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Topic ClosedCan we make a living from prog?

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moshkito View Drop Down
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Direct Link To This Post Posted: January 24 2011 at 14:39
Originally posted by thehallway thehallway wrote:

If studio music were legally free, the whole business would boom again. Suddenly, it wouldn't be immoral to download tracks without paying, so more people such as myself would be able to do it, and everyone would be into music again. Obviously, no money to be made from this, however, bands would get far greater publicity from the rapid distribution of their music (it's free!). Therefore their live concerts would sell out, and the demand for tickets would determine the price of tickets. The added bonus is that the price you pay REALLY IS based on how good the band are, not how well they are promoted.

Please, point of the flaws of this because I'm no businessman. But it sounds like it could work.

 
The only flaw is that it is hard to do something, and in the end, get nothing for it, specially today, in the economics that  ... you gotta pay rent, and get a job to pay for it ... and a nickel helps the equation some ... and getting a bit more makes it easier for you to concentrate on the music.
 
But if there would be no money, I would make things into a socialist (or some kind of "ist") system ... and in the end, those systems also had an issue with "choice" and "determination" of what was right or wrong and shown and presented, which by itself, is no different than any other economic design.
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Direct Link To This Post Posted: January 24 2011 at 14:10

If studio music were legally free, the whole business would boom again. Suddenly, it wouldn't be immoral to download tracks without paying, so more people such as myself would be able to do it, and everyone would be into music again. Obviously, no money to be made from this, however, bands would get far greater publicity from the rapid distribution of their music (it's free!). Therefore their live concerts would sell out, and the demand for tickets would determine the price of tickets. The added bonus is that the price you pay REALLY IS based on how good the band are, not how well they are promoted.

Please, point of the flaws of this because I'm no businessman. But it sounds like it could work.



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Direct Link To This Post Posted: January 24 2011 at 13:52
Hi,
 
I think that any band can make a living off their music, if they are smart good enough to learn one or two little things about it. Knowing an accountant and a student-lawyer, for example, would be a good start and help, and while it is difficult to figure out how to also give that person some money, in the end, the difference between most bands is how good their support system is ... regardless of what kind of music they are playing.
 
I'm not sure that progressive has anything to do with it, but if the members of the band are not focused on anything else but their music and not have the trust of a friend to help them get better and take it to a different level ... I guess there is always the Red Lion circuit! Managing the finances and the dispensing of materials and goods is not hard, but it takes a little co-ordination and desire too!
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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Direct Link To This Post Posted: January 24 2011 at 13:35
Well, for bands with as large a profile as Rush, no doubt touring is profitable.  But from what I've been told by "lesser" artists such as Roine Stolt and Andy Tillison (and at least a couple others I can't recall at the moment), touring is pretty much always a loss of money, not a gain.  The hope being to get more exposure to get more album and merchandise sales (and, these days, paid downloads).  Roine Stolt has said that back during probably their most popular time, early 2000's, the Flower Kings lost about $10,000 each time they toured the USA, less than that in Europe, though even then the best they could hope for was to break even on a tour.

Unless a band can play a LOT of shows (like Umphrey's McGee, for example, who play something like 250 + shows a year) and/or have strong financial backing (like Rush, again) they are going to be lucky to break even on a tour these days.  For prog bands without a profile like Rush's, they are not likely to get many shows and will not be able to pull in much money for the ones they do get.

Self producing CD's is actually the most profitable route for many of these bands, and even doing that will not make them enough money to live on (or barely enough to live cheaply).

Take a look at this:  http://www.billboard.biz/bbbiz/charts-articles/chart-alert/cake-scores-lowest-selling-no-1-in-soundscan-1004139369.story

The days of mega selling bands and artists appear to be over, in any case.
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Direct Link To This Post Posted: January 24 2011 at 12:28
Originally posted by JD JD wrote:

Like many others on this site I imagine, I've worked in the music industry with a 6 year stint as a FOH sound engineer. The sad truth is CD's sales are not a source of any real income for bands. They depend on touring and royalties and to some extent merchandise. I can remember a time when a band released an album and had sales in the tens of thousands in the first weeks or month. Now I read articles that say that even todays most popular artists are having sales of three to five thousand copies in a month and that's good.
You can make a living as a working band even without "hits" but it's very hard on the body and soul depending on the career path and touring locations. Many fine musicians end up working at music stores or as teachers to supplement the inherent need to produce music.
To those who can live by their music I say ...kudos to you for sure.
 
