or have never seen star wars, then you jsut don't deserve to exist.


Very interesting, for as long as I can remember, I have chosen with my own mind when it comes to arts and sometimes it is what "everyone" chooses but very often not.  It is not as if I resent the very idea of doing what everybody else does but I also don't feel obligated to follow the crowd if I find what I think is a better way for me. I didn't know about anything called prog when I was called in school but somehow I have come to become a proghead LOL.  A far fetched idea but is there some psychological link between a non confrontational dissident (as opposed to a rebel, a la rock which pushes in the direction of rebels getting together and starting a revolution)  and prog?  Obviously, this presupposes that such a person should be interested in music and rock in particular but if...? I notice that people disagree with each other on this forum but it's normal service here, nothing unusual, but a consensus would be very important in other forums.  Again, this is quite far fetched and pretty much waiting to be called out by the "don't generalize" crowd, but it is a possibility because I know it to a certainty that I prefer composers who express their own individual vision in music rather than those who are content to work well established formats and cliches.  That is not the sole preserve of prog but it probably produces more individualistic composers than other rock/pop genres being that its very nature demands individualism.


Edited by rogerthat - January 25 2011 at 20:21
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Direct Link To This Post Posted: January 25 2011 at 17:29
Originally posted by 0anaxim 0anaxim wrote:

That's interesting, I come from near Canterbury which had its own scene and that was though to be very english. A lot of the musicians were from the local grammar school.

But you know I think there might have been US influences all along in many different ways er.. the blues revival and the psychedelic scene out od the Philmore etc all paved the way did't they? Also ike the way US fans must have supported some of our favourite bands, not sure, would the uk be big enough to allow all those bands to thrive?

The funny thing is I agree with you about the love of england, I think we share that accross the atlantic in a way cos the world has changed so much and the Prog bands seem to be more important in a way as championing a sense of the wonder of nature and stretching the imagination beyond the mundane. I love to read up on our history, like the romano british people and go and see barrows etc, that is your history too yes?


oh i'm not from england, i wish i was though. i'm from ny. i grew up on everything british practically (thank you pbs) i tend to think there is a huge british influence on much american pop culture though. i remember when i was visiting nottingham, beeston in 2002, i was watching the office and i said ot my friend- this show is good they would never have something like this in america. then six months later poof.
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Direct Link To This Post Posted: January 25 2011 at 17:12
That's interesting, I come from near Canterbury which had its own scene and that was though to be very english. A lot of the musicians were from the local grammar school.

But you know I think there might have been US influences all along in many different ways er.. the blues revival and the psychedelic scene out od the Philmore etc all paved the way did't they? Also ike the way US fans must have supported some of our favourite bands, not sure, would the uk be big enough to allow all those bands to thrive?

The funny thing is I agree with you about the love of england, I think we share that accross the atlantic in a way cos the world has changed so much and the Prog bands seem to be more important in a way as championing a sense of the wonder of nature and stretching the imagination beyond the mundane. I love to read up on our history, like the romano british people and go and see barrows etc, that is your history too yes?
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Direct Link To This Post Posted: January 25 2011 at 17:03
Originally posted by AllP0werToSlaves AllP0werToSlaves wrote:

Two words: instant gratification.

Prog doesn't cater to those without patience.

Funny you should say that. I was listening to Great Goodnight by Magellan (~35 minutes long) in the car and I went to my friend "for the past 30 minutes I've been listening to one song, and it's not even over yet (laughs)" he then responded that he finds songs longer than 6 minutes painful to listen to. I burst out laughing.
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Direct Link To This Post Posted: January 25 2011 at 16:58
i can see malcolm doing that, funny. i don't know how correct i am but when i think 'amazing prog' i think england, i also think that a prog band in england is like a crappy garage band in the states, every boy has had one. but i am a huge anglophile
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