Either Geddy Lee or Alex said the same thing this past year in an interview, it may have been the CNN spot they did. Album sales barely break even with regard to the production of new album.....there are way too many hands in the pot.
They said touring today is where the money is made, ticket sales, shirts and probably a % of the food and beverage sold at venues goes to the band.
I have no problem with that....I love live shows, especially from the established long standing artists, they have taken the production to an enjoyable level.
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Direct Link To This Post Posted: January 24 2011 at 12:20
Originally posted by Theriver Theriver wrote:

Bands of the 90's sold less after the years 2000 because of more rival bands.


Nah....that was because of Walter's campaignLOL
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Direct Link To This Post Posted: January 24 2011 at 11:41
No. 

Prog is a hobby. 
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Direct Link To This Post Posted: January 24 2011 at 09:36
Bands used to tour to promote new albums. Nowadays they release albums to promote tours.
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Direct Link To This Post Posted: January 24 2011 at 09:12
I can't believe anyone would make a living from cd sales alone.
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Direct Link To This Post Posted: January 24 2011 at 08:27
I recently read a book named "Making Money in the Music Industry", and the author reveals how becoming famous (which happens to only a few and lasts only a few years) is not the key for most musicians, CD sales will hardly make an income, and advises to rely on residency in a specific club, having your band play different types of music under different names, diversifying your talents to recording, teaching, etc, to actually make a decent living within the industry. A very down to earth approach to life and living in an industry which is famous for sucking your life away,  for very little reward,.
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Direct Link To This Post Posted: January 24 2011 at 07:56
I don't know what goes on today and that's my deal. I've been told by prog vendors that business is booming but then I watched a documentary on prog which shows evidence of prog bands performing at picnics. I am under the assumption that they make decent money at Nearfest but how many bookings do they have before they slide downward to play picnics again?
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Direct Link To This Post Posted: January 24 2011 at 06:34
Like many others on this site I imagine, I've worked in the music industry with a 6 year stint as a FOH sound engineer. The sad truth is CD's sales are not a source of any real income for bands. They depend on touring and royalties and to some extent merchandise. I can remember a time when a band released an album and had sales in the tens of thousands in the first weeks or month. Now I read articles that say that even todays most popular artists are having sales of three to five thousand copies in a month and that's good.
You can make a living as a working band even without "hits" but it's very hard on the body and soul depending on the career path and touring locations. Many fine musicians end up working at music stores or as teachers to supplement the inherent need to produce music.
To those who can live by their music I say ...kudos to you for sure.
Thank you for supporting independently produced music
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Direct Link To This Post Posted: January 23 2011 at 15:38
I will make a living out of prog.
 
I have a cunning plan.


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Direct Link To This Post Posted: January 23 2011 at 14:35
Bands of the 90's sold less after the years 2000 because of more rival bands.
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Direct Link To This Post Posted: January 23 2011 at 14:34
I think prog won a lot with the success of internet. I would have never heard of some bands without websites like PA, youtube, myspace and would have of course never bought their cds. Mainstream bands suffered a lot more of illegal downloading. Prog fans are much more loyal.
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Direct Link To This Post Posted: January 23 2011 at 12:21
Originally posted by zravkapt zravkapt wrote:

I might be crazy, but I think I've read that because of the internet(filesharing, streaming, YouTube, etc.), some smaller artists are selling more copies to people who otherwise would have never heard of them. 


I don't think you are crazy. I have read this in a number of interviews.
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Direct Link To This Post Posted: January 23 2011 at 12:07
Yeah!
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Direct Link To This Post Posted: January 23 2011 at 12:04
The best form of attack is defence.
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Direct Link To This Post Posted: January 23 2011 at 11:59
Originally posted by Slartibartfast Slartibartfast wrote:

Originally posted by Prog Geo Prog Geo wrote:

You changed the question.So,I will answer again.Absolutely not!

That's a bit harsh but often true.  The correct answer is rarely.


Sure.But I prefer to think the most pessimistic side of things for defense.
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Direct Link To This Post Posted: January 23 2011 at 11:52
Originally posted by Prog Geo Prog Geo wrote:

You changed the question.So,I will answer again.Absolutely not!

That's a bit harsh but often true.  The correct answer is rarely.
Released date are often when it it impacted you but recorded dates are when it really happened...

